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Ethiopia and India: Fusion and Confusion in British Orientalism
Les Cahiers d’Afrique de l’Est / The East African Review 51 | 2016 Global History, East Africa and The Classical Traditions Ethiopia and India: Fusion and Confusion in British Orientalism Phiroze Vasunia Electronic version URL: http://journals.openedition.org/eastafrica/314 Publisher IFRA - Institut Français de Recherche en Afrique Printed version Date of publication: 1 March 2016 Number of pages: 21-43 ISSN: 2071-7245 Electronic reference Phiroze Vasunia, « Ethiopia and India: Fusion and Confusion in British Orientalism », Les Cahiers d’Afrique de l’Est / The East African Review [Online], 51 | 2016, Online since 07 May 2019, connection on 08 May 2019. URL : http://journals.openedition.org/eastafrica/314 Les Cahiers d’Afrique de l’Est / The East African Review Global History, East Africa and the Classical Traditions. Ethiopia and India: Fusion and Confusion in British Orientalism Phiroze Vasunia Can the Ethiopian change his skinne? or the leopard his spots? Jeremiah 13.23, in the King James Version (1611) May a man of Inde chaunge his skinne, and the cat of the mountayne her spottes? Jeremiah 13.23, in the Bishops’ Bible (1568) I once encountered in Sicily an interesting parallel to the ancient confusion between Indians and Ethiopians, between east and south. A colleague and I had spent some pleasant moments with the local custodian of an archaeological site. Finally the Sicilian’s curiosity prompted him to inquire of me “Are you Chinese?” Frank M. Snowden, Blacks in Antiquity (1970) The ancient confusion between Ethiopia and India persists into the late European Enlightenment. Instances of the confusion can be found in the writings of distinguished Orientalists such as William Jones and also of a number of other Europeans now less well known and less highly regarded. -
Ephesiaca a Paraliterary Love-Story from the Ancient World ANCIENT NARRATIVE
Xenophon’s Ephesiaca A Paraliterary Love-Story from the Ancient World ANCIENT NARRATIVE Supplementum 22 Editorial Board Gareth Schmeling, University of Florida, Gainesville Stephen Harrison, Corpus Christi College, Oxford Heinz Hofmann, Universität Tübingen Massimo Fusillo, Università degli Studi dell’Aquila Ruurd Nauta, University of Groningen Stelios Panayotakis, University of Crete Costas Panayotakis (review editor), University of Glasgow Advisory Board Jean Alvares, Montclair State University Alain Billault, Université Paris Sorbonne – Paris IV Ewen Bowie, Corpus Christi College, Oxford Jan Bremmer, University of Groningen Koen De Temmerman, University of Ghent Stavros Frangoulidis, Aristotelian University of Thessaloniki Ronald Hock, University of Southern California, Los Angeles Irene de Jong, University of Amsterdam Silvia Montiglio, Johns Hopkins University John Morgan, University of Wales, Swansea Michael Paschalis, University of Crete Judith Perkins, Saint Joseph College, West Hartford Tim Whitmarsh, University of Cambridge Alfons Wouters, University of Leuven Maaike Zimmerman, University of Groningen Website www.ancientnarrative.com Subscriptions and ordering Barkhuis Kooiweg 38 9761 GL Eelde the Netherlands [email protected] www.barkhuis.nl Xenophon’s Ephesiaca A Paraliterary Love-Story from the Ancient World by Aldo Tagliabue BARKHUIS & GRONINGEN UNIVERSITY LIBRARY GRONINGEN 2017 Book design: Barkhuis Cover design: Nynke Tiekstra, Coltsfootmedia, Rotterdam Image on cover: “Incontro tra Anzia e Abrocome alle feste di Diana”, Jacopo Amigoni (attributed), ca. 1743 ISBN 9789492444127 Copyright © 2017 the author All rights reserved. No part of this publication or the information contained herein may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, elec- tronical, mechanical, by photocopying, recording or otherwise, without prior written per- mission from the author. -
Pleasure and Instruction in the Prologue of Longus
SYMBOLAE PHILOLOGORUM POSNANIENSIUM GRAECAE ET LATINAE XIX• 2009 pp. 95-114. ISBN 978-83-232-2153-1. ISSN 0302-7384 ADAM MICKIEWICZUNIVERSITYPRESS, POZNAŃ BRUCE DUNCAN MACQUEEN Department of Comparative Literature, University of Silesia pl. Sejmu Śląskiego 1, 40-032 Katowice Poland PLEASURE AND INSTRUCTION IN THE PROLOGUE OF LONGUS’ DAPHNIS AND CHLOE ABSTRACT . Bruce Duncan MacQueen, Pleasure and instruction in the Prologue of Longus’ “Daphnis and Chloe”. The present study attempts to demonstrate that the ancient Greek novel Daphnis and Chloe system- atically explores the problem expressed by Horace in the phrase docere et delectare, and that this purpose is announced in the Prologue. The functions of prologues as such are briefly reviewed. After a consideration of the prologues of the remaining ancient Greek novels, the Prologue of Longus’s Daphnis and Chloe is analyzed line by line. Longus uses the Prologue, then, to establish a series of dialectical tensions that operate throughout the novel, allowing it to delight and instruct at the same time. Key words: ancient Greek novel, Eros, paradox, paideia, hunting. INTRODUCTION A paradox often repeated, like a metaphor, eventually loses the shock value that makes it useful as a figure of speech. To use the terminology of cognitive psychology, it comes to be “overlearned,” repeated without reflec- tion at particular moments when the requisite prompt occurs. Its very fa- miliarity makes it fade into the background, where it ceases to draw atten- tion to itself. We have been told since childhood, for example, to “turn the other cheek,” so we repeat the phrase automatically and almost entirely ignore it in practice, since it no longer demands our attention. -
Reviving the Pagan Greek Novel in a Christian World Burton, Joan B Greek, Roman and Byzantine Studies; Summer 1998; 39, 2; Proquest Pg
Reviving the Pagan Greek novel in a Christian World Burton, Joan B Greek, Roman and Byzantine Studies; Summer 1998; 39, 2; ProQuest pg. 179 Reviving the Pagan Greek Novel in a Christian World Joan B. Burton N THE CHRISTIAN WORLD of Constantinople, in the twelfth century A.D., there was a revival of the ancient Greek novel, I replete with pagan gods and pagan themes. The aim of this paper is to draw attention to the crucial role of Christian themes such as the eucharist and the resurrection in the shaping and recreation of the ancient pagan Greek world in the Byzan tine Greek novels. Traditionally scholars have focused on similarities to the ancient Greek novels in basic plot elements, narrative tech niques, and the like. This has often resulted in a general dismissal of the twelfth-century Greek novels as imitative and unoriginal.1 Yet a revision of this judgment has begun to take place.2 Scholars have noted that there are themes and imagery in these novels that would sound contemporary to many of their Byzantine readers, for example, ceremonial throne scenes and 1 Thus B. E. Perry, The Ancient Romances: A Literary-Historical Account of Their Origins (Berkeley 1967) 103: "the slavish imitations of Achilles Tatius and Heliodorus which were written in the twelfth century by such miserable pedants as Eustathius Macrembolites, Theodorus Prodromus, and Nicetas Eugenianus, trying to write romance in what they thought was the ancient manner. Of these no account need be taken." 2See R. Beaton's important book, The Medieval Greek Romance 2 (London 1996) 52-88, 210-214; M. -
Xetex Output 2007.09.06:0922
i ``variants5'' --- 2007/9/6 --- 9:22 --- page 129 --- #127 i i i The Copyist as Novelist Multiple Versions in the Ancient Greek Novel M. Sanz Morales No book is ever published without some variant in each copy. Scribes take a secret oath to omit, interpolate, vary. Jorge Luis Borges, The Babylon Lottery 1. Purpose The present essay has two objectives: on the one hand, to show the ex- istence of multiple versions in the textual transmission of several of the Greek novels that have come down to us; on the other, to investigate the causes for such multiplicity. This shall require that this case of multiple versions be placed in relationship with other similar cases of works which do not pertain to the genre of the novel, but yet are related to it, which in turn will lead to certain consequences in the field of literary studies.1 2. Greek novels and their multiple versions The genre of the Greek novel developed in the first centuries of our era, a period in which the Greek-speaking world was a part of the Roman Em- pire. The only five novels which have survived in their entirety all belong to this period, as well as the quite numerous papyrus fragments of other novels which have been lost. The peak of the genre seems to have been somewhere around the second or third century A. D., judging from the probable date of many of these novels.2 As for their literary form, the 1 This article is a part of a research project (HUM2005-03090) financed by the Ministerio de Educación y Ciencia of Spain and FEDER. -
Chapter Fourteen Rabbinic and Other Judaisms, from 70 to Ca
Chapter Fourteen Rabbinic and Other Judaisms, from 70 to ca. 250 The war of 66-70 was as much a turning point for Judaism as it was for Christianity. In the aftermath of the war and the destruction of the Jerusalem temple Judaeans went in several religious directions. In the long run, the most significant by far was the movement toward rabbinic Judaism, on which the source-material is vast but narrow and of dubious reliability. Other than the Mishnah, Tosefta and three midrashim, almost all rabbinic sources were written no earlier than the fifth century (and many of them much later), long after the events discussed in this chapter. Our information on non-rabbinic Judaism in the centuries immediately following the destruction of the temple is scanty: here we must depend especially on archaeology, because textual traditions are almost totally lacking. This is especially regrettable when we recognize that two non-rabbinic traditions of Judaism were very widespread at the time. Through at least the fourth century the Hellenistic Diaspora and the non-rabbinic Aramaic Diaspora each seem to have included several million Judaeans. Also of interest, although they were a tiny community, are Jewish Gnostics of the late first and second centuries. The end of the Jerusalem temple meant also the end of the Sadducees, for whom the worship of Adonai had been limited to sacrifices at the temple. The great crowds of pilgrims who traditionally came to the city for the feasts of Passover, Weeks and Tabernacles were no longer to be seen, and the temple tax from the Diaspora that had previously poured into Jerusalem was now diverted to the temple of Jupiter Capitolinus in Rome. -
Europe's Discovery of the Ethiopian Taenicide-Kosso
Medical History, 1979, 23: 297-313. EUROPE'S DISCOVERY OF THE ETHIOPIAN TAENICIDE-KOSSO by RICHARD PANKHURST* EARLY REPORTS EUROPE'S DISCOVERY of the Ethiopian taenicide kosso, variously known as Banksia Abyssinica, Brayera anthelmintica, and Hagenia Abyssinica, dates back to the early seventeenth century when the Jesuits first penetrated the hitherto little-explored kingdom of Prester John. The drug, and the tree from the flowers and seeds of which it was prepared, caught the attention of at least three of the missionaries, Pero Paes, a Spaniard,1 and two Portuguese, Manoel Barradas2 and Manoel de Almeida.3 The latter records that the "Co9o" tree was found in "nearly all the high and cold parts" ofthe country, and bore "fruit like ears ofcorn or like the chestnut flower that we call 'lamps'." Explaining that it was "as bitter as the whin", he somewhat naively con- cluded that "because it is so bitter when drunk it is an excellent medicine with which to kill certain worms in the stomach".4 Similar statements were made by another Portuguese Jesuit, Nicolo Godinho.5 These reports were read with interest by the seventeenth-century German scholar Job Ludolf, who has aptly been termed the founder of Ethiopian studies in Europe. Citing Godinho as his source, he notes that there grew in Ethiopia a tree "most excellent against Worms in the Belly", and that this was "a Distemper frequent among the Abessines, by reason of their feeding upon Raw Flesh. For the remedy whereof the Habessines Purge themselves once a Month with the Fruit of the Tree, which causes them to Void all their Worms".6 Such mention of the remarkable properties of kosso had, however, little or no impact on European medical thinking, for though taenia was then prevalent in many parts of the continent, and most difficult to cure, the expulsion of the Jesuits from Ethiopia in 1632-33 had rendered the country too isolated to allow access to persons in search of drugs. -
The Fate of the Apostles What Happened to the 12 Disciples and Other Key Leaders of the Early Church? PETER (Aka SIMON Or CEPHAS)
The Fate of the Apostles What happened to the 12 Disciples and other key leaders of the early church? PETER (aka SIMON or CEPHAS) • A fisherman from Galilee before meeting Jesus • Lived in Capernaum • Bold and Brash • Walked on water with Jesus • Denied knowing Jesus 3 times after his arrest • Went on to preach the Gospel boldly, winning 3000 converts in a day (Acts 2:40-41) PETER’S DEATH • Early church tradition says that Peter was crucified in Rome under Emperor Nero around 64 AD • The 2 nd Century apocryphal book Acts of Peter says Peter was crucified upside-down • The altar of the Basilica of St. Peter in Rome is said to be directly over the spot of Peter’s crucifixion Andrew, Brother of Peter • A disciple of John the Baptist who later followed Jesus (John 1:35-42) • Origen wrote that Andrew went on to preach the Gospel in Scythia (Central Eurasia) • The Chronicle of Nestor adds that he preached along the Black Sea and as far north as Kiev • By tradition, he established the See of Byzantium, installing Stachys as its first Bishop • Crucified in the City of Patras in Greece • Tied to a Latin Cross, but later sources claim it was an X-shaped “St. Andrew’s Cross” Matthew (a/k/a Levi) • Tax collector from Capernaum in Galilee • After Jesus’ ascension, Matthew preached to the Jews in Judea, then went on to other countries • Early Muslim sources say he preached in “Aethiopia” (at the Southern end of the Caspian Sea) • Roman Catholic and Orthodox Churches hold to the tradition that Matthew died a martyr’s death. -
Cambridge University Press 978-1-108-48303-2 — the Moon in the Greek and Roman Imagination Karen Ní Mheallaigh Index More Information
Cambridge University Press 978-1-108-48303-2 — The Moon in the Greek and Roman Imagination Karen ní Mheallaigh Index More Information Index Achilles’ shield. See Homer Callimachus, – Aëtius, – celestial bowls, – Aglaonice, – Cicero, Somnium Scipionis, –, , See Alcmaeon of Croton, , – selēnoskopia (or ‘view from Moon’) Alcman Cleomedes, , Partheneia (Maiden Songs), – cognitive estrangement. See selēnoskopia (view from Alexander of Abonouteichos, – Moon) amphiphōntes, Colin Webster, , – analogical drift, Corinna, – Anaxagoras of Clazomenae, , –, –, cup of Helios, – Cyrano de Bergerac, , n Anaximander of Miletus, – Anaximenes of Miletus, – Demetrius Triclinius, n, , – Ancient Greek calendar, See also parapēgmata Democritus of Abdera, –, Antiphanes of Berge, – Diogenes of Apollonia, antiphraxis, – dioptra. See Lucian, True Stories Antonius Diogenes, The incredible things beyond Thule earthshine, – and scholarly hoax, – Earthy Moon Theory (EMT), –, –, and the Arctic, – See Plutarch, De facie and the Moon, – problems/challenges, , – narrative complexity, – eclipse Apollo Noumēnios, lunar eclipse, – Apuleius mechanism of eclipse, – lunam despumari, – solar eclipse, , – Aristarchus of Samos, , Empedocles of Acragas, –, , – Aristotle Empedotimus, fire creatures on the Moon, – Endymiones, , – on nature of Moon, Ennius’ dream, – theory of elements, Epimenides of Crete, – Astraeus, Eratosthenes of Cyrene, astral travel. See soul projection Hermes. See selēnoskopia (or ‘view from astronomical observation, , See mountains Moon’) astronomy -
Introduction
Cambridge University Press 978-0-521-82391-3 - Narrative and Identity in the Ancient Greek Novel: Returning Romance Tim Whitmarsh Excerpt More information Introduction true romance Habrocomes, my child, I am not a settler or a native Sicilian but an elite Spartan, from one of the powerful families there, and very pros- perous. When I was a young man and enrolled among the ephebes, I fell in love with a citizen girl by the name of Thelxinoe, and Thelxinoe returned my love. We met at a time when an all-night festival was being held in the city, with a god’s guidance, and enjoyed the pleasure that our meeting had promised. For a while we used to meet in secret, and swore repeatedly to each other that our relationship would last till death. But one of the gods must have been spiteful. While I was still classed among the ephebes, Thelxinoe’s parents agreed to her marriage to a young man called Androcles, who had by this time also fallen in love with her. At first, the girl had to invent all sorts of excuses to put off the wedding, but in the end she was able to arrange a meeting with me, and she agreed to elope from Sparta with me by night. We both dressed up as young men, and I even cut Thelxinoe’s hair, on the very night before her wedding. Escaping from the city we came to Argos, then Corinth, where we boarded a ship and sailed for Sicily. When the Spartans learned of our escape, they condemned us to death. -
Interpreting the Heroine of a Greek Romance Isabelle Raposo [email protected]
CORE Metadata, citation and similar papers at core.ac.uk Provided by Wellesley College Wellesley College Wellesley College Digital Scholarship and Archive Honors Thesis Collection 2019 Charicleia’s Dream: Interpreting the Heroine of a Greek Romance Isabelle Raposo [email protected] Follow this and additional works at: https://repository.wellesley.edu/thesiscollection Recommended Citation Raposo, Isabelle, "Charicleia’s Dream: Interpreting the Heroine of a Greek Romance" (2019). Honors Thesis Collection. 641. https://repository.wellesley.edu/thesiscollection/641 This Dissertation/Thesis is brought to you for free and open access by Wellesley College Digital Scholarship and Archive. It has been accepted for inclusion in Honors Thesis Collection by an authorized administrator of Wellesley College Digital Scholarship and Archive. For more information, please contact [email protected]. Charicleia’s Dream: Interpreting the Heroine of a Greek Romance Isabelle Kennedy Raposo Submitted in Partial Fulfillment of the Prerequisite for Honors in Classics April 2019 © Isabelle Raposo 2019 Introduction Dreams, Oracles, and Interpretation This thesis will analyze the ways in which Charicleia, the heroine of Heliodorus’ Aethiopica, is characterized, using an oracular dream as a guide to interpretation. About the Aethiopica The Aethiopica, or “An Ethiopian story,” is the only known work of Heliodorus of Emesa, composed about 350 A.D. Little is known about the life of Heliodorus apart from the information he provides at the end of the Aethiopica: -
Interpreting the Heroine of a Greek Romance Isabelle Kennedy
Charicleia’s Dream: Interpreting the Heroine of a Greek Romance Isabelle Kennedy Raposo Submitted in Partial Fulfillment of the Prerequisite for Honors in Classics April 2019 © Isabelle Raposo 2019 Introduction Dreams, Oracles, and Interpretation This thesis will analyze the ways in which Charicleia, the heroine of Heliodorus’ Aethiopica, is characterized, using an oracular dream as a guide to interpretation. About the Aethiopica The Aethiopica, or “An Ethiopian story,” is the only known work of Heliodorus of Emesa, composed about 350 A.D. Little is known about the life of Heliodorus apart from the information he provides at the end of the Aethiopica: “[the Aethiopica’s] author is a Phoenician of Emesa, of the race of the Sun—the son of Theodosius, Heliodorus” (277). Emesa stood on the same ground as the modern city of Homs, Syria, and was known for the local cult of the god ‘LH’GBL or Elahagabal.1 The church historian Sokrates refers to a bishop named Heliodorus, living in Thessaly around 385, who may have started the practice of married men entering the church becoming celibate.2 Synopsis Persinna, the queen of Ethiopia, conceives a child while consorting with her husband Hydaspes and looking at a wall painting of Andromeda. The child is born white as a result, in spite of both of her parents’ having dark skin, and Persinna embroiders the story of her conception on a ribbon. Gathering the ribbon and some unique jewels, she sends the child to be exposed. Sisimithres, a sage who is an advisor to the Ethiopian court, finds the baby and takes her to be raised by shepherds outside the Ethiopian capital city of Meroe.