Orhan Pamuk and the Poetics of Fiction
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A Meridians Interview with Elif Shafak Elif Safak, Myriam J
Migrations: A Meridians Interview with Elif Shafak Elif Safak, Myriam J. A. Chancy Meridians: feminism, race, transnationalism, Volume 4, Number 1, 2003, pp. 55-85 (Article) Published by Duke University Press DOI: https://doi.org/10.1353/mer.2004.0006 For additional information about this article https://muse.jhu.edu/article/51147 [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] Migrations A Meridians Interview with Elif Shafak In the Fall of 2002, the Five College Women’s Center based at Mount Holyoke College, Massachusetts, welcomed a number of women scholars and writers as fellows in the Center for the fall and spring semesters as well as for full-year appointments. Elif Shafak was one of the fellows in residence for the 2002–2003 academic year. Although she came to the Center as a scholar continuing her work on gender and sexuality in the social sciences, a visit to the offices of Meridians during our Fall Open House revealed that she is an accomplished and award-winning novelist in her home country of Turkey. Her first novel, Pinhan, published in 1998, was awarded the Mevlana Prize in Turkey—a recognition given to the best works in mystical / transcendental literature. The novel tells the story of a hermaphrodite mystic—a little-known but revered tradition inside the Sufi orders. Pinhan explores the question of identity at the nexus of physical and metaphysical definitions. Her second novel, The Mirrors of the City, is about a Sephardic Jew who moves to seventeenth-century Istanbul after being expelled from Spain and centers on the themes of estrangement and deterritorialization. -
Dancing Modernity: Gender, Sexuality and the State in the Late Ottoman Empire and Early Turkish Republic
Dancing Modernity: Gender, Sexuality and the State in the Late Ottoman Empire and Early Turkish Republic Item Type text; Electronic Thesis Authors van Dobben, Danielle J. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 25/09/2021 19:19:19 Link to Item http://hdl.handle.net/10150/193284 1 DANCING MODERNITY: GENDER, SEXUALITY AND THE STATE IN THE LATE OTTOMAN EMPIRE AND EARLY TURKISH REPUBLIC by Danielle J. van Dobben ______________________________ Copyright © Danielle J. van Dobben 2008 A Thesis Submitted to the Faculty of the DEPARTMENT OF NEAR EASTERN STUDIES In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2008 2 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the copyright holder. SIGNED: Danielle J. van Dobben APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below: __________________________ August 7, 2008 Dr. -
Narratives of Multiculturalismin Post-Imperial Turkey
Table of Contents I. Introduction: What is (not) Turkish American Literature .......11 The Significance of the United States in Turkish American Literature .....21 Turkish American Literature and the “Transnational Turn” .........................28 A Gentle Empire ........................................................................................... 28 ‘Unearthing’ and Embracing the Colonial Past ........................................ 33 Beyond Empire: A Postcolonial Reading of Turkish American Literature ...........................................................................................36 The Postcoloniality of Turkey ..................................................................... 38 Turkish American Literature and the Postcolonial Imagery .................. 40 Postcolonialism and Resistance: A Critical Perspective on Turkish American Literature ...................................................................... 45 II. Imaginary Spaces: Representations of Istanbul between Topography and Imagination ................................................................49 The Unplaceability of Orhan Pamuk ......................................................... 51 Orhan Pamuk: Overground and Underground Istanbul ........................ 59 “Safe Spaces of the Like-Minded”: Elif Shafak’s Cafés ............................. 63 Becoming Someone Else: Imitation and Truthfulness ............................ 65 ‘Authenticity’ and Americanization ........................................................... 70 Integration and -
Sevinç Türkkan
SEVINÇ TÜRKKAN State University of New York-Brockport Department of English [email protected], Skype ID: sevinc.turkkan Cell: (217) 766-7201 Office: (585) 395-5710 EDUCATION PhD in Comparative Literature, University of Illinois-Urbana, IL, May 2012. Dissertation Title: A Journey from Writer to Translators: Orhan Pamuk’s Novels and Their “Afterlife” in English and German Translations Dissertation Director: Prof. Wail S. Hassan Preliminary Examination Fields: 20th century British, German, and Turkish Literatures, Translation Theory Certificate in Critical Theory, University of Illinois, Unit for Criticism and Interpretative Theory, expected December 2011. Advanced Graduate Teacher Certificate, University of Illinois, Center for Teaching Excellence, May 2010. Graduate Teacher Certificate, University of Illinois, Center for Teaching Excellence, May 2008. B. A. in Western Languages and Literatures, Boğaziçi University, Istanbul, Turkey, 2000. Study Abroad Program in Germany: • Freie Universität-Berlin, Berlin, May-August, 2007. • Ludwig Maximilians Universität-Munich, May-August, 2006. Study Abroad Program in U.K., University of Reading, Reading, Spring 1996. AREAS OF SPECIALIZATION Primary: Translation studies, modern Turkish and German literatures, cross-cultural and comparative studies. Secondary: Theory, practice, and pedagogy of translation, Turkish-German literary relations, Anglophone literatures and postcolonial studies, world literature, women and gender, cinema. LANGUAGES Turkish and Bulgarian (native), English (near native), German (fluent). BOOKS Approaches to Teaching the Works of Orhan Pamuk. Eds. S. Türkkan and D. Damrosch, New York: Modern Language Association of America (under contract). Other Orhans: Orhan Pamuk and his Translators (under review). 1 ARTICLES AND BOOK CHAPTERS “Teaching Translation and World Literature: The Thousand and One Nights” in Teaching Translation. Ed. -
Literary Translation from Turkish Into English in the United Kingdom and Ireland, 1990-2010
LITERARY TRANSLATION FROM TURKISH INTO ENGLISH IN THE UNITED KINGDOM AND IRELAND, 1990-2010 a report prepared by Duygu Tekgül October 2011 Making Literature Travel series of reports on literary exchange, translation and publishing Series editor: Alexandra Büchler The report was prepared as part of the Euro-Mediterranean Translation Programme, a co-operation between the Anna Lindh Euro-Mediterranean Foundation for the Dialogue between Cultures, Literature Across Frontiers and Transeuropéenes, and with support from the Culture Programme of the European Union. Literature Across Frontiers, Mercator Institute for Media, Languages and Culture, Aberystwyth University, Wales, UK This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 2.0 UK: England & Wales License. 1 Contents 1 EXECUTIVE SUMMARY ............................................................................................ 4 1.1 Framework .......................................................................................................... 4 1.2 Method and scope ................................................................................................. 4 1.3 Conclusions ......................................................................................................... 5 1.3.1 Literary translation in the British Isles ................................................................... 5 1.3.2 Literature translated from Turkish – volume and trends .............................................. 6 1.3.3 Need for reliable data on published translations -
Elif Şafak's the Saint of Incipient Insanities As an “International” Novel
Elif Şafak’s The Saint of Incipient Insanities as an “International” Novel Elif Oztabek-Avci e Saint of Incipient Insanities is Elif Şafak’s fi rst novel written in English. It is also the fi rst novel in English written by a contemporary Turkish writer.1 Şafak (or Shafak) has joined the growing group of in- ternational writers who write in English although it is not their mother tongue, and e Saint of Incipient Insanities has been shelved in book- stores among other examples of “the rapid, extensive and many-sided internationalization of literatures at the end of the twentieth century” (Dhardwadker 59). e aim of this article is to explore how Shafak’s novel tackles the grip of nation on writers, especially on those from formerly colonized and/or so-called developing countries of the world, by focusing on the novel’s publication processes and the writer’s use of English in the novel. In his article Vinay Dhardwadker draws attention to a paradox: na- tionalism, he holds, is “an essential ingredient in the contemporary internationalization of literatures” (63). He suggests this paradoxical sit- uation is the result of the eff orts made by ex-colonized new nations to defi ne their “cultural identities” through literature (produced both by writers writing in their native tongue and by those writing in English): ey have established local and national councils of the arts; provided state funding for writers and literary institutions in the form of fellowships and grants; subsidized educational sys- tems, libraries, publishers, and literary media; instituted na- tional and international conferences, book fairs, and literary awards; and funded programmes for lectures, readings, and tours at home and abroad. -
Istanbul: Memories and the City Genre: Memoir
www.galaxyimrj.com Galaxy: An International Multidisciplinary Research Journal ISSN: 2278-9529 Title of the Book: - Istanbul: Memories and the City Genre: Memoir. Author: Orhan Pamuk. Paperback: 400 pages. Publisher: Vintage; Reprint edition (11 July 2006). Language: English. Reviewed By: Syed Moniza Nizam Shah Research Scholar Department of English University of Kashmir Turkey’s only Nobel Prize laureate (till date) Orhan Pamuk is undoubtedly one of the most significant and a widely debated novelist of the contemporary world literature. Seldom does a novelist in his fifties merit and receive the kind of critical attention that has come to Orhan Pamuk. He is the bestselling novelist in contemporary Turkey. His novels have been studied meticulously by critics such as Maureen Freely, MehnazM.Afridi, ErdağGöknar, Kader Konuk, SibelErol et al. Pamuk was born in a Muslim family in Nistantasi, a highly Westernized district in Istanbul. He was educated at Roberts College, the elite, secular American high school in Istanbul, a city which bifurcates or connects Asia and Europe. Presently, he is a professor in the Humanities at Columbia University, where he teaches comparative literature and writing. His upbringing and schooling in a highly secularized Istanbul made him a typical Istanbul like man who is torn between the traditional values of the city (century’s old Ottoman culture) and Kemalist Cultural ideology/Kemalism. Pamuk is deeply attached to his city—Istanbul, where he was born and breaded and continues to live in. Whether Pamuk is writing about the contemporary Turkey as in The Museum of Innocence or historical times as in My Name is Red, the city of Istanbul has almost been the main character/setting in his novels. -
Pamuk's Kars and Its Others
PAMUK’S KARS AND ITS OTHERS: AN ETHNOGRAPHY ON IDENTIFICATIONS AND BOUNDARIES OF ETHNICITY, NATIONALISM AND SECULARISM A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY KÜBRA ZEYNEP SARIASLAN IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN THE PROGRAM OF SOCIAL ANTHROPOLOGY SEPTEMBER 2010 Approval of the Graduate School of Social Sciences ____________________ Prof. Dr. Meliha Altunı şık Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Science. ____________________ Prof. Dr. Ay şe Saktanber Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Science. ____________________ Assoc. Prof. Dr. Sabine Strasser Supervisor Examining Committee Members Prof. Dr. Tayfun Atay (A.Ü., ETH) ____________________ Assoc. Prof. Dr. Sabine Strasser (METU, SOC) ____________________ Assist. Prof. Dr. Aykan Erdemir (METU, SOC) ____________________ I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name : Kübra Zeynep Sarıaslan Signature : iii ABSTRACT PAMUK’S KARS AND ITS OTHERS: AN ETHNOGRAPHY ON IDENTIFICATIONS AND BOUNDARIES OF ETHNICITY, NATIONALISM AND SECULARISM Sarıaslan, Kübra Zeynep M.S., Department of Sociology Supervisor: Assoc. Prof. Dr. Sabine Strasser September 2010, 118 pages Kars is an ethnically diverse city located at the North East Turkey, neighboring Armenia. -
Reykjavík Unesco City of Literature
Reykjavík unesco City of Literature Reykjavík unesco City of Literature Reykjavík unesco City of Literature Reykjavík City of Steering Committee Fridbjörg Ingimarsdóttir Submission writers: Literature submission Svanhildur Konrádsdóttir Director Audur Rán Thorgeirsdóttir, (Committee Chair) Hagthenkir – Kristín Vidarsdóttir Audur Rán Thorgeirsdóttir Director Association of Writers (point person) Reykjavík City of Non-Fiction and Literature Trail: Project Manager Department of Culture Educational Material Reykjavík City Library; Reykjavík City and Tourism Kristín Vidarsdóttir and Department of Culture Esther Ýr Thorvaldsdóttir Úlfhildur Dagsdóttir and Tourism Signý Pálsdóttir Executive Director Tel: (354) 590 1524 Head of Cultural Office Nýhil Publishing Project Coordinator: [email protected] Reykjavík City Svanhildur Konradsdóttir audur.ran.thorgeirsdottir Department of Culture Gudrún Dís Jónatansdóttir @reykjavík.is and Tourism Director Translator: Gerduberg Culture Centre Helga Soffía Einarsdóttir Kristín Vidarsdóttir Anna Torfadóttir (point person) City Librarian Gudrún Nordal Date of submission: Project Manager/Editor Reykjavík City Library Director January 2011 Reykjavík City The Árni Magnússon Institute Department of Culture and Audur Árný Stefánsdóttir for Icelandic Studies Photography: Tourism/Reykjavík City Library Head of Primary and Lower Cover and chapter dividers Tel: (354) 411 6123/ (354) 590 1524 Secondary Schools Halldór Gudmundsson Raphael Pinho [email protected] Reykjavík City Director [email protected] -
Orhan Pamuk and Vladimir Nabokov on Dostoevskii1 Neil Cornwell
Orhan Pamuk and Vladimir Nabokov on Dostoevskii1 Neil Cornwell Orhan Pamuk’s writing, his fiction and non-fiction, is not by any means short of references, allusions, and often tributes to other writers. Prominent among such literary foils or mentors are both Dostoevskii and Nabokov.2 The present chapter will concentrate first on surveying Dostoevskii’s role in this respect, before proceeding to a discussion of Nabokov, in order to initiate certain comparisons between the attitudes struck by Pamuk and Nabokov towards Dostoevskii.3 Pamuk and Dostoevskii Pamuk’s activities as a collector of books, and other objects, ‘in the early days’ (referring to his formative period of around 1972), he told himself (and much later us, in his memoir), would eventually ‘all form part of a great enterprise - a painting or a series of paintings or a novel like those I was then reading by Tolstoy, Dostoyevsky and Mann’ (Istanbul, 319).4 And, indeed, we are also told: ‘[Pamuk’s] early untranslated novels, Cevdet Bey and His Sons (1982) and The Quiet House (1983), were family sagas, modelled on Dostoevsky, Tolstoy and Thomas Mann’.5 Mann is another author (along with Dostoevskii) to whom Pamuk, unlike Vladimir Nabokov, wants to return ‘again and again’ (see Pamuk’s essay volume, Other Colours, 3). In addition to Tolstoi, an author much admired by both Pamuk and Nabokov is Flaubert. Other Russian writers to make appearances in Pamuk’s works include Turgenev and Pushkin, for instance in the novel Snow (2002).6 Demons (or The Devils [Áåñû]) is referred to as The Possessed in The Black Book (1990, probably Pamuk’s major novel), in which its plot is said to be ‘replicated […] down to the last detail’ in the carrying out of a political murder (Black Book, 244). -
Javier Marías
Edinburgh Research Explorer Javier Marías Citation for published version: Grohmann, A 2011, 'Javier Marías' The Literary Encyclopedia. <http://www.litencyc.com/php/speople.php?rec=true&UID=12897> Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: The Literary Encyclopedia Publisher Rights Statement: © Grohmann, A. (2011). Javier Marías. The Literary Encyclopedia General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 29. Sep. 2021 © Grohmann, A. (2011). Javier Marías. The Literary Encyclopedia Javier Marías Javier Marías is a major European writer and the author of eleven novels (including Tu rostro mañana [Your Face Tomorrow], published in three volumes between 2002 and 2007), which have been translated into forty-one languages and published in fifty-one countries, two collections of short stories, and nineteen collections of essays, articles, newspaper columns and biographical portraits. Born in Madrid in 1951, he is the fourth of five sons of Dolores Franco and Julián Marías. (The firstborn, Julianín, died at the age of three and a half in 1949 and is movingly evoked by Javier Marías in Negra espalda del tiempo (1998) [Dark Back of Time], as well as by the father in his memoirs). -
Galaxy: International Multidisciplinary Research Journal the Criterion: an International Journal in English ISSN: 0976-8165
About Us: http://www.the-criterion.com/about/ Archive: http://www.the-criterion.com/archive/ Contact Us: http://www.the-criterion.com/contact/ Editorial Board: http://www.the-criterion.com/editorial-board/ Submission: http://www.the-criterion.com/submission/ FAQ: http://www.the-criterion.com/fa/ ISSN 2278-9529 Galaxy: International Multidisciplinary Research Journal www.galaxyimrj.com www.the-criterion.com The Criterion: An International Journal In English ISSN: 0976-8165 Conflict, East Vs West and Inferiority Complex in Orhan Pamuk’s The Silent House Dr. Qamar Talat Professor of English & Seema Panjwani Research Scholar Govt. V. Y. T.PG. Autonomous College, Durg.(C.G) Abstract: Contemporary novelist Orhan Pamuk is one of most popular writer in the sphere of Turkish Literature. He has written on various ideological aspects of contemporary Turkish society and Politics. Orhan Pamuk is considered as the Istanbul writer like Joyce of Dublin, Proust of Paris, whose readers perceive the cities by the eyes of the novelist. The present paper intends to explore the conflicting aspects and inferiority complex of class, culture, ignorance in The Silent House. Here author reveals inferiority complex of the Turks and melancholic soul of his country under the enchantment of westernization throughout the novel. The conflict of East Vs West, Tradition Vs Modernity, Science Vs Religion and Political conflict of the 1970s in Turkey are perceptible through the characters and dialogue. Though, Pamuk’s second novel The Silent House has been written some thirty years ago of its English translation in 2012.But, still its representing the present Turkish society. Keywords: Conflicts, East Vs West, Tradition Vs Modernity, Science Vs Religion, inferiority complex, Kemalism, seclusion, Postmodernism.