Eclectic Sufism in the Con Temporary Arab World
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A Meridians Interview with Elif Shafak Elif Safak, Myriam J
Migrations: A Meridians Interview with Elif Shafak Elif Safak, Myriam J. A. Chancy Meridians: feminism, race, transnationalism, Volume 4, Number 1, 2003, pp. 55-85 (Article) Published by Duke University Press DOI: https://doi.org/10.1353/mer.2004.0006 For additional information about this article https://muse.jhu.edu/article/51147 [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] Migrations A Meridians Interview with Elif Shafak In the Fall of 2002, the Five College Women’s Center based at Mount Holyoke College, Massachusetts, welcomed a number of women scholars and writers as fellows in the Center for the fall and spring semesters as well as for full-year appointments. Elif Shafak was one of the fellows in residence for the 2002–2003 academic year. Although she came to the Center as a scholar continuing her work on gender and sexuality in the social sciences, a visit to the offices of Meridians during our Fall Open House revealed that she is an accomplished and award-winning novelist in her home country of Turkey. Her first novel, Pinhan, published in 1998, was awarded the Mevlana Prize in Turkey—a recognition given to the best works in mystical / transcendental literature. The novel tells the story of a hermaphrodite mystic—a little-known but revered tradition inside the Sufi orders. Pinhan explores the question of identity at the nexus of physical and metaphysical definitions. Her second novel, The Mirrors of the City, is about a Sephardic Jew who moves to seventeenth-century Istanbul after being expelled from Spain and centers on the themes of estrangement and deterritorialization. -
Dancing Modernity: Gender, Sexuality and the State in the Late Ottoman Empire and Early Turkish Republic
Dancing Modernity: Gender, Sexuality and the State in the Late Ottoman Empire and Early Turkish Republic Item Type text; Electronic Thesis Authors van Dobben, Danielle J. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 25/09/2021 19:19:19 Link to Item http://hdl.handle.net/10150/193284 1 DANCING MODERNITY: GENDER, SEXUALITY AND THE STATE IN THE LATE OTTOMAN EMPIRE AND EARLY TURKISH REPUBLIC by Danielle J. van Dobben ______________________________ Copyright © Danielle J. van Dobben 2008 A Thesis Submitted to the Faculty of the DEPARTMENT OF NEAR EASTERN STUDIES In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2008 2 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the copyright holder. SIGNED: Danielle J. van Dobben APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below: __________________________ August 7, 2008 Dr. -
“Understanding Qawwali – 2015” the Anthropology and Social Impact of the Art-Form of Qawwali 7Th March, 2015 | India International Centre, New Delhi
Sufi Kathak Foundation Presents “Understanding Qawwali – 2015” The anthropology and social impact of the art-form of Qawwali 7th March, 2015 | India International Centre, New Delhi Project Report Prepared by J-237, Basement, Saket, New Delhi- 110017 Phone: 011-41764860, +91 9871310119 [email protected] www.sufikathakfoundation.com Understanding Qawwali About the Symposium and the evening concert Conceptualized by Manjari Chaturvedi, Sufi Kathak Foundation’s “Understanding Qawwali” series of symposiums is a unique initiative to explore the music form of Qawwali. Now in its third edition, the symposium focuses on revival of the oral tradition of Qawwali with a strong emphasis on the livelihoods of performing artists. This year, we discussed the anthropology and the social impact of art-form of Qawwali. This was achieved through a multipronged approach by lectures, talks, discussions, photo documentations and actual live performances. This seminar also discussed the simple and complex approaches necessary for the artists, who are mostly uneducated themselves, to attract financial support and thus at the same time increase their livelihood opportunities through their performance skills. The evening concert presented a hitherto unexplored perspective to the festival of Holi as the Qawwals sing in their powerful voices in jubilation, reciting verses with fresh and intriguing connotations to what is already known of Holi and Basant in popular folk songs and poetry. As the music form of Qawwali has eternally imbibed within itself influences from various communities in India, this is an initiative to bring this feature of Qawwali in public domain. A riveting and unique celebration of the festival of Holi bring forth its spirit of merriment and cultural harmony in the true sense, "Colours of Love" features traditional Qawwals singing the delightful play of Holi and the revelry of the festival of Basant as written by Sufi saints and poets. -
Narratives of Multiculturalismin Post-Imperial Turkey
Table of Contents I. Introduction: What is (not) Turkish American Literature .......11 The Significance of the United States in Turkish American Literature .....21 Turkish American Literature and the “Transnational Turn” .........................28 A Gentle Empire ........................................................................................... 28 ‘Unearthing’ and Embracing the Colonial Past ........................................ 33 Beyond Empire: A Postcolonial Reading of Turkish American Literature ...........................................................................................36 The Postcoloniality of Turkey ..................................................................... 38 Turkish American Literature and the Postcolonial Imagery .................. 40 Postcolonialism and Resistance: A Critical Perspective on Turkish American Literature ...................................................................... 45 II. Imaginary Spaces: Representations of Istanbul between Topography and Imagination ................................................................49 The Unplaceability of Orhan Pamuk ......................................................... 51 Orhan Pamuk: Overground and Underground Istanbul ........................ 59 “Safe Spaces of the Like-Minded”: Elif Shafak’s Cafés ............................. 63 Becoming Someone Else: Imitation and Truthfulness ............................ 65 ‘Authenticity’ and Americanization ........................................................... 70 Integration and -
Literary Translation from Turkish Into English in the United Kingdom and Ireland, 1990-2010
LITERARY TRANSLATION FROM TURKISH INTO ENGLISH IN THE UNITED KINGDOM AND IRELAND, 1990-2010 a report prepared by Duygu Tekgül October 2011 Making Literature Travel series of reports on literary exchange, translation and publishing Series editor: Alexandra Büchler The report was prepared as part of the Euro-Mediterranean Translation Programme, a co-operation between the Anna Lindh Euro-Mediterranean Foundation for the Dialogue between Cultures, Literature Across Frontiers and Transeuropéenes, and with support from the Culture Programme of the European Union. Literature Across Frontiers, Mercator Institute for Media, Languages and Culture, Aberystwyth University, Wales, UK This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 2.0 UK: England & Wales License. 1 Contents 1 EXECUTIVE SUMMARY ............................................................................................ 4 1.1 Framework .......................................................................................................... 4 1.2 Method and scope ................................................................................................. 4 1.3 Conclusions ......................................................................................................... 5 1.3.1 Literary translation in the British Isles ................................................................... 5 1.3.2 Literature translated from Turkish – volume and trends .............................................. 6 1.3.3 Need for reliable data on published translations -
Elif Şafak's the Saint of Incipient Insanities As an “International” Novel
Elif Şafak’s The Saint of Incipient Insanities as an “International” Novel Elif Oztabek-Avci e Saint of Incipient Insanities is Elif Şafak’s fi rst novel written in English. It is also the fi rst novel in English written by a contemporary Turkish writer.1 Şafak (or Shafak) has joined the growing group of in- ternational writers who write in English although it is not their mother tongue, and e Saint of Incipient Insanities has been shelved in book- stores among other examples of “the rapid, extensive and many-sided internationalization of literatures at the end of the twentieth century” (Dhardwadker 59). e aim of this article is to explore how Shafak’s novel tackles the grip of nation on writers, especially on those from formerly colonized and/or so-called developing countries of the world, by focusing on the novel’s publication processes and the writer’s use of English in the novel. In his article Vinay Dhardwadker draws attention to a paradox: na- tionalism, he holds, is “an essential ingredient in the contemporary internationalization of literatures” (63). He suggests this paradoxical sit- uation is the result of the eff orts made by ex-colonized new nations to defi ne their “cultural identities” through literature (produced both by writers writing in their native tongue and by those writing in English): ey have established local and national councils of the arts; provided state funding for writers and literary institutions in the form of fellowships and grants; subsidized educational sys- tems, libraries, publishers, and literary media; instituted na- tional and international conferences, book fairs, and literary awards; and funded programmes for lectures, readings, and tours at home and abroad. -
Elements of Sufism in the Philosophy of the Order: an Examination of The
1 Elements of Sufism in the Philosophy of the Order: An Examination of the Lectures and Writings of Hazrat Inayat-Khan and Zia Inayat-Khan Keenan Nathaniel Field Ashland, Virginia Bachelor of Arts, History, Virginia Commonwealth University, 2015 Bachelor of Arts, Religious Studies, Virginia Commonwealth University, 2015 Associates of Science, J. Sargeant Reynolds Community College, 2013 A Thesis presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Master of Arts Department of Religious Studies University of Virginia December, 2020 Dr. Shankar Nair Dr. Jessica Andruss 2 In 1910, when Hazrat Inayat Khan left India to visit New York and the United States for the first time, he began his journey as a traveling musician, having come from a family of highly respected musicians in Baroda, India. Before long, however, he began publicly teaching a form of primarily Chishti Sufism. The next seventeen years of his life would be spent crisscrossing the Western world giving lectures to thousands of Europeans and Americans in an attempt to spread this philosophical message. This message shifted over those first seventeen years and the subsequent century from one that heavily emphasized specifically Sufi elements of teaching and philosophy to a religious message that placed heavy emphasis on the universal elements that it considered to be the core of all religions. This philosophy is most readily observable and easily understood by studying its current iteration, the Inayattiya, who developed out of a number of schisms and splits in the mid twentieth century and trace their silsila, or spiritual lineage, back to HIK by way of his siblings and cousins, to his son Pir Vilayat Inayat-Khan, and his grandson, the current head, of the Order Pir Zia Inayat-Khan. -
The Sufi Doctrine of Rumi by William Chittick
Woi*ld Wisdom trl^e J_ib»'cii*y of "Pet^cunicil "PHiIosopKy The Library of Perennial Philosophy is dedicated to the exposition of the timeless Truth underlying the diverse religions. This Truth, often referred to as the Sophia Perennis—or Perennial Wisdom—finds its expression in the revealed Scriptures as well as the writings of the great sages and the artistic creations of the traditional worlds. The Perennial Philosophy provides the intellectual principles capable of ex• plaining both the formal contradictions and the transcendent unity of the great religions. Ranging from the writings of the great sages of the past, to the perennialist authors of our time, each series of our Library has a difi^erent focus. As a whole, they express the inner unanimity, transforming radiance, and irreplaceable values of the great spiritual traditions. The Sufi Doctrine of Rumi: Illustrated Edition appears as one of our selections in the Spiritual Masters: East & West series. 3pi»*itMcil 7Vlciste»»s: G-cxs\ & West Sej'ies This series presents the writings of great spiritual masters of the past and present from both East and West. Carefully selected essential writings of these sages are combined with biographical information, glossaries of technical terms, historical maps, and pictorial and photographic art in order to communicate a sense of their respective spiritual climates. Page from a manuscript of Rumi's Mathnawi The Sufi Doctrine of Rumi . : Illustrated Edition William C. Chittick Foreword by Wocld Wisdom • // / • The Sufi Doctrine of Rumi: Illustrated Edition © 2005 World Wisdom, Inc. All rights reserved. No part of this book may be used or reproduced, in any manner without written permission, except in critical articles and reviews. -
Copyright by Mohammad Raisur Rahman 2008
Copyright by Mohammad Raisur Rahman 2008 The Dissertation Committee for Mohammad Raisur Rahman certifies that this is the approved version of the following dissertation: Islam, Modernity, and Educated Muslims: A History of Qasbahs in Colonial India Committee: _____________________________________ Gail Minault, Supervisor _____________________________________ Cynthia M. Talbot _____________________________________ Denise A. Spellberg _____________________________________ Michael H. Fisher _____________________________________ Syed Akbar Hyder Islam, Modernity, and Educated Muslims: A History of Qasbahs in Colonial India by Mohammad Raisur Rahman, B.A. Honors; M.A.; M.Phil. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2008 Dedication This dissertation is dedicated to the fond memories of my parents, Najma Bano and Azizur Rahman, and to Kulsum Acknowledgements Many people have assisted me in the completion of this project. This work could not have taken its current shape in the absence of their contributions. I thank them all. First and foremost, I owe my greatest debt of gratitude to my advisor Gail Minault for her guidance and assistance. I am grateful for her useful comments, sharp criticisms, and invaluable suggestions on the earlier drafts, and for her constant encouragement, support, and generous time throughout my doctoral work. I must add that it was her path breaking scholarship in South Asian Islam that inspired me to come to Austin, Texas all the way from New Delhi, India. While it brought me an opportunity to work under her supervision, I benefited myself further at the prospect of working with some of the finest scholars and excellent human beings I have ever known. -
Contestations, Conflicts and Music-Power: Mevlevi Sufism in the 21St Century Turkey
CONTESTATIONS, CONFLICTS AND MUSIC-POWER: MEVLEVI SUFISM IN THE 21ST CENTURY TURKEY A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY NEVİN ŞAHİN IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE DEPARTMENT OF SOCIOLOGY FEBRUARY 2016 Approval of the Graduate School of Social Sciences _____________________________ Prof. Dr. Meliha Altunışık Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Doctor of Philosophy. _____________________________ Prof. Dr. Sibel Kalaycıoğlu Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Doctor of Philosophy. _____________________________ Assoc. Prof. Dr. Mustafa Şen Supervisor Examining Committee Members Assoc. Prof. Dr. Zana Çıtak (METU, IR) _____________________________ Assoc. Prof. Dr. Mustafa Şen (METU, SOC) _____________________________ Assoc. Prof. Dr. Cenk Güray (YBU, MUS) _____________________________ Assist. Prof. Dr. Yelda Özen (YBU, SOC) _____________________________ Assist. Prof. Dr. Çağatay Topal (METU, SOC) _____________________________ I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name: Nevin Şahin Signature: iii ABSTRACT CONTESTATIONS, CONFLICTS AND MUSIC-POWER: MEVLEVI SUFISM IN THE 21ST CENTURY TURKEY Şahin, Nevin PhD. Department of Sociology Supervisor: Assoc. Prof. Dr. Mustafa Şen February 2016, 232 pages Established as a Sufi order in central Anatolia following the death of Rumi, Mevlevi Sufism has influenced the spirituality of people for over 8 centuries. -
CURRICULUM VITAE Marcia K. Hermansen September 2020
CURRICULUM VITAE Marcia K. Hermansen September 2020 Theology Dept. Loyola University Crown Center 301 Tel. (773)-508-2345 (work) 1032 W. Sheridan Rd., Chicago Il 60660 E-mail [email protected] I. EDUCATION A. Institution Dates Degree Field University of Chicago 1974-1982 Ph.D. Near East Languages and Civilization (Arabic & Islamic Studies) University of Toronto 1973-1974 Special Student University of Waterloo 1970-1972 B.A. General Arts B. Dissertation Topic: The Theory of Religion of Shah Wali Allah of Delhi (1702-1762) C. Language Competency: Arabic, Persian, Urdu, French, Spanish, Italian, German, Dutch, Turkish II. EMPLOYMENT HISTORY A. Teaching and Other Positions Held 2006- Director, Islamic World Studies Program, Loyola 1997- Professor, Theology Dept., Loyola University, Chicago 2003 Visiting Professor, Summer School, Catholic University, Leuven, Belgium 1982-1997 Professor, Religious Studies, San Diego State University 1985-1986 Visiting Professor, Institute of Islamic Studies McGill University, Montreal, Canada 1980-1981 Foreign Service, Canadian Department of External Affairs: Postings to the United Nations General Assembly, Canadian Delegation; Vice-Consul, Canadian Embassy, Caracas, Venezuela 1979-1980 Lecturer, Religion Department, Queen's University, Kingston, Ontario M. K. Hermansen—2 B.Courses Taught Religious Studies World Religions: Major concepts from eastern and western religious traditions. Religions of India Myth and Symbol: Psychological, anthropological, and religious approaches Religion and Psychology Sacred Biography Dynamics of Religious Experience Comparative Spiritualities Scripture in Comparative Perspective Ways of Understanding Religion (Theory and Methodology in the Study of Religion) Comparative Mysticism Introduction to Religious Studies Myth, Magic, and Mysticism Islamic Studies Introduction to Islam. Islamic Mysticism: A seminar based on discussion of readings from Sufi texts. -
Bahá'u'lláh's Persian Poems Written Before 1863
Bahá’u’lláh’s Persian Poems Written Before 1863 Julio Savi1 A provisional list of Bahá’u’lláh’s Persian poems written before 1863 is provided. These poems are described as an early fruit of the mys- tical experiences Bahá’u’lláh had in the Síyáh-Chál of Teheran in October 1852. Those experiences produced in Him an irresistible ‘fire of love’ that He sang in those poems. Bahá’u’lláh’s love was not a common love, it was “that spiritual attraction and that ecstatic love of the lovers of the Beauteous One for the beauty within their own self”2, which later on `Abdu’l-Bahá described in His ‘Commentary to the Tradition of the Hidden Treasure’. Bahá’u’lláh uses in these compositions the language of the ancient Persian mystical poets, but He also introduces new perspectives. Persian ancient mystical poems are mostly pervaded by an incurable feeling of separation and remote- ness and by the consequent pain. Bahá’u’lláh also mentions the pains of the lover. They are the pains the lover should be ready to accept if he wants to come closer to his Beloved. The Beloved says to his lover: "If thine aim be to cherish thy life, approach not our court; / But if sacrifice be thy heart’s desire, come and let others come with thee”. However, whereas the pains of the lover in the ancient Persian poetry were hopeless, Bahá’u’lláh’s poems also speak of the joys of nearness and reunion, which are made possible by the presence of the Beloved Himself Who “Like unto Joseph in Egypt, moves now through alleys and bazaars” and “hath renewed the world through His Cause, / And quickened the spirit of Jesus by His breath”.