Orhan Pamuk's the White Castle
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Pamuk's Kars and Its Others
PAMUK’S KARS AND ITS OTHERS: AN ETHNOGRAPHY ON IDENTIFICATIONS AND BOUNDARIES OF ETHNICITY, NATIONALISM AND SECULARISM A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY KÜBRA ZEYNEP SARIASLAN IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN THE PROGRAM OF SOCIAL ANTHROPOLOGY SEPTEMBER 2010 Approval of the Graduate School of Social Sciences ____________________ Prof. Dr. Meliha Altunı şık Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Science. ____________________ Prof. Dr. Ay şe Saktanber Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Science. ____________________ Assoc. Prof. Dr. Sabine Strasser Supervisor Examining Committee Members Prof. Dr. Tayfun Atay (A.Ü., ETH) ____________________ Assoc. Prof. Dr. Sabine Strasser (METU, SOC) ____________________ Assist. Prof. Dr. Aykan Erdemir (METU, SOC) ____________________ I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name : Kübra Zeynep Sarıaslan Signature : iii ABSTRACT PAMUK’S KARS AND ITS OTHERS: AN ETHNOGRAPHY ON IDENTIFICATIONS AND BOUNDARIES OF ETHNICITY, NATIONALISM AND SECULARISM Sarıaslan, Kübra Zeynep M.S., Department of Sociology Supervisor: Assoc. Prof. Dr. Sabine Strasser September 2010, 118 pages Kars is an ethnically diverse city located at the North East Turkey, neighboring Armenia. -
Literature from the Modern Middle East: Making a Living Connection
Allen Webb Webb and his students Literature from the recommend contemporary Middle Eastern texts and Modern Middle East: other resources that will help American students Making a Living learn more about this important part of the Connection world. hile our country is deeply involved ings. As we did background research on texts we in the Middle East, most Ameri- were reading, we were able to post links on our cans, including our students, lack blogs that everyone could follow.2 Wknowledge about the region.1 Yet from Afghanistan to Palestine, from Morocco to Connecting with Characters Iraq, there is a vibrant and exciting literature by living authors that can bring the diverse experi- The Middle East is such a large, diverse, and his- ences and perspectives of this vital part of the world torically complex region it is hard to know where to to our classes. My students have found contempo- start. My suggestion is to begin with literature ad- rary Middle Eastern literature to replace stereo- dressing the Israeli/Palestinian crisis—it is central types, transform worldviews, develop personal to the confl icts in the region and offers students im- connections, and humanize Islam and Muslim peo- portant opportunities for rethinking preconcep- ple, and learn about Arabs, Turks, Kurds, Persians, tions about Arabic people. Perhaps the most and Pushtans. Readings from a class I recently important novel that my students read was Wild taught included many authors from the Middle Thorns by Sahar Khalifeh, according to ArabWorld- East, two of them Nobel Prize laureates. Some of Books.com, “the foremost Palestinian novelist, the works, such as Kite Runner by Khaled Hosseni, widely acclaimed for being the fi rst feminist Pales- are already well known. -
Cultural Melancholy As Represented in Orhan Pamuk's White Castle
Nehal Mohamed Abdelwahab ـــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــ Cultural Melancholy as represented in Orhan Pamuk’s White Castle Nehal Mohamed Abdelwahab Ain Shams University [email protected] Prof. Magda Hasabelnaby Prof. Shokry Megahed Faculty of Women-Ain Shams University Faculty of Education-Ain Shams University Abstract This research paper is meant to explore the use of melancholy as an explanatory model to understand the individual and the collective psyche in dealing with the historical and cultural dilemmas. It will further explore individual and collective melancholy and their effects, whether destructive or constructive within Orhan Pamuk‟s novel The White Castle, belonging to the modern Turkish literature. Keywords: Melancholy, Pamuk, Turkish Literature, Freud, Ottoman Empire “My melancholy is the most faithful mistress I have known, what wonder, then, that I love her in return” (Kierkegaard 44) This research paper is meant to use melancholy as an explanatory model to understand the individual and the collective psyche in dealing with the historical and cultural dilemmas. It will further explore individual and collective melancholy and their effects, whether destructive or constructive within Orhan Pamuk‟s novel The White Castle, belonging to the modern Turkish literature. Throughout history, the concept of „Melancholia‟ has been the subject of diverse analytical efforts. The origin of the term “Melancholy” goes back to the ancient Greek times. Melan Khole is the Greek word for “Black Bile”, a body fluid thought to affect mental and physical health (Hippocrates 460-370 BC). Melancholy was considered then as a form of mental illness caused by a bio-functional problem. A person who has an excess of black bile was described as melancholic. -
Galaxy: International Multidisciplinary Research Journal the Criterion: an International Journal in English ISSN: 0976-8165
About Us: http://www.the-criterion.com/about/ Archive: http://www.the-criterion.com/archive/ Contact Us: http://www.the-criterion.com/contact/ Editorial Board: http://www.the-criterion.com/editorial-board/ Submission: http://www.the-criterion.com/submission/ FAQ: http://www.the-criterion.com/fa/ ISSN 2278-9529 Galaxy: International Multidisciplinary Research Journal www.galaxyimrj.com www.the-criterion.com The Criterion: An International Journal In English ISSN: 0976-8165 Conflict, East Vs West and Inferiority Complex in Orhan Pamuk’s The Silent House Dr. Qamar Talat Professor of English & Seema Panjwani Research Scholar Govt. V. Y. T.PG. Autonomous College, Durg.(C.G) Abstract: Contemporary novelist Orhan Pamuk is one of most popular writer in the sphere of Turkish Literature. He has written on various ideological aspects of contemporary Turkish society and Politics. Orhan Pamuk is considered as the Istanbul writer like Joyce of Dublin, Proust of Paris, whose readers perceive the cities by the eyes of the novelist. The present paper intends to explore the conflicting aspects and inferiority complex of class, culture, ignorance in The Silent House. Here author reveals inferiority complex of the Turks and melancholic soul of his country under the enchantment of westernization throughout the novel. The conflict of East Vs West, Tradition Vs Modernity, Science Vs Religion and Political conflict of the 1970s in Turkey are perceptible through the characters and dialogue. Though, Pamuk’s second novel The Silent House has been written some thirty years ago of its English translation in 2012.But, still its representing the present Turkish society. Keywords: Conflicts, East Vs West, Tradition Vs Modernity, Science Vs Religion, inferiority complex, Kemalism, seclusion, Postmodernism. -
The Subversion of East and West in Orhan Pamuk's Novel, the White
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 20 (2018) Issue 2 Article 15 The Subversion of East and West in Orhan Pamuk’s novel, The White Castle Adile Aslan Almond University of Massachusetts Amherst Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the Comparative Literature Commons, and the Near Eastern Languages and Societies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Aslan Almond, Adile. "The Subversion of East and West in Orhan Pamuk’s novel, The White Castle." CLCWeb: Comparative Literature and Culture 20.2 (2018): <https://doi.org/10.7771/1481-4374.3223> This text has been double-blind peer reviewed by 2+1 experts in the field. -
1 Beyond Secularism: Orhan Pamuk's Snow and the Contestation Of
Konturen 1 (2008) 1 Beyond Secularism: Orhan Pamuk’s Snow and the Contestation of ‘Turkish Identity’ in the Borderland Ülker Gökberk Reed College This paper explores the multifaceted discourse on Islam in present-day Turkish society, as reflected upon in Orhan Pamuk’s 2002 novel Snow. The revival of Islam in Turkish politics and its manifestation as a lifestyle that increasingly permeates urban environments, thus challenging the secular establishment, has occasioned a crisis of ‘Turkish identity’. At the core of this vehemently contested issue stands women’s veiling, represented by its more moderate version of the headscarf. The headscarf has not only become a cultural marker of the new Islamist trend, it has also altered the meanings previously attached to socio-cultural signifiers. Thus, the old binaries of ‘tradition’ and ‘modernity,’ ‘backwardness’ and ‘progress,’ applied to Islamic versus Western modes of living and employed primarily by the secularist elites and by theorists of modernization, prove insufficient to explain the novel phenomenon of Islamist identity politics. New directions in social and cultural theory on Turkey have launched a critique of modernization theory and its vocabulary based on binary oppositions. I argue that Pamuk participates, albeit from the angle of poetic imagination, in such a critique. In Snow the author explores the complexities pertaining to the cultural symbolism circulating in Turkey. The ambiguity surrounding the headscarf as a new cultural marker constitutes a major theme in the novel. I demonstrate that Snow employs multiple perspectives pertaining to the meaning of cultural symbols, thus complicating any easy assessment of the rise of Islam in Turkey. -
Orhan Pamuk's My Name Is Red and Snow: Representations of the Clash Between the East and the West
Mustafa Kemal Üniversitesi Sosyal Bilimler Enstitüsü Dergisi Mustafa Kemal University Journal of Social Sciences Institute Yıl/Year: 2019 ♦ Cilt/Volume: 16 ♦ Sayı/Issue:43, s. 1-17 ORHAN PAMUK’S MY NAME IS RED AND SNOW : REPRESENTATIONS OF THE CLASH BETWEEN THE EAST AND THE WEST Alpaslan TOKER Department of English Studies, Nile University of Nigeria, [email protected] Orcid ID: 0000-0003-4815-8213 Makale Geliş Tarihi: 04.12.2018 Makale Kabul Tarihi: 16.04.2019 Makale Türü: Araştırma Makalesi Atıf: Toker, A. (2019). Orhan Pamuk’s My Name is Red and Snow: Representations of the clash between the east and the west. Mustafa Kemal Üniversitesi Sosyal Bilimler Enstitüsü Dergisi , 16 (43), 1-17. Abstract The clash between the East and the West, in other words, the East-West dichotomy, has various connotations in numerous of scientific fields like sociology, geography, history, religion, and literary studies. Despite the difference in its practices, it continues to represent this historical division or polarization between the two fractions of the world, namely the East and the West, which is still in existence in this modern world of today. This article sought to explore this polarization from literary perspective. In this regard, Nobel Prize-winning author, Orhan Pamuk’s two prominent literary works have been selected for investigating the extent and depth of the clash between two civilizations. Pamuk invited his readers to explore this prevalent conflict between East and West in his novels, My Name is Red and Snow. Although he declared that he did not believe in this clash, Pamuk skillfully presented this prevalent issue, but approached it from a distinct dimension. -
Stony Brook University
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Imagining Turkishness: Identity and Modernization in the Turkish Novel A Thesis Presented by Ceren Usta to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Cultural Studies and Comparative Literature (Cultural Studies) Stony Brook University May 2017 Stony Brook University The Graduate School Ceren Usta We, the thesis committee for the above candidate for the Master of Arts degree, hereby recommend acceptance of this thesis. Nikolaos Panou – Thesis Advisor Assistant Professor – Cultural Studies and Comparative Literature E.K. Tan – Second Reader Associate Professor – Cultural Studies and Comparative Literature Robert Harvey – Third Reader Distinguished Professor – Cultural Studies and Comparative Literature This thesis is accepted by the Graduate School ___________________________ Charles Taber Dean of the Graduate School ii Abstract of the Thesis Imagining Turkishness: Identity and Modernization in the Turkish Novel by Ceren Usta Master of Arts in Cultural Studies and Comparative Literature (Cultural Studies) Stony Brook University 2017 Ever since its emergence in the nineteenth century, the Turkish novel served as a crucial space for imagining the new Ottoman and, later, national identity. However, more than the possibilities it presented in envisioning new definitions of Turkishness and homogenous communities, the novel also played an important role in the Westernization projects employed by the state in its attempts to insert itself in the grand narrative of European modernity. As such, the re- formulations of Turkishness undertaken by the novel had to be conducted on the unstable nexus of modernity, imposition, agency and local necessities. -
Orientalism in Orhan Pamuk's White Castle*
bilig AUTUMN 2018/NUMBER 87 59-82 Orientalism In Orhan Pamuk’s White Castle* Beyazıt H. Akman** Abstract The two most well-known works of Orhan Pamuk, The White Castle and My Name is Red, are historical fiction set in the time of the Ottoman Empire. These novels represent some of the most common issues the novelist focuses on, such as the East-West binary, questions of cultural identity and differences, and possi- bilities of local and global co-existence. In this article, by focusing on the case of The White Castle, Pamuk’s life, his Nobel prize ac- ceptance and his controversial statements in international press, I examine how a Turkish-born, Muslim novelist portrays Islamic history and the Ottomans predominantly for the European gaze and argue that Pamuk’s historical narrative borrows considerably from the legacy of European Orientalist writings. Key Words Pamuk, Orientalism, postcolonial studies, comparative literature, Nobel, image of Islam, contemporary fiction Date of Arrival: 22 July 2016 – Date of Acceptance: 22 November 2016 You can refer to this article as follows: Akman, Beyazıt. (2018). “Orientalism in Orhan Pamuk’s White Castle”. bilig – Türk Dünyası Sosyal Bilimler Dergisi 87: 59-82. * This article is based on my Ph.D. dissertation completed at 2012 at Illinois State University, Illinois, USA. **Assist. Prof. Dr., Social Sciences University of Ankara, Faculty of Foreign Languages, Department of English Language and Literature, Ankara, Turkey. [email protected] 59 bilig • Akman, Orientalism In Orhan Pamuk’s White Castle• AUTUMN 2018/NUMBER 87 Introduction Translated into more than fifty languages, the work of the Turkish novelist Orhan Pamuk has always been recognized and appreciated in the internati- onal arena.1 After winning the Nobel Prize for Literature in 2006, Pamuk’s recognition became comparable to figures such as Salman Rushdie and V. -
Fictional Displacements: an Analysis of Three Texts by Orhan Pamuk
Fictional Displacements: An Analysis of Three Texts by Orhan Pamuk Hande Gurses A Thesis submitted in fulfilment of the requirements for the PhD Degree at UCL June 2012 I, Hande Gurses confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 2 To my parents Didem & Haluk Gurses 3 Abstract This study aims to discuss the structural and contextual configuration of three books by Orhan Pamuk: The White Castle, My Name is Red and Istanbul: Memories of a City. The central line of enquiry will be the possibility of representing identity as the attempt to capture the elements that make the ‘self’ what it is. Without limiting my analysis to an individual or national definition of identity, I will argue that Pamuk, writing through the various metaphysical binaries including self/other, East/West, word/image, reality/fiction, and original/imitation, offers an alternative view of identity resulting from the definition of representation as différance. I will argue that within the framework of Pamuk’s work representation, far from offering a comforting resolution, is a space governed by ambivalence that results from the fluctuations of meaning. Representation, for Pamuk, is only possible as a process of constant displacement that enables meaning through difference and deferral. Accordingly the representation of identity is no longer limited to the binaries of the metaphysical tradition, which operate within firm boundaries, but manifests itself in constant fluctuation as ambivalence. Within this framework I will suggest that Pamuk’s works operate in that space of ambivalence, undermining the firm grounds of metaphysics by perpetually displacing any possibility of closure. -
A Study of the Depiction of History, Politics and Culture in the Novels of Orhan Pamuk
A STUDY OF THE DEPICTION OF HISTORY, POLITICS AND CULTURE IN THE NOVELS OF ORHAN PAMUK Minor Research Project Submitted to UNIVERSITY GRANTS COMMISSION WRO, PUNE By Dr Rajendra R. Thorat M.A., M. Phil., Ph.D. Venutai Chavan College, KARAD 415 124, Dist. Satara Maharashtra State September,2017 Acknowledgement At the beginning I extend my sincere thanks to University Grants Commission, Western Regional Office, Pune for giving me an opportunity to investigate the works of the Orhan Pamuk. I am also obliged to the Chairmanof Shri Shivaji Shikshan Sanstha, Karad, Hon. Shri Balasaheb Patil, Hon. Prakashrao Patil, the General Secretary of the Sanstha and other members of the Management for encouraging me to pursue my project work. Thanks are also due to Prin. B. N. Kalekar and Dr P. B. Chaugule for their full support and cooperation in the pursuit of this research. This study is possible because of inspiration and help rendered to me by my well wishers and friends like Dr. Satish Ghatge, Dr.Ujjvala Tathe, Prof. Dr. Shivaji Sargar. I must thank all my senior colleagues in the College P. M. Chavan, Dr. R. A. Kengar ,T. S. Bangar, Dr. N.A. Patil, Dr. S.R. Sarode, Sou. M. A. Shinde, Sou. S. P. Patil and all others who were supportive in my endeavor. I must express a deep sense of gratitude to the librarians of University of Goa, University of Mumbai, Mumbai, IACIS (Formerly ASRC), Hyderabad, Central University, Hyderabad, NMU, Jalgaon, Shivaji University, Kolhapur. My special thanks are to the librarian and support staff of Venutai Chavan College, Karad. -
Orhan Pamuk and the Poetics of Fiction
Orhan Pamuk and the Poetics of Fiction Orhan Pamuk and the Poetics of Fiction By Umer O. Thasneem Orhan Pamuk and the Poetics of Fiction By Umer O. Thasneem This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Umer O. Thasneem All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-3517-7 ISBN (13): 978-1-5275-3517-6 To my Dad who is as maverick a journalist as Pamuk’s Celâl, and my Mom who is as unlike Pamuk’s Rüya as two people can ever be. CONTENTS Acknowledgements ................................................................................... ix Chapter One ................................................................................................ 1 The Fictional Chemistry The Well-wrought Stories. Symbols, Images and Motifs. A Blender of Traditions and the Occupant of the Middlescape. Creator of “Mystories” and Spectral Landscapes A Magician of spectacles Chapter Two ............................................................................................. 25 The World of Doubles, Shadows, Ghosts, and Mysteries Metafictional Elements The Architectonics of Black Chapter Three ..........................................................................................