Is Visual Space Euclidean?
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Relevant Implication and Ordered Geometry
Australasian Journal of Logic Relevant Implication and Ordered Geometry Alasdair Urquhart Abstract This paper shows that model structures for R+, the system of positive relevant implication, can be constructed from ordered geometries. This ex- tends earlier results building such model structures from projective spaces. A final section shows how such models can be extended to models for the full system R. 1 Introduction This paper is a sequel to an earlier paper by the author [6] showing how to construct models for the logic KR from projective spaces. In that article, the logical relation Rabc is an extension of the relation Cabc, where a; b; c are points in a projective space and Cabc is read as \a; b; c are distinct and collinear." In the case of the projective construction, the relation Rabc is totally sym- metric. This is of course not the case in general in R models, where the first two points a and b can be permuted, but not the third. For the third point, we have only the implication Rabc ) Rac∗b∗. On the other hand, if we read Rabc as \c is between a and b", where we are operating in an ordered geometry, then we can permute a and b, but not b and c, just as in the case of R. Hence, these models are more natural than the ones constructed from projective spaces, from the point of view of relevance logic. In the remainder of the paper, we carry out the plan outlined here, by constructing models for R+ from ordered geometries. -
Eye-Movement Studies of Visual Face Perception
Eye-movement studies of visual face perception Joseph Arizpe A dissertation submitted for the degree of Doctor of Philosophy of the University College London Institute of Cognitive Neuroscience University College London 2015 1 Declaration I, Joseph Arizpe, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 2 Abstract This thesis investigates factors influencing eye-movement patterns during face perception, the relationship of eye-movement patterns to facial recognition performance, and methodological considerations impacting the detection of differences in eye-movement patterns. In particular, in the first study (chapter 2), in which the basis of the other-race effect was investigated, differences in eye- movement patterns during recognition of own- versus other-race (African, Chinese) faces were found for Caucasian participants. However, these eye- movement differences were subtle and analysis-dependent, indicating that the discrepancy in prior reports regarding the presence or absence of such differences are due to variability in statistical sensitivity of analysis methods across studies. The second and third studies (chapters 3 and 4) characterized visuomotor factors, specifically pre-stimulus start position and distance, which strongly influence subsequent eye-movement patterns during face perception. An overall bias in fixation patterns to the opposite side of the face induced by start position and an increasing undershoot of the first ordinal fixation with increasing start distance were found. These visuomotor influences were not specific to faces and did not depend on the predictability of the location of the upcoming stimulus. -
Hershenson (1992) Size-Distance Invariance. Kinetic Invariance Is
Perception & Psychophysics 1992, 51 (6), 541-548 Size-distance invariance: Kinetic invariance is different from static invariance MAURICE HERSHENSON Brandeis University, Waltham, Massachusetts The static form of the size-distance invariance hypothesisasserts that a given proximal stimu- lus size (visual angle) determines a unique and constant ratio of perceived-object size to perceived object distance. A proposed kinetic invariance hypothesis asserts that a changing proximal stim- ulus size (an expanding or contracting solid visual angle) produces a constant perceived size and a changing perceived distance such that the instantaneous ratio of perceived size to perceived distance is determined by the instantaneous value of visual angle. The kinetic invariance hy- pothesis requires a new concept, an operating constraint, to mediate between the proximal ex- pansion or contraction pattern and the perception of rigid object motion in depth. As a conse- quence of the operating constraint, expansion and contraction patterns are automatically represented in consciousness as rigid objects. In certain static situations, the operation of this constraint produces the anomalous perceived-size-perceived-distance relations called the size- distance paradox. The size-distance invariance hypothesis (SDIH) asserts STATIC INVARIANCE RELATIONSHIP that a given proximal stimulus size (visual angle) deter- mines a unique constant ratio of perceived object size to Traditional Formulation perceived object distance (Epstein, 1977; Epstein, Park, The traditional form of the SDIH is derived from the & Casey, 1961; Kilpatrick & Ittelson, 1953). Is it possible analysis of stationary objects (Epstein, 1977; Gilinsky, to explain the moon illusion and retain this form of the 1951; Ittelson, 1951a; Johansson, 1977; Kilpatrick & It- SDIH? To do so, Kaufman and Rock (1962, 1989; Rock telson, 1953; Weintraub & Gardner, 1970). -
Geometry in a Nutshell Notes for Math 3063
GEOMETRY IN A NUTSHELL NOTES FOR MATH 3063 B. R. MONSON DEPARTMENT OF MATHEMATICS & STATISTICS UNIVERSITY OF NEW BRUNSWICK Copyright °c Barry Monson February 7, 2005 One morning an acorn awoke beneath its mother and declared, \Gee, I'm a tree". Anon. (deservedly) 2 THE TREE OF EUCLIDEAN GEOMETRY 3 INTRODUCTION Mathematics is a vast, rich and strange subject. Indeed, it is so varied that it is considerably more di±cult to de¯ne than say chemistry, economics or psychology. Every individual of that strange species mathematician has a favorite description for his or her craft. Mine is that mathematics is the search for the patterns hidden in the ideas of space and number . This description is particularly apt for that rich and beautiful branch of mathematics called geometry. In fact, geometrical ideas and ways of thinking are crucial in many other branches of mathematics. One of the goals of these notes is to convince you that this search for pattern is continuing and thriving all the time, that mathematics is in some sense a living thing. At this very moment, mathematicians all over the world1 are discovering new and enchanting things, exploring new realms of the imagination. This thought is easily forgotten in the dreary routine of attending classes. Like other mathematical creatures, geometry has many faces. Let's look at some of these and, along the way, consider some advice about doing mathematics in general. Geometry is learned by doing: Ultimately, no one can really teach you mathe- matics | you must learn by doing it yourself. Naturally, your professor will show the way, give guidance (and also set a blistering pace). -
Seeing Black and White
Seeing Black and White Alan Gilchrist OXFORD UNIVERSITY PRESS Seeing Black and White This page intentionally left blank SEEING BLACK AND WHITE Alan Gilchrist 1 2006 1 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright ᭧ 2006 by Oxford University Press, Inc. Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Gilchrist, Alan. Seeing black and white / by Alan Gilchrist. p. cm. (Oxford psychology series; no. 40) Includes bibliographical references and index. ISBN 0-19-518716-4 ISBN-13 978-0-19-518716-8 1. Imagery (Psychology). I. Title. II. Series. BF241.L54 2006 153—dc22 2006006283 987654321 Printed in the United States of America on acid-free paper This book is dedicated to the memory of Irvin Rock, my wonderful mentor and warm friend. This page intentionally left blank Foreword And God said let Gilchrist be and all was light. -
Vision and Mind: Selected Readings in the Philosophy of Perception
ision and Mind Selected Readings in the Philosophy of Perception edited by Alva Noë and Evan Thompson Vision and Mind This Page Intentionally Left Blank Vision and Mind Selected Readings in the Philosophy of Perception edited by Alva Noë and Evan Thompson A Bradford Book The MIT Press Cambridge, Massachusetts London, England © 2002 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. This book was set in Sabon by SNP Best-set Typesetter Ltd., Hong Kong. Printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Vision and mind : selected readings in the philosophy of perception / edited by Alva Noë and Evan Thompson. p. cm. Includes bibliographical references and index. ISBN 0-262-14078-0 (alk. paper)—ISBN 0-262-64047-3 (pbk. : alk. paper) 1. Perception (Philosophy) I. Noë, Alva. II. Thompson, Evan. B828.45 .V565 2002 121¢.34—dc21 2002023533 Contents Preface vii Sources ix 1 Introduction 1 Alva Noë and Evan Thompson 2 Selections from Phenomenology of Perception 15 Maurice Merleau-Ponty 3 Some Remarks about the Senses 35 H. P. Grice 4 The Intentionality of Sensation: A Grammatical Feature 55 G. E. M. Anscombe 5 A Theory of Direct Visual Perception 77 James J. Gibson 6 Perception and Its Objects 91 P. F. Strawson 7 Perceptions as Hypotheses 111 Richard L. Gregory 8 Veridical Hallucination and Prosthetic Vision 135 David Lewis 9 Perception, Vision and Causation 151 Paul Snowdon 10 How Direct Is Visual Perception?: Some Reflections on Gibson’s “Ecological Approach” 167 Jerry A. -
The Axiomatics of Ordered Geometry I
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Elsevier - Publisher Connector Expositiones Mathematicae 29 (2011) 24–66 Contents lists available at ScienceDirect Expositiones Mathematicae journal homepage: www.elsevier.de/exmath The axiomatics of ordered geometry I. Ordered incidence spaces Victor Pambuccian Division of Mathematical and Natural Sciences, Arizona State University - West Campus, P. O. Box 37100, Phoenix, AZ 85069-7100, USA article info a b s t r a c t Article history: We present a survey of the rich theory of betweenness and Received 7 September 2009 separation, from its beginning with Pasch's 1882 Vorlesungen über Received in revised form neuere Geometrie to the present. 17 July 2010 ' 2010 Elsevier GmbH. All rights reserved. Keywords: Ordered geometry Axiom system Half-ordered geometry Somewhere there is some knowledge; under the stone A message perhaps; or hidden by strange signs In places only the stupid visit. Malcolm Lowry. Ein Zeichen sind wir, deutungslos, Schmerzlos sind wir und haben fast Die Sprache in der Fremde verloren. Friedrich Hölderlin, Mnemosyne. 1. Introduction Unlike most concepts of elementary geometry, whose origin is shrouded in the ineluctable fog of all cultural beginnings, the history of the notion of betweenness can be traced back to one person, one book, and one year: Moritz Pasch,1 Vorlesungen über neuere Geometrie, and 1882. The aim of this pioneering book was to provide a solid foundation, very much in the spirit of synthetic geometry, for 1 For a view of one of Pasch's contemporaries on his life and his work's significance for the axiomatics of geometry, see [325]. -
Von Staudt and His Influence
A Von Staudt and his Influence A.1 Von Staudt The fundamental criticism of the work of Chasles and M¨obius is that in it cross- ratio is defined as a product of two ratios, and so as an expression involving four lengths. This makes projective geometry, in their formulation, dependent on Euclidean geometry, and yet projective geometry is claimed to be more fundamental, because it does not involve the concept of distance at all. The way out of this apparent contradiction was pioneered by von Staudt, taken up by Felix Klein, and gradually made its way into the mainstream, culminating in the axiomatic treatments of projective geometry between 1890 and 1914. That a contradiction was perceived is apparent from remarks Klein quotes in his Zur nicht-Euklidischen Geometrie [138] from Cayley and Ball.1 Thus, from Cayley: “It must however be admitted that, in applying this theory of v. Staudt’s to the theory of distance, there is at least the appearance of arguing in a circle.” And from Ball: “In that theory [the non-Euclidean geometry] it seems as if we try to replace our ordinary notion of distance between two points by the logarithm of a certain anharmonic ratio. But this ratio itself involves the notion of distance measured in the ordinary way. How then can we supersede the old notion of distance by the non-Euclidean one, inasmuch as the very definition of the latter involves the former?” The way forward was to define projective concepts entirely independently of Euclidean geometry. The way this was done was inevitably confused at first, 1 In Klein, Gesammelte mathematische Abhandlungen,I[137, pp. -
A Functional MRI Index of Spatial Context Effects in Vision
Psychology, 2015, 6, 2145-2154 Published Online December 2015 in SciRes. http://www.scirp.org/journal/psych http://dx.doi.org/10.4236/psych.2015.616211 A Functional MRI Index of Spatial Context Effects in Vision Keith A. Feigenson1,2*, Catherine Hanson3, Thomas Papathomas4, Steven M. Silverstein1,5 1Department of Psychiatry, Robert Wood Johnson Medical School at Rutgers, The State University of New Jersey, Piscataway, USA 2Albright College, Reading, PA, USA 3Rutgers University Brain Imaging Center, Newark, NJ, USA 4Department of Biomedical Engineering and Center for Cognitive Science, Rutgers University, Piscataway, NJ, USA 5University Behavioral Health Care at Rutgers, The State University of New Jersey, Piscataway, NJ, USA Received 25 October 2015; accepted 28 December 2015; published 31 December 2015 Copyright © 2015 by authors and Scientific Research Publishing Inc. This work is licensed under the Creative Commons Attribution International License (CC BY). http://creativecommons.org/licenses/by/4.0/ Abstract Coordination of brain activity, in the form of modulation of feedforward activity by stored infor- mation and expectations, occurs across domains of perception and cognition. A reliable and com- pelling example of this is size contrast in vision. This paper builds on a prior study to show that in healthy humans, the spread of activation in striate and extrastriate visual cortex during a con- text-modulated size perception task is dependent on the perceived size of the target image, not on the physical size of the retinal image. These data provide further evidence that early regions in visual cortex are modulated by top-down influences, and provide a framework for investigating visual context processing in psychiatric disorders where reduced sensitivity to visual contextual effects has been demonstrated in behavioral tasks. -
Combining Cues to Judge Distance and Direction in an Immersive Virtual Reality Environment
Journal of Vision (2021) 21(4):10, 1–25 1 Combining cues to judge distance and direction in an immersive virtual reality environment Peter Scarfe University of Reading, Earley Gate, Reading, UK Andrew Glennerster University of Reading, Earley Gate, Reading, UK When we move, the visual direction of objects in the most psychophysical experiments, the estimation of environment can change substantially. Compared with visual direction seems simpler and less to do with the our understanding of depth perception, the problem the representation of the 3D world around us. However, visual system faces in computing this change is relatively for a moving observer in a static world, or a static poorly understood. Here, we tested the extent to which observer viewing moving objects, the situation is quite participants’ judgments of visual direction could be different (Wexler et al., 2001). Objects change both predicted by standard cue combination rules. their depth and their visual direction and, in both cases, Participants were tested in virtual reality using a if an observer is to perceive a stable 3D world, they head-mounted display. In a simulated room, they judged must take account of changes in the visual direction of the position of an object at one location, before walking objects just as much as they do for changes in object to another location in the room and judging, in a second depth. interval, whether an object was at the expected visual There is good evidence that people are able to update direction of the first. By manipulating the scale of the room across intervals, which was subjectively invisible their estimate of the visual direction of previously to observers, we put two classes of cue into conflict, one viewed objects when they move to a new location (Foo that depends only on visual information and one that et al., 2005; Klatzky et al., 2003; Klier et al., 2008; uses proprioceptive information to scale any Loomis et al., 1998; Medendorp, 2011; Rieser & Rider, reconstruction of the scene. -
Visual Immersion in the Context of Wall Displays Arnaud Prouzeau, Anastasia Bezerianos, Olivier Chapuis
Visual Immersion in the Context of Wall Displays Arnaud Prouzeau, Anastasia Bezerianos, Olivier Chapuis To cite this version: Arnaud Prouzeau, Anastasia Bezerianos, Olivier Chapuis. Visual Immersion in the Context of Wall Displays. Interactive Surfaces and Spaces Surfaces Companion Proceedings, Nov 2016, Niagara Falls, Canada. 10.1145/3009939.3009945. hal-01383587 HAL Id: hal-01383587 https://hal.archives-ouvertes.fr/hal-01383587 Submitted on 18 Oct 2016 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Visual Immersion in the Context of Wall Displays Abstract Arnaud Prouzeau Immersion is the subjective impression of being deeply LRI – Univ Paris Sud, CNRS, involved in a specific situation, and can be sensory or cog- Inria, Université Paris-Saclay F-91405 Orsay, France nitive. In this position paper, we use a basic model of visual [email protected] perception to study how ultra-high resolution wall displays can provide visual immersion. With their large size, depend- ing on the position of viewers in front of them, wall displays Anastasia Bezerianos can provide a surrounding and vivid environment. Users LRI – Univ Paris Sud, CNRS, close to the wall can have their visual field filled by the wall Inria, Université Paris-Saclay and they are able to see clearly a large amount information F-91405 Orsay, France [email protected] with a fine resolution. -
Chapter 6 Visual Perception
Chapter 6 Visual Perception Steven M. LaValle University of Oulu Copyright Steven M. LaValle 2019 Available for downloading at http://vr.cs.uiuc.edu/ 154 S. M. LaValle: Virtual Reality Chapter 6 Visual Perception This chapter continues where Chapter 5 left off by transitioning from the phys- iology of human vision to perception. If we were computers, then this transition might seem like going from low-level hardware to higher-level software and algo- rithms. How do our brains interpret the world around us so effectively in spite of our limited biological hardware? To understand how we may be fooled by visual stimuli presented by a display, you must first understand how our we perceive or interpret the real world under normal circumstances. It is not always clear what we will perceive. We have already seen several optical illusions. VR itself can be Figure 6.1: This painting uses a monocular depth cue called a texture gradient to considered as a grand optical illusion. Under what conditions will it succeed or enhance depth perception: The bricks become smaller and thinner as the depth fail? increases. Other cues arise from perspective projection, including height in the vi- Section 6.1 covers perception of the distance of objects from our eyes, which sual field and retinal image size. (“Paris Street, Rainy Day,” Gustave Caillebotte, is also related to the perception of object scale. Section 6.2 explains how we 1877. Art Institute of Chicago.) perceive motion. An important part of this is the illusion of motion that we perceive from videos, which are merely a sequence of pictures.