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De Mvsica Hvmana
2020 DE MVSICA HVMANA Festival miembro de la Red Europea de Música Antigua y de la Asociación Española de Festivales de Música Clásica Ente Promotor Observador del Proyecto I+D+i Libros de polifonía y música de tradición oral (HAR2016-75371-P) Premio a la Mejor Institución Sello de calidad EFFE Premio al Mejor Cultural de Andalucía 2005 2017-2018 y 2019-2021 Festival Español de RTVA Asociación Europea de Festivales Música Antigua 2019 © De Mvsica Hvmana © Festival de Música Antigua de Úbeda y Baeza, Diputación Provincial de Jaén XXIV Edición, 2020 © de los textos: sus autores © coordinación y edición: Javier Marín López y Virginia Sánchez López Compilación de textos: Esther Arranz López Diseño de portada y contraportada: Artifactum (Úbeda) Composición: Publimax Impresores S.L.L. (Baeza) Impresión: Sociedad Provincial de Artes Gráficas S.A. (Jaén) ISBN: 978-84-09-24351-8 Depósito Legal: J-776-2020 PRESENTACIÓN............................................................................................................................................................... 8 CICLO I. DE MVSICA HVMANA (del 22 de noviembre al 13 de diciembre) “Margarita pretiosa” (Baeza, 22 de noviembre, El León de Oro)............................................................. 9 Despertando la música: de los manuscritos al escenario (Úbeda, 27 de noviembre, Emilio Villalba)............................................................................................................ 17 El mensaje oculto del Barroco: numerología y cábala (Úbeda, 28 de noviembre, -
An Examination of the Significance of Soviet Socialist Realist Art and Practice in the Asia Pacific Region
An examination of the significance of Soviet Socialist Realist art and practice in the Asia Pacific region. Alison Carroll Student Number: 196621690 ORCID Number: 0000-0001-8068-2694 Thesis Submission for Doctor of Philosophy degree October 2016 This thesis is submitted in total fulfilment of the degree. School of Culture and Communication University of Melbourne Supervisors: Associate Professor Alison Inglis (University of Melbourne) Professor Anthony Milner (University of Melbourne and Australian National University) 1 An examination of the significance of Soviet Socialist Realist art and practice in the Asia Pacific region. Table of contents: 2 Abstract 4 Declaration 5 Acknowledgements 6 List of illustrations 7 Preface 20 Introduction: Western art historical practice and recent Asian art; some alternative ways of thinking. 22 1. Art and politics: Soviet Socialist Realism and art history in the Asia Pacific region. 46 2. Policy and practice: The significance of the new policies and practices created in the Soviet Union in the direction for art in Asia. 70 1. Political leaders on art 70 2. Arts leaders on politics 77 3. The Soviet practice of art in Asia: organisation 80 4. The Soviet practice of art in Asia: ideological innovations 95 5. The transmission of information from West to East 103 3. The Art: The influence of Soviet Socialist Realism on the art of the Asia Pacific region, 1917-1975. 113 1. Social realism in the Asia Pacific region 114 2. Socialist Realism in the Asia Pacific region 1. Russia and China: (a) Socialist in content 121 Russia and China: (b) Realist in style 131 2. -
Content Activity
Content Activity 1. General provisions 4 2. Priorities and sectors 6 3. Timeline and Chronicles 8 4. International cooperation 14 5. Communications 16 Numbers 6. Project statistics 18 Projects 7. Supported projects. Register 22 8. Implementation of projects. Photos 122 9. Експерти 136 Experts 10. UCF Estimate Budget 138 General provisions The Ukrainian Cultural Foundation is a state-owned institution created in 2017 in correspondence with the Law of Ukraine with aim to facilitate development of culture and arts in Ukraine, to provide favourable environment for development of intellectual and spiritual potential of individuals and society, wide access for the citizens to national cultural heritage, to support cultural diversity and integration of the Ukrainian culture into the world cultural space. Activities of the Ukrainian Cultural Foundation are guided and coordinated by the Ministry of Culture of Ukraine according to the current legislation. Law of Ukraine “On Ukrainian Cultural Foundation” defines principles of activities and main tasks of UCF UCF’s Principles humanism prevent conflicts of interest during the tolerance organization of competitive selection and freedom of creativity financing of projects ensuring cultural diversity ensuring equal opportunities to receive innovativeness support from UCF for individuals and legal democratic and transparent decision-making entities, regardless of forms of ownership ensuring competition and equality of partnership between the state and civil conditions for the intellectual, creative society -
International Commissioning and Touring Report Page 53
International Commissioning and Touring Report Page 53 APPENDICES Appendix A - Project Participants Appendix B - Case Study Interview Guide Appendix C - CASE STUDY SUMMARIES Appendix D - Data Collection Technical Appendix Appendix E - Examples of Projects with U.S./Non-U.S. Public/Private Funding Mix International Commissioning and Touring Report A-1 APPENDIX A PROJECT PARTICIPANTS ADVISORY COMMITTEE Alicia Adams Director of Special Programming The John F. Kennedy Center for the Performing Arts Washington,D.C. 20566-0001 Lisa Booth President Lisa Booth Management, Inc. 145 West 45th St., #602 New York, NY 10036 Bau Graves Artistic Director Center for Cultural Exchange One Longfellow Square Portland, ME 04101 Sylvia Sherman Artistic Director La Pena Cultural Center 3105 Shattuck Avenue Berkeley, CA 94705 Roberta Uno Artistic Director New World Theater University of Massachusetts P.O. Box 31810 Amherst, MA 01003 International Commissioning and Touring Report A-2 Miami Focus Group Meeting Miami-Dade Community College, Wolson Campus May 26, 1999 Participants Ed Allen Fantasy Theatre Project, Miami, FL Sheila Austin Miami-Dade Cultural Affairs Council, Miami, FL Elizabeth Boone Miami Light Project, Miami, FL Susan Cataballo INDAMI Intercultural Dance & Music, Miami, FL Ina Dittke Rhythm Foundation, Miami, FL Dr. William Hipp School of Music, University of Miami, Miami, FL Mary Luft Tigertail Productions, Miami, FL Jan Mapou Sosyete Koukouy, Miami, FL Georgianna Pickett Cultural Affairs Department, Miami-Dade Community College, Miami, FL Sydney -
Plan De Estudios 2017
Universidad Veracruzana Maestría en Música: Composición; Dirección Coral; Dirección Orquestal; Teoría de la Música Plan de Estudios 2017 1 Datos generales Institución que lo propone Universidad Veracruzana Grado que se otorga Maestro en Música: Composición Maestra en Música: Composición Maestra en Música: Dirección Coral Maestro en Música: Dirección Coral Maestra en Música: Dirección Orquestal Maestro en Música: Dirección Orquestal Maestra en Música: Teoría de la Música Maestro en Música: Teoría de la Música Características del posgrado Profesionalizante. - Duración máxima - 2 años Modalidad Escolarizado Total de horas 164 horas Composición y Teoría de la Música 184 horas Dirección Coral y Dirección Orquestal Total de créditos 136 Créditos 2 3 Tabla de Contenidos 1. Justificación .......................................................................................................... 1 2. Fundamentación Académica ................................................................................ 2 Composición .............................................................................................................. 3 Dirección Orquestal y Coral ...................................................................................... 3 Teoría de la Música ................................................................................................... 4 VISIÓN: ..................................................................................................................... 5 MISIÓN: .................................................................................................................... -
Content Activity
Content Activity 1. General provisions 4 2. Priorities and sectors 6 3. Timeline and Chronicles 8 4. International cooperation 14 5. Communications 16 Numbers 6. Project statistics 18 Projects 7. Supported projects. Register 22 8. Implementation of projects. Photos 122 9. Experts 136 Finances 10. UCF Estimate Budget 138 General provisions The Ukrainian Cultural Foundation is a state-owned institution created in 2017 in correspondence with the Law of Ukraine with aim to facilitate development of culture and arts in Ukraine, to provide favourable environment for development of intellectual and spiritual potential of individuals and society, wide access for the citizens to national cultural heritage, to support cultural diversity and integration of the Ukrainian culture into the world cultural space. Activities of the Ukrainian Cultural Foundation are guided and coordinated by the Ministry of Culture of Ukraine according to the current legislation. Law of Ukraine “On Ukrainian Cultural Foundation” defines principles of activities and main tasks of UCF UCF’s Principles humanism prevent conflicts of interest during the tolerance organization of competitive selection and freedom of creativity financing of projects ensuring cultural diversity ensuring equal opportunities to receive innovativeness support from UCF for individuals and legal democratic and transparent decision-making entities, regardless of forms of ownership ensuring competition and equality of partnership between the state and civil conditions for the intellectual, creative society -
Why There Are Great Women Artists in Ukrainian Art
УДК 75-055.2(477)=111 Published on the occasion of the exhibition Ж72 “A Space of One’s Own” and within the framework of the PinchukArtCentre Research Platform Why There Are Great Women Artists in Ukrainian Art. — К. : Publish Pro, 2019. — 224 p. ISBN 978-617-7765-07-2 The book Why There Are Great Women Artists in Ukrainian Art marks one of the first attempts to tell the history of Ukrainian art through the lens of gender, covering the period from the end of the 19th century to the artistic experiments of the early 21st century. This story is made up of unknown pages from biographies of Ukrainian female artists, where one can see the names of those who have been forgotten or remain little known to the general public along with those of the key figures of Ukrainian art. The book shows how the possibilities of creative self-fulfillment by female and male artists changed over time, how the artists overcame the obstacles on the way to professional recognition, and how the awareness of bodily experience was transformed in their work. The archival documents dealing with the role and place of women in art, which we have collected, are particularly valuable. This book is not recommended for minors. Author-compiler Kateryna Iakovlenko Texts by: Lidiia Apollonova, Kateryna Badianova, Lizaveta German, Halyna Hleba, Olena Hodenko, Tatiana Kochubinska, Kateryna Mishchenko, Vlada Ralko, Valeriia Schiller, Kateryna Iakovlenko, Tetiana Zhmurko Translated from Ukrainian to English Taras Shulha English editor Svitlana Biedarieva Design and layout Aliona Solomadina Correction of color Iana Staryk Photo credits: Lidiia Apollonova, Maksym Bilousov, Oleksandr Burlaka, Volodymyr Bysov, Serhii Filimonov, Mykhailo Frantsuzov, Boris Gradov, Oleg Golosii, Anastasiia Kanarska, Dmytro Kavsan, I. -
Ukraine's Unity Day Holiday Manifests Divisions in Society
INSIDE: • Mykola Riabchuk on selective justice in Ukraine – page 6. • Metropolitan Constantine Bohachevsky, 1884-1961 – page 8. • An artist to watch: pianist Anna Shelest – page 13. THEPublished U by theKRAINIAN Ukrainian National Association Inc., a fraternal Wnon-profit associationEEKLY Vol. LXXIX No. 5 THE UKRAINIAN WEEKLY SUNDAY, JANUARY 30, 2011 $1/$2 in Ukraine Ukraine’s Unity Day holiday manifests divisions in society Olena Harasovska/UNIAN Participants of the Unity Day human chain that stretched across Kyiv’s Paton Bridge to symbolically unite Ukraine on January 22. Unity Day, or “Den Sobornosty” in Ukrainian, has been a national holiday in Ukraine since 1999, when so designated by a presidential decree. Volodymyr Musyak Thousands of Ukrainians gathered on St. Sophia Square to commemorate Unity by Zenon Zawada who formed the financial backbone of for- Day on January 22, 92 years after the Ukrainian National Republic and the Kyiv Press Bureau mer President Viktor Yushchenko’s political Western Ukrainian National Republic declared their unification. campaign – confectionary magnate Petro KYIV – Ukrainians were disunited as Poroshenko and natural gas trader Mykola drew the crowd’s attention and applause, party newspaper,” said Yurii Sytoriuk, the ever on Unity Day, holding three separate Martynenko – were also on Kontraktova which grew loud enough to interfere with party spokesman. “Why no go there and rallies in Kyiv on January 22, the day com- Square. the prayer and visibly irritate Patriarch advertise Svoboda? We used it as party pro- memorating the unification of the Ukrainian Soviet-era dissident Bohdan Horyn Filaret, who kept his distance from the paganda.” National Republic (of central and eastern accused the Yatsenyuk crowd of fulfilling opposition leader for the remainder of the The For Ukraine party, a national-demo- Ukraine) and the Western Ukrainian commands from the Yanukovych adminis- evening. -
The History of World and Ukrainian Culture
MINISTRY OF PUBLIC HEALTH OF UKRAINE NATIONAL UNIVERSITY OF PHARMACY K.A. Ivanova, G.F. Krivtchikova THE HISTORY OF WORLD AND UKRAINIAN CULTURE CREDIT-MODULE COURSE Manual for students of higher schools Kharkiv NUPh «Golden Pages» 2012 UDC 008 BBK 71.3(0)+71.3(4UKR) I-21 Approved by Ministry of Education and Science, Youth and Sports of Ukraine (Letter №1/11-14965 from 25.09.2012) Authors: K.A. Ivanova, G.F. Krivtchikova Reviewed by: V.A. Samokhina, PhD of Philology, professor, Head of the English Philology Department, Kharkiv National University named after V.N. Karazin; G.D. Pankov, PhD of Philosophy, professor of the Culture Studies Department, Kharkiv State Academy of Culture. The History of World and Ukrainian Culture I-21 (credit-module course) : Manual for students of higher schools / K.A. Ivanova, G.F. Krivtchikova. — Kharkiv : NUPh : Golden Pages, 2012. — 360 p. ISBN 978-966-615-421-0 ISBN 978-966-400-263-6 The manual covers all main topics of the course, in- cluding the summarized material on the development of world culture and its influence on the Ukrainian cul- ture with accordance to the requirements of the Ministry of Education and Science, Youth and Sports of Ukraine. After each topic a list of questions for self-control is given. The manual is arranged as a credit-module course. It can be used by students for independent work, self- study and as supplementary material for group discus- sions and essay preparation. UDC 008 BBK 71.3(0)+71.3(4UKR) ISBN 978-966-615-421-0 © K.A. -
Crime, Public Order and Human Rights the International Council on Human Rights Policy
Crime, Public Order and Human Rights The International Council on Human Rights Policy The International Council on Human Rights Policy was established in Geneva in 1998 to conduct applied research into current human rights issues. Its research is designed to be of practical relevance to policy-makers in international and regional organisations, in governments and intergovernmental agencies, and in voluntary organisations of all kinds. The Council is independent, international in its membership, and participatory in its approach. It is registered as a non-profit foundation under Swiss law. © The British Museum. Brooch in the Urnes style. Viking, 11th century AD. Found near the village of Kiaby, Skåne, Sweden. This copper-alloy brooch is in the form of a ribbon-bodied animal entwined with interlacing tendrils. The animal does not represent any particular species, but may show Christian influence as a symbol of the struggle between good and evil. CRIME, PUBLIC ORDER AND HUMAN RIGHTS The International Council wishes to thank the Ford Foundation (New York), the Swedish I n t e r n a t i o n a l D e v e lo pm e n t C o -o pe r a t i o n Ag e n c y ( SI D A ), t h e N e t h e rl a n d s M i ni s t r y o f F o reign Affairs, the Open Society Institute, OXFAM (United Kingdom), CAFOD (United Kingdom), Christian Aid (United Kingdom) and Professor Walter Kälin for their financial s u p p o r t t o t hi s p ro j e c t . -
10 SEP 2013 Guatemala, 10 De Septiembre De 2018
10 SEP 2013 Guatemala, 10 de Septiembre de 2018 Hora: Maestro Carlos Enrique Galdámez Castillo Presidente en Sustitución del Consejo Directivo Orquesta Sinfónica Nacional Presente Apreciable Maestro Galdámez: De la manera más atenta me dirijo a usted con el propósito de presentarle el PRODUCTO correspondiente al período comprendido del 01 de Marzo al 10 de Septiembre de 2018, según lo estipulado en el Acta No. 04-2018. de fecha 02 de Febrero de 2018. Actividades Realizadas: a) Desarrollar materiales gráficos de comunicación (impresos y digitales) para la promoción de Conciertos de las Diferentes Temporadas de la Orquesta Sinfónica Nacional (Afiches, Mantas, Programas de Mano, Posts para Facebook y Gifs animados), durante el período comprendido del 01 de marzo al 10 de septiembre de 2018. Resultados Obtenidos: Entrega de Producto consistente en: "informe de Producción de los Materiales Gráficos de Comunicación (impresos y digitales) para la promoción de los Conciertos de las Diferentes Temporadas de la Orquesta Sinfónica Nacional (Afiches, Mantas, Programas de Mano, Posts para Facebook y Gifs animados)", elaborados durante el período comprendido del 01 de marzo al 10 de septiembre de 2018". Atentamente, LICDA. MARYSOL DAVIIAILLESCAS Es conforme: CaTíost^frrTi Consejo Directivo Orquesta Sinfónica Nacional MARYSOL DÁVILA ILLESCAS 2018 Guatemala, septiembre 2018 Señores Orquesta Sinfónica Nacional de Guatemala Desde el inicio de mis labores: el 3 de mayo hasta la conclusión de las mismas el 10 de octubre de 2018. Desarrollé materiales gráficos de comunicación para la promoción de los conciertos de todas las temporadas de la Orquesta Sinfónica Nacional de Guatemala; Temporada Popular, Temporada Oficial, Temporada de Música de Cámara, Temporada Didáctica, Temporada Extemporánea. -
Board of Trustees Meeting Minutes, April 10, 2015
Board of Trustees meeting minutes, April 10, 2015 THE OHIO STATE UNIVERSITY OFFICIAL PROCEEDINGS OF THE ONE THOUSAND FOUR HUNDRED AND SEVENTY-NINE MEETING OF THE BOARD OF TRUSTEES Columbus, Ohio, April 9 & 10, 2015 The Board of Trustees met on Thursday, April 9 and Friday, April 10, 2015, at Longaberger Alumni House, Columbus, Ohio, pursuant to adjournment. ** ** ** Minutes of the last meeting were approved. ** ** ** 437 Board of Trustees meeting minutes, April 10, 2015 The Chairman, Dr. Wadsworth, called the meeting of the Board of Trustees to order on Thursday, April 9, 2015 at 10:19am. Present: Jeffrey Wadsworth, Chairman, Ronald A. Ratner, Alex Shumate, Linda S. Kass, Janet B. Reid, William G. Jurgensen, Cheryl L. Krueger, Michael J. Gasser, Brent R. Porteus, Alex R. Fischer, Abigail S. Wexner, Stacie E. Seger, Steven M. Loborec, G. Gilbert Cloyd, and Corbett A. Price. Dr. Wadsworth: Good morning. I would like to convene the meeting of the Board of Trustees and ask the Secretary to note the attendance. Dr. Thompson: A quorum is present, Mr. Chairman Dr. Wadsworth: I hereby move that the Board recess into Executive Session to consider business sensitive trade secret matters required to be kept confidential by Federal and State statutes and to discuss personnel matters regarding the appointment, employment, and compensation of public officials. May I have a second? Upon motion of Dr. Wadsworth, seconded by Mr. Gasser, the Board of Trustees adopted the foregoing motion by unanimous roll call vote, cast by Trustees Wadsworth, Ratner, Shumate, Kass, Reid, Jurgensen, Krueger, Gasser, Porteus, Fischer, and Wexner. Dr.