Direito, Política E Cinema
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Mafia Motifs in Andrea Camilleri's Detective
MAFIA MOTIFS IN ANDREA CAMILLERI’S DETECTIVE MONTALBANO NOVELS: FROM THE CULTURE AND BREAKDOWN OF OMERTÀ TO MAFIA AS A SCAPEGOAT FOR THE FAILURE OF STATE Adriana Nicole Cerami A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Languages and Literatures (Italian). Chapel Hill 2015 Approved by: Dino S. Cervigni Amy Chambless Roberto Dainotto Federico Luisetti Ennio I. Rao © 2015 Adriana Nicole Cerami ALL RIGHTS RESERVED ii ABSTRACT Adriana Nicole Cerami: Mafia Motifs in Andrea Camilleri’s Detective Montalbano Novels: From the Culture and Breakdown of Omertà to Mafia as a Scapegoat for the Failure of State (Under the direction of Ennio I. Rao) Twenty out of twenty-six of Andrea Camilleri’s detective Montalbano novels feature three motifs related to the mafia. First, although the mafia is not necessarily the main subject of the narratives, mafioso behavior and communication are present in all novels through both mafia and non-mafia-affiliated characters and dialogue. Second, within the narratives there is a distinction between the old and the new generations of the mafia, and a preference for the old mafia ways. Last, the mafia is illustrated as the usual suspect in everyday crime, consequentially diverting attention and accountability away from government authorities. Few critics have focused on Camilleri’s representations of the mafia and their literary significance in mafia and detective fiction. The purpose of the present study is to cast light on these three motifs through a close reading and analysis of the detective Montalbano novels, lending a new twist to the genre of detective fiction. -
Directed by Henry Selick; Based on the Novel by Neil Gaiman
Directed by Henry Selick; Based on the novel by Neil Gaiman Production Notes 2 Table of Contents I. Synopsis page 3 II. The Genesis of Coraline page 4 III. Screen Vision page 6 IV. Stop Starts page 7 V. With the Voice Talents of… page 9 VI. Two Worlds, One Studio page 14 VII. On the Set page 23 VIII. Two Worlds, Three Dimensions page 24 IX. Fast Facts page 27 X. Trivia Tips page 28 XI. About the Cast page 29 XII. About the Moviemakers page 33 3 Synopsis Combining the visionary imaginations of two premier fantasists, director Henry Selick (The Nightmare Before Christmas) and author Neil Gaiman (Sandman), Coraline is a wondrous and thrilling, fun and suspenseful adventure that honors and redefines two moviemaking traditions. It is a stop-motion animated feature – and, as the first one to be conceived and photographed in stereoscopic 3-D, unlike anything moviegoers have ever experienced before. Coraline Jones (voiced by Dakota Fanning) is a girl of 11 who is feisty, curious, and adventurous beyond her years. She and her parents (Teri Hatcher, John Hodgman) have just relocated from Michigan to Oregon. Missing her friends and finding her parents to be distracted by their work, Coraline tries to find some excitement in her new environment. She is befriended – or, as she sees it, is annoyed – by a local boy close to her age, Wybie Lovat (Robert Bailey Jr.); and visits her older neighbors, eccentric British actresses Miss Spink and Forcible (Jennifer Saunders and Dawn French) as well as the arguably even more eccentric Russian Mr. -
89Th Annual Academy Awards® Oscar® Nominations Fact
® 89TH ANNUAL ACADEMY AWARDS ® OSCAR NOMINATIONS FACT SHEET Best Motion Picture of the Year: Arrival (Paramount) - Shawn Levy, Dan Levine, Aaron Ryder and David Linde, producers - This is the first nomination for all four. Fences (Paramount) - Scott Rudin, Denzel Washington and Todd Black, producers - This is the eighth nomination for Scott Rudin, who won for No Country for Old Men (2007). His other Best Picture nominations were for The Hours (2002), The Social Network (2010), True Grit (2010), Extremely Loud & Incredibly Close (2011), Captain Phillips (2013) and The Grand Budapest Hotel (2014). This is the first nomination in this category for both Denzel Washington and Todd Black. Hacksaw Ridge (Summit Entertainment) - Bill Mechanic and David Permut, producers - This is the first nomination for both. Hell or High Water (CBS Films and Lionsgate) - Carla Hacken and Julie Yorn, producers - This is the first nomination for both. Hidden Figures (20th Century Fox) - Donna Gigliotti, Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi, producers - This is the fourth nomination in this category for Donna Gigliotti, who won for Shakespeare in Love (1998). Her other Best Picture nominations were for The Reader (2008) and Silver Linings Playbook (2012). This is the first nomination in this category for Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi. La La Land (Summit Entertainment) - Fred Berger, Jordan Horowitz and Marc Platt, producers - This is the first nomination for both Fred Berger and Jordan Horowitz. This is the second nomination in this category for Marc Platt. He was nominated last year for Bridge of Spies. Lion (The Weinstein Company) - Emile Sherman, Iain Canning and Angie Fielder, producers - This is the second nomination in this category for both Emile Sherman and Iain Canning, who won for The King's Speech (2010). -
The Godfather Part II Lay in Coppola ' S Eye for Detail and His Need for a Verisimilitude Transcending the Limits of Perfunctory Storytelling
A N I L L U M I N E D I L L U S I O N S E S S A Y B Y I A N C . B L O O M TT HH EE GG OO DD FF AA TT HH EE RR PP AA RR TT II II Directed by Francis Ford Coppola Produced by Francis Ford Coppola Distributed by Paramount Pictures Released in 1974 mboldened by press accounts documenting the Apocalypse Now shoot as a self - destructive E odyssey, some c ritics confronting the film for the first time in 1979 tried to undermine Francis Ford Coppola ' s monumental achievement. Though its filming was as arduous as the war itself, they faulted him, a man who had never served in uniform, for promoting Apocalypse Now as the definitive statement on Viet Nam. To this day the film retains its primal angst and resolute daring, while film critics everywhere jealously disparage the pioneering work of yet another generation. Coppola is a keen observer, a progressive th inker who learns as much from talking to others as he does consulting his cherished collection of books. His early films find their genesis in childhood experiences — his mother ' s strange departure and subsequent return to the pressures of family became The Rain People (1969); a love of musicals nourished by his father led to Finian ' s Rainbow (1968); and his Manhattan misadventures as an AWOL military school cadet fostered You ' re A Big Boy Now (1967). Similarly, the ultimate triumph of The Godfather Part II lay in Coppola ' s eye for detail and his need for a verisimilitude transcending the limits of perfunctory storytelling. -
Cineuropa 09 TEATRO PRINCIPAL
Do 4 de novembro ao 2 de decembro de 2009 Santiago de Compostela CONCELLEIRA DE CULTURA TENENTA DE ALCALDE Socorro García Conde DIRECTOR TÉCNICO CINEUROPA José Luis Losa García XERENTE CINEUROPA Luz Guldrís Iglesias AUDITORIO DE GALICIA DIRECTOR-XERENTE Paulo Rodríguez Domínguez SUBDIRECTORA Silvia Modia Ferreiro ADMINISTRADORA Ana Parga Salgado GABINETE DE COMUNICACIÓN Míriam Fernández Louzao GABINETE TÉCNICO TEATRO PRINCIPAL Montse Cillero Montes e Xesús Amado Reino DESEÑO GRÁFICO uqui I IIII cebra D.L.: C TEATRO PRINCIPAL | SALÓN TEATRO AULA SOCIOCULTURAL DE CAIXA GALICIA SEDE FUNDACIÓN CAIXA GALICIA XXIII Con novembro chega Cineuropa. Todos os composteláns e compostelás amantes do cinema esperamos ansiosos este mes do ano. E aquí está de novo cumprindo xa 23 edicións. Tráenos máis de 160 filmes que poderemos ver desde o 4 de novembro ata o 2 de decembro en catro salas diferentes da cidade. Cinema chegado desde todas as partes do mundo e cinema feito aquí, no noso país. E sempre cinema de calidade, independente, comprometido. Cinema que SOCORRO GARCÍA CONDE non nos deixa indiferentes, que nos fai mergullarnos Tenenta de Alcalde do Concello de Santiago. Concelleira de noutras culturas, coñecer de preto outras realidades e así, Cultura e Centros Socioculturais ter unha visión máis ampla do mundo. Ademais, como cada ano premiamos a dous persoeiros relevantes no mundo do cinema internacional. Fernando Trueba, gañador dun Oscar e que este ano repite nesa cerimonia co filme «O baile da vitoria», que estrearemos en Cineuropa, e Mabel Rivera, actriz galega comprometida, valente e preocupada polas situacións inxustas que percibe ao seu redor. Eles representan o que significa Cineuropa e, así, homenaxearémolos en sendas galas os días 16 e 19. -
TU NE TUERAS POINT (Hacksaw Ridge)
METROPOLITAN FILMEXPORT présente un film de Mel Gibson TU NE TUERAS POINT (Hacksaw Ridge) Avec Andrew Garfield Vince Vaughn Teresa Palmer Sam Worthington Luke Bracey Hugo Weaving Rachel Griffiths Un film produit par Bill Mechanic Durée : 2 h 11 min Sortie nationale : 9 novembre 2016 Vous pouvez télécharger l’affiche et des photos du film sur : www.metrofilms.com Distribution : Relations presse : METROPOLITAN FILMEXPORT KINEMA FILM 29, rue Galilée - 75116 Paris François Frey Tél. 01 56 59 23 25 15, rue Jouffroy-d’Abbans – 75017 Paris Fax 01 53 57 84 02 Tél. 01 43 18 80 00 [email protected] Fax 01 43 18 80 09 Programmation : Partenariats et promotion : Tél. 01 56 59 23 25 AGENCE MERCREDI Tél. 01 56 59 66 66 Relations presse internet : Zvi David Fajol Mensch Agency Tél. 06 12 18 89 27 [email protected] 1 L’HISTOIRE 1945, alors que la guerre dans le Pacifique faisait rage et que les forces américaines menaient l’une des batailles les plus acharnées du conflit sur l’île d’Okinawa, un soldat s’est distingué. Desmond T. Doss, un objecteur de conscience, qui bien qu’ayant fait le serment de ne jamais tuer ni toucher à une arme, voulut servir son pays et s’engagea dans l’infanterie. Fidèle à ses convictions et armé de son seul courage, il a sauvé la vie de dizaines de soldats blessés en les ramenant un par un en sureté, sous le feu ennemi. 2 QUELQUES MOTS DU RÉALISATEUR « Lorsque j’ai entendu parler de Desmond Doss, le premier objecteur de conscience à recevoir la Médaille d’honneur, la plus haute distinction militaire des États-Unis, j’ai été stupéfait par l’ampleur de son sacrifice. -
Smart Cinema As Trans-Generic Mode: a Study of Industrial Transgression and Assimilation 1990-2005
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DCU Online Research Access Service Smart cinema as trans-generic mode: a study of industrial transgression and assimilation 1990-2005 Laura Canning B.A., M.A. (Hons) This thesis is submitted to Dublin City University for the award of Ph.D in the Faculty of Humanities and Social Sciences. November 2013 School of Communications Supervisor: Dr. Pat Brereton 1 I hereby certify that that this material, which I now submit for assessment on the programme of study leading to the award of Ph.D is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed:_________________________________ (Candidate) ID No.: 58118276 Date: ________________ 2 Table of Contents Chapter One: Introduction p.6 Chapter Two: Literature Review p.27 Chapter Three: The industrial history of Smart cinema p.53 Chapter Four: Smart cinema, the auteur as commodity, and cult film p.82 Chapter Five: The Smart film, prestige, and ‘indie’ culture p.105 Chapter Six: Smart cinema and industrial categorisations p.137 Chapter Seven: ‘Double Coding’ and the Smart canon p.159 Chapter Eight: Smart inside and outside the system – two case studies p.210 Chapter Nine: Conclusions p.236 References and Bibliography p.259 3 Abstract Following from Sconce’s “Irony, nihilism, and the new American ‘smart’ film”, describing an American school of filmmaking that “survives (and at times thrives) at the symbolic and material intersection of ‘Hollywood’, the ‘indie’ scene and the vestiges of what cinephiles used to call ‘art films’” (Sconce, 2002, 351), I seek to link industrial and textual studies in order to explore Smart cinema as a transgeneric mode. -
0813122023.Pdf
Engulfed Page ii Blank ? Engulfed The Death of Paramount Pictures and the Birth of Corporate Hollywood BERNARD F. DICK THE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 2001 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508–4008 05 04 03 02 01 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Dick, Bernard F. Engulfed: the death of Paramount Pictures and the birth of corporate Hollywood / Bernard F. Dick. p. cm. Includes bibliographical references and index. ISBN 0-8131-2202-3 (cloth : acid-free paper) 1. Paramount Pictures Corporation–History. 2. Title. PN1999.P3 D53 2001 384'.8’06579494 00012276 This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. Manufactured in the United States of America. Contents Preface ix 1 Mountain Glory 1 2 Mountain Gloom 44 3 Barbarians at the Spanish Gate 85 4 Charlie’s Boys 109 5 The Italian Connection 126 6 The Diller Days 149 7 Goodbye, Charlie 189 8 Sumner at the Summit 206 Epilogue 242 End Titles 245 Notes 247 Index 259 Photo insert follows page 125 Page vi Blank For Katherine Page viii Blank Preface In Mel Brooks’s Silent Movie (1977), Sid Caesar nearly has a heart attack when he learns that a megaconglomerate called “Engulf and Devour” has designs on his little studio. -
89Th Oscars® Nominations Announced
MEDIA CONTACT Academy Publicity [email protected] January 24, 2017 FOR IMMEDIATE RELEASE Editor’s Note: Nominations press kit and video content available here 89TH OSCARS® NOMINATIONS ANNOUNCED LOS ANGELES, CA — Academy President Cheryl Boone Isaacs, joined by Oscar®-winning and nominated Academy members Demian Bichir, Dustin Lance Black, Glenn Close, Guillermo del Toro, Marcia Gay Harden, Terrence Howard, Jennifer Hudson, Brie Larson, Jason Reitman, Gabourey Sidibe and Ken Watanabe, announced the 89th Academy Awards® nominations today (January 24). This year’s nominations were announced in a pre-taped video package at 5:18 a.m. PT via a global live stream on Oscar.com, Oscars.org and the Academy’s digital platforms; a satellite feed and broadcast media. In keeping with tradition, PwC delivered the Oscars nominations list to the Academy on the evening of January 23. For a complete list of nominees, visit the official Oscars website, www.oscar.com. Academy members from each of the 17 branches vote to determine the nominees in their respective categories – actors nominate actors, film editors nominate film editors, etc. In the Animated Feature Film and Foreign Language Film categories, nominees are selected by a vote of multi-branch screening committees. All voting members are eligible to select the Best Picture nominees. Active members of the Academy are eligible to vote for the winners in all 24 categories beginning Monday, February 13 through Tuesday, February 21. To access the complete nominations press kit, visit www.oscars.org/press/press-kits. The 89th Oscars will be held on Sunday, February 26, 2017, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network at 7 p.m. -
Diplomarbeit
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit „The Italianness of The Godfather – Die Darstellung von italienischer Ethnizität und Kultur in The Godfather und The Godfather – Part II“ Verfasserin: Barbara Wallner angestrebter akademischer Grad Magistra der Philosophie (Mag. Phil) Wien, 2010 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Diplomstudium Theater-, Film- und Medienwissenschaft UniStG Betreuer: Mag. Dr. Claus Tieber Danksagung Ich möchte meinem Betreuer Mag. Dr. Claus Tieber für sein fachliches und persönliches Interesse an dieser Arbeit herzlich danken. Mein Dank gilt außerdem Dr. Ulrike Kerschbaum, die diese Arbeit sicher durch den Dschungel der neuen Rechtschreibung geführt hat. Danke schließlich auch meinen Eltern, insbesondere meiner Mutter, sowie allen anderen, die mich in den letzten Monaten ertragen mussten und immer noch mit mir sprechen. Inhaltsverzeichnis 0. Einleitung ..................................................................................................................... 1 1. Eine kleine Geschichte des Gangsterfilms ................................................................... 4 1.1. THE GODFATHER – der Gangsterfilm schlechthin ..................................................................... 11 2. „A Natural Inclination Towards Criminality“ – Die Stereotypisierung der Italo-Amerikaner ............................................................... 18 2.1. Ein Volk von Al Capones? -
28Th Leeds International Film Festival Presents Leeds Free Cinema Week Experience Cinema in New Ways for Free at Liff 28 from 7 - 13 November
LIFF28th 28 Leeds International Film Festival CONGRATULATIONS TO THE LEEDS INTERNATIONAL FILM FESTIVAL IN YOUR 28TH YEAR The BFI is proud to partner with Screen Yorkshire in a fantastic year for filmmaking in the region INCLUDING ‘71 GET SANTA SCREENING AT LIFF28 X + Y CATCH ME DADDY & LIFF28 OPENING NIGHT FILM TESTAMENT OF YOUTH Image: (2014) Testament of Youth James Kent Dir. bfi.org.uk/FilmFund Film Fund Ad LIFF 210x260 2014-10_FINAL 3.indd 1 27/10/2014 11:06 WELCOME From its beginnings at the wonderful, century-old Hyde Park Leeds International Film Festival is a celebration of both Picture House to its status now as a major national film event, film culture and Leeds itself, with this year more than 250 CONGRATULATIONS Leeds International Film Festival has always aimed to bring screenings, events and exhibitions hosted in 16 unique a unique and outstanding selection of global film culture locations across the city. Our venues for LIFF28 include the TO THE LEEDS INTERNATIONAL to the city for everyone to experience. This achievement main hub of Leeds Town Hall, the historic cinemas Hyde is not possible without collaborations and this year we’ve Park Picture House and Cottage Road, other city landmarks FILM FESTIVAL IN YOUR 28TH YEAR assembled our largest ever line-up of partners. From our like City Varieties, The Tetley, Left Bank, and Royal Armouries, long-term major funders the European Union and the British Vue Cinemas at The Light and the Everyman Leeds, in their Film Institute to exciting new additions among our supporting recently-completed Screen 4, and Chapel FM, the new arts The BFI is proud to partner with Screen Yorkshire organisations, including Game Republic, Infiniti, and Trinity centre for East Leeds. -
89Th ACADEMY AWARDS® BALLOT
89th ACADEMY AWARDS® BALLOT Check out live results during the IMDb LIVE Viewing Party, an Academy Awards companion show, at 5 p.m. Feb. 26 on IMDb.com. Name ¨ B BEST ACHIEVEMENT BEST ACHIEVEMENT The Lobster 14 20 Yorgos Lanthimos and Efthymis Filippou IN COSTUME DESIGN IN VISUAL EFFECTS ¨ Manchester by the Sea ¨ Allied ¨ Deepwater Horizon Total Correct Kenneth Lonergan Joanna Johnston Craig Hammack, Jason H. Snell, ¨ 20th Century Women ¨ Fantastic Beasts and Jason Billington and Burt Dalton /24 Mike Mills Where to Find Them ¨ Doctor Strange Colleen Atwood Stephane Ceretti, Richard Bluff, BEST ADAPTED ¨ Florence Foster Jenkins Vincent Cirelli and Paul Corbould BEST MOTION PICTURE 08 01 Consolata Boyle ¨ OF THE YEAR SCREENPLAY The Jungle Book Robert Legato, Adam Valdez, ¨ Arrival ¨ Jackie ¨ Arrival Madeline Fontaine Andrew R. Jones and Dan Lemmon Shawn Levy, Dan Levine, Aaron Ryder Eric Heisserer ¨ La La Land ¨ Kubo and the Two Strings and David Linde ¨ Fences Mary Zophres Steve Emerson, Oliver Jones, Brian McLean ¨ August Wilson Fences and Brad Schiff Todd Black, Scott Rudin and Denzel Washington ¨ Hidden Figures Allison Schroeder and Theodore Melfi BEST ACHIEVEMENT IN ¨ Rogue One ¨ Hacksaw Ridge 15 John Knoll, Mohen Leo, Hal T. Hickel and ¨ Lion MAKEUP AND HAIRSTYLING Bill Mechanic and David Permut Neil Corbould Luke Davies ¨ ¨ Hell or High Water A Man Called Ove ¨ Moonlight Eva Von Bahr and Love Larson Carla Hacken and Julie Yorn BEST DOCUMENTARY Barry Jenkins and Tarell Alvin McCraney ¨ Star Trek Beyond 21 ¨ Hidden Figures FEATURE Peter