DYLAN SAUNDERS SAG, AFTRA Hair: Brown Eyes: Brown

Total Page：16

File Type：pdf, Size：1020Kb

DYLAN SAUNDERS SAG, AFTRA Hair: Brown Eyes: Brown FILM AND TELEVISION Chicago Fire Brother(Co-Star) NBC/Tom Dicillo Dir. THEATRE The Adventures of Pinocchio Lampwick Chicago Shakespeare Theatre The Lion in Winter John Shakespeare Santa Cruz Happy Now? Miles u/s Milwaukee Repertory Theater Yankee Tavern Palmer u/s Milwaukee Repertory Theater The Seafarer Sharky u/s Milwaukee Repertory Theater The Government Inspector Ensemble Milwaukee Repertory Theater Blind Date & The Dancers Felix, Herman A.C.T., San Francisco Lorca in a Green Dress Blood Apostrof Theatre, Prague Forever Young: Bob Dylan Ensemble National Theatre, London The Winslow Boy* Ronnie Ross Valley Players, CA *San Francisco Bay Area Theatre Critics Circle Nom. STARKID PRODUCTIONS Resident company member and producer of award-winning YouTube Theatre Company; to date, original productions have logged over 106 million views worldwide. All cast recordings were Billboard and iTunes charting albums. For more information visit: www.teamstarkid.com A Very Potter Musical Dumbledore StarKid Productions / Matt Lang, Dir. A Very Potter Sequel Dumbledore StarKid Productions / Matt Lang, Dir. Starship Tootsie / Pincer StarKid Productions / Matt Lang, Dir. S.P.A.C.E. (17-city national tour) Ensemble StarKid Productions / Julia Albain, Dir. NEW MEDIA The Clan* Mike (Series Regular) Reckless Tortuga Productions Anamnesis Gus (Co-Star) *250 million YouTube views logged EDUCATION/TRAINING University of Michigan—BFA, Theatre Performance (Philip Kerr, Brent Wagner, Janet Maylie, John Neville Andrews, Erik Fredricksen, Annette Masson, Malcolm Tulip, Cynthia Kortman -Westphal) Milwaukee Repertory Theatre, Acting Intern Company, 2009 - 2010 Season American Conservatory Theatre, Young Conservatory, 2002 -2005 SKILLS Vocalist (bari-tenor: rock, pop, legit); Pianist; Dialects: Standard British, Cockney, Irish, American Southern, French; Stage Combat: SAFD Certified Actor – Combatant (hand – to - hand, quarterstaff, rapier/dagger); IPA Proficient; read/speak French; First - Aid/CPR Certified; Excellent cranky old man voice .

Copy Link

Recommended publications

In This Issue
2016/2017 SEASON IN THIS ISSUE OCTOBER 2016 Title Page 2 Cast 3 About the Play 4 The Cast 9 The Creative Team 15 ATC Artistic Director 19 About Arizona Theatre Company 20 ATC Board of Trustees 21 Donors 23 ATC Staff 29 Theater Information 31 The historic Herberger Theater Center, Arizona Theatre Company’s home in downtown Phoenix Cover art by: ESSER DESIGN 1 David Ira Goldstein William Russo Artistic Director Managing Director KING CHARLES III BY MIKE BARTLETT ARIZONA PREMIERE Matt August Director G. W. Mercier Scenic Designer Kish Finnegan Costume Designer Paul Miller Lighting Designer Brian Jerome Peterson Sound Designer Kevin Black Voice and Dialect Coach Michael Donovan, CSA …Casting Timothy Toothman* Stage Manager Glenn Bruner* Assistant Stage Manager On this original Arizona Theatre Company production, the ATC Production Staff is responsible for scenic construction, costume construction, lighting, projections, sound, props, furniture, wigs, scene painting, and special effects King Charles III is presented by special arrangement with Dramatists Play Service, Inc , New York 2016/2017 ATC PHOENIX SEASON SPONSORS: PHOENIX CONVENTION CENTER & VENUES 2 2016/2017 SEASON CAST (IN ORDER OF APPEARANCE) Charles Peter Van Norden* Camilla Cathy Dresbach* Kate Kate Maher Hyland* William Adam Haas Hunter* James Reiss Harold Dixon* Mr Evans Corey Walter Johnson Harry Dylan Saunders* Spencer / Terry / Paul / Sir Michael / Archbishop of Canterbury Christian Miller* Couttsey / Clive / Speaker of the House / Sir Gordon. Steve Alderfer* Jess Jeanne Syquia* Mr Stevens Gregory North* Sarah / Ghost / TV Producer / Newspaper Woman Kathryn Kellner Brown* Ensemble Jesse Boone / Bill Chameides Ensemble Aubrey King Ensemble Ali Wood Moser Ensemble Cera Naccarato *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
[Show full text]
Education Costume & Wardrobe Experience
[email protected] www.junesaito.com 248-321-5851 COSTUME & WARDROBE EXPERIENCE Production Position Director/Designer/Supervisor Company Year TRU Holiday Wardrobe Stylist Prod. Abigail Su Disney Interactive 2016 Make Your Own Dress Costume Construction Consultant Dir. Safiya Nygaard Buzzfeed Video 2016 Nifty Bra Pocket Wardrobe/Construction Dir. Devin Lytle Buzzfeed Video 2016 Flopstoppers Costume Designer Dir. Corey Lubowich Tin Can Brothers 2016 Splendor & Misery Assistant Costume Designer Des. Yonit Olshan Patrick Kennelly Unmarked 2016 Firebringer Costume Designer Dir. Nick Lang, Julia Albain Starkid Productions 2016 A Very Starkid Reunion Wardrobe Supervisor Dir. Nick Lang Starkid Production 2015 Destination Solar System Costume Designer/Draper Dir. Mark Webb Adler Planetarium 2015 Gypsy Stitcher Sup. Ryan Magnuson Chicago Shakespeare Theater 2014 Little Prince Assistant Costume Supervisor Sup. Mieka van der Ploeg Lookingglass Theatre 2013 The Moms: Fannypackin’ Heat Costume Designer Dir. Daniel Strauss Albain Productions 2013 Richard III Stitcher Sup. Ryan Magnuson Chicago Shakespeare Theater 2013 North China Lover Stitcher Sup. Mieka van der Ploeg Lookingglass Theatre 2013 The Last Days of Judas Iscariot Costume Designer Dir. Julia Albain Albain Productions 2013 Homeland Remount Costume Coordinator/Wardrobe Dir. David Feiner Albany Park Theater Project 2013 Twisted Costume Designer Dir. Brian Holden Starkid Productions 2013 From Doo Wop to Hip Hop Costume Designer Dir. Jackie Taylor, Rueben Echoles Black Ensemble Theater 2013 The Other Cinderella Costume Designer Dir. Jackie Taylor Black Ensemble Theater 2012 The Sound of Music Wardrobe Run Crew Des. Emily Nelson Chamber Opera Chicago 2012 Metamorphoses Stitcher Sup. Mieka van der Ploeg Lookingglass Theatre 2012 A Very Potter Senior Year Costume Designer Dir.
[Show full text]
Get Your Geek On”: Online and Offline Representations of Audiotopia Within the Geekycon Community
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2017 “Get Your Geek On”: Online and Offline Representations of Audiotopia within the GeekyCon Community Sarah Frances Holder University of Tennessee, Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Digital Humanities Commons, Ethnomusicology Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Musicology Commons, Other Arts and Humanities Commons, and the Women's Studies Commons Recommended Citation Holder, Sarah Frances, "“Get Your Geek On”: Online and Offline Representations of Audiotopia within the GeekyCon Community. " Master's Thesis, University of Tennessee, 2017. https://trace.tennessee.edu/utk_gradthes/4882 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Sarah Frances Holder entitled "“Get Your Geek On”: Online and Offline Representations of Audiotopia within the GeekyCon Community." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Music, with a major in Music.
[Show full text]
View Playbill
2019/2020 SEASON The Actors' Gang The New Colossus Saturday, February 29, 2020, at 7:30 pm Hancher Auditorium, The University of Iowa Executive Producer THE ACTORS’ GANG THEATER Produced and Directed by TIM ROBBINS Co-written by THE ACTORS’ GANG ENSEMBLE AND TIM ROBBINS Musical Director DAVID ROBBINS Tour Manager GRATIELA BRANCUSI Technical Director JOSH KEH Exclusive Tour Direction THE ROAD COMPANY Tour Marketing and Press BROADWAY BOOKING OFFICE NYC This play is the story of: Homayun Dideban Born in Isfahan, Iran, in 1937 Mehmet Fatih Tras Born in Adana, Turkey, in 1984 Anna Margaret Wong Born in Borneo, Malaysia, in 1943 Yetta Rothschild Born in Stuttgart, Germany, in 1870 Ly My Dung Born in Dalat, Vietnam, in 1953 Sadie Duncan Born in Tensas Parish, Louisiana, in 1830 Gabriela Mia Garcia Born in Puruándiro, Michoacán, Mexico, in 1970 Elin Matilda Nylund Born in Kronoby, Finland, in 1885 Aranka Markus Born in Budapest, Hungary, in 1933 Mirko Petkovic Born in Mokro Polje, Yugoslavia, in 1922 Tatyana Iosifovna Birger Born in Moscow, The Soviet Union, in 1961 Helga Schmidt Born in the Alpbach, in the Austrian Alps in 1888 There will be a conversation with the cast in the auditorium immediately following the performance. EVENT PARTNERS Richard and Vicki Siefers Alan and Liz Swanson Photo: Ashley Randall Director's Notes The New Colossus is a movement piece. A calling up of ancestors, spoken in twelve languages. It is a play about waiting, the silence in waiting, and the chaos. A story of the continuing journey. And survival. We began working on this piece a couple of years ago.
[Show full text]
Sacred Fools Theater Company Presents
Sacred Fools Theater Company Presents ADAPTED BY STUART GORDON FROM THE NOVEL BY KURT VONNEGUT, JR. DIRECTED BY BEN ROCK STARRING Pete Caslavka ...........................................................................Malachi Constant Jaime Andrews * .....................................................................Beatrice Rumfoord Eric Curtis Johnson *......................................................Winston Niles Rumfoord Jax Ball..............................................................................Young Chrono / Ensemble K.J. Middlebrooks ...................................................................... Boaz / Ensemble Jesse Merlin ‡ * ................................................................................. Salo / Ensemble Dennis Neal *..............................................................................Redwine / Ensemble Tifanie McQueen ......................................................... Mrs. Peterson / Ensemble Tim Kopacz.......................................................Kazak / Stony Stevenson / Ensemble with Keith Szarabajka * (The Voice) & Emily Kosloski * (Voice of the Sirens) Understudies Curt Bonnem *...........................................................................Malachi Constant Libby Baker * ..........................................................................Beatrice Rumfoord Paul Plunkett ..................................................................Winston Niles Rumfoord Adriana Colón..................................................................
[Show full text]
Benton to St. Andrews School and Homework
SPRING/SUMMER / / 2020 / / ISSUE 2 BENTON BUGLE WRITTEN BY STUDENTS, FOR STUDENTS Letter from the Editors ABIGAIL KITWOOD AND ELOISE HAINSWORTH Welcome to the lockdown edition of The Benton Bugle! We know it has been a tough time for many people as the COVID-19 pandemic has struck and fundamentally altered everyone’s lives. Our school lives have been changed by the pandemic, with many of us working hard at home to ensure we stay on top of the work that we’ve been set. Over the past few weeks, Year 10 and Year 12 students have been returning to school and it has been great to see our school community back and stronger than ever. Although it’s been strange, the staff at school have been incredible in ensuring that we can all be safe and continue our learning, even in these Georgia was a previous student at Benton Park and now attends St. Andrews University circumstances. As the summer holidays begin, we hope that you enjoy yourself and take a well-deserved break from the challenging past few months. Although it may not be the summer that we were all hoping for, it’s important to take a break for yourself, away from Benton to St. Andrews school and homework. Now that lockdown restrictions are easing, we hope that you will be able to see your friends and family in a safe environment. GEORGIA FIELDING But getting to this point was scary, I have to Maybe we’ll even be lucky enough to enjoy some UK admit. I spent many hours debating where the sun.
[Show full text]
Adam Brunetti Resume November 2018
Adam Brunetti Media and Event Producer Woonsocket, RI 02895 * 401-309-5029 * [email protected] * adambrunetti.net SKILLS: • Final Cut Pro 7 • Apple Office Suite • Rigging • Adobe Creative Cloud CS • Google Drive • Power Distribution 5.5-CC 2018 • Board Operation • Yamaha QL Series Boards • Familiar with Avid Media • Live Sound • Networking Composer • QLab • Quick Learner of New • Pro Tools 9, 10, 11 • Event Planning Equipment • Studio One • Presonus UC Control • Teaching • Camera set up/operation Surface • Moving Head Lights • Studio/Field Production • Lighting Design • Behringer X32 Board • Non-Linear Editing • Web Design- Weebly/ • ETC ION • Mac/PC Squarespace • MS Office Suite • Visual Effects EDUCATION: Associate in Science Degree, Video and Audio Production Technology- December 2012 New England Institute of Technology, East Greenwich, RI EXPERIENCE: Event Technician, June 2017-Present High Output, Providence, Rhode Island - Load-in, work, and load-out a variety of events in Rhode Island. - Roles have varied from A1, A2, Electrics, V1, V2, and general stagehand work. - Prepared to assume leadership responsibility at last minute in the event of a cancellation, or change of plan for events. A/V Manager, October 2016-Present Monster Jam! (Feld Entertainment) National/International Tour - Advance production rider to each venue the tour stops at, coordinate sponsorship graphics with graphic designer, venue ribbon board operators, etc. - Arrive onsite and approve all graphics, lighting cues, video board graphics, etc. - Call Monster Jam! show, including camera shots, graphics, sponsorship spots, communicate with hosts about scoring, safety hazards, and be responsible for all aspects of production from load-in to load-out. Event Technician, October 2015- Present.
[Show full text]
Help Us Make Shakespeare Accessible To
MAKER & MUSE WOMEN AND EARLY TWENTIETH CENTURY ART JEWELRY on view through January 3, 2016 —The Merry Wives of Windsor 40 East Erie Street, Chicago, IL 60611 | 312.482.8933 | DriehausMuseum.org presenting sponsor: Photograph by John Faier, 2013, ©The Richard H. Driehaus Museum THE TEMPEST Contents Chicago Shakespeare Theater 800 E. Grand on Navy Pier On the Boards 12 Chicago, Illinois 60611 A selection of notable CST events, plays and players 312.595.5600 www.chicagoshakes.com ©2015 Point of View 14 Chicago Shakespeare Theater The artistic duo behind The Tempest All rights reserved. discusses their collaboration ARTISTIC DIRECTOR: Barbara Gaines EXECUTIVE DIRECTOR: Criss Henderson ABOVE: The Tempest set rendering Cast 21 by Daniel Conway Playgoer’s Guide 22 Proﬁ les 24 From Another Perspective 36 Scholar Mary Ellen Lamb looks back at the meanings of magic in Shakespeare’s world 4 Fall 2015 | The Tempest CHICAGO SHAKESPEARE THEATER Welcome DEAR FRIENDS, Each year, the fall theater season in Chicago showcases an astonishing line-up of ambitious work. At Chicago Shakespeare, we are thrilled to launch our own season with Aaron Posner and Teller’s fantastical production of The Tempest. Their vision is a delight for the senses—a magical theatrical journey in every sense of the word! Fueled by our talented company of actors (including the incomparable Larry Yando as Prospero), the music of Tom Waits and Kathleen Brennan, choreography of Pilobolus, and, of course, magical splendor aplenty, the production serves as a powerful reminder of how Shakespeare’s work inspires modern artists across disciplines—it is the perfect prelude for Shakespeare 400 Chicago.
[Show full text]
Musicking, Discourse, and Identity in Participatory Media Fandom
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2018 Musicking, Discourse, and Identity in Participatory Media Fandom Aya Esther Hayashi The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2548 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MUSICKING, DISCOURSE, AND IDENTITY IN PARTICIPATORY MEDIA FANDOM by AYA ESTHER HAYASHI A dissertation submitted to the Graduate faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, the City University of New York 2018 © 2017 AYA ESTHER HAYASHI All rights reserved ii Musicking, Discourse, and Identity in Participatory Media Fandom by Aya Esther Hayashi This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Date Anne Stone Chair of Examining Committee Date Norman Carey Executive Officer Supervisory Committee: Emily Wilbourne Elizabeth L. Wollman Sally Childs-Helton THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Musicking, Discourse, and Identity in Participatory Media Fandom by Aya Esther Hayashi Advisor: Emily Wilbourne In this dissertation, I study three forms of music-making within media fandom and their respective communities: filk, roughly, the folk music of the science fiction and fantasy fandom; wizard rock, a punk/DIY movement inspired by J.K.
[Show full text]
A Very Potter Musical PR Plan Created for Broadway in Chicago
Carmichael 1 DePaul University A Very Potter Musical PR Plan Created for Broadway In Chicago Haley Carmichael Final Project Stewart Public Relations - PRAD 255 11 March 2015 Carmichael 2 Contents Situation………………………………………………………………….3 Objectives………………………………………………………………..4 Target Audience…………………………………………………………4 Strategy…………………………………………………………………..5 Tactics……………………………………………………………………5 Calendar and Timetable……………………………………………...6 – 8 Budget……………………………………………………………………8 Evaluation………………………………………………………………..8 References………………………………………………………………..9 Carmichael 3 Haley Carmichael Stewart Public Relations – PRAD 255 11 March 2015 Final Project Plan Outline Situation: Broadway in Chicago is a commercial theatre company that presents touring shows in five beautiful theatres across downtown Chicago. They have been a part of the Chicago theatre scene since 2000 and are well known for their pre-Broadway productions and for bringing beloved Broadway shows home to the Midwest! Broadway in Chicago often partners with hospitality and tourism organizations to further promote theatre and culture in Chicago. Their next project is a limited run of A Very Potter Musical! A Very Potter Musical is a musical parody of several of the beloved Harry Potter novels by J.K. Rowling. The musical was originally produced and performed in April of 2009 at the University of Michigan. Soon after it’s premiere, a video of the performance was put up on YouTube and became a viral video sensation, being viewed over 11 million times to this day. The producing group also wrote a sequel show A Very Potter Sequel and A Very Potter 3D: A Very Potter Senior Year. A Very Potter Senior Year was performed at the Harry Potter convention LeakyCon in August of 2012. Darren Criss wrote the music and lyrics for the show as well as starred in the title role of the young wizard himself.
[Show full text]
March 2020 Hter
Official Newsletter ATR E IC A TH L of T C H O G M I L P T A N O Y The Spotlight Theatrical Company P S E Q ST. 1955 U N D Fostering an outlet for creative youth and community, while E E N S L A seeking to produce vibrant, quality entertainment that enriches, engages and educates. TThehe SSPOTLIGHTERPOTLIGMARCH 2020 HTER AUDITIONS 7th March 10AM Hansel & Gretel are in big trouble. All the food is gone and it’s all their fault. To teach them a lesson, MARCHtheir 13 father– 28 The sends BASEMENT them into the Phonewoods 07 5539in search 4255 or online of sustenance. www.spotlighttheatre.com.auLittle do they know, a wicked witch with a sinister plan awaits. Facebook f-Logo Print & Packaging / CMYK / 150 dpi / .psd Facebook f-Logo ThisPrint & Packaging / CMYK / 150 dpi / .psd sweet school holidaySpotlight Theatre istreat a foundation is jam-packed withmember comedy, of the Gold Coast costumes, and candy!Theatre Alliance. HANSEL EMAIL: & GRETEL [email protected] AUDITIONS FOR AN AUDITION PACK 7th MARCH H&G Poster.indd 2 23/01/2020 8:17 PM THE SPOTLIGHT THEATRICAL COMPANY PROUDLY PRESENTS Hansel & Gretela scrumptious pantomime DIRECTOR ASSISTANT DIRECTOR WRITER RYAN BOURKE AIDEN OSSOVANI MILLIE TALBOT CHOREOGRAPHERs CHARLOTTE SCHMIDT & REBECCA JO BLAKE BASEMENT THEATRE BOOK & PAY 2 SHOWS DAILY 10:30AM & 2pM (07) 5539 4255 1-11 JULY 2020 www.spotlighttheatre.com.au H&G Poster.indd 1 23/01/2020 8:17 PM 2 Spotlighter March 2020 The Spotlight Theatrical Company is excited to announce that Ryan Bourke will have his directorial debut this year with Hansel & Gretel: A Scrumptious Pantomime! Ryan is taking over from Aiden Ossovani, who will be in Sydney this year studying writing at NIDA.
[Show full text]
Edition 4 2[3].Pages
!1 The Chariot Edition 6 May Edition 2019 6 Terms Used in Current Day That Should Be Eradicated by Sophia Stroumbakis 6: Lit - Now this word, most certainly, is one of the more mild, but it was one of the ﬁrst terms coined as one of the youth. It was the calm before the storm, before the neglect of the words such as ‘cool’ and ‘fun’, which take the same amount of time to say and serve the exact same purpose. We didn’t need another word." An Outline for still unclear and reliant decisions, GPA does on our hard work. For matter and is a%ected by 5: Dope - The word means a little bit Success: College high schoolers who your grades. For your high of everything. Years ago, the word can ease their worries s c h o o l c a r e e r, t a k e dope was a word that implied use of through plans and lists, classes that challenge you contraband, but now it means by Julia Cheskey here are the (very brief) but also that you can something is cool. What does this steps to getting into manage." mean? Is contraband cool now? college." G e t i n v o l v e d . Yo u r Again, why can’t you just say For many in the midst of Focus on grades. This is s c h e d u l e i s j u s t a s something is cool? The word has their school careers, life is a simple direction and one important as your grades.
[Show full text]