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Eclipse Texts Emperor In the Nightside Eclipse Full Score I. Into the Infinity of Thoughts (8 min 15 s) . 3 II. The Burning Shadows of Silence (5 min 35 s) . 16 III. Cosmic Keys to my Creations and Times . (6 min 06 s) . 24 IV. Beyond the Great Vast Forest (6 min 01 s) . 33 V. Towards the Pantheon (5 min 58 s) . 43 VI. The Majesty of the Nightsky (4 min 53 s) . 51 VII. I am the Black Wizards (6 min 01 s) . 57 VIII. Inno a Satana (4 min 48 s) . 65 INTRODUCTION Emperors’s In the Nightside Eclipse from 1994 was their first full-length studio album. It is never the less considered a landmark in black metal music, and defined a more symphonic and harmonic refined approach to the genre than what was previously known. The combination of dark mystic text material, cinematic orchestral harmonies and Ihsahn’s extremely theatrical vocal flexibility, makes it grandiose and almost operatic in character. This transcription is based on Emperor’s original studio recording. In general, black metal is music for the live stage, and fully compatible with transcription to sheets. It is our hope that this study score shall provide valuable insight into the many qualities, technical as aesthetical, of this music genre. Eventually, the score allows for other groups and musicians to play and interpret the songs, and thus in their own way to contribute to Emperor’s legacy. France, October 20, 2015 NOTES 1) Purely instrumental, we have excluded the introduction from the original recording from this transcription. The numbering of the pieces starts with “Into the Infinity of Thoughts” as the first piece. 2) Black metal vocals are characterized by the use of so-called “death growl”, which is an extreme combination of screaming with a deep pressurized rusty vocal noise, and singing. The exact pitch can only be notated approximately, and the singer typically slides between the notes, or rather timbre, for each syllable/word. 3) Ihsahn’s vocal lines are noted on the upper single line system, respectively with stems up and down. 4) The drum set is notated in the following way: CREDITS AND COPYRIGHTS Cover design based on Emperor’s “E-Shield” logo The texts of the songs “Cosmic Keys to My Creation and Times” and “I Am the Black Wizards”, are published under license from Earache Songs ltd. All other material is published under the license from Abstract Sounds Music ltd. Printed in France – IGO, Le Poiré-sur-Vie (Vendée) ____________________ www.ravenmusic.org Inno a Satana 65 Duration: 4:48. ca. Music by Ihsahn & Samoth Lyrics by Ihsahn Tempo q. = 110 E‹ C©(b9) B‹ F© 12 Voice ÷ 8 ∑ ∑ ∑ ∑ ∑ § ? #12 ∑ ∑ ∑ ∑ ∑ Choir • 8 #12 & 8 ∑ ∑ ∑ ∑ ∑ Keyboard 12 ¢ ? # 8 ∑ ∑ ∑ ∑ ∑ § #12 ∑ œ œ œ œ œ œ œ #œ œ œ œ 1st guitar & 8 œ œ œ bœ nœ #œ œ œ œ nœ #œ œ œ œ #œ œ œ #œ œ #œ ≥ œ #œ œ œ œ œ œ œ œ œ nœ œ œ œ œ œ œ #12 ! œ . œ . 2nd guitar 8 ∑ ! ! ! œ œ •& œ œ œ œ œ œ œ œ œ œnœ œ œ œ œ œ œ œ #œ!. ! ! ! !. œ!. œ . ! ! ! œ œ œ œ œ ≥ œ œ œ œ œ œ #œ . #œ . œ . œ § ? #12 ∑ œ œ œ œ œ œ œ œ œ œnœ œ œ œ œ œ œ œ !. #œ . #œ . œ . !. Bass • 8 œ œ œ œ œ œ #œ ! ! ! ˙ ˙ ˙ œ œ œ œ œ œ > > >j >j > > § ¿ ¿ ¿ ¿ ¿ ¿ ÷ 12 œ ¿ ¿ œ¿ ¿ ¿ ¿ œ ‰ œ ‰ œ œ ¿ ¿ œ¿ ¿ ¿ œ¿ ¿ ¿ œ¿ ¿ ¿ œ¿ ¿ ¿ œ¿ ¿ ¿ œ¿ ¿ ¿ œ¿ ¿ ¿ œ ¿ ¿ œ¿ ¿ ¿ œ¿ ¿ ¿ œ¿ ¿ ¿ Drums • 8 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . ‘ ® E‹ C©(b9) B‹ F© E‹ C©(b9) 6 ÷ ∑ ∑ ∑ ∑ ∑ ∑ §? # • ∑ ∑ ∑ ∑ ∑ ∑ # & ∑ ∑ ∑ ∑ ∑ ∑ ¢ ? # ∑ ∑ ∑ ∑ ∑ ∑ § # 4 4 & ~ ~ ≥ # 4 4 •& ~ ~ ≥ § ! #œ . œ . 4 ? # ! !. œ nœ œ . #œ!. ! #œ . ! !. ~ • œ!. œ ! !J ! ! ! ! ˙ ˙ ˙ œ œ œ œ œ œ > > > > § ¿ ¿ j ¿ ¿ ÷ œ¿ ¿ ¿ œ¿ ¿ ¿ œ¿ ¿ ¿ œ¿ ¿ ¿ œ ¿ ¿ œ¿ ¿ ¿ œ¿ ¿ ¿ œ¿ ¿ œ ¿ œ ¿ ¿ œ¿ ¿ ¿ œ¿ ¿ ¿ œ¿ œ ¿ ¿ œ¿ ¿ ¿ œ¿ ¿ ¿ œ¿ ¿ ¿ œ¿ ¿ ¿ œ¿ ¿ ¿ œ¿ œ ¿ œ ¿ œ¿ œ ¿ œ ¿ • ‘ œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . ® B‹ F© E‹ C©(b9) B‹ F© 12 ÷ ∑ ∑ ∑ ∑ ∑ ∑ (clean voicœes) §? # . œ • ∑ ∑ ∑ ∑ ∑ Ó Œ ‰ O’ # & ∑ ∑ ∑ ∑ ∑ ∑ ¢ ? # ∑ ∑ ∑ ∑ ∑ ∑ § # 4 4 & ~ ~ ≥ # 4 4 •& ~ ~ ≥ § 4 ! #œ . œ . ? #~ œ . !. œ nœ œ . #œ!. ! #œ . ! !. • ! œ ! !J! ! ! ! ˙ ˙ ˙ œ œ œ œ œ œ > > > > >j > > >j > > > § ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ÷ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ • œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ .œ .œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . ALL RIGHTS RESERVED. This publication contains material protected under International and Federal Copyright Laws and Treaties. Any unauthorized reprint or use of this material is prohibited. No part of this publication may be reproduced or © 2015 RAVEN MUSIC EDITIONS transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system without Transcription: Savva Terentyev/Martin Romberg R 1402 express written permission from the author/publisher. 66 A E‹ E‹11 E‹ E‹11/A E‹(„ˆˆ4)/G E‹11/G B(b13) E‹ E‹(„ˆˆ4) 18 death growl ÷ Ó. Ó œ ˙ œ ˙ œ ˙ . œ œ œ ˙ . ¿ Ó Œ. œ œ œ œ . œ œ Œ. O’ migh - ty Lord of Night. Mas - ter of bea - sts, whose spi-rit lieth up-on ˙ œ ˙ œ ˙ . œ œ œ ˙ . œ œ œ #œ œ œ œ #˙ §? # ˙ œ #˙ œ ˙ . œ œ œ ˙ . œ œ œ œ œ œ œ ˙ • ∑ migh - ty Lord of Night. Mas - ter of beasts. Brin - ger of awe and de - ri - sion # choir w . w . w . w . ˙ . & w . w . w . #w . ˙ . ˙˙ . ¢ ? # w . w . w . w . ˙ . ˙ . 4 § # ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ~ ≥ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œ œ œ œ œ œ œ œ œ œ œ œ # 4 ! ! ! ! ! ! ~ •& ! !. ! !. ! !. !. œ . ! œ . ! œ . !. œ!. œ!. #œ!. ≥ œ . œ œ . œ œ . œ œ œ . œ . œ § . ! 4 ? # ! !. ! ! ! !. ! œ . ! œ . ! œ !. œ!. œ . #œ . ~ • œ!. œ œ!. œ . œ!. œ œ . ! œ . ! œ . ! œ ! ! > > > § ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ÷ œ œ œ œ ‘ œ œ œ œ • œ œ œ œ œ œ œ œ œ œ Jœ œ œ Jœ œ œ Jœ œ œ Jœ œ œ Jœ œ œ Jœ œ œ Jœ œ œ Jœ œ œ Jœ œ œ œ œ œ Jœ œ œ Jœ œ œ Jœ œ œ Jœ œ œ ® E‹ A‹9 E‹11/G B(b13) CŒ„Š7 A‹(„ˆˆ9) 23 j j j >j > j j j >j > j r ÷ ‰ œ œ œ œ œ œ œ œ œ . œ œ œ ‰ ‰ œ œ . œ œ œ œ . œ œ œ œ œ ˙ . Œ. ‰ ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ≈œ œ eve-ry act of opp-res- sion, hat-red and strife. Thou whose pre-sence dwel-leth in eve-ry sha-dow. Thou who streng - then the po - wer of eve-ry qui-e- tus. Thou who # ˙ . ˙ . ˙ . w . w . w . & ˙ . ˙ . ˙ . ˙˙ . #w . w . w . ˙ . w . w . ¢ ? # ˙ . ˙ . ˙ . ˙ . #w . w . w § # 4 œ œ! œ! œ œ! œ! œ œ! œ! œ œ! œ! œ œ! œ! œ œ! œ! œ œ! œ!œ œ! œ! & ~ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ≥ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 4 # ! œ . œ . ! œ . œ . •& ~ ! œ!. ! ! ! œ!. ! ! ≥ œ . ! œ!. ! . § 4 œ . œ œ . œ ? # ! œ . ! ! ! ! ! ! • ~ œ . ! œ . œ . > j j § ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ j¿ ¿ ¿ ¿ ¿ ‰ ¿ ¿ ¿ ¿ ÷ œ œ ‘ œ œ œ œ œ œ œ œ œ œ • Jœ œ œ Jœ œ œ Jœ œ œ Jœ œ œ Jœ œ œ Jœ œ œ Jœ œ œ Jœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . œ . ® B7(#9) B7[äÆ] E‹ E‹(„ˆˆ4) E‹ E‹(„ˆˆ4)/A E‹(„ˆˆ4)/G E‹11/G B(b13) 28 > j >j j >j >j >j > > j > j > ÷ œ œ œ œ œ œ œ œ ˙ . œ œ œ œ ˙ . Ó. ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ . ˙ . w . sway eve ry plague and storm. Har - kee. Thou art t.he Em - .pe - ror of Dark - ness. § œ œ œ œ œ œ œ œ œ œ œ œ .
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