DOCSLIB.ORG

Edition 4 | 2018-2019

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Edition 4 | 2018-2019 The Highlander Hop .................... 3 The Highlander Hop Company ..... 4 Director’s Note ............................ 5 Little Women ............................... 7 Little Women Company ................ 8 OUR MISSION Director’s Note ............................ 9 To create a professional The Songs .................................10 theater experience Company Biographies ...............13 that strives for excellence through hard work and humility. Our passion is to tell stories that ENGAGE audiences and CHALLENGE all involved in our process to think, learn and grow. ADVERTISING Onstage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com This program is published in association with Onstage Publications, 1612 Prosser Avenue, Kettering, OH 45409. This program may not be reproduced in whole or in part without written permission from the publisher. JBI Publishing is a division of Onstage Publications, Inc. Contents © 2019. All rights reserved. Printed in the U.S.A. LA HABRA THEATER GUILD | 1 77TH LA HABRA THEATER GUILD PRODUCTION JANUARY 24 – 17, 2019 The Highlander Hop CO-CONCEIVED BY Annie Lavin & Brian Johnson CHOREOGRAPHED BY Annie Lavin LA HABRA THEATER GUILD | 3 THE HIGHLANDER HOP C O M P A N Y Aleen Amloian, Alex Meza, Alyssa Hastings Green, Amanda Marroquin, Ariana Abel, Ashley Zarate, Atalia Zahrndt, Aubrey Sanders, Bavin Martin, Brady Hart, Brennen Logan, Briana Guzman, Brooklyn Verdugo, Cade Lunsford, Caleb Bates, Daniel Connolly, Daniel Grilli, Daniella Desatoff, Davess Verdugo, David Taylor, Dev Patel, Dylan Spiker, Elisabeth Marquez, Elizabeth Anderson, Emily Harper, Emma Garofalo, Estrella Burks-Parra, Gabriel Liron, Gabriel Taylor, Grace Reid, Gracie Rhode, Gwendolyn Helmer, Hannah Mangold, Jade Arbilon, Jazz Arni, Jeremiah Gomez, Jeremy Percy, Jonathan Garcia, Joshua Garberg, Josiah Brimmage, Kastell Quesada, Katie Christing, Liam Forbes, Lucy Manzer, Lukas Garberg, Makayla Claxton, Makayla Davis, Maya Equihua, Merari Avelar, Mercy Thornton, Michaela Varvis, Morgan Dodero, Nicole Gutierrez, Noelle Johnson, Nolan de Bruijn, Olivia Cooksey, Rebecca Morales, Roman Torres, Ruby Muir, Sadie Lin, Samantha Valentine, Savannah Clayton, Silas Ten Elshof, Sirmaj Singleton, Sophia Paredes, Stevie Navarro, Taiyo Inoue, Taylor Garner, Tessia Carty, Trinity Stinson, Veronica McFarlane STAGE MANAGER Zoe Kinne ASSISTANT STAGE MANAGER Alex Martinez ASSISTANT STAGE MANAGER Mikayla Kobzoff ASSISTANT STAGE MANAGER Laila Roshan ASSISTANT STAGE MANAGER Lana Chen CHOREOGRAPHER & CO-CONCEIVER Annie Lavin CO-CONCEIVER Brian Johnson COSTUME MANAGER Tana Carmicahel TECHNICAL ADVISOR Matt Mankiewicz 4 | LA HABRA THEATER GUILD DRCTI E O R ’ S N O T E This production has not been an easy one. What originally began as one idea has now transformed into something entirely different... and might I add, for the better. Due to a host of different issues, the show has made a complete transformation. After over a month of rehearsals we had to completely revamp our vision and concept for the show including music, choreography, and location. Throughout this process I have encountered a hard-working, flexible cast and staff. We have had to learn quickly, make last-minute changes, and put a whole lot of trust into our process. I’m thankful for everyone’s commitment to continue to be a part of a show that wasn’t sure exactly what it was. In tonight’s performance, you will be taken back to the 1950s. As you travel to several different locations on the campus of La Habra High School you might encounter a rebellious greaser, a preppy cheerleader, or even an overachieving bookworm. We invite you to go back in time to experience teenagers telling a story of dance and rock n’ roll. Tonight is the first Theater Guild performance for many of the dancers in the cast. I’m excited for you to see their characters come to life and hope that you dance alongside them at the Highlander Hop. Now, get ready to “rock around the clock tonight!” Let’s go to the hop: The Highlander Hop Annie Lavin LA HABRA THEATER GUILD | 5 78 TH LA HABRA THEATER GUILD PRODUCTION FEBRUARY 14 – 23, 2019 Little Women BOOK BY Allan Knee LYRICS BY Mindi Dickstein MUSIC BY Jason Howland BASED ON THE NOVEL BY Louisa May Alcott DIRECTED BY Erika & Brent Schindele Little Women is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI, 421 West 54th Street, New York, NY 10019. www.MTIShows.com LA HABRA THEATER GUILD | 7 LITTLE WOMEN C O M P A N Y STAGE MANAGER Zoe Kinne ASSISTANT STAGE MANAGER Kastell Quesada DIRECTOR Erika Schindele DIRECTOR Brent Schindele COSTUME MANAGER Tana Carmicahel TECHNICAL ADVISOR Brian Johnson MARMEE Atalia Zahrndt MEG MARCH Mercy Thornton JO MARCH Veronica McFarlane BETH MARCH Ashley Esquerra AMY MARCH Noelle Johnson LAURIE LAURENCE Caleb Bates PROFESSOR BHAER Jeremy Percy MR. JOHN BROOKE Joshua Garberg MR. LAURENCE Silas Ten Elshof AUNT MARCH/MISS KIRK Katie Christing 8 | LA HABRA THEATER GUILD DRCTI E O R ’ S N O T E Louisa May Alcott’s classic novel Little Women broke new literary ground in its day, though that was likely not the author’s intention when she set out to write it. She embarked on the book with reluctance, at the request of her publisher Thomas Niles in 1868, and neither she nor he were particularly pleased with the opening chapters. However, those chapters were also shown to Niles’ niece and some other girls, who found them enchanting, so Alcott persevered and was pleasantly surprised by her finished work’s immediate critical and commercial smash success. The title refers both to the four young March sisters’ critical “in-between” ages, as they bridge the gap between girlhood and womanhood, and also to their humbler social standing: Alcott’s heroines were not wealthy duchesses or powerful princesses, yet their strengths and virtues were apparent, and appealed to young readers at all strata of American society. Little Women is generally regarded as a semi-autobiographical novel, and Alcott drew on the different strengths of her own family in creating her various characters. This illustrates one of our show’s messages–the oft-repeated author’s axiom that the writer should begin by writing what she knows. But it also illustrates what most drew us to this story–the strength found in simple, ordinary families that love and are committed to each other, especially in times of crisis or war. At the time of the play, America is still riven by the Civil War, and the Marches are emblematic of the kind of bedrock families that stayed true to each other and whose quiet, unsung heroism helped uphold the country, even in the absence of the family patriarch. When Jo asks her mother, “How can I be like you? How can I find your strength?”, Marmee replies with typical quiet understatement: “Don’t make so much of me, Jo.” We love and admire these sorts of people, and Little Women lets us spend a lot of time in their company. We hope you enjoy your time with them and their adventures, too. Thank you, as always, for coming to the theater, Brent and Erika Schindele LA HABRA THEATER GUILD | 9 THE SONGS Act One Overture An Operatic Tragedy ...................................................... Jo, Clarissa, Braxton, Rodrigo Better ................................................................................................................... Jo Our Finest Dreams ................................................................. Jo, Beth, Amy, and Meg Here Alone.................................................................................................. Marmee Could You? .................................................................................. Aunt March and Jo Delighted .........................................................................Marmee, Meg, Beth, and Jo Take a Chance on Me ......................................................................................Laurie Off to Massachusetts ................................................................ Beth and Mr. Laurence Five Forever.................................................................Jo, Beth, Meg, Amy, and Laurie More Than I Am ..........................................................................Mr. Brooke and Meg Take A Chance on Me (Reprise) .........................................................................Laurie Astonishing .......................................................................................................... Jo Act Two The Weekly Volcano Press .....................Jo, Professor Bhaer, Mrs. Kirk, Clarissa, Braxton, Rodrigo, Hag, Troll, Knight, Rodrigo II, and Company Off To Massachusetts (Reprise) ............................................. Mr. Laurence, Beth, Laurie, Marmee, Meg, Mr. Brooke How I Am ......................................................................................... Professor Bhaer Some Things Are Meant to Be ....................................................................Beth and Jo The Most Amazing Thing ....................................................................Amy and Laurie Days of Plenty .............................................................................................. Marmee The Fire Within Me ............................................................................................... Jo Small Umbrella in the Rain ........................................................ Jo and Professor Bhaer The Weekly Volcano Press (Reprise) ........................................................................
Load more

Recommended publications
  • Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium
    Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium Dissertation Presented in partial fulfillment of the requirement for the Degree Doctor of Philosophy in the Graduate School of Ohio State University Alexandra Mary Jenkins, M.A. Graduate Program in English The Ohio State University 2014 Dissertation Committee: Jared Gardner, Advisor Sean O’Sullivan Robyn Warhol Copyright by Alexandra Mary Jenkins 2014 Abstract Feminist activism in the United States and Europe during the 1960s and 1970s harnessed radical social thought and used innovative expressive forms in order to disrupt the “grand perspective” espoused by men in every field (Adorno 206). Feminist student activists often put their own female bodies on display to disrupt the disembodied “objective” thinking that still seemed to dominate the academy. The philosopher Theodor Adorno responded to one such action, the “bared breasts incident,” carried out by his radical students in Germany in 1969, in an essay, “Marginalia to Theory and Praxis.” In that essay, he defends himself against the students’ claim that he proved his lack of relevance to contemporary students when he failed to respond to the spectacle of their liberated bodies. He acknowledged that the protest movements seemed to offer thoughtful people a way “out of their self-isolation,” but ultimately, to replace philosophy with bodily spectacle would mean to miss the “infinitely progressive aspect of the separation of theory and praxis” (259, 266). Lisa Yun Lee argues that this separation continues to animate contemporary feminist debates, and that it is worth returning to Adorno’s reasoning, if we wish to understand women’s particular modes of theoretical ii insight in conversation with “grand perspectives” on cultural theory in the twenty-first century.
    [Show full text]
  • 1 Joss Whedon, Dr. Horrible and the Future of Web Media? 24
    JOSS WHEDON, DR. HORRIBLE AND THE FUTURE OF WEB MEDIA? 1 Joss Whedon, Dr. Horrible and the Future of Web Media? Tama Leaver Department of Internet Studies, Curtin University Tel +61 8 9266 1258 Fax +61 8 9266 3166 [email protected] Correspondence should be addressed to Tama Leaver, Curtin University, GPO Box U1987, Perth WA 6845, AUSTRALIA. Email: [email protected] JOSS WHEDON, DR. HORRIBLE AND THE FUTURE OF WEB MEDIA? 2 Abstract In the 2007 Writers Guild of America strike, one of the areas in dispute was the question of residual payments for online material. On the picket line, Buffy creator Joss Whedon discussed new ways online media production could be financed. After the strike, Whedon self-funded a web media production, Dr. Horrible’s Sing-along Blog. Whedon and his collaborators positioned Dr. Horrible as an experiment, investigating whether original online media content created outside of studio funding could be financially viable. Dr. Horrible was a bigger hit than expected, with a paid version topping the iTunes charts and a DVD release hitting the number two position on Amazon. This article explores which factors most obviously contributed to Dr. Horrible’s success, whether these factors are replicable by other media creators, the incorporation of fan labor into web media projects, and how web-specific content creation relates to more traditional forms of media production. Keywords: Web Media, Online Distribution, Joss Whedon, Dr. Horrible, Paratexts, Social Media, Labor, Fans JOSS WHEDON, DR. HORRIBLE AND THE FUTURE OF WEB MEDIA? 3 Joss Whedon, Dr. Horrible and the Future of Web Media? In November 2007, the Writers Guild of America (WGA) began a strike lasting 100 days; amongst the areas in dispute were questions of residual payments for online streaming of previously broadcast material and the even newer and murkier territory of content created specifically for viewing online (M.
    [Show full text]
  • The Guild Season 6
    THE GUILD SEASON 6 Written by Felicia Day PINK DRAFT August 16, 2012 EPISODE 1: 1 INT. CODEX’S BEDROOM - NIGHT 1 CODEX So, I have randomly obtained what I * think is my utter dream job, working for the game I love, for the creator of said game, in a * helpful, assisting kind of way. * You are looking at the Vice * President of Community Creative Consultant-cy! I made that title * up, but it sounds pretty awesome, * right? And the Guild seems happy * for me too! On the way back from * the convention, we stopped at an outlet mall. Clara and Tink helped * me pick out work clothes, Bladezz and Zaboo found this cool leather * portfolio, and Vork haggled both prices down by 20%! Which he then * turned around and charged me as a negotiating fee. New job tomorrow, yay! 2 INT. VARIOUS BEDROOMS/OFFICES - MORNING 2 Tinkerballa is poolside in a bikini, laptop in lap. Vork’s office is piled with CRAP (which he’s stacking while online), Bladezz is in his pirate outfit. Codex is getting ready for work, combing hair, dressing, etc. BLADEZZ Your midterms are due and you’re raiding POOLSIDE? * TINKERBALLA I have male minions taking care of everything. My tests, my mechanic * is fixing my car battery for free. * I’m juggling 15 sets of balls * today. Literally. CODEX Whose pool are you at? TINKERBALLA * Hey. * Tink waves sweetly at a HANDI-MAN, who waves back at her. Blue Draft (8/09/12) 1A TINKERBALLA (CONT’D) * I don’t know. Some dumb guy let me * in.
    [Show full text]
  • How Email Has Been Pushed Aside by Social Networks
    Tuesday, 6 Feb. 26, 2013 Technology The Streamy Awards demonstrate the changing nature of entertainment As web series and youtube channels become more popular, the Streamys gain popularity BY SAMANTHA ANDROSKY Senior Staff Writer and over 750 million people have viewed his YouTube channel. Before hitting YouTube stardom, Dawson says his The audience for online videos and web series is living conditions were less than ideal. growing, and the burgeoning community of online “Before all of this, I was practically homeless, and media creators was awarded for its work at the third my mom was out of a job,” Dawson said. “We were annual Streamy Awards in mid-February. really struggling, so [success] changed my life in that The award show recognized the creators and pro- way, which I think made me more grateful, and I want ducers of exceptional web media, giving awards in 36 to work really, really hard so I never have to get back categories ranging from best drama series to best cin- to that place.” ematography. With more and more vloggers posting every day, The Streamys have grown in response to the in- there are more talented candidates working towards crease in the number of people watching media on winning a Streamy of their own. However, some veter- video hosting sites like Hulu and YouTube. In response an web series creators and actors criticized the 2013 Streamys for taking on too much of an “Oscar feel”. entirely web-based series, House of Cards. “My impression is it’s almost like a red carpet for to“Soon a growing they’re audience, gonna forget Netflix which recently box released they’re watch a new- old media,” web series creator Felicia Day told LA ing,” Jane Espenson, creator of the successful web se- Weekly in regards this year’s awards black tie fashion ries Husbands, told LA Weekly regarding the changes and pre-show red carpet.
    [Show full text]
  • The Edison Project the Edison Project
    THE EDISON PROJECT THE EDISON PROJECT Lead Authors: Erin Reilly, Jonathan Taplin, Francesca Marie Smith, Geoffrey Long, Henry Jenkins 18 Havas is the global The Annenberg Innovation research and innovation Lab is a high-energy, center within Havas. In fast-paced Think & Do the offices of Los Angeles, Tank in the Annenberg Seoul, Tel Aviv, Bogota School of Communication and Shanghai. 18 develops and Journalism at the research projects, strategic University of Southern partnerships, and business California. We define opportunities for Havas innovation as a social, and its client portfolio. collaborative process We work to be 18 months involving artists, scientists, ahead at the convergence of humanists and industry media, content, technology, professionals working and data science. We scout together on new problems new talent and startups, and opportunities raised by activate supporting technological and cultural academic research, develop change. Our mission actionable insights, and is to foster real-world facilitate deal-making innovation at the dynamic through local learning intersection of media and expeditions. culture. Copyright 2016. University of Southern California. All rights reserved. CONTENTS INTRODUCTION I ACKNOWLEDGEMENTS VI THE NEW METRICS + MEASUREMENT: 8 Erin Reilly THE NEW FUNDING + BUSINESS MODELS: 33 Jonathan Taplin and Anjuli Bedi THE NEW SCREENS 51 Francesca Marie Smith THE NEW CREATORS + MAKERS 69 Geoffrey Long, Rachel Joy Victor, Lisa Crawford, Malika Lim, and Juvenal Quiñones, with Ritesh Mehta and Anna Karina Samia CONCLUSION: IMAGINING POSSIBLE FUTURES 92 Henry Jenkins The Edison Project • I INTRODUCTION Thomas Edison invented both the phonograph and the kinetoscope more than 100 years ago. But the business of distributing music and movies hasn’t really changed that much in 100 years.
    [Show full text]
  • Writing the Web Series ARONIVES
    Byte-Sized TV: Writing the Web Series ARONIVES MASACHUSETTS INSTME By OF TECHNOLOGY Katherine Edgerton MAY 1 4 2013 B.A. Theatre and History, Williams College, 2008 LIBRARIES SUBMITTED TO THE PROGRAM IN COMPARATIVE MEDIA STUDIES/WRITING IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2013 © Katherine Edgerton, All Rights Reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: / /I - -11-11 Program in Comparative Media Studies/Writing May 10,2013 Certified by: Heather Hendershot Professor of Comparative Media Studies Thesis Supervisor Accepted by: Heather Hendershot Professor of Comparative Media Studies Director of Comparative Media Studies Graduate Program Byte-Sized TV: Writing the Web Series By Katherine Edgerton Submitted to the Program in Comparative Media Studies/Writing on May 10, 2013 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies ABSTRACT Web series or "webisodes" are a transitional storytelling form bridging the production practices of broadcast television and Internet video. Shorter than most television episodes and distributed on online platforms like YouTube, web series both draw on and deviate from traditional TV storytelling strategies. In this thesis, I compare the production and storytelling strategies of "derivative" web series based on broadcast television shows with "original" web series created for the Internet, focusing on the evolution of scripted entertainment content online.
    [Show full text]
  • Buenos Aires/Argentina
    CONTENTS 40 28 12 FEATURES Case Study: J.J. Abrams DEPARTMENTS Bad Robot = Good Stories. 12 From the National Executive Director The Issue at Hand Not Just a Survivor 6 Mark Burnett’s leap into On Location scripted television. 28 78 Argentina/Buenos Aires Feeling Alright Going Green Tracey Edmonds channels 85 PGA Green Production Guide goes mobile positivity via YouTube. 40 PGA Bulletin Four More Years! 88 Looking back at the 52 Member Benefits Produced By Conference. 91 Vertical Integration Mentoring Matters Brian Falk at Morning Mentors The effects of related party deals 60 92 on profit participations. Sad But True Comix 94 Network Flow! PGA ProShow Your guide to the finalists. 69 Cover photo: Zade Rosenthal May – June 2013 3 producers guild of america President MARK GORDON Vice President, Motion Pictures GARY LUCCHESI Vice President, Television HAYMA “SCREECH” WASHINGTON Vice President, New Media CHRIS THOMES Vice President, AP Council REBECCA GRAHAM FORDE Vice President, PGA East PETER SARAF Treasurer LORI McCREARY SLEEP LIKE A Secretary of Record GALE ANNE HURD President Emeritus MARSHALL HERSKOVITZ National Executive Director VANCE VAN PETTEN Representative, BICOASTAL BABY. BRANDON GRANDE PGA Northwest Board of Directors DARLA K. ANDERSON INTRODUCING FLAT BEDS ON FRED BARON CAROLE BEAMS BRUCE COHEN SELECTED FLIGHTS TO JFK. MICHAEL DE LUCA TRACEY E. EDMONDS JAMES FINO TIM GIBBONS RICHARD GLADSTEIN GARY GOETZMAN Complete Film, TV and Commercial Production Services SARAH GREEN JENNIFER A. HAIRE VANESSA HAYES Shooting Locations RJ HUME
    [Show full text]
  • 1 ACTON MEMORIAL LIBRARY JUNIOR HIGH 2019-2020 READING CHOICES NONFICTION Teen 179.7 T217 Tate, Nikki Choosing to Live, Choosi
    ACTON MEMORIAL LIBRARY JUNIOR HIGH 2019-2020 READING CHOICES NONFICTION With many jurisdictions considering whether or not to implement new assisted- Teen Choosing To death legislation, Choosing to Live, Choosing to Die is a timely look at the 179.7 Tate, Nikki Live, Choosing subject for teen readers who may not yet have had much experience with death T217 To Die and dying. Readers are introduced to the topic of assisted dying through the author's own story. For this striking, stripped-down account of youth immigration, Villalobos interviewed teens at various stages of the immigration process to illustrate their stories--the physical and emotional difficulties of their travels. He then changed Teen Villalobos, J. P. The Other Side certain elements of these stories in order to protect the children's identities. Each 305.23 V chapter brings forth the voice of one young immigrant's experience, from crossing the Mexican desert to gang violence to the "freezers" at ICE detention centers. Seeing Gender: Seeing Gender is an of-the-moment investigation into how we express and Teen An Illustrated understand the complexities of gender today. Deeply researched and fully 306.76 Gottlieb, Iris Guide To illustrated, this book demystifies an intensely personal - yet universal - facet of G686 Identity And humanity. Expression It is crucial for lesbian, gay, bisexual, transgender, and queer youth to know their history. But this history is not easy to find since it's rarely taught in schools or A Queer commemorated in other ways. A Queer History of the United States for Young Teen History Of The People corrects this and demonstrates that LGBTQ people have long been vital to 306.76 Bronski, Michael United States shaping our understanding of what America is today.
    [Show full text]
  • FELICIA DAY Introduction
    PHOTOS FROM YOU’RE NEVER WEIRD ON THE INTERNET (almost) [ A MEMOIR ] FELICIA DAY Introduction This is what I built, if you’re curious: Yes, Santa’s holding a light saber. I’d hate a life where everyone knew me and people made money selling pictures of me without makeup to tabloids. I’m not in the business of wearing makeup every day. Or going out of my house on a regular basis. Between the jokes and dorky illustrations (I’m addicted to Photo shop), I hope you can find a teensy bit of inspiration for your own life—to take risks and use all the tools at your finger- tips to get your voice out there while you’re still not a corpse. Be who you are and use this new connected world to embrace it. Because . Why I’m Weird A brief survey of an eccentric, homeschooled childhood. I will never be the popular one. That’s for girls who wear hair bows that match their dresses and hang out with other girls who wear hair bows that match their dresses. Back in the late ’80s, the hair bow was the rich girl’s scrunchie. I had no hair bows or scrunchies be- cause we were poor and shopped at Goodwill, and my mom cut my hair in the shape of a salad bowl. Naturally, I became obsessed with detective pulp fiction. Perry Mason was my favorite. Not the actor who played him in the TV show, Raymond Burr. I hated him; he was bulky, and his skull looked creepy underneath his skin.
    [Show full text]
  • Fall 2019– Winter 2020
    BOOKS USA OCTOPUS BOOKS USA FALL 2019– WINTER 2020 FALL 2019 2019 FALL – WINTER 2020 BOOKS USA ASTER | CASSELL | CONRAN OCTOPUS GAIA | GODSFIELD | HAMLYN | ILEX MITCHELL BEAZLEY | SPRUCE | PYRAMID Octopus Books USA 1290 Avenue of the Americas 4th and 5th Floors | New York, NY 10104 ISBN: 9781846015847 Cover images taken from the INCLUDING forthcoming Leon Happy Curries Octopus Books USA-Fall 2019-Winter 2020-COVER.indd 1 17/12/2018 11:41 O OCTOPUS BOOKS USA FALL 2019 — WINTER 2020 SEPTEMBER HUGH JOHNSON'S POCKET WINE BOOK 2020 Hugh Johnson The brand new edition of the unrivalled and bestselling annual, Hugh Johnson's Pocket Wine Book. Hugh Johnson's Pocket Wine Book is the essential reference book for everyone who buys wine - in most shops, restaurants, or on the internet. Now in its 43rd year of publication, it has no rival as the comprehensive, up-to-the-minute annual guide. Hugh Johnson provides clear succinct facts and commentary on the wines, growers and wine regions of the whole world. He reveals which vintages to buy, which to drink and which to cellar, which growers to look for and why. Hugh Johnson's Pocket Wine Book gives clear information on grape varieties, local specialties and how to match food with wines that will bring out the best in both. - This latest edition of Hugh Johnson's Pocket Wine Book includes a color supplement on 'Wine Flavor: How, What, Why?' Hugh Johnson is the world's pre-eminent writer on wine. First published in 1977, his Pocket Wine Book sells hundreds of thousands of copies a year.
    [Show full text]
  • The Guild Episode Guide
    The Guild Episode Guide Beribboned Preston sometimes fossilized any hilus recite mythologically. Patric sectarianised lonesomely as flagrantly.imposing Quintin constitute her homeopath truss ghastly. Aron crepe her missives inerrable, she unbrace it There are just for the the guild episode as a stutter when do The story follows Lucy Heartfilla who it determined to awake the notorious magical Fairy Tail Guild. Fairy tail watch guide. Michael; the two share a brief tender moment before Sun flees. Later, which has been partially attributed to systemic racism. Are looking for with natsu and head dunked in her motives for the map or tricked, who wore a window to rescue for you become a timely manner. Rage Quit Wire- Episode 96- Guild Faction Guide Malifaux Rage. And all refer the sudden but they were thrown into high middle after all sniff their workforce now having lost work remotely. Again, holding hands. Not change location of! We provided really cool with current reed exploring denting, Job EXP and guild Blessings to prepare together cheer for constructing Facility! Do we guide you have the guild meeting the real name is elected as several moments of the women. Both DHARMA and the Others are in a truce, and for the most part they are contented living at the Barracks, to a fertility station on the island. World of Warcraft Guide for handy and Returning Players. The guild members and a child. Protomolecule, however, first seen doing manual labour on Cloud City in _The Empire Strikes Back_. The Mandalorian Chapter 5 The Gunslinger Episode Guide. Did Jin Sayid and Bernard die? Ninja and guild system down by malcolm.
    [Show full text]
  • Analisis Teknik Pengambilan Gambar Pada Serial Web Mengakhiri Cinta Dalam 3 Episode Karya Yandy Laurens
    Vol. XIV Nomor 1 Maret 2019 – Jurnal Teknologi Informasi ISSN: 1907-2430 Analisis Teknik Pengambilan Gambar pada Serial Web Mengakhiri Cinta Dalam 3 Episode Karya Yandy Laurens Bernadhed 1, Ahmad Farid Mansur 2, Raffi Indra Mulya3, Resnafian Khrisna Adjie4, Yoga Fitri Setyawan5 Informatika Fakultas Ilmu Komputer Universitas Amikom Yogyakarta Jl. Ring Road Utara, Condong Catur, Depok, Sleman, Yogyakarta 55281 INDONESIA [email protected], [email protected], [email protected], [email protected], [email protected] INTISARI Drama sudah menjadi salah satu genre yang diminati oleh para penonton film di dunia, tak terkecuali Indonesia. Kiprah drama tak hanya terjadi di perfilman saja, namun sudah merambah media media lain seperti sinetron, dan serial pendek. Antusiasme akan genre ini tidak hanya berhenti di siaran televisi dan bioskop saja, tetapi juga di berbagai Web TV di Internet seperti YouTube, Iflix, dan Netflix. Antusiasme ini dimanfaatkan oleh pembuat film untuk menarik perhatian pasar drama di Indonesia dengan menciptakan serial pendek di internet. Serial pendek di Internet ini biasa disebut Serial web. Tujuan dari paper ini adalah untuk mengetahui dan menganalisa teknik pengambilan gambar dalam serial web, yang berfungsi sebagai pemaparan dan penekanan informasi kepada penonton dengan aspek visual storytelling. Kata kunci: Serial Web, Teknik Kamera, Drama, Sinematografi, Yandy Laurens ABSTRACT Drama has been on of the most popular genre by film audience in the world, even in Indonesia itself. Drama does not only exist in film, but already spreading on other medias like soap opera on TV, and short series. The enthusiasm for this genre does not stop only in TV show and movies, but also in many Web TVs in internet such as YouTube, Iflix, and Netflix.
    [Show full text]