The Guild Episode Guide
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Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium Dissertation Presented in partial fulfillment of the requirement for the Degree Doctor of Philosophy in the Graduate School of Ohio State University Alexandra Mary Jenkins, M.A. Graduate Program in English The Ohio State University 2014 Dissertation Committee: Jared Gardner, Advisor Sean O’Sullivan Robyn Warhol Copyright by Alexandra Mary Jenkins 2014 Abstract Feminist activism in the United States and Europe during the 1960s and 1970s harnessed radical social thought and used innovative expressive forms in order to disrupt the “grand perspective” espoused by men in every field (Adorno 206). Feminist student activists often put their own female bodies on display to disrupt the disembodied “objective” thinking that still seemed to dominate the academy. The philosopher Theodor Adorno responded to one such action, the “bared breasts incident,” carried out by his radical students in Germany in 1969, in an essay, “Marginalia to Theory and Praxis.” In that essay, he defends himself against the students’ claim that he proved his lack of relevance to contemporary students when he failed to respond to the spectacle of their liberated bodies. He acknowledged that the protest movements seemed to offer thoughtful people a way “out of their self-isolation,” but ultimately, to replace philosophy with bodily spectacle would mean to miss the “infinitely progressive aspect of the separation of theory and praxis” (259, 266). Lisa Yun Lee argues that this separation continues to animate contemporary feminist debates, and that it is worth returning to Adorno’s reasoning, if we wish to understand women’s particular modes of theoretical ii insight in conversation with “grand perspectives” on cultural theory in the twenty-first century. -
LOST the Official Show Auction
LOST | The Auction 156 1-310-859-7701 Profiles in History | August 21 & 22, 2010 572. JACK’S COSTUME FROM THE EPISODE, “THERE’S NO 574. JACK’S COSTUME FROM PLACE LIKE HOME, PARTS 2 THE EPISODE, “EGGTOWN.” & 3.” Jack’s distressed beige Jack’s black leather jack- linen shirt and brown pants et, gray check-pattern worn in the episode, “There’s long-sleeve shirt and blue No Place Like Home, Parts 2 jeans worn in the episode, & 3.” Seen on the raft when “Eggtown.” $200 – $300 the Oceanic Six are rescued. $200 – $300 573. JACK’S SUIT FROM THE EPISODE, “THERE’S NO PLACE 575. JACK’S SEASON FOUR LIKE HOME, PART 1.” Jack’s COSTUME. Jack’s gray pants, black suit (jacket and pants), striped blue button down shirt white dress shirt and black and gray sport jacket worn in tie from the episode, “There’s Season Four. $200 – $300 No Place Like Home, Part 1.” $200 – $300 157 www.liveauctioneers.com LOST | The Auction 578. KATE’S COSTUME FROM THE EPISODE, “THERE’S NO PLACE LIKE HOME, PART 1.” Kate’s jeans and green but- ton down shirt worn at the press conference in the episode, “There’s No Place Like Home, Part 1.” $200 – $300 576. JACK’S SEASON FOUR DOCTOR’S COSTUME. Jack’s white lab coat embroidered “J. Shephard M.D.,” Yves St. Laurent suit (jacket and pants), white striped shirt, gray tie, black shoes and belt. Includes medical stetho- scope and pair of knee reflex hammers used by Jack Shephard throughout the series. -
1 Joss Whedon, Dr. Horrible and the Future of Web Media? 24
JOSS WHEDON, DR. HORRIBLE AND THE FUTURE OF WEB MEDIA? 1 Joss Whedon, Dr. Horrible and the Future of Web Media? Tama Leaver Department of Internet Studies, Curtin University Tel +61 8 9266 1258 Fax +61 8 9266 3166 [email protected] Correspondence should be addressed to Tama Leaver, Curtin University, GPO Box U1987, Perth WA 6845, AUSTRALIA. Email: [email protected] JOSS WHEDON, DR. HORRIBLE AND THE FUTURE OF WEB MEDIA? 2 Abstract In the 2007 Writers Guild of America strike, one of the areas in dispute was the question of residual payments for online material. On the picket line, Buffy creator Joss Whedon discussed new ways online media production could be financed. After the strike, Whedon self-funded a web media production, Dr. Horrible’s Sing-along Blog. Whedon and his collaborators positioned Dr. Horrible as an experiment, investigating whether original online media content created outside of studio funding could be financially viable. Dr. Horrible was a bigger hit than expected, with a paid version topping the iTunes charts and a DVD release hitting the number two position on Amazon. This article explores which factors most obviously contributed to Dr. Horrible’s success, whether these factors are replicable by other media creators, the incorporation of fan labor into web media projects, and how web-specific content creation relates to more traditional forms of media production. Keywords: Web Media, Online Distribution, Joss Whedon, Dr. Horrible, Paratexts, Social Media, Labor, Fans JOSS WHEDON, DR. HORRIBLE AND THE FUTURE OF WEB MEDIA? 3 Joss Whedon, Dr. Horrible and the Future of Web Media? In November 2007, the Writers Guild of America (WGA) began a strike lasting 100 days; amongst the areas in dispute were questions of residual payments for online streaming of previously broadcast material and the even newer and murkier territory of content created specifically for viewing online (M. -
The Guild Season 6
THE GUILD SEASON 6 Written by Felicia Day PINK DRAFT August 16, 2012 EPISODE 1: 1 INT. CODEX’S BEDROOM - NIGHT 1 CODEX So, I have randomly obtained what I * think is my utter dream job, working for the game I love, for the creator of said game, in a * helpful, assisting kind of way. * You are looking at the Vice * President of Community Creative Consultant-cy! I made that title * up, but it sounds pretty awesome, * right? And the Guild seems happy * for me too! On the way back from * the convention, we stopped at an outlet mall. Clara and Tink helped * me pick out work clothes, Bladezz and Zaboo found this cool leather * portfolio, and Vork haggled both prices down by 20%! Which he then * turned around and charged me as a negotiating fee. New job tomorrow, yay! 2 INT. VARIOUS BEDROOMS/OFFICES - MORNING 2 Tinkerballa is poolside in a bikini, laptop in lap. Vork’s office is piled with CRAP (which he’s stacking while online), Bladezz is in his pirate outfit. Codex is getting ready for work, combing hair, dressing, etc. BLADEZZ Your midterms are due and you’re raiding POOLSIDE? * TINKERBALLA I have male minions taking care of everything. My tests, my mechanic * is fixing my car battery for free. * I’m juggling 15 sets of balls * today. Literally. CODEX Whose pool are you at? TINKERBALLA * Hey. * Tink waves sweetly at a HANDI-MAN, who waves back at her. Blue Draft (8/09/12) 1A TINKERBALLA (CONT’D) * I don’t know. Some dumb guy let me * in. -
Jack's Costume from the Episode, "There's No Place Like - 850 H
Jack's costume from "There's No Place Like Home" 200 572 Jack's costume from the episode, "There's No Place Like - 850 H... 300 Jack's suit from "There's No Place Like Home, Part 1" 200 573 Jack's suit from the episode, "There's No Place Like - 950 Home... 300 200 Jack's costume from the episode, "Eggtown" 574 - 800 Jack's costume from the episode, "Eggtown." Jack's bl... 300 200 Jack's Season Four costume 575 - 850 Jack's Season Four costume. Jack's gray pants, stripe... 300 200 Jack's Season Four doctor's costume 576 - 1,400 Jack's Season Four doctor's costume. Jack's white lab... 300 Jack's Season Four DHARMA scrubs 200 577 Jack's Season Four DHARMA scrubs. Jack's DHARMA - 1,300 scrub... 300 Kate's costume from "There's No Place Like Home" 200 578 Kate's costume from the episode, "There's No Place Like - 1,100 H... 300 Kate's costume from "There's No Place Like Home" 200 579 Kate's costume from the episode, "There's No Place Like - 900 H... 300 Kate's black dress from "There's No Place Like Home" 200 580 Kate's black dress from the episode, "There's No Place - 950 Li... 300 200 Kate's Season Four costume 581 - 950 Kate's Season Four costume. Kate's dark gray pants, d... 300 200 Kate's prison jumpsuit from the episode, "Eggtown" 582 - 900 Kate's prison jumpsuit from the episode, "Eggtown." K... 300 200 Kate's costume from the episode, "The Economist 583 - 5,000 Kate's costume from the episode, "The Economist." Kat.. -
How Email Has Been Pushed Aside by Social Networks
Tuesday, 6 Feb. 26, 2013 Technology The Streamy Awards demonstrate the changing nature of entertainment As web series and youtube channels become more popular, the Streamys gain popularity BY SAMANTHA ANDROSKY Senior Staff Writer and over 750 million people have viewed his YouTube channel. Before hitting YouTube stardom, Dawson says his The audience for online videos and web series is living conditions were less than ideal. growing, and the burgeoning community of online “Before all of this, I was practically homeless, and media creators was awarded for its work at the third my mom was out of a job,” Dawson said. “We were annual Streamy Awards in mid-February. really struggling, so [success] changed my life in that The award show recognized the creators and pro- way, which I think made me more grateful, and I want ducers of exceptional web media, giving awards in 36 to work really, really hard so I never have to get back categories ranging from best drama series to best cin- to that place.” ematography. With more and more vloggers posting every day, The Streamys have grown in response to the in- there are more talented candidates working towards crease in the number of people watching media on winning a Streamy of their own. However, some veter- video hosting sites like Hulu and YouTube. In response an web series creators and actors criticized the 2013 Streamys for taking on too much of an “Oscar feel”. entirely web-based series, House of Cards. “My impression is it’s almost like a red carpet for to“Soon a growing they’re audience, gonna forget Netflix which recently box released they’re watch a new- old media,” web series creator Felicia Day told LA ing,” Jane Espenson, creator of the successful web se- Weekly in regards this year’s awards black tie fashion ries Husbands, told LA Weekly regarding the changes and pre-show red carpet. -
{PDF} Night Lost
NIGHT LOST PDF, EPUB, EBOOK Lyn Viehl | 304 pages | 09 Oct 2008 | Penguin Putnam Inc | 9780451221025 | English | New York, United States Night Lost PDF Book I liked that she is a very strong female character and basically gets along fine without Gabriel. It is a great read that could stand alone but I suggest reading her previous novels which introduce all the characters. Jul 04, Ladiibbug rated it really liked it. And there is a steep price paid for the use of Old Magick! Archived from the original on November 13, I voice my hopes here because guys, there are 2 more books confirmed to wrap up this series. What path lies ahead of Aphrodite, now that she has her new Mark? She is fascinating and I simply liked her. While reading this book, however, I got more and more convinced that it was actually the most ingenious way P. Audio help More spoken articles. As much as I loved Zoey, she truly Received a copy from the publisher for review. The second timeline, called the "flash-sideways" narrative, follows the lives of the main characters in a setting where Oceanic never crashed, though additional changes are revealed as other characters are shown living completely different lives than they did. I can't really argue that her "human" characters are interesting and she has tallent. Readers also enjoyed. Now reading them and I'm older, though I still like the series, the only challenge for me is getting past some of the language. Shannon's departure eight episodes into season two made way for newcomers Mr. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9325552 The Ray Bradbury Theater: A case study of the adaptation process from the written artifact to the cinematic text McConnell, Mary Beth Petrasik, Ph.D. -
2019 Entered Dogs
2019 Master National Confirmed Entries Dogs Entered (8/16/2019) N=1,020 (Please Refresh your Browser) Name Owner Breed Sex Handler 3 Ring Tycho's Supernova Of Tgk MH Josh Cochran Lab M Justin Jackson 3m Jazzed That Tequila Sunrise Up JH Alanna McFatridge Lab F Rusty Haglund A Legend In Her Own Mind MH Kevin Forehand Lab F Rody Best Abandoned Road's Caffeine Explosion MH MNH4 Charles and Judy Pugh Lab F Charles Pugh ACADEMY'S ALL AMERICAN MH MNH6 Tim Mitchell Lab M Derek Randle/Kristen Ingram Academy's Buy a Lady a Drink MH Tim Mitchell Lab F Derek Randle/Kristen Ingram Academy's Deacon Howl'n Amen M Bullen/S Bullen Lab M Derek Randle Academys Good Golly Miss Molly MH Dr. Dale Brett Lab F Derek Randle/Kristen Ingram Academy's Shoot 'Em Down Turn Around MH Beth Walizer Lab F Derek Randle / Kristen Ingram Addi's Big Debut MH Marcus Bice Lab F Marcus Bice Adirondac High Speed Chase MH Carol Lantiegne Golden F Carol Lantiegne Adirondac Lake Effect MH CCA Carol Lantiegne Golden M Drew Neubauer AimPowers Roxie's Blue Bonnet MH LINDA HOOVER Lab F Oliver Burman Ain'T Whistling 'Dixie' Bell MH Jerry Gisclair II Lab F Jerod Newman Ajax's Teufel Hunden MH QAA Joshua Burch Lab M Alan Sandifer Ajs Labs Once Upon A Time MH Anja and Joel Walters Lab F Lee Howard Ajs Sailor Katy's I Shot The Sheriff MH Anja and Joel Walters Lab M Lee Howard Ajs Sailor Katy's Whips And Things MH Joel and Anja Walters Lab M Lee Howard Ajtop Chiefs Blessed Beau MH Kenneth Jenkins Lab M Justin Hergert Ajtop Cody's Kajun Pride MH Catherine Billings Lab M Chad Vidrine / Ken -
10 Lost Wanted
Wanted updated 03-12-13 LOST Season 1 Missing: Oceanic 815 Puzzle Cards (1:11 packs) M1 Charlie: Get it? Hurley: Dude, quit asking me Walkabout M3 Claire: I'm having contractions. Jack: How man Pilot Pt. 1 M4 Jack: Come on. Come on! Come on! Come on! Big Pilot Pt. 1 M5 Jack: We must have been at about forth thousan Pilot Pt. 1 M6 Michael: Hey, hey, where you going, man? Walt: Walkabout M7 Charlie: How does something like that happen? Pilot Pt. 1 M8 Pilot: Six hours in, our radio went out. No on Pilot Pt. 1 M9 Kate: Jack! Jack: There's someone else still o White Rabbit Numbers Die-Cut Cards (1:17 packs) 15 Sawyer: That what I think it is? Michael: Some Exodus, Pt. 2 23 Kate: I wanted you to make sure that Ray Mulle Tabula Rasa 42 Hurley: ...Stop! What are you doing?! Why'd yo Exodus, Pt. 2 Autograph Cards (1:36 packs) A-1 Evangeline Lilly as Kate Austen A-2 Josh Holloway as James "Sawyer" Ford A-3 Maggie Grace as Shannon Rutherford A-5 Mira Furlan as Danielle Rousseau A-6 William Mapother as Ethan Rom A-7 John Terry as Dr. Christian Shephard A-9 Daniel Roebuck as Dr. Leslie Arzt A-11 Kevin Tighe as Anthony Cooper A-12 Swoosie Kurtz as Emily Annabeth Locke AR1 (Redemption Card) Pieceworks Cards (1:36 packs) PW-1 Shirt worn by Evangeline Lilly as Kate Austen The Greater Good PW-2 T-shirt worn by Josh Holloway as Sawyer Ford Pilot PW-3 Top worn by Maggie Grace as Shannon Rutherford Hearts and Minds PW-4 T-shirt worn by Matthew Fox as Jack Shepherd All the Best Cowboys Have Daddy Issues PW-5 T-shirt worn by Dominic Monaghan as Charlie Pace Pilot PW-6 T-shirt worn by Terry O'Quinn as John Locke Numbers PW-8 T-shirt worn by Jorge Garcia as Hugo "Hurley" Reyes Hearts and Mind PW-10 Top worn by Yunjin Kim as Sun Kwon Exodus Pt. -
The Edison Project the Edison Project
THE EDISON PROJECT THE EDISON PROJECT Lead Authors: Erin Reilly, Jonathan Taplin, Francesca Marie Smith, Geoffrey Long, Henry Jenkins 18 Havas is the global The Annenberg Innovation research and innovation Lab is a high-energy, center within Havas. In fast-paced Think & Do the offices of Los Angeles, Tank in the Annenberg Seoul, Tel Aviv, Bogota School of Communication and Shanghai. 18 develops and Journalism at the research projects, strategic University of Southern partnerships, and business California. We define opportunities for Havas innovation as a social, and its client portfolio. collaborative process We work to be 18 months involving artists, scientists, ahead at the convergence of humanists and industry media, content, technology, professionals working and data science. We scout together on new problems new talent and startups, and opportunities raised by activate supporting technological and cultural academic research, develop change. Our mission actionable insights, and is to foster real-world facilitate deal-making innovation at the dynamic through local learning intersection of media and expeditions. culture. Copyright 2016. University of Southern California. All rights reserved. CONTENTS INTRODUCTION I ACKNOWLEDGEMENTS VI THE NEW METRICS + MEASUREMENT: 8 Erin Reilly THE NEW FUNDING + BUSINESS MODELS: 33 Jonathan Taplin and Anjuli Bedi THE NEW SCREENS 51 Francesca Marie Smith THE NEW CREATORS + MAKERS 69 Geoffrey Long, Rachel Joy Victor, Lisa Crawford, Malika Lim, and Juvenal Quiñones, with Ritesh Mehta and Anna Karina Samia CONCLUSION: IMAGINING POSSIBLE FUTURES 92 Henry Jenkins The Edison Project • I INTRODUCTION Thomas Edison invented both the phonograph and the kinetoscope more than 100 years ago. But the business of distributing music and movies hasn’t really changed that much in 100 years. -
The Etiology of Character Realization, Within Rhetorical Analysis of the Series
i Found: The Etiology of Character Realization, within Rhetorical Analysis of the Series LOST, through the Application of Underhill’s and Turner’s Classic Concepts of the Mystic Journey ____________________________________________ Presented to the Faculty Liberty University School of Communication Studies ______________________________________________ In Partial Fulfillment of the Requirements for the Master of Arts in Communication By Lacey L. Mitchell 2 December 2010 ii Liberty University School of Communication Master of Arts in Communication Studies Michael P. Graves Ph.D., Chair Carey Martin Ph.D., Reader Todd Smith M.F.A, Reader iii Dedication For James and Mildred Renfroe, and Donald, Kim and Chase Mitchell, without whom this work would have been remiss. I am forever grateful for your constant, unwavering support, exemplary resolve, and undiscouraged love. iv Acknowledgements This work represents the culmination of a remarkable journey in my life. Therefore, it is paramount that I recognize several individuals I found to be indispensible. First, I would like to thank my thesis chair, Dr. Michael Graves, for taking this process and allowing it to be a learning and growing experience in my own journey, providing me with unconventional insight, and patiently answering my never ending list of inquiries. His support through this process pushed me towards a completed work – Thank you. I also owe a great debt to the readers on my committee, Dr. Cary Martin and Todd Smith, who took time to ensure the completion of the final product. I will always have immense gratitude for my family. Each of them has an incredible work ethic and drive for life that constantly pushes me one step further.