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7. Internationales Kammermusikfestival Nürnberg 7. INTERNATIONALES KAMMERMUSIKFESTIVAL NÜRNBERG 12. -2 0. September 2008 Ideenquelle für Ihre Anlagen. Sparkassen-VermögensManagement. s Sparkasse Nürnberg Umfassende Vermögensbetreuung ist mehr als kurzfristige Geldanlage und regelmäßige Aktientipps. Sie ist die aktive Begleitung rund um Geld und Vermögen – und das aus einer Hand: professionell, individuell und diskret. Vertrauen Sie auf unsere Spezialisten. Näheres im Sparkassen-VermögensManagement oder unter www.sparkasse-nuernberg.de. Wenn’s um Geld geht – Sparkasse Nürnberg. 00932_A_SVM_Ideenquelle_210x210_1 1 08.05.2008 11:49:32 Uhr 7. INTERNATIONALES KAMMERMUSIKFESTIVAL NÜRNBERG 12. -20. September 2008 4 7. Internationales KammermusikFestival Nürnberg INHALTSVERZEICHNIS 07 Kalendarium 44 FESTIVALFINALE: OPER Freitag, 19. September 08 Grußworte 46 Liedtexte: Maurice Ravel „Shéhérazade“ 48 Mitwirkende Kinder und Jugendliche, 11 Vorwort Workshopteilnehmer „Text“ und Workshopteilnehmer „Musik“ 12 Andrew West: Französische Lieder – 49 das babylonexperiment: französische Kammermusik Handlung und Quellen von Debussy bis Messiaen 50 Ein Gespräch zwischen 14 KONZERT 1: ERÖFFNUNGSKONZERT Michael Kerstan und Matthew King Freitag, 12. September 53 Anmerkungen der Projektbetreuer 16 Liedtexte: Aaron Copland „Twelve Poems of Emily Dickinson“ 54 Stimmen jugendlicher Darsteller 24 KONZERT 2: zur Arbeit an dem Projekt Samstag, 13. September 56 Bildende Kunst zum babylonexperiment 26 Andrew West: Direktheit und Transparenz – Zur Arbeit der Gruppe von Verena Waffek zu den kammermusika li schen Werken 57 Bildende Kunst zum babylonexperiment des 7. Internationalen Handy und Hände KammermusikFestivals Nürnberg 27 Liedtexte: Maurice Ravel 58 Claudia Marquardt: Zum begleitenden „Chansons Madécasses“ museumspädagogischen Projekt des Neuen Museums 30 KONZERT 3: LIEDERABEND 60 Libretto Sonntag, 14. September 32 Liedtexte: Alban Berg „Sieben frühe Lieder“, 66 Mitwirkende Künstler Robert Schumann „Dichterliebe“, Claude Debussy „Cinq Poèmes de Baudelaire“, Maurice Ravel „Don Quichotte à Dulcinée“ 78 Förderer und Freunde 40 KONZERT 4: Dienstag, 16. September 80 Förderverein 42 KONZERT 5: GALAKONZERT Mittwoch, 17. September 81 Vorschau 2009 82 Impressum 7. Internationales KammermusikFestival Nürnberg 5 RECHTSANWÄLTE STEUERBERATER WIRTSCHAFTSPRÜFER NÜRNBERG GERA CHEMNITZ REGENSBURG Am Stadtpark 2 Hofwiesenpark 10 Enzmannstraße 4 Kumpfmühler Straße 2 90409 Nürnberg 07548 Gera 09112 Chemnitz 93045 Regensburg Telefon: (0911) 400799-0 Telefon: (0365) 83348-0 Telefon: (0371) 38389-0 Telefon: (0941) 29828-72 Telefax: (0911) 400799-10 Telefax: (0365) 83348-39 Telefax: (0371) 38389-15 Telefax: (0941) 29828-20 [email protected] [email protected] [email protected] [email protected] WWW.THORWART.DE KALENDARIUM Änderungen vorbehalten. Rittersaal der Kaiserburg Neues Museum Nürnberg Katharinensaal Freitag, 12. September, 20.00 Uhr Samstag, 13. September, 20.00 Uhr Sonntag, 14. September, 18.00 Uhr KONZERT 1 KONZERT 2 KONZERT 3 ERÖFFNUNGSKONZERT KONZERT LIEDERABEND bei Kerzenschein WOLFGANG AMADEUS MOZART AARON COPLAND ALBAN BERG Klavierkonzert Es-Dur K449 Duo für Flöte und Klavier Sieben frühe Lieder (Bearbeitung für Klavierquintett MAURICE RAVEL ROBERT SCHUMANN vom Komponisten) Chansons Madécasses Dichterliebe AARON COPLAND FRANCIS POULENC CLAUDE DEBUSSY Twelve Poems of Emily Dickinson Sextett für Klavier und Bläserquintett Cinq Poèmes de Baudelaire MAURICE RAVEL OLIVIER MESSIAEN MAURICE RAVEL Streichquartett F-Dur Thème et variations Don Quichotte à Dulcinée CLAUDE DEBUSSY Streichquartett g-Moll op. 10 Marthakirche Rittersaal der Kaiserburg Klarissenplatz vor dem Neuen Museum, Opernzelt Dienstag, 16. September, 20.00 Uhr Mittwoch, 17. September, 20.00 Uhr Freitag, 19. September, 20.00 Uhr Samstag, 20. September, 15.00 Uhr und 20.00 Uhr KONZERT 4 KONZERT 5 FESTIVALFINALE KONZERT GALAKONZERT bei Kerzenschein MUSIK- UND OPERNABEND MAURICE RAVEL MAURICE RAVEL MAURICE RAVEL Tzigane – Rhapsodie für Violine und Klavier Introduktion und Allegro Shéhérazade (bearbeitet von FELIX MENDELSSOHN BARTHOLDY GABRIEL FAURÉ Matthew King und Simon Clarke) Klaviertrio d-Moll op. 49 Dolly Suite MATTHEW KING/MICHAEL KERSTAN CÉSAR FRANCK GEORGE GERSHWIN das babylonexperiment (UA) Klavierquintett f-Moll Songs aus Porgy and Bess FRANZ SCHUBERT Einführung jeweils 45 Minuten Sonatine D-Dur vor Vorstellungsbeginn CAMILLE SAINT-SAËNS Septett Es-Dur Neues Museum Nürnberg, Samstag, 13. September, 18.30 Uhr AUSSTELLUNGSERÖFFNUNG Bildende Kunst zum babylonexperiment 7. Internationales KammermusikFestival Nürnberg 7 GRUSSWORT des Staatsministers für Europa und Beauftragten für die deutsch-französischen Beziehungen Günter Gloser MdB Liebe Freunde des Claude Debussys ohne die bewusste Auseinander- Internationalen KammermusikFestivals Nürnberg, setzung mit Wagner nicht denkbar wäre. Camille Saint-Saëns’ Samson et Dalila eroberte zum siebten Mal fi ndet nun ein Festival mit groß- mit Liszts Hilfe von Weimar aus die Opernbühnen artigen Künstlern statt, das unser Nürnberger der Welt. Francis Poulencs Oper Dialogues des Car- Kulturleben in diesem Jahrzehnt bereichert hat mélites, basierend auf einem Roman der deutschen wie kaum eine andere Kulturinitiative. Die Aner- Katholikin hugenottischer Provenienz, Gertrud kennung seitens der Stadt durch die Verleihung von le Fort, erlebt eine erstaunliche Renaissance, des Kultur-Förderpreises ist ebenso verdient, wie auch dank einer hervorragenden Inszenierung der herzliche bis stürmische Beifall, den ein be- des Nürnberger Staatstheaters. Wer würde sich GÜNTER GLOSER geistertes Publikum den Konzerten spendet. heutzutage der fl irrenden Klangmalerei und der Staatsminister für Europa und Beauftragter Ich freue mich sehr, dass in diesem Jahr zum pulsierenden Rhythmik Maurice Ravels entziehen für die deutsch-französischen Beziehungen, MdB ersten Mal die Programmauswahl mit einem deut- wollen, nur weil dieser wie kaum ein anderer spe- lichen französischen Akzent versehen ist. Die zifi sch französische Kompositionskunst repräsen- deutsch-französischen Musikbeziehungen sind tiert? Die Gräben sind überwunden, und es ist gut, ebenso spannungsreich, wie die historisch-poli- dass das 7. Nürnberger KammermusikFestival wei- tischen Beziehungen zu unserem westlichen Nach- tere Klang-Brücken zwischen den germanophonen barland. Deutsche und französische Musikkultur und frankophonen musikalischen Welten schlägt. befruchteten sich gegenseitig. Doch wurden auch So verbindet sich Mozart mit Ravel, Schumann mit kulturelle Differenzen in einer Zeit nationalis- Debussy, Mendelssohn mit César Franck, Schubert tischer Überheblichkeit bewusst hochstilisiert und mit Gabriel Fauré. Aaron Copland und Matthew vor allem durch die nationalsozialistische Ideolo- King werden diese musikalische Welt noch um gie scheinbar unüberwindliche Gräben aufgerissen. einige anglophone Klänge bereichern, auf die wir Der Esprit der Musik des Kölner Juden Jacques Of- ebenfalls gespannt sein dürfen. fenbach wurde zum Paradebeispiel musikalischer Man darf mit Freude den Konzerten des Fe- Décadence erklärt, die Grand Opéra des Berliner stivals entgegenhören. Das spannende Babylon - Juden Giacomo Meyerbeer wurde zur Negativfolie projekt im Rahmen des Festivals mag an die Sprach- degradiert, vor der das wagnersche Gesamtkunst- verwirrung und an das Auseinandertriften von Völ- werk um so strahlender erscheinen sollte. kern und Kulturen erinnern. Die Sprache der Musik Es ist wohl eine der bemerkenswertesten Ent- wird weltweit verstanden werden und Völker, Re- wicklungen in der europäischen Geschichte, dass ligionen und Kulturen verbinden, wenn wir unsere aus der Erbfeindschaft zwischen Frankreich und Ohren nicht mit den lautstarken kriegerischen Pa- Deutschland eine dauerhafte Freundschaft und ein rolen gefährlicher Ideologien zustopfen lassen. gemeinsames Agieren auf der Bühne der internati- Ich wünsche allen mitwirkenden Künstlern viel onalen Politik erwachsen konnte, unabhängig von Erfolg, danke den Organisatoren des Festivals und den jeweiligen politischen Mehrheitsverhältnissen wünsche dem Publikum wunderschöne deutsch- in den beiden Ländern. französische Musikerlebnisse! Auch die musikhistorischen Schützengräben sind verlassen, Brücken wurden gebaut und seit lan- IIhrhr gem Verbindendes rückt in den Blickpunkt. Längst ist anerkannt, dass die spezifi sche Musikalität 8 7. Internationales KammermusikFestival Nürnberg GRUSSWORT der Kulturreferentin der Stadt Nürnberg Prof. Dr. Julia Lehner Über die musikalisch-ästhetische Erziehung von Welt zerstreut. Jenes biblische Experiment schlug Kindern und Jugendlichen wird viel gesprochen. jedenfalls fehl und vielleicht ist es ja gerade die Ein Blick in die Konzertsäle und Opernhäuser zeigt, Musik als allgemein verständliche, universelle dass junge Leute fehlen und längst in einem größe- „Sprache“, die – um bei den biblischen Bildern zu ren Maß als bisher darauf reagiert werden müsste. bleiben – ein pfi ngstliches Sprachwunder erwarten Mögen die Bemühungen inzwischen sowohl zahl- läßt. Wir dürfen gespannt sein! reicher als auch intensiver geworden sein, nur ein Der musikalische Schwerpunkt des Festivals sukzessives Heranführen junger Menschen an die liegt in diesem Jahr in Frankreich. Die Werke der klassische Musik und das Musiktheater wird ver- Impressionisten Claude Debussy und Maurice Ravel hindern, dass das Durchschnittsalter Musikinteres- sowie der Neoklassizisten Francis Poulenc und Ca- sierter weiter steigt. mille Saint-Saëns werden vielfach kombiniert mit PROF. DR. JULIA LEHNER Mit der Urauführung des
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