Phonological Weight
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Meter of Classical Arabic Poetry
Pegs, Cords, and Ghuls: Meter of Classical Arabic Poetry Hazel Scott Haverford College Department of Linguistics, Swarthmore College Fall 2009 There are many reasons to read poetry, filled with heroics and folly, sweeping metaphors and engaging rhymes. It can reveal much about a shared cultural history and the depths of the human soul; for linguists, it also provides insights into the nature of language itself. As a particular subset of a language, poetry is one case study for understanding the use of a language and the underlying rules that govern it. This paper explores the metrical system of classical Arabic poetry and its theoretical representations. The prevailing classification is from the 8th century C.E., based on the work of the scholar al-Khaliil, and I evaluate modern attempts to situate the meters within a more universal theory. I analyze the meter of two early Arabic poems, and observe the descriptive accuracy of al-Khaliil’s system, and then provide an analysis of the major alternative accounts. By incorporating linguistic concepts such as binarity and prosodic constraints, the newer models improve on the general accessibility of their theories with greater explanatory potential. The use of this analysis to identify and account for the four most commonly used meters, for example, highlights the significance of these models over al-Khaliil’s basic enumerations. The study is situated within a discussion of cultural history and the modern application of these meters, and a reflection on the oral nature of these poems. The opportunities created for easier cross-linguistic comparisons are crucial for a broader understanding of poetry, enhanced by Arabic’s complex levels of metrical patterns, and with conclusions that can inform wider linguistic study.* Introduction Classical Arabic poetry is traditionally characterized by its use of one of the sixteen * I would like to thank my advisor, Professor K. -
Using 'North Wind and the Sun' Texts to Sample Phoneme Inventories
Blowing in the wind: Using ‘North Wind and the Sun’ texts to sample phoneme inventories Louise Baird ARC Centre of Excellence for the Dynamics of Language, The Australian National University [email protected] Nicholas Evans ARC Centre of Excellence for the Dynamics of Language, The Australian National University [email protected] Simon J. Greenhill ARC Centre of Excellence for the Dynamics of Language, The Australian National University & Department of Linguistic and Cultural Evolution, Max Planck Institute for the Science of Human History [email protected] Language documentation faces a persistent and pervasive problem: How much material is enough to represent a language fully? How much text would we need to sample the full phoneme inventory of a language? In the phonetic/phonemic domain, what proportion of the phoneme inventory can we expect to sample in a text of a given length? Answering these questions in a quantifiable way is tricky, but asking them is necessary. The cumulative col- lection of Illustrative Texts published in the Illustration series in this journal over more than four decades (mostly renditions of the ‘North Wind and the Sun’) gives us an ideal dataset for pursuing these questions. Here we investigate a tractable subset of the above questions, namely: What proportion of a language’s phoneme inventory do these texts enable us to recover, in the minimal sense of having at least one allophone of each phoneme? We find that, even with this low bar, only three languages (Modern Greek, Shipibo and the Treger dialect of Breton) attest all phonemes in these texts. -
Exceptional Stress and Reduced Vowels in Munster Irish Anton Kukhto
Exceptional stress and reduced vowels in Munster Irish Anton Kukhto Massachusetts Institute of Technology [email protected] ABSTRACT 1.2. Exceptions to the basic pattern This paper focuses on reduced vowels in one of the Munster dialects of Modern Irish, Gaeilge Chorca There exist, however, numerous exceptions to this Dhuibhne. In this dialect, lexical stress depends on rule. Some are caused by the morphological structure syllable weight: heavy syllables (i.e. syllables that of the word. Thus, some verbal inflection morphemes contain phonologically long vowels) attract stress; if exceptionally attract lexical stress, e.g. fógróidh (sé) [foːgǝˈroːgj] ‘(he) will announce’, while others fail to there are none, stress is initial. There exist exceptions, j j one of them being peninitial stress in words with no do so contrary, e.g. molaimíd [ˈmoləm iːd ] ‘we heavy syllables and the string /ax/ in the second praise’; for more details on such cases, see [21]. Other syllable. Instead of deriving this pattern from the exceptions are lexical in the sense that the stress is properties of /x/ in combination with /a/ as has been unpredictable and does not obey the general laws done in much previous work, the paper argues for the outlined above. These are often found to exhibit presence of a phonologically reduced vowel in the anomalous behaviour in other Irish dialects as well, first syllable. The paper argues that such vowels are not only in the South, cf. tobac [tǝˈbak] ‘tobacco’ or phonetically and phonologically different from bricfeasta [brʲikˈfʲastǝ] ‘breakfast’. underlying full vowels that underwent a post-lexical Another class of exceptions seems to stem from process of vowel reduction. -
2 Mora and Syllable
2 Mora and Syllable HARUO KUBOZONO 0 Introduction In his classical typological study Trubetzkoy (1969) proposed that natural languages fall into two groups, “mora languages” and “syllable languages,” according to the smallest prosodic unit that is used productively in that lan- guage. Tokyo Japanese is classified as a “mora” language whereas Modern English is supposed to be a “syllable” language. The mora is generally defined as a unit of duration in Japanese (Bloch 1950), where it is used to measure the length of words and utterances. The three words in (1), for example, are felt by native speakers of Tokyo Japanese as having the same length despite the different number of syllables involved. In (1) and the rest of this chapter, mora boundaries are marked by hyphens /-/, whereas syllable boundaries are marked by dots /./. All syllable boundaries are mora boundaries, too, although not vice versa.1 (1) a. to-o-kyo-o “Tokyo” b. a-ma-zo-n “Amazon” too.kyoo a.ma.zon c. a-me-ri-ka “America” a.me.ri.ka The notion of “mora” as defined in (1) is equivalent to what Pike (1947) called a “phonemic syllable,” whereas “syllable” in (1) corresponds to what he referred to as a “phonetic syllable.” Pike’s choice of terminology as well as Trubetzkoy’s classification may be taken as implying that only the mora is relevant in Japanese phonology and morphology. Indeed, the majority of the literature emphasizes the importance of the mora while essentially downplaying the syllable (e.g. Sugito 1989, Poser 1990, Tsujimura 1996b). This symbolizes the importance of the mora in Japanese, but it remains an open question whether the syllable is in fact irrelevant in Japanese and, if not, what role this second unit actually plays in the language. -
Chapter 1 Theoretical Issues
Chapter 1 Theoretical issues —… no language has a rule stressing the penultimate syllable unless it begins with a voiced consonant, in which case one stresses the antepenultimate syllable“ (Hyman 1985: 96) —(Karo) stress can be predicted by the onset of the last syllable: if it is a voiced stop consonant, then the stress shifts one syllable to the left“ (Gabas 1999: 39) 1.1 Syllable weight The notion of syllable weight is pervasive in phonology. Everywhere we look there are data that make reference to it. The idea behind syllable weight is that depending on their structure, syllables are treated in a different way; thus if a syllable contains a long vowel or - in some languages - a short vowel followed by a coda consonant, then it is heavier than one including a short vowel, i.e. VV, VC > V. The effects of this distinction are most prominently seen in stress, where in many languages heavy syllables attract stress more than light ones. Importantly, VC is heavy in some languages, e.g. Hopi, but light in others, e.g. Lenakel (see below). In Hopi (Gussenhoven and Jacobs 2005: 145), the first syllable is stressed if it is heavy (C)VV or (C)VC [(1a)], but if it is (C)V light, then the second gets stress [(1b)]1. (1) Hopi: VV/VC=heavy; V=light a. q1q .t1.som.pi ‘headbands’ soÂ9.ja ‘planting stick’ b. q1.t1. som.pi ‘headband’ ko.jo. Mo ‘turkey’ 1 In this chapter, unless stated otherwise, the acute accent marks primary stress, the grave accent means secondary stress, and underlining denotes the reduplicated portion. -
A Note on the Phonology and Phonetics of CR, RC, and SC Consonant Clusters in Italian
A note on the phonology and phonetics of CR, RC, and SC consonant clusters in Italian Michael J. Kenstowicz 1. Introduction Previous generative research on Italian phonology starting with Vogel (1982) and Chierchia (1986) has proposed that intervocalic consonant clusters are parsed into contrasting tauto- vs. heterosyllabic categories based on several factors: phonotactic restrictions on word-initial consonant sequences, syllable weight as reflected in the distribution of stress and the length of a preceding tonic vowel, the distribution of prenominal allomorphs of various determiners, and the application of syntactic gemination (radoppiamento sintattico). Based on these criteria, clusters of rising sonority (in particular stop plus liquid) fall into the tautosyllabic category while falling sonority clusters composed of a sonorant plus obstruent are heterosyllabic. Clusters composed of /s/ plus a stop display mixed behavior but generally pattern with the heterosyllabic group. In her 2004 UCLA Ph.D. dissertation, Kristie McCrary investigated corpus-external reflexes of these cluster distinctions with a psycholinguistic test of word division and measurements of the phonetic duration of segments (both consonants and vowels). Her results support some aspects of the traditional phonological analysis but call into question others. In this squib we summarize the literature supporting the traditional distinction among these clusters and then review McCrary’s results. An important finding in McCrary’s study was that stops in VCV and VCRV contexts (R = a liquid) were significantly shorter than stops in VRCV contexts. She observed that these contexts align with the distribution of geminates in Italian and proposed that singleton stops are significantly shorter in the VCV and VCRV contexts in order to enhance their paradigmatic contrast with geminates. -
A Contrastive Study Farah Hafedh Ibrahim College of Arts,Mustansiriyah University, Baghdad, Iraq Email : [email protected]
36 Syllables in English and Arabic : A contrastive Study Farah Hafedh Ibrahim College of Arts,Mustansiriyah University, Baghdad, Iraq Email : [email protected] Abstract The present study investigates syllables in both English and Arabic for the sake of revealing the similarities and differences between them in these two languages. The syllable is regarded as the basic unit or the building block of speech that has attracted the attention of English and Arab phoneticians. The present study tackles the nature of English and Arabic syllables, sheds light on some of the theories that described them as well as classifying them into types and describing their structure. The study arrives at the conclusion that there are many differences between syllables in English and syllables in Arabic. These differences concern the way syllables are viewed, their types and their structure. However, both languages consider the syllable to be the basic unit of speech. Phonetically, syllables are described in English as consisting of a centre which has little or no obstruction to airflow preceded and followed by great obstruction; whereas in Arabic, syllables are phonetically described as chest pulses. Keywords: Syllable; Syllable Nature; Syllable Type; Structure Introduction The term syllable, in English language, is not easy to define since it can be defined phonetically, or phonologically or both phonetically and phonologically. Starting with Ladefoged (2006:242) who describes the syllable as “the smallest unit of speech. Every utterance must contain at least one syllable”. He (ibid.) further states that speech is composed of segments such as vowels or consonants and these segments are considered to be aspects of the syllable. -
Part 1: Introduction to The
PREVIEW OF THE IPA HANDBOOK Handbook of the International Phonetic Association: A guide to the use of the International Phonetic Alphabet PARTI Introduction to the IPA 1. What is the International Phonetic Alphabet? The aim of the International Phonetic Association is to promote the scientific study of phonetics and the various practical applications of that science. For both these it is necessary to have a consistent way of representing the sounds of language in written form. From its foundation in 1886 the Association has been concerned to develop a system of notation which would be convenient to use, but comprehensive enough to cope with the wide variety of sounds found in the languages of the world; and to encourage the use of thjs notation as widely as possible among those concerned with language. The system is generally known as the International Phonetic Alphabet. Both the Association and its Alphabet are widely referred to by the abbreviation IPA, but here 'IPA' will be used only for the Alphabet. The IPA is based on the Roman alphabet, which has the advantage of being widely familiar, but also includes letters and additional symbols from a variety of other sources. These additions are necessary because the variety of sounds in languages is much greater than the number of letters in the Roman alphabet. The use of sequences of phonetic symbols to represent speech is known as transcription. The IPA can be used for many different purposes. For instance, it can be used as a way to show pronunciation in a dictionary, to record a language in linguistic fieldwork, to form the basis of a writing system for a language, or to annotate acoustic and other displays in the analysis of speech. -
Anti-Romance Laryngeal Patterns in Italian Phonology
Anti-Romance laryngeal patterns in Italian phonology Bálint Huszthy Babes-Bolyai University [email protected] In the literature of laryngeal phonology all Romance languages are depicted as “voice languges”, exhibiting a binary laryngeal distinction between a voiced lenis and a voiceless fortis set of obstruents (Wetzels and Mascaró 2001; Petrova et al. 2006; etc.). Voice languages are characterised by regressive voice assimilation (RVA) due to the phonological activity of [voice] (Petrova et al. 2006; Cyran 2014). Italian manifests a process similar to RVA, called preconsonantal s-voicing; that is, /s/ becomes voiced before voiced consonantal segments; e.g., sparo [sp] ‘gunshot’ vs. sbarra [zb] ‘barrier’, sveglia [zv] ‘alarm clock’, smettere [zm] ‘to stop’, slitta [zl] ‘sled’, etc. (Nespor 1993; Bertinetto 2004; Krämer 2009). Since /sC/ is the only obstruent cluster in Italian phonotactics, Italian seems to fulfil the requirements for being a prototypical voice language. However, this paper argues that s-voicing is not an instance of RVA, at least from a synchronic phonological point of view. Data: This study is built on a loanword test: 15 Italian informants (from different dialectal zones) were recorded in a soundproof studio, who repeated five times 18 Italian sample texts containing 108 target loanwords (e.g., vo/dk/a, foo/tb/all, a/fɡ/ano, iceberg /sb/ etc.). The overall statistics reveal that the informants retain the underlying voice values in the respective obstruent clusters in 65% of the cases; that is, they avoid RVA in a two-thirds majority, which characterises the performance of all the informants rather evenly. Uniformity in voicing also occurs in the data: 20% out of the marked clusters is devoiced (e.g. -
Vocale Incerta, Vocale Aperta*
Vocale Incerta, Vocale Aperta* Michael Kenstowicz Massachusetts Institute of Technology Omaggio a P-M. Bertinetto Ogni toscano si comporta di fronte a una parola a lui nuova, come si nota p. es. nella lettura del latino, scegliendo costantamente, e inconsciamente, il timbro aperto, secondo il principio che il Migliorini ha condensato nella formula «vocale incerta, vocale aperta»…è il processo a cui vien sottoposto ogni vocabolo importato o adattato da altri linguaggi. (Franceschi 1965:1-3) 1. Introduction Standard Italian distinguishes seven vowels in stressed nonfinal syllables. The open ɛ,ɔ vs. closed e,o mid-vowel contrast (transcribed here as open è,ò vs. closed é,ó) is neutralized in unstressed position (1). (1) 3 sg. infinitive tócca toccàre ‘touch’ blòcca bloccàre ‘block’ péla pelàre ‘pluck’ * A preliminary version of this paper was presented at the MIT Phonology Circle and the 40th Linguistic Symposium on Romance Languages, University of Washington (March 2010). Thanks to two anonymous reviewers for helpful comments as well as to Maria Giavazzi, Giovanna Marotta, Joan Mascaró, Andrea Moro, and Mario Saltarelli. 1 gèla gelàre ‘freeze’ The literature uniformly identifies the unstressed vowels as closed. Consequently, the open è and ò have more restricted distribution and hence by traditional criteria would be identified as "marked" (Krämer 2009). In this paper we examine various lines of evidence indicating that the open vowels are optimal in stressed (open) syllables (the rafforzamento of Nespor 1993) and thus that the closed é and ó are "marked" in this position: {è,ò} > {é,ó} (where > means “better than” in the Optimality Theoretic sense). -
Latin Pronunciation Alphabet
Latin Pronunciation Alphabet The Roman alphabet was like the English alphabet except that it lacked the letters j and w, and the letter v originally represented both the vowel u and the sound of the English consonant w. The Roman names for the letters are generally similar to ours: A B C D E F G H I K L M N O P Q R S T V X Y Z ī ā bē kē dē ē ef gē hā ī kā el em en ō pē qū er es tē ū ex zēta Graeca NOTĀ BENE: The letter V originally stood for both the sounds of the vowel U and the consonant V. The rounded u-form appeared in the second century CE (or AD) to distinguish vowel from consonant. For convenience, both V and U are employed in the Latin texts of most modern editions and in this course as well. The letters y, z, and k are infrequent and usually found in words of Greek origin. The Roman alphabet lacks the letters j and w. The Roman letter i was both a vowel and a consonant. The letter j was added during the Middle Ages for consonantal i. Thus Iūlius came to be written Jūlius. This course adheres to the Roman usage of i. There are two important keys to pronouncing Latin: There are no silent letters. Even final e’s are pronounced. Latin is essentially WYSIWYG (What you see is what you get!). Unlike English, Latin is quite consistent in the sound a letter represents. -
English Vowels Basic Vowel Description Tense And
Main vowel symbols of GA and WCE Front Central Back* Height [i] ‘beat’ [u] ‘boot’ higher high English vowels [I] ‘bit’ [U] ‘book’ lower high [e] ‘bait’ [o] ‘boat’ higher mid [E] ‘bet’ [´] ‘sofa’ [ç] ‘ bought, GA’ lower mid Narrow transcription [! ] ‘but’ [Å] ‘Bob, bought WCE’ higher low [Q] ‘bat’ [A] ‘Bob, GA’ lower low •Back vowels except [A] are rounded; the rest are unrounded • [Å] is described as lower low in your text and IPA. I’ll take either. It is ROUNDED • [e] and [o] are the first part (nucleus) of the diphthongs [ej] and [ow] 1 3 Basic vowel description Tense and Lax • The basic descriptors for vowels are HAR • English phonology traditionally makes the – Height distinction between tense and lax vowels – Advancement – This is not phonetically well-defined as a single – Rounding characteristic • It is useful to subdivide each height class into a – You just need to learn which vowels are classed as tense and lax ‘higher’ and ‘lower’ subdivision – You should learn all the heights in the next chart • This distinction based mainly on phonotactics – Phonotactics is the description of which sounds can occur together in a legal word or syllable of a language 2 4 Duration patterns tense and lax Occurrence of TENSE Vs vowels • Vowels called ‘tense’ occur freely at the ends of • Tense vowels are longer than lax vowels of the one syllable words same general height class i, ej, u, ow, Å ( A and ç in GA) /i/ longer than /I/ /u/ longer than /U/ • Also tense : aj, aw, çj /ej/ longer than /E/ • Examples : • The tense back vowels /ow/ and /Å/ (both /A/ and – ‘bee’, ‘bay’, ‘too’, ‘tow’ , ‘law’ ( ‘spa’ and ‘law’ in GA) /ç/ in GA) are longer than the lax central /! / • An exception to the ‘lax vowels shorter than tense’ is /Q/ – It is often as long as any other vowel 5 7 Length of tense v.