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Using Popular Songs to Teach Similes by Thoughtco.Com, Adapted by Newsela Staff on 11.07.17 Word Count 832 Level 940L
What does the timpani sound like? The Timpani in the Orchestra Utah Symphony (6:12) Etude #1, Scherzo by Tom Freer Leonardo Soto, Houston Symphony (2:49) What does a marimba sound like? Jesu, Joy of Man’s Desiring Bach (21 sec.) What does a vibraphone sound like? What does a xylophone sound like? Ode to Joy, Beethoven Excerpt Utah Symphony (18 sec.) (12 sec.) What do tubular bells sound like? What do these instruments sound like? Percussion 101: Chimes BBC National Orchestra of Wales - Percussion Vic Firth (3:03) (1:18) How to Play the Tambourine How to Play the Guiro How to Play the Triangle musicmax.eu (1:03) musicmax.eu (48 sec.) Kalani, Peripole, Inc. (1:58) What do these instruments sound like? Marching Percussion 101: Section Demonstration Chick and a Roll (2:42) Using popular songs to teach similes By ThoughtCo.com, adapted by Newsela staff on 11.07.17 Word Count 832 Level 940L Singer and actress Ariana Grande performing at a concert at the Meadowlands in East Rutherford, New Jersey, in 2014. Photo by: Scott Roth/AP. A simile makes a direct comparison between two things. It uses the words "like" or "as." The comparison reveals a new meaning. For example, the rock group Foreigner wrote a song called "Cold as Ice." The lyrics include a simile: You're as cold as ice You're willing to sacrifice our love In this example, the lyrics are not talking about the weather. Instead, they compare a woman to ice to show her emotions. Many songs can be used to teach about similes. -
The Symbolic Annihilation of the Black Woman in Rap Videos: a Content Analysis
The Symbolic Annihilation of the Black Woman in Rap Videos: A Content Analysis Item Type text; Electronic Thesis Authors Manriquez, Candace Lynn Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 03:10:19 Link to Item http://hdl.handle.net/10150/624121 THE SYMBOLIC ANNIHILATION OF THE BLACK WOMAN IN RAP VIDEOS: A CONTENT ANALYSIS by Candace L. Manriquez ____________________________ Copyright © Candace L. Manriquez 2017 A Thesis Submitted to the Faculty of the DEPARTMENT OF COMMUNICATION In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2017 Running head: THE SYMBOLIC ANNIHILATION OF THE BLACK WOMAN 2 STATEMENT BY AUTHOR The thesis titled The Symbolic Annihilation of the Black Woman: A Content Analysis prepared by Candace Manriquez has been submitted in partial fulfillment of requirements for a master’s degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his or her judgment the proposed use of the material is in the interests of scholarship. -
Free Views Tiktok
Free Views Tiktok Free Views Tiktok CLICK HERE TO ACCESS TIKTOK GENERATOR tiktok auto liker hack In July 2021, "The Wall Street Journal" reported the company's annual revenue to be approximately $800 million with a loss of $70 million. By May 2021, it was reported that the video-sharing app generated $5.2 billion in revenue with more than 500 million users worldwide.", free vending machine code tiktok free pro tiktok likes and followers free tiktok fans without downloading any apps The primary difference between Tencent’s WeChat and ByteDance’s Toutiao is that the former has yet to capitalize on the addictive nature of short-form videos, whereas the latter has. TikTok — the latter’s new acquisition — is a comparatively more simple app than its parent company, but it does fit in well with Tencent’s previous acquisition of Meitu, which is perhaps better known for its beauty apps.", In an article published by The New York Times, it was claimed that "An app with more than 500 million users can’t seem to catch a break. From pornography to privacy concerns, there have been quite few controversies surrounding TikTok." It continued by saying that "A recent class-action lawsuit alleged that the app poses health and privacy risks to users because of its allegedly discriminatory algorithm, which restricts some content and promotes other content." This article was published on The New York Times.", The app has received criticism from users for not creating revenue and posting ads on videos which some see as annoying. The app has also been criticized for allowing children younger than age 13 to create videos. -
Death Row Records
The New Kings of Hip-Hop Death Row Records “You are now about to witness the strength of street knowledge.” —N.W.A. Contents Letter from the Director ................................................................................................... 4 Mandate .......................................................................................................................... 5 Background ...................................................................................................................... 7 Topics for Discussion ..................................................................................................... 10 East Coast vs. West Coast .................................................................................... 10 Internal Struggles................................................................................................. 11 Turmoil in Los Angeles ........................................................................................ 12 Positions ........................................................................................................................ 14 Letter from the Director Dear Delegates, Welcome to WUMUNS XII! I am a part of the class of 2022 here at Washington University in St. Louis, and I’ll be serving as your director. Though I haven’t officially declared a major yet, I’m planning on double majoring in political science and finance. I’ve been involved with Model UN since my freshman year of high school, and I have been an active participant ever since. I am also involved -
And Duet Announce an Alliance to Present and Market the On-Demand Music Subscription Service Created by Sony Music Entertainment and Universal Music Group
Yahoo! and Duet Announce an Alliance to Present and Market the On-Demand Music Subscription Service Created by Sony Music Entertainment and Universal Music Group SANTA CLARA, NEW YORK and PARIS -- April 5, 2001 -- Today, Yahoo! Inc. (Nasdaq: YHOO), a leading global Internet communications, commerce and media company, and Duet, the online digital music subscription service created by the world's two largest music companies, Universal Music Group and Sony Music Entertainment, announced an alliance to present and market Duet's U.S. service to visitors to the Yahoo! network and Yahoo!® Music (http://music.yahoo.com). The Duet subscription service is expected to launch this summer. The on-demand Duet subscription service will offer consumers the opportunity to access a broad range of quality music online with speed, ease of use, and reliability while respecting artists' rights. The service will provide music enthusiasts with the ability to compile personalized playlists and to share them with other Duet members, among other features. The Duet service is expected to launch with streaming music and plans to add downloads shortly thereafter. The Duet subscription service will offer music from Sony Music and Universal Music on a non-exclusive basis. Duet also expects to offer music from other companies, in order to provide consumers with the best experience and access to the most compelling selection of music available. "Yahoo! is pleased to join Sony Music and Universal Music, the world's two largest music companies, to promote the Duet subscription service to U.S. music fans," said Jeff Mallett, president and chief operating officer, Yahoo! Inc. -
Creativecommission
CreativeCommission What is Creative Commission? Who has used it? Do you have examples of success? How does it work? How much do I pay? Is it a competition? Do I have to commission? Can anyone join? How many creatives do you have? What is Creative Commission? A freelance jobs portal for the music industry to discover new creatives for future projects • Launched in Summer 2014 ‘CC fills a definite skills requirement gap for a $4million of project briefs posted commissioner requiring creative specialisms’ • Creative department, Warner Music UK • Global creative community in +1000 cities Used by +1500 music execs worldwide ‘A fantastic resource for all labels and managers • looking to access quality creatives’ Wildlife Entertainment, Arctic Monkeys management MUSIC VIDEOS VIDEO CONTENT Video LIVE SESSIONS ALBUM ARTWORK BRANDING & LOGOS Design MERCHANDISE PORTRAITS REPORTAGE Photo LIVE PHOTOS WEBSITES SOCIAL MEDIA Digital E-COMMERCE Art by Jack Crossing How can music rights-holders make their money go further while feeding an increasing demand from fans for more visual content? Creative Commission thinks it has the solution. How we can help you We’re here to help make commissioning projects a little easier and more affordable. 1. Find new creative people to work with 2. More options for free for your next project 3. Specific skill sets which you don’t have in-house 4. Calling 911 - it’s an emergency! How to post your first brief Email Brian, Nick or Matt so we can help • Register you with an account ‘A simple, easy to use way to find high quality, -
The Sociology of Music and Social Distinctions: P!NK's Career As an Example of Social Linkage
Digital Commons @ Assumption University Honors Theses Honors Program 2019 The Sociology of Music and Social Distinctions: P!NK's Career as an Example of Social Linkage David Cifarelli Assumption College Follow this and additional works at: https://digitalcommons.assumption.edu/honorstheses Part of the Music Commons, and the Social and Behavioral Sciences Commons Recommended Citation Cifarelli, David, "The Sociology of Music and Social Distinctions: P!NK's Career as an Example of Social Linkage" (2019). Honors Theses. 49. https://digitalcommons.assumption.edu/honorstheses/49 This Honors Thesis is brought to you for free and open access by the Honors Program at Digital Commons @ Assumption University. It has been accepted for inclusion in Honors Theses by an authorized administrator of Digital Commons @ Assumption University. For more information, please contact [email protected]. The Sociology of Music and Social Distinctions: P!NK’s Career as an Example of Social Linkage David Cifarelli Faculty Supervisor: Christopher Gilbert, Ph. D Department of English A Thesis Submitted to Fulfill the Requirements of the Honors Program at Assumption College Spring 2019 Cifarelli 1 Introduction Music is extremely social. It is one of the most expressive art forms our society holds. Due this expressive nature, the art of making music can hold many social connotations and directly involve or relate itself to social occurrences, movements and ideals. This intertwined relationship thus allows music to be a conductor of social change by existing and working within these various social constructs. In addition, those involved with the music-making business are, by association, also potential conductors of social change. -
R&B/ -NOP Timbaland Makes a `Proposal'
R&B/ -NOP Timbaland Makes A `Proposal' Rapper Says Duo's Second Project On Blackground Is His Last As An Artist BY RASHAUN HALL Timbaland says the CD will be his understanding how it works and NEW YORK- Timing is everything last as an artist. how the money is made." when it comes to releasing a record. For Magoo, who found himself Working with renewed focus, the Just ask Timbaland & Magoo, whose grappling with newfound fame after duo crafted Indecent Proposal, a 15- and The Blues,. BlackgroundNirgin sophomore proj- track set featuring guest appear- ect, Indecent Proposal, is now set for ances by Aaliyah, Ludacris, Jay -Z, SNOOP'S NEW HOME: Snoop Dogg is Backstage after the Atlanta show, a Nov. 20 release after a long delay. and Tweet, among others. Magoo setting up shop at MCA Records. But Wright commented on her desire for "I turned [the album] in a year - credits Timbaland with matching the former No Limit/Priority rapper onstage spontaneity. "I'm just being and -a -half ago, and it's just [now] artists to its tracks. still has one more studio album under me," she says. "It's easy. I wrote a coming out," a frustrated Timbaland "He has an idea of what direction that contract before he can exit. The bunch of songs that I really like, and I says. "And now we're in a recession - each song should go in," Magoo says. MCA deal also includes Snoop Dogg's have some very capable musicians and it doesn't make sense." "It has a lot to do with the concept Doggy Style Records, formerly distrib- vocalists helping me create the colors The delay was partially due to and who can come up with a good uted by TVT, and the production of and the pictures that I want onstage. -
The Music Column That Wouldn't Die: New Album Reviews
The Music Column That Wouldn’t Die: New Album Reviews. I told myself I was over this, that I had retired from the world of music reviews. I had moved onto bigger and better things (mostly staring at the wall and wondering why nobody calls me anymore). Yet here I am, a mere few months after burning my bridges, giving up on new music and making a world of enemies, back in the game. Did I miss the constant abuse, the being paid in soiled pennies and the lack of recognition which writing this unremembered column entailed? Funnily enough, I did! It was listening to the post punk genius of the new Dry Cleaning record that did it. I thought to myself ‘someone has to take it upon themselves to tell the world just how good this album is’. After a moment of quiet reflection where I drank a glass of lukewarm Ribena to calm the nerves, I decided that that person may as well be me. By JOHN BITTLES So, here we are. Bittles’ Magazine, like some particularly bothersome zombie with a bad haircut and worse breath, has been reborn. And what a re-introduction we have! In this month’s reviews there is the art heavy punk funk strut of Squid, the melancholy dream pop of White Flowers, Thomas Fehlmann’s rich ambiance, the return of living legends The Coral, the skewed pop of Dntel, and Dry Cleaning of course. So, tell all your friends, phone the tabloids, and let us begin… New Long Leg by Dry Cleaning. -
Hurts 2B Human" Uscirà Il 26 Aprile Per RCA Records Ed È Disponibile Per Il Pre-Order Già Da Oggi
GIOVEDì 28 MARZO 2019 L'ottavo album di P!NK "Hurts 2b Human" uscirà il 26 aprile per RCA Records ed è disponibile per il pre-order già da oggi. Per festeggiare, la popstar pubblica anche un altro pezzo contenuto nell'album, "Hustle", P!NK, esce il 26 aprile il nuovo scritto dalla stessa P!NK insieme a Dan Reynolds degli Imagine Dragons album "Hurts 2b Human" e a Jorgen Odegard e prodotto da Odegard (con la collaborazione di Reynolds). Le 13 tracce vedono P!NK collaborare di nuovo con i suoi fidati collaboratori Max Martin, Shellback, Julia Michaels, Nate Ruess, Greg Kurstin, Billy Mann e per la prima volta con Teddy Geiger, Sasha Sloan, CRISTIAN PEDRAZZINI Beck e Sia, oltre ai featuring con Khalid, Chris Stapleton, Cash Cash e Wrabel. Il primo singolo ora in radio "Walk Me Home" ha più di 50 milioni di stream in tutto il mondo e rimane nella top 10 di iTunes US. Il video diretto da Michael Gracey (The Greatest Showman) e da Stuart Bowen, uscito settimana scorsa, ha più di 6 milioni di views. [email protected] SPETTACOLINEWS.IT La cantante americana ha da poco dato il via alla seconda tranche del suo Beautiful Trauma World Tour a partire dal 1 marzo da Sunrise, in Florida, e terminerà con ben due serate al New York City's Madison Square Garden il 21 e il 22 maggio. Per il tour sono già stati venduti più di 3 milioni di biglietti in tutto il mondo e più di 1 milione solo in America. Dal suo debutto nel 2000, P!NK (Alecia Moore) ha pubblicato 6 album ("Can't Take Me Home", "M!ssundaztood", "Try This", "I'm Not Dead", "Funhouse", "Greatest Hits So Far!!!"), venduto oltre 60 milioni di album, 75 milioni di singoli (quasi 20 milioni di brani digitali), più di 2.4 milioni di DVD in tutto il mondo e ha avuto ben 15 singoli nella top 10 della classifica Hot 100 di Billboard. -
Aaron Harrison
Before the UNITED STATES COPYRIGHT ROYALTY JUDGES Library of Congress Washington, D.C. ) In re ) ) DETERMINATION OF ROYALTY ) DOCKET NO. 14-CRB-0001-WR RATES AND TERMS FOR ) (2016-2020) EPHEMERAL RECORDING AND ) DIGITAL PERFORMANCE OF SOUND ) RECORDINGS (WEB IV) ) ) TESTIMONY OF AARON HARRISON Senior Vice President, Business & Legal Affairs, Global Digital Business, UMG Recordings, Inc. PUBLIC VERSION Witness for SoundExchange, Inc. PUBLIC VERSION BACKGROUND 1. I am Senior Vice President, Business & Legal Affairs, Global Digital Business, UMG Recordings, Inc. (“UMG Recordings”), a position I have held since 2013. UMG Recordings, Inc. is the primary recorded music company in the United States for the Universal Music Group. Universal Music Group (hereafter, “Universal”) is the colloquial name for the group of music related companies owned by Vivendi S.A. Together, these companies comprise the world’s largest recorded music company. Along with other members of the Business & Legal Affairs team in the Global Digital Business department, I negotiate deals with various digital music services that use Universal’s repertoire of sound recordings. Such services include on-demand and customized streaming services, download and ringtone stores, locker services, and various types of subscription services. I have negotiated deals on Universal’s behalf for the past nine years. During that time, I have negotiated more than 100 agreements with digital music services. 2. Prior to assuming my current position, I was Vice President, Business & Legal Affairs, eLabs, UMG Recordings. I began my employment with UMG Recordings in 2005 as Director, Business & Legal Affairs, eLabs. Prior to joining UMG Recordings, I was an attorney with the law firm Manatt, Phelps & Phillips, LLP, where my practice focused primarily on talent representation and advising companies in the acquisition of intellectual property and branded entertainment rights. -
F.B.T. V. Aftermath Agreement, F.B.T
man.7 In accordance with the Records Sold provision of the 1998 F.B.T. v. Aftermath agreement, F.B.T. was to receive between 12 and 20 percent of the adjusted retail price of all “full price records sold in the Unit- Eminem Raps the Record Industry ed States . through normal retail channels.” However, with respect to music that is licensed, the Masters Licensed provision of the agreement provided that “[n]otwithstanding the foregoing,” BY EDWIN F. MCPHERSON F.B.T. was to receive 50 percent of Aftermath’s net receipts “[o]n masters licensed by us . to others for their manufacture and sale n typical modern recording agreements, an artist receives of records or for any other uses.”8 During the negotiation of the anywhere from 15 to 20 percent of the “Published Price to agreement, the parties had no discussion about either the Records Dealers” (“PPD”) for physical recordings (primarily compact Sold provision or the Masters Licensed provision.9 I 1 discs) that are sold through “normal retail channels.” Previ- The agreement defined “master” as a “recording of sound, ously, artist royalties were based on the “Suggested Retail List without or with visual images, which is used or useful in the Price” (“SRLP”), with many deductions. However, with respect recording, production or manufacture of records.” However, to music that is “licensed” to third parties, the artist typically there was no definition in the agreement of the terms “licensed” has always received 50 percent of the net income that the label or “normal retail channels.”10 receives for that licensed music.