Eye-Movement Studies of Visual Face Perception
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Eye Fields in the Frontal Lobes of Primates
Brain Research Reviews 32Ž. 2000 413±448 www.elsevier.comrlocaterbres Full-length review Eye fields in the frontal lobes of primates Edward J. Tehovnik ), Marc A. Sommer, I-Han Chou, Warren M. Slocum, Peter H. Schiller Department of Brain and CognitiÕe Sciences, Massachusetts Institute of Technology, E25-634, Cambridge, MA 02139, USA Accepted 19 October 1999 Abstract Two eye fields have been identified in the frontal lobes of primates: one is situated dorsomedially within the frontal cortex and will be referred to as the eye field within the dorsomedial frontal cortexŽ. DMFC ; the other resides dorsolaterally within the frontal cortex and is commonly referred to as the frontal eye fieldŽ. FEF . This review documents the similarities and differences between these eye fields. Although the DMFC and FEF are both active during the execution of saccadic and smooth pursuit eye movements, the FEF is more dedicated to these functions. Lesions of DMFC minimally affect the production of most types of saccadic eye movements and have no effect on the execution of smooth pursuit eye movements. In contrast, lesions of the FEF produce deficits in generating saccades to briefly presented targets, in the production of saccades to two or more sequentially presented targets, in the selection of simultaneously presented targets, and in the execution of smooth pursuit eye movements. For the most part, these deficits are prevalent in both monkeys and humans. Single-unit recording experiments have shown that the DMFC contains neurons that mediate both limb and eye movements, whereas the FEF seems to be involved in the execution of eye movements only. -
Investigative Ophthalmology & Visual Science
APRIL 1978 Vol. 17/4 Investigative Ophthalmology & Visual Science A Journal of Clinical and Basic Research Articles Training of voluntary torsion Richard Balliet and Ken Nakayama By means of a visual feedback technique, human subjects were trained to make large conjugate cyclorotary eye movements at will. The range of movement increased with training at a rate of approximately 0.8° per hour of practice, reaching 30° at the end of training. Photographs recorded the ability to make voluntary cyclofixations at any amplitude within the subject's range. Cyclotorsional pursuit was also trained, with ability increasing with greater amounts of visual feedback. In addition, torsional saccadic tracking was trained, showing a magnitude vs. peak velocity relationship similar to that seen for normal saccades. Control experiments indi- cate that all of these movements were voluntary, with no significant visual induction. With extended practice, large torsional movements could be made without any visual stimulation. The emergence of voluntary torsion through training demonstrates that the oculomotor system has more plasticity than has generally been assumed, reopening the issue as to whether other movements could also be trained to alleviate the symptoms of strabismus. Key words: eye movements, torsion, saccades, slow pursuit, fixation, orthoptics, oculomotor plasticity c' yclorotations are defined as rotations the eye can undergo a cyclorotation as it about the visual axis of the eye. These rota- moves from one tertiary position of gaze to tions are considered to be reflexive, with no another, but the amount of this cyclorotation indication of voluntary control. For example, is fixed, being dictated by Listings law.11 In addition, involuntary cyclovergence has been 1 From the Smith-Kettlewell Institute of Visual Science, reported to occur during convergence, and Department of Visual Sciences, University of the reflexive cycloversions have been demon- Pacific, San Francisco, Calif. -
The Effect of Eye Movements and Blinks on Afterimage Appearance and Duration
Journal of Vision (2015) 15(3):20, 1–15 http://www.journalofvision.org/content/15/3/20 1 The effect of eye movements and blinks on afterimage appearance and duration School of Psychology, Cardiff University, # Georgina Powell Cardiff, Wales, UK $ School of Psychology, Cardiff University, # Petroc Sumner Cardiff, Wales, UK $ Lyon Neuroscience Research Center, # Aline Bompas Centre Hospitalier Vinatier, Bron, Cedex, France $ The question of whether eye movements influence argued that afterimage signals are inherently ambigu- afterimage perception has been asked since the 18th ous, and this could explain why their visibility is century, and yet there is surprisingly little consensus on influenced by cues, such as surrounding luminance how robust these effects are and why they occur. The edges, more than are real stimuli (Powell, Bompas, & number of historical theories aiming to explain the Sumner, 2012). Helmholtz (1962) identified another cue effects are more numerous than clear experimental that is important to take into account when conducting demonstrations of such effects. We provide a clearer afterimage experiments: characterization of when eye movements and blinks do or do not affect afterimages with the aim to distinguish For obtaining really beautiful positive after- between historical theories and integrate them with a images, the following additional rules should be modern understanding of perception. We found neither saccades nor pursuit reduced strong afterimage observed. Both before and after they are devel- duration, and blinks actually increased afterimage oped, any movement of the eye or any sudden duration when tested in the light. However, for weak movement of the body must be carefully avoided, afterimages, we found saccades reduced duration, and because under such circumstances they invariably blinks and pursuit eye movements did not. -
Cine Magnetic Resonance Imaging of Eye Movements
CINE MAGNETIC RESONANCE IMAGING OF EYE MOVEMENTS C. c. BAILEY\ J. KABALA2, R. LAITT2, M. WESTON2, P. GODDARD2, H. B. HOHl, M. J. POTTSl and R. A. HARRADl Bristol SUMMARY Images were obtained using the FISP 2D sequence (fast Cine magnetic resonance imaging (MRI) is a technique in imaging with a steady state progression). The patient was which multiple sequential static orbital MRI films are positioned within the head coil in the magnet. A strip of taken while the patient fixates a series of targets across paper with six separate marks set 30° apart was suspended the visual field. These are then sequenced to give a in front of the patient and aligned either transversely or graphic animation to the eyes. The excellent soft tissue sagittally depending on the eye movement of interest. The differentiationofMRI, combined with the dynamic imag patient was asked to look sequentially at each mark on the ing, allows rapid visualisation, and functional assessment paper, and a scan was performed in each position. Each of the extraocular muscles. Good assessment of contrac image took 15 seconds to acquire. After the patient had tility can be obtained, but the technique does not allow fixated all six points the procedure was repeated in reverse study of saccadic or pursuit eye movements. We have order. The images generated were then displayed as a used this technique in 36 patients with a range of ocular continuous video loop. The total time required to generate motility disorders, including thyroid-related ophthalmo a video loop for each patient was only 6 minutes. -
Hershenson (1992) Size-Distance Invariance. Kinetic Invariance Is
Perception & Psychophysics 1992, 51 (6), 541-548 Size-distance invariance: Kinetic invariance is different from static invariance MAURICE HERSHENSON Brandeis University, Waltham, Massachusetts The static form of the size-distance invariance hypothesisasserts that a given proximal stimu- lus size (visual angle) determines a unique and constant ratio of perceived-object size to perceived object distance. A proposed kinetic invariance hypothesis asserts that a changing proximal stim- ulus size (an expanding or contracting solid visual angle) produces a constant perceived size and a changing perceived distance such that the instantaneous ratio of perceived size to perceived distance is determined by the instantaneous value of visual angle. The kinetic invariance hy- pothesis requires a new concept, an operating constraint, to mediate between the proximal ex- pansion or contraction pattern and the perception of rigid object motion in depth. As a conse- quence of the operating constraint, expansion and contraction patterns are automatically represented in consciousness as rigid objects. In certain static situations, the operation of this constraint produces the anomalous perceived-size-perceived-distance relations called the size- distance paradox. The size-distance invariance hypothesis (SDIH) asserts STATIC INVARIANCE RELATIONSHIP that a given proximal stimulus size (visual angle) deter- mines a unique constant ratio of perceived object size to Traditional Formulation perceived object distance (Epstein, 1977; Epstein, Park, The traditional form of the SDIH is derived from the & Casey, 1961; Kilpatrick & Ittelson, 1953). Is it possible analysis of stationary objects (Epstein, 1977; Gilinsky, to explain the moon illusion and retain this form of the 1951; Ittelson, 1951a; Johansson, 1977; Kilpatrick & It- SDIH? To do so, Kaufman and Rock (1962, 1989; Rock telson, 1953; Weintraub & Gardner, 1970). -
Pseudogaze in Afterimages
Journal of Vision (2016) 16(5):6, 1–10 1 Where are you looking? Pseudogaze in afterimages Caltech Brain Imaging Center, Division of Humanities and Social Sciences, California Institute of Technology, # Daw-An Wu Pasadena, CA, USA $ Department of Psychological and Brain Sciences, Dartmouth College, Hanover, NH, USA Laboratoire Psychologie de la Perception, Universite´ # Patrick Cavanagh Paris Descartes, Paris, France $ How do we know where we are looking? A frequent gaze seems exceptionally well defined and we seldom assumption is that the subjective experience of our feel that we don’t know where we are looking within a direction of gaze is assigned to the location in the world visual scene. The conceptual equivalence of mental and that falls on our fovea. However, we find that observers physical gaze is ingrained to the point that the two can shift their subjective direction of gaze among concepts share almost all their terminology, even in different nonfoveal points in an afterimage. Observers scientific and technical usage. Terms such as ‘‘gaze,’’ were asked to look directly at different corners of a ‘‘look at,’’ ‘‘fixate,’’ etc. do not distinguish between the diamond-shaped afterimage. When the requested corner subjective sense of visual targeting and the physical was 3.58 in the periphery, the observer often reported pointing of the eyes at something. that the image moved away in the direction of the Whereas a large body of work exists regarding the attempted gaze shift. However, when the corner was at perceived direction of visual targets in egocentric space 1.758 eccentricity, most reported successfully fixating at the point. -
Seeing Black and White
Seeing Black and White Alan Gilchrist OXFORD UNIVERSITY PRESS Seeing Black and White This page intentionally left blank SEEING BLACK AND WHITE Alan Gilchrist 1 2006 1 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright ᭧ 2006 by Oxford University Press, Inc. Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Gilchrist, Alan. Seeing black and white / by Alan Gilchrist. p. cm. (Oxford psychology series; no. 40) Includes bibliographical references and index. ISBN 0-19-518716-4 ISBN-13 978-0-19-518716-8 1. Imagery (Psychology). I. Title. II. Series. BF241.L54 2006 153—dc22 2006006283 987654321 Printed in the United States of America on acid-free paper This book is dedicated to the memory of Irvin Rock, my wonderful mentor and warm friend. This page intentionally left blank Foreword And God said let Gilchrist be and all was light. -
Vision and Mind: Selected Readings in the Philosophy of Perception
ision and Mind Selected Readings in the Philosophy of Perception edited by Alva Noë and Evan Thompson Vision and Mind This Page Intentionally Left Blank Vision and Mind Selected Readings in the Philosophy of Perception edited by Alva Noë and Evan Thompson A Bradford Book The MIT Press Cambridge, Massachusetts London, England © 2002 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. This book was set in Sabon by SNP Best-set Typesetter Ltd., Hong Kong. Printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Vision and mind : selected readings in the philosophy of perception / edited by Alva Noë and Evan Thompson. p. cm. Includes bibliographical references and index. ISBN 0-262-14078-0 (alk. paper)—ISBN 0-262-64047-3 (pbk. : alk. paper) 1. Perception (Philosophy) I. Noë, Alva. II. Thompson, Evan. B828.45 .V565 2002 121¢.34—dc21 2002023533 Contents Preface vii Sources ix 1 Introduction 1 Alva Noë and Evan Thompson 2 Selections from Phenomenology of Perception 15 Maurice Merleau-Ponty 3 Some Remarks about the Senses 35 H. P. Grice 4 The Intentionality of Sensation: A Grammatical Feature 55 G. E. M. Anscombe 5 A Theory of Direct Visual Perception 77 James J. Gibson 6 Perception and Its Objects 91 P. F. Strawson 7 Perceptions as Hypotheses 111 Richard L. Gregory 8 Veridical Hallucination and Prosthetic Vision 135 David Lewis 9 Perception, Vision and Causation 151 Paul Snowdon 10 How Direct Is Visual Perception?: Some Reflections on Gibson’s “Ecological Approach” 167 Jerry A. -
Types of Eye Movements
Types of Eye Movements The information given here is deliberately non-technical and is based for a general Background audience. With apologies to eye movement research colleagues for liberties taken in Objective simplification. Challenges Visual Search & Paintings In our everyday lives we regularly make various types of eye movements, usually without The Exhibit being aware of them. Such movements occur as a result of the activity of the three pairs of Updates antagonistic muscles that support each eye. There are several ways to record eye Press Reports movements and more information can be found here. Links FAQ In looking at paintings, or other two-dimensional scenes, only saccadic eye movements and their associated fixations, in the main, are of research interest. Miniature eye People movements also occur, and these overlay the fixations causing many small movements which, to a large extent, can be regarded as ‘system noise’ (unless the researcher is Home specifically interested in these movements). Main types of eye movements:- [this list of links all link to subsequent sections on this page] Saccade Miniature Pursuit Smooth Compensatory Vergence Nystagmus Saccade A saccade is a rapid eye movement (a jump) which is usually conjugate (i.e. both eyes move together in the same direction) and under voluntary control. Broadly speaking the purpose of these movements is to bring images of particular areas of the visual world to fall onto the fovea. Saccades are therefore a major instrument of selective visual attention. It is often convenient (but somewhat inaccurate) to consider both that a saccadic eye movement always occurs in a straight line and also that we do not ‘see’ during these movements. -
Optical Illusion Art As Radical Interface
Perceptual Play: Optical Illusion Art as Radical Interface Julian Oliver, 2008 In 1992 Joachim Sauter and Dirk Lüsebrink presented a work called Zerseher ('Iconoclast') at Ars Electronica, where they were awarded a prize in the Interactive Art category. In this work, audiences were invited to destroy a (digital) copy of an antique painting just by looking at it. Zerseher provides a context for direct manipulation of the visible work. The position and orientation of the viewer's eyes are tracked using a camera which, in turn, directs a digital brush over the surface of the image, smearing pixels around. It's not hard to see why the piece was awarded; here the premise explored in philosophy and poetry, that the gaze might have a mutating or productive power of its own, was explicitly manifested: the mere act of looking had the power to alter (or destroy) the artefact itself. Historically speaking, the idea that the gaze might be a primally destabilising force may have arisen from the fact that seeing itself is not always reliable; that the act of seeing – and perceiving what is seen – is something to be suspicious of. Many works of philosophy and poetry have asserted the primary fragility of perception, particularly as related to the ocular sense. This can be traced back as far as Plato in Western thought, who was early in identifying that what is seen propagates as an object of thought – a mental image – separated from the world and that it is there that interpretation occurs: "The image stands at the junction of a light which comes from the object and another which comes from the gaze".1 In recent times, the study of perception2 has been as active in scienctific thought as it has in philosophy. -
A Robust Method of Eye Torsion Measurement for Medical Applications Nan Jin, Sébastien Mavromatis, Jean Sequeira, Stéphane Curcio
A Robust Method of Eye Torsion Measurement for Medical Applications Nan Jin, Sébastien Mavromatis, Jean Sequeira, Stéphane Curcio To cite this version: Nan Jin, Sébastien Mavromatis, Jean Sequeira, Stéphane Curcio. A Robust Method of Eye Torsion Measurement for Medical Applications. Information, MDPI, 2020, 11 (9), pp.408. 10.3390/info11090408. hal-02919784 HAL Id: hal-02919784 https://hal-amu.archives-ouvertes.fr/hal-02919784 Submitted on 24 Aug 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution| 4.0 International License information Article A Robust Method of Eye Torsion Measurement for Medical Applications Nan Jin 1,2,* ,Sébastien Mavromatis 1 , Jean Sequeira 1 and Stéphane Curcio 2 1 Aix Marseille Univ, Université de Toulon, CNRS, LIS, 13000 Marseille, France; [email protected] (S.M.); [email protected] (J.S.) 2 SYNAPSYS, 13013 Marseille, France; [email protected] * Correspondence: [email protected]; Tel.: +33-4-9111-7682 Received: 8 July 2020; Accepted: 19 August 2020; Published: 21 August 2020 Abstract: The detection of eye torsion is an important element for diagnosis of balance disorders, although it is rarely available in existing eye tracking systems. -
Cortical Regions Involved in Eye Movements, Shifts of Attention, and Gaze Perception
᭜ Human Brain Mapping 25:140–154(2005) ᭜ Cortical Regions Involved in Eye Movements, Shifts of Attention, and Gaze Perception Marie-He´le`ne Grosbras,1* Angela R. Laird,2 and Toma´s Paus1,3 1Cognitive Neuroscience Unit, Montreal Neurological Institute, McGill University, Montreal, Quebec, Canada 2Research Imaging Center, University of Texas Health Science Center, San Antonio, Texas 3Brain and Body Center, University of Nottingham, Nottingham, United Kingdom ᭜ ᭜ Abstract: Human vision is an active process that involves shifting attention across the visual scene, with or without moving the eyes. Such shifts of attention can be generated at will (endogenously) or be triggered automatically, i.e., generated in response to exogenous stimuli including socially relevant cues such as someone else’s gaze. What are the common and distinct brain mechanisms involved in these processes? To address this question, we carried out a quantitative effect-location meta-analysis of 59 brain-imaging experiments whose results were published using standardized coordinates. For each condition of interest, namely voluntary and visually triggered eye movements, voluntary and visually triggered (covert) shifts of attention, and perception of someone else’s gaze, we computed activation likelihood estimation (ALE) maps. Those maps represent at each voxel of the brain the probability of reporting a signal change related to the condition of interest. For eye movements, this analysis confirmed the spatial location of the frontal eye fields, supplementary eye fields, and parietal saccade-related regions. The map of covert shifts of attention demonstrated highest similarity with the map of saccadic eye movements. Gaze perception showed common activation likelihood with the other conditions in the right intraparietal sulcus and in the lateral precentral gyrus.