South Coast Music Group Llc Distributed by Interscope Records
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Free Views Tiktok
Free Views Tiktok Free Views Tiktok CLICK HERE TO ACCESS TIKTOK GENERATOR tiktok auto liker hack In July 2021, "The Wall Street Journal" reported the company's annual revenue to be approximately $800 million with a loss of $70 million. By May 2021, it was reported that the video-sharing app generated $5.2 billion in revenue with more than 500 million users worldwide.", free vending machine code tiktok free pro tiktok likes and followers free tiktok fans without downloading any apps The primary difference between Tencent’s WeChat and ByteDance’s Toutiao is that the former has yet to capitalize on the addictive nature of short-form videos, whereas the latter has. TikTok — the latter’s new acquisition — is a comparatively more simple app than its parent company, but it does fit in well with Tencent’s previous acquisition of Meitu, which is perhaps better known for its beauty apps.", In an article published by The New York Times, it was claimed that "An app with more than 500 million users can’t seem to catch a break. From pornography to privacy concerns, there have been quite few controversies surrounding TikTok." It continued by saying that "A recent class-action lawsuit alleged that the app poses health and privacy risks to users because of its allegedly discriminatory algorithm, which restricts some content and promotes other content." This article was published on The New York Times.", The app has received criticism from users for not creating revenue and posting ads on videos which some see as annoying. The app has also been criticized for allowing children younger than age 13 to create videos. -
Death Row Records
The New Kings of Hip-Hop Death Row Records “You are now about to witness the strength of street knowledge.” —N.W.A. Contents Letter from the Director ................................................................................................... 4 Mandate .......................................................................................................................... 5 Background ...................................................................................................................... 7 Topics for Discussion ..................................................................................................... 10 East Coast vs. West Coast .................................................................................... 10 Internal Struggles................................................................................................. 11 Turmoil in Los Angeles ........................................................................................ 12 Positions ........................................................................................................................ 14 Letter from the Director Dear Delegates, Welcome to WUMUNS XII! I am a part of the class of 2022 here at Washington University in St. Louis, and I’ll be serving as your director. Though I haven’t officially declared a major yet, I’m planning on double majoring in political science and finance. I’ve been involved with Model UN since my freshman year of high school, and I have been an active participant ever since. I am also involved -
And Duet Announce an Alliance to Present and Market the On-Demand Music Subscription Service Created by Sony Music Entertainment and Universal Music Group
Yahoo! and Duet Announce an Alliance to Present and Market the On-Demand Music Subscription Service Created by Sony Music Entertainment and Universal Music Group SANTA CLARA, NEW YORK and PARIS -- April 5, 2001 -- Today, Yahoo! Inc. (Nasdaq: YHOO), a leading global Internet communications, commerce and media company, and Duet, the online digital music subscription service created by the world's two largest music companies, Universal Music Group and Sony Music Entertainment, announced an alliance to present and market Duet's U.S. service to visitors to the Yahoo! network and Yahoo!® Music (http://music.yahoo.com). The Duet subscription service is expected to launch this summer. The on-demand Duet subscription service will offer consumers the opportunity to access a broad range of quality music online with speed, ease of use, and reliability while respecting artists' rights. The service will provide music enthusiasts with the ability to compile personalized playlists and to share them with other Duet members, among other features. The Duet service is expected to launch with streaming music and plans to add downloads shortly thereafter. The Duet subscription service will offer music from Sony Music and Universal Music on a non-exclusive basis. Duet also expects to offer music from other companies, in order to provide consumers with the best experience and access to the most compelling selection of music available. "Yahoo! is pleased to join Sony Music and Universal Music, the world's two largest music companies, to promote the Duet subscription service to U.S. music fans," said Jeff Mallett, president and chief operating officer, Yahoo! Inc. -
Creativecommission
CreativeCommission What is Creative Commission? Who has used it? Do you have examples of success? How does it work? How much do I pay? Is it a competition? Do I have to commission? Can anyone join? How many creatives do you have? What is Creative Commission? A freelance jobs portal for the music industry to discover new creatives for future projects • Launched in Summer 2014 ‘CC fills a definite skills requirement gap for a $4million of project briefs posted commissioner requiring creative specialisms’ • Creative department, Warner Music UK • Global creative community in +1000 cities Used by +1500 music execs worldwide ‘A fantastic resource for all labels and managers • looking to access quality creatives’ Wildlife Entertainment, Arctic Monkeys management MUSIC VIDEOS VIDEO CONTENT Video LIVE SESSIONS ALBUM ARTWORK BRANDING & LOGOS Design MERCHANDISE PORTRAITS REPORTAGE Photo LIVE PHOTOS WEBSITES SOCIAL MEDIA Digital E-COMMERCE Art by Jack Crossing How can music rights-holders make their money go further while feeding an increasing demand from fans for more visual content? Creative Commission thinks it has the solution. How we can help you We’re here to help make commissioning projects a little easier and more affordable. 1. Find new creative people to work with 2. More options for free for your next project 3. Specific skill sets which you don’t have in-house 4. Calling 911 - it’s an emergency! How to post your first brief Email Brian, Nick or Matt so we can help • Register you with an account ‘A simple, easy to use way to find high quality, -
Aaron Harrison
Before the UNITED STATES COPYRIGHT ROYALTY JUDGES Library of Congress Washington, D.C. ) In re ) ) DETERMINATION OF ROYALTY ) DOCKET NO. 14-CRB-0001-WR RATES AND TERMS FOR ) (2016-2020) EPHEMERAL RECORDING AND ) DIGITAL PERFORMANCE OF SOUND ) RECORDINGS (WEB IV) ) ) TESTIMONY OF AARON HARRISON Senior Vice President, Business & Legal Affairs, Global Digital Business, UMG Recordings, Inc. PUBLIC VERSION Witness for SoundExchange, Inc. PUBLIC VERSION BACKGROUND 1. I am Senior Vice President, Business & Legal Affairs, Global Digital Business, UMG Recordings, Inc. (“UMG Recordings”), a position I have held since 2013. UMG Recordings, Inc. is the primary recorded music company in the United States for the Universal Music Group. Universal Music Group (hereafter, “Universal”) is the colloquial name for the group of music related companies owned by Vivendi S.A. Together, these companies comprise the world’s largest recorded music company. Along with other members of the Business & Legal Affairs team in the Global Digital Business department, I negotiate deals with various digital music services that use Universal’s repertoire of sound recordings. Such services include on-demand and customized streaming services, download and ringtone stores, locker services, and various types of subscription services. I have negotiated deals on Universal’s behalf for the past nine years. During that time, I have negotiated more than 100 agreements with digital music services. 2. Prior to assuming my current position, I was Vice President, Business & Legal Affairs, eLabs, UMG Recordings. I began my employment with UMG Recordings in 2005 as Director, Business & Legal Affairs, eLabs. Prior to joining UMG Recordings, I was an attorney with the law firm Manatt, Phelps & Phillips, LLP, where my practice focused primarily on talent representation and advising companies in the acquisition of intellectual property and branded entertainment rights. -
F.B.T. V. Aftermath Agreement, F.B.T
man.7 In accordance with the Records Sold provision of the 1998 F.B.T. v. Aftermath agreement, F.B.T. was to receive between 12 and 20 percent of the adjusted retail price of all “full price records sold in the Unit- Eminem Raps the Record Industry ed States . through normal retail channels.” However, with respect to music that is licensed, the Masters Licensed provision of the agreement provided that “[n]otwithstanding the foregoing,” BY EDWIN F. MCPHERSON F.B.T. was to receive 50 percent of Aftermath’s net receipts “[o]n masters licensed by us . to others for their manufacture and sale n typical modern recording agreements, an artist receives of records or for any other uses.”8 During the negotiation of the anywhere from 15 to 20 percent of the “Published Price to agreement, the parties had no discussion about either the Records Dealers” (“PPD”) for physical recordings (primarily compact Sold provision or the Masters Licensed provision.9 I 1 discs) that are sold through “normal retail channels.” Previ- The agreement defined “master” as a “recording of sound, ously, artist royalties were based on the “Suggested Retail List without or with visual images, which is used or useful in the Price” (“SRLP”), with many deductions. However, with respect recording, production or manufacture of records.” However, to music that is “licensed” to third parties, the artist typically there was no definition in the agreement of the terms “licensed” has always received 50 percent of the net income that the label or “normal retail channels.”10 receives for that licensed music. -
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October 16, 2014
University of Mississippi eGrove Daily Mississippian Journalism and New Media, School of 10-16-2014 October 16, 2014 The Daily Mississippian Follow this and additional works at: https://egrove.olemiss.edu/thedmonline Recommended Citation The Daily Mississippian, "October 16, 2014" (2014). Daily Mississippian. 937. https://egrove.olemiss.edu/thedmonline/937 This Newspaper is brought to you for free and open access by the Journalism and New Media, School of at eGrove. It has been accepted for inclusion in Daily Mississippian by an authorized administrator of eGrove. For more information, please contact [email protected]. Thursday, October 16, 2014 THE DAILY Volume 103, No. 36 THE STUDENTMISSISSIPPIAN NEWSPAPER OF THE UNIVERSITY OF MISSISSIPPI SERVING OLE MISS AND OXFORD SINCE 1911 Visit theDMonline.com @thedm_news opinion lifestyles sports Boys might be Riverside Ole Miss Hoops boys: musings Voodoo at to host Square of a transgender Proud Larry’s Jam student Page 2 Page 5 Page 6 Pi Kap moves into LCFD ensures community safety former Sig Ep house MITCHELL REDD chartering of our fraternity go [email protected] hand-in-hand with the excite- ment of getting into the house Since the closing of the Mis- for the first time,” Schmidt sissippi Alpha Chapter of Sig- said. ma Phi Epsilon at The Uni- Despite the excitement versity of Mississippi, their the brothers share over their house sitting at 309 Frater- long-fought path of getting nity Row has been dormant. the house, Schmidt described Last week, Pi Kappa Phi fra- the process as being quite ternity moved in. lengthy and containing more The Pi Kappa Phi chapter steps than they initially real- was originally established at ized. -
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Executive of the Week: Carbon Fiber Music President Franklin
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE AUGUST 27, 2021 Page 1 of 28 INSIDE Executive of the Week: • Roblox’s Music Play: ‘Hundreds’ Carbon Fiber Music President of Daily Concerts, Building a Franklin Martínez Digital Vegas & NMPA Lawsuit BY LEILA COBO • UK Festival Industry Primed for Biggest Farruko’s “Pepas,” an EDM/reggaetón track about Enter “Pepas,” which kicks off with Farruko sing- Weekend Since pill-popping partygoers, hit No.1 this week on Bill- ing gently over simple chords, almost as if it were a Pandemic Began board’s Hot Latin Songs and Hot Dance/Electronic love song, before it pumps up, finessed by a sextet of Songs charts. Equally impressive is the fact that producers: IAmChino, Sharo Towers, Keriel “K4G” • Apple to Make Changes to “Pepas” is not a multi-artist collaboration, but a Far- Quiroz, Victor Cárdenas, White Star and Axel Ra- App Store Rules in ruko solo single, bolstered by an irresistible, anthemic fael Quezada Fulgencio “Ghetto.” Settlement With chorus that sent fans wild at the recent Baja Beach The song was released June 24 on Sony Music Latin U.S. Developers Fest in Rosarito, Mexico despite the fact that the song with little fanfare — there wasn’t even a video ready • Bruno Mars’ is only two months old. — and debuted at No. 28 on the Hot Latin Songs chart Las Vegas Show That’s all sweet news for Farruko (real name Carlos dated July 17. It jumped to the top 10 four weeks later, Grosses More Than Efrén Reyes Rosado), a reggaetón star who’s had eight reaching No.