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Baseball Broadcasting in the Digital Age
Baseball broadcasting in the digital age: The role of narrative storytelling Steven Henneberry CAPSTONE PROJECT University of Minnesota School of Journalism and Mass Communication June 29, 2016 Table of Contents About the Author………………………………………………………………………………… 3 Acknowledgements……………………………………………………………………………… 4 Executive Summary……………………………………………………………………………… 5 Introduction/Background…………………………………………………………………… 6 Literature Review………………………………………………………………………………… 10 Primary Research Studies Study I: Content Analysis…………………………………………………………… 17 Study II: Broadcaster Interviews………………………………………………… 31 Study III: Baseball Fan Interviews……………………………………………… 48 Conclusion/Recommendations…………………………………………………………… 60 References………………………………………………………………………………………….. 65 Appendix (A) Study I: Broadcaster Biographies Vin Scully……………………………………………………………………… 69 Pat Hughes…………………………………………………………………… 72 Ron Coomer…………………………………………………………………… 72 Cory Provus…………………………………………………………………… 73 Dan Gladden…………………………………………………………………… 73 Jon Miller………………………………………………………………………… 74 (B) Study II: Broadcaster Interview Transcripts Pat Hughes…………………………………………………………………… 75 Cory Provus…………………………………………………………………… 82 Jon Miller……………………………………………………………………… 90 (C) Study III: Baseball Fan Interview Transcripts Donna McAllister……………………………………………………………… 108 Rick Moore……………………………………………………………………… 113 Rowdy Pyle……………………………………………………………………… 120 Sam Kraemer…………………………………………………………………… 121 Henneberry 2 About the Author The sound of Chicago Cubs baseball has been a near constant part of Steve Henneberry’s life. -
Radio Market Survey Population, Rankings & Information
RADIO MARKET SURVEY POPULATION, RANKINGS & INFORMATION SPRING 2019 2019 Radio Market Survey Rankings, Frequency, Type And Population: By Rank ............................... 1 2019 Radio Market Survey Rankings, Frequency, Type And Population: By Market ............................ 8 Total Survey Area Population ..................................................................................................................... 15 Television DMA Regions ............................................................................................................................. 21 These population estimates are based upon Census 2010 counts updated and projected to January 1, 2019, by Claritas, LLC. Additional markets may be added and the survey frequency of some markets may be changed during the year. All information contained herein reflects Spring 2019 Nielsen Audio market definitions. Copyright © 2019 The Nielsen Company (US), LLC. All rights reserved. Nielsen and the Nielsen logo are trademarks or registered trademarks of The Nielsen Company (US), LLC. COR-17-30094 RADIO MARKET SURVEY POPULATION, RANKINGS & INFORMATION—SPRING 2019 MARKET SURVEY RANKINGS, FREQUENCY, TYPE AND POPULATION BY RANKING MKT METRO 12+ HISPANIC 12+ BLACK 12+ CODE RANK TYPE FREQ MARKET DST POPULATION POPULATION* POPULATION** 001 1 PPM 13 New York BH 16,458,200 4,080,900 2,782,200 003 2 PPM 13 Los Angeles BH 11,518,300 4,922,900 815,500 005 3 PPM 13 Chicago BH 7,978,400 1,660,100 1,344,800 009 4 PPM 13 San Francisco BH 6,770,200 1,484,800 445,100 024 5 PPM 13 Dallas-Ft. Worth BH 6,198,600 1,652,000 1,025,300 033 6 PPM 13 Houston-Galveston BH 5,906,700 2,040,900 1,035,600 015 7 PPM 13 Washington, DC BH 4,996,800 779,600 1,345,300 047 8 PPM 13 Atlanta BH 4,911,500 483,500 1,728,100 007 9 PPM 13 Philadelphia BH 4,622,400 411,700 960,400 013 10 PPM 13 Boston BH 4,337,000 478,400 349,700 429 11 PPM 13 Miami-Ft. -
216631157.Pdf
The Alternative Media Handbook ‘Alternative media’ are media produced by the socially, culturally and politically e xcluded: they are always independently run and often community-focused, ranging from pirate radio to activist publications, from digital video experiments to ra dical work on the Web. The Alternative Media Handbook explores the many and dive rse media forms that these non-mainstream media take. The Alternative Media Hand book gives brief histories of alternative radio, video and lm, press and activity on the Web, then offers an overview of global alternative media work through nu merous case studies, before moving on to provide practical information about alt ernative media production and how to get involved in it. The Alternative Media H andbook includes both theoretical and practical approaches and information, incl uding sections on: • • • • • • • • successful fundraising podcasting blogging publishing pitch g a project radio production culture jamming access to broadcasting. Kate Coyer is an independent radio producer, media activist and post-doctoral re search fellow with the Annenberg School for Communication at the University of P ennsylvania and Central European University in Budapest. Tony Dowmunt has been i nvolved in alternative video and television production since 1975 and is now cou rse tutor on the MA in Screen Documentary at Goldsmiths, University of London. A lan Fountain is currently Chief Executive of European Audiovisual Entrepreneurs (EAVE), a professional development programme for lm and television producers. He was the rst Commissioning Editor for Independent Film and TV at Channel Four, 198 1–94. Media Practice Edited by James Curran, Goldsmiths, University of London The Media Practice hand books are comprehensive resource books for students of media and journalism, and for anyone planning a career as a media professional. -
Radio, the Original Electronic Media, Is the Load-Bearing Wall in Audio’S House
JUNE 2019 AUDIO TODAY 2019 HOW AMERICA LISTENS Copyright © 2019 The Nielsen Company (US), LLC. All Rights Reserved. I was on a flight recently and the seat-back tray table had an advertisement glued onto it. Can you believe it? I paid $600 to look at an ad for two hours. The fact of the matter is, as consumers, our eyeballs are maxed out. There are virtually no open spaces left to bolt a video screen, or paste yet another logo. As the media landscape continues to fragment and evolve, a new trend is emerging: AUDIO-based content is hip and decidedly in fashion. You’d have to be a hermit not to know that audio, in all its various forms, is increasingly winning the attention of American consumers. Podcasting, streaming and smart speakers are all shining new light on what’s being called “the other channel into the consumer’s mind.” BRAD KELLY, MANAGING DIRECTOR Some of this appeal can be attributed to a long and sustained legacy. AM/FM radio, the original electronic media, is the load-bearing wall in audio’s house. Broadcast radio’s NIELSEN AUDIO continued success and resiliency is due in large part to the enviable space it occupies in the automotive console. It’s free, ubiquitous, and at the fingertips of virtually every consumer on the road today. Add to that solid foundation all the new delivery platforms and limitless content being offered from streaming and podcasters, and it’s easy to understand why the sector is growing. Voice- activated assistants are becoming commonplace, which makes access to audio content seamless and easy. -
Audio and Podcasting Fact Sheet
NUMBERS, FACTS AND TRENDS SHAPING YOUR WORLD ABOUT FOLLOW MY ACCOUNT DONATE Journalism & Media SEARCH MENU RESEARCH AREAS FACT SHEET JULY 12, 2018 Audio and Podcasting Fact Sheet MORE FACT SHEETS: STATE OF THE NEWS MEDIA Audience Economics The audio news sector in the United States is split by modes of delivery: traditional terrestrial (AM/FM) radio and digital formats such as online radio and podcasting. While terrestrial radio reaches almost the entire U.S. population Ownership and remains steady in its revenue, online radio and podcasting audiences have continued to grow over the past decade. Explore the patterns and longitudinal data about audio and podcasting below. Data on other public radio Find out more beyond podcasting are available in a separate fact sheet. Audience The audience for terrestrial radio remains steady and high: In 2017, 90% of Americans ages 12 and older listened to terrestrial radio in a given week, according to Nielsen Media Research data published by the Radio Advertising Bureau, a figure that has changed little since 2009. Note: This and most data on the radio sector apply to all types of listening and do not break out news, except where noted. Nielsen lists news/talk among the most listened-to radio formats; in 2017, the news/talk format earned 9.9% of radio audiences during any 15-minute period during the day. Weekly terrestrial radio listenership Chart Data Share Embed % of Americans ages 12 and older who listen to terrestrial (AM/FM) radio in a given week % of Americans ages 12 and older Year who listen to terrestrial (AM/FM) radio in a given week 2009 92% 2010 92% 2011 93% 2012 92% 2013 92% 2014 91% 2015 91% 2016 91% 2017 90% Source: Nielsen Audio RADAR 136, March 2018, publicly available via Radio Advertising Bureau. -
State of the Media: Audio Today 2017 How America Listens
JUNE 2017 STATE OF THE MEDIA: AUDIO TODAY 2017 HOW AMERICA LISTENS Copyright © 2017 The Nielsen Company WELCOME Let’s give credit where it’s due. Radio is remarkably resilient. When Nielsen entered the Audio measurement space, for the first time radio Brad Kelly, was stacked up against the competition -- and the results surprised a few Managing director people. Despite the countless media and entertainment options available Nielsen audio today, AM/FM radio continues to be the top weekly reach medium. 271 MILLION AMERICANS 6+ LISTEN TO RADIO EACH WEEK* Marketers and Brand Managers are rediscovering radio. It is a mass medium that can deliver targetability and message frequency in markets large and small. And as the audio pie continues to grow (Americans are carving out more and more time each day to listen), radio consumers tune in when and where it counts. Listening outside the home and, specifically, in the car is a huge part of the radio ecosystem. This gives advertisers the opportunity to uniquely deliver their message just prior to purchase. Not to be outdone by digital, radio is an active participant in the digital arena. Delivery platforms like AM/FM streaming audio, HD radio, and NextRadio are creating new user experiences. And the radio data is feeding seamlessly into Programmatic Solutions and the Marketing Cloud. Accountability is more than a buzz word. Advertisers increasingly insist on it and radio delivers. Nielsen provides the independent measurement, and our Audio data is now powering high caliber analytics in variety of new ways. Marketing Mix Modeling, Return on Ad Spend, cross-media Incremental Reach, the list goes on. -
The Enabling Environment for Free and Independent Media: Contribution to Transparent and Accountable Governance
University of Pennsylvania ScholarlyCommons Departmental Papers (ASC) Annenberg School for Communication January 2002 The Enabling Environment for Free and Independent Media: Contribution to Transparent and Accountable Governance Monroe Price University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/asc_papers Recommended Citation Price, M. (2002). The Enabling Environment for Free and Independent Media: Contribution to Transparent and Accountable Governance. USAID Office of Democracy and Governance Occasional Papers Series, Retrieved from https://repository.upenn.edu/asc_papers/65 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/asc_papers/65 For more information, please contact [email protected]. The Enabling Environment for Free and Independent Media: Contribution to Transparent and Accountable Governance Abstract Throughout the world, there is a vast remapping of media laws and policies. This important moment for building more democratic media is attributable to rapid-fire geo-political changes. These include a growing zest for information, the general move towards democratization, numerous pressures from the international community, and the inexorable impact of new media technologies. Whatever the mix in any specific state, media law and policy is increasingly a subject of intense debate. Shaping an effective democratic society requires many steps. The formation of media law and media institutions is one of the most important. Too often, this process of building media that advances democracy is undertaken without a sufficient understanding of the many factors involved. This study is designed to improve such understanding, provide guidance for those who participate in the process of constructing such media, and indicate areas for further study. -
Reports and Financial Statements As at 31 December 2017
Separate Financial Consolidated Financial Introduction Statements Statements I Reports and Financial Statements as at 31 December 2017 Reports and Financial Statements as at 31 December 2017 This document has been translated into English for the convenience of the readers. In the event of discrepancy, the Italian language version prevails. Contents Introduction 5 Separate Financial Statements as at 31 December 2017 15 Consolidated Financial Statements as at 31 December 2017 249 Corporate Directory 352 Introduction Corporate Offcers 6 Organisational Framework 7 Letter to the Shareholders 8 Financial Highlights 12 Separate Financial Consolidated Financial Introduction 6 Statements Statements Corporate Offcers Board of Directors Chairperson Monica Maggioni Directors Rita Borioni Arturo Diaconale Marco Fortis Carlo Freccero Guelfo Guelf Giancarlo Mazzuca Paolo Messa until 1 June 2017 Franco Siddi until 6 September 2017 as of 6 September 2017 Board Secretary Nicola Claudio Anna Rita Fortuna Board of Statutory Auditors Chairperson Biagio Mazzotta Standing Auditors Anna Maria Magro Roberto de Martino Alternate Auditors Pietro Floriddia M.M. Assunta Protopapa General Manager until 6 June 2017 as of 9 June 2017 Antonio Campo Dall’Orto Mario Orfeo External Auditor PricewaterhouseCoopers Separate Financial Consolidated Financial Introduction Statements Statements 7 Organisational Framework (short form) Chairperson Board of Directors of the Board Supervisory Internal Board Audit Head Offce(1) Editorial Area (2) Chief Digital Offcer (3) Chief Technology (4) Offcer Chief Financial Offcer (5) Finance & Planning Chief Operations Offcer Corporate TV Production e Support (6) Subsidiaries Rai Cinema Rai Com Rai Pubblicità Rai Way (1) Includes, inter alia, Governance and the Corporate Secretariat, covering the General Manager’s Staff and the Board & Corporate Secretary. -
Artist Name Work Title Description Year Duration Language Subtitles Disc # Contribution Of
Artist Name Work Title Description Year Duration Language Subtitles Disc # Contribution of Goren, Amit Control A documentary film about the work of the Israeli painter David Reeb and Israeli 2003 49'31'' 36 Digital Art Lab photographer Miki Kartzman. Atay, Fikret Rebels of the Dance This is a video piece that takes place in an ATM booth. Two children get into the 2003 10'55'' None 39 Digital Art Lab booth; they are singing, but the lyrics and the language are not comprehensible. The melodic verse is pleasant to listen to, but it lacks any coherent wording. In spite of this, the synchronization and polyphony (vocal coordination) between them proves their ability to communicate by means of a code. Ligna Group Radioballet - Dispensed In Summer 2003 in Leipzig, a few hundred people met up in a space temporarily 2003 12'31'' None 42 Digital Art Lab Public arranged for the project Radioballett Leipzig. Participants gathered with small radios, or rented them from the organizers, and tuned them to the local independent radio station. At around 6pm, the radio broadcast switched from playing music to a directive, go to the train station. So the group crossed the street to the station and went inside. Directives for behavior were broadcast, interspersed with music. Following the cues, the crowd simultaneously waved, bent over to tie their shoes and danced. Zen Group Derdimi Anla (Understand 2003 6'04'' Hebrew 43 Digital Art Lab Me) Gal, Dani Putter 2004 47 Digital Art Lab Birger, Irina Keeper 2004 None 49 Digital Art Lab Birger, Irina Headache 2004 -
Musiscfirst-Fmc-Fcc-Comment
EXECUTIVE SUMMARY The musicFIRST Coalition and the Future of Music Coalition take this opportunity to focus on competitive relationships between audio delivery platforms and the public interest in having access to recorded music via diverse, competitive and local audio delivery mechanisms. While we urge the Commission to consider music creators when analyzing competition between audio platforms, we also urge the Commission to recognize that owners of large AM/FM radio clusters within individual markets in the U.S. already have substantial competitive advantages over owners of smaller clusters and individual independent stations within those markets. In particular, if the Commission were to loosen the Local Radio Station Ownership Caps in its upcoming Quadrennial Review, history has made clear that such action would substantially reduce competition among AM/FM radio stations and profoundly harm the public interest in allowing radio entities with smaller market shares to effectively compete with their larger counterparts. For this reason musicFIRST and Future of Music Coalition are keenly interested in ensuring that ownership of AM/FM radio is not further deregulated in the U.S. In the wake of the passage of the Telecommunications Act of 1996, larger media companies bought local stations in order to consolidate them into large local clusters to take advantage of economies of scale. As a result, far fewer independent radio owners now operate stations in those markets, and the public interest in diversity, competition and localism of music on the airwaves suffer. Such consolidation also causes homogenization of AM/FM music playlists such that listeners of commercial AM/FM music-driven stations i now hear a substantially less diverse swath of artists and recordings than before consolidation. -
Is Your Ticket to the Super Bowl Highlights
RADIO IS YOUR TICKET TO THE SUPER BOWL HIGHLIGHTS • RADIO IS A SOURCE OF NFL ACTION • LISTENING INCREASES DURING THE WEEKS LEADING UP TO THE BIG GAME • LISTENING SOARS THE DAY OF THE SUPER BOWL • THERE IS AN INFLUX OF WOMEN LISTENERS FOR GAME DAY • THE SUPER BOWL ON THE RADIO DELIVERS DESIRED CONSUMERS SUPER BOWL SUNDAY SHARES SOAR! RADIO 11.9 12.0 AND +133% +155% Jan-Dec 5.1 Su 6a-12m 4.7 SUPER BOWL Game Day Su 6a-12m SUNDAY Adults 25-54 Adults 18-49 On average, Super Bowl Sunday shares more than DOUBLE when compared to a standard year! Nielsen Audio Metro / Super Bowls 52 and 53; PPM Analysis Tool: AQH Share Su 6a-12m 52: Regular Year Jan-Dec 2017; SB 2/4/2018 53: Regular Year Jan-Dec 2018; SB 2/3/2019 52: Philadelphia Eagles Flagship: Sports WIP-FM (Entercom) / New England Patriots Flagship: Sports WBZ-FM (Beasley) 53: Los Angeles Rams Flagship: Sports KSPN-AM (ABC, Inc.) and Adult Hits KCBS-FM (Entercom) / New England Patriots Flagship: Sports WBZ-FM (Beasley) SUPER BOWL PLAY-BY-PLAY SHARES SOAR! RADIO 30.1 30.1 AND +527% +584% Jan-Dec Su In-Game Times SUPER BOWL Game Day Su In-Game Times PLAY-BY-PLAY 4.8 4.4 Adults 25-54 Adults 18-49 On average, Super Bowl Sunday shares are more than 5 TIMES the norm! Nielsen Audio Metro / Super Bowls 52 and 53; PPM Analysis Tool: AQH Share; Game Time 6:30-10:15p Eastern/3:30-7:15p Pacific 52: Regular Year Jan-Dec 2017; SB 2/4/2018 53: Regular Year Jan-Dec 2018; SB 2/3/2019 52: Philadelphia Eagles Flagship: Sports WIP-FM (Entercom) / New England Patriots Flagship: Sports WBZ-FM (Beasley) 53: Los Angeles -
21 One Month In, WUSN Chicago's New Morning Team Is Making Itself at Home
2021 JUNE 21 CountryInsider.com | Sign Up For Daily Email Here One Month In, WUSN Chicago’s New Morning Team Is Making Itself At Home. On paper, the pairing of Melissa McGurren and Austin Huff should work perfectly as the morning team at Audacy “US99” WUSN Chicago. She’s a familiar voice in the market with 22 years of history at a crosstown station. He’s a Nashville native who grew up around the city’s music scene and has connections in the sports world. Even though neither has worked at a country station before coming to WUSN, they appear to have all the elements for success — comfort level, lifestyle music. It’s all there. Real life doesn’t always play out like planned scenarios. This time, though, things seem to be going okay. (Continued on page 4) COUNTRY INSIDER TOP 5: Country Fans Love 70s And 80s Music — But Is That Where Their Favorite Country Comes From? Why Country Radio In Los Angeles And Atlanta Wouldn’t Be The Same Without Norm Schrutt. Mike O’Malley: Radio And The Benefits of Limited Time Offers. Viva Las Vegas: Jason Aldean Headed Back To Sin City For Three Nights In December. Meanwhile In Virginia: Eddie Garcia Begins His West Virginia-To-Tennessee Walk. 1 | JUNE 21, 2021 CountryInsider.com Ryan Fox Joel Burke My Top 5 Favorite Mornings Top 5 Fave Songs Operations Manager NEW Songs: Westwood One Right Now: KBEY 103.9 Marble Falls, TX Hot Country Format 1. I Was on a Boat That Day - 1. Gone - Old Dominion Dierks Bentley 2.