Sacred Fools Theater Company Presents
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PDF 03/13/18 NEW Dances, a New Generation!
For IMMEDIATE Release: March 13, 2018 Press contacts: Melissa Thodos, Thodos Dance Chicago [email protected] Julie Nakagawa, DanceWorks Chicago [email protected] THODOS DANCE CHICAGO AND DANCEWORKS CHICAGO ANNOUNCE PARTNERSHIP TO PRESENT NEW DANCES 2018 CHICAGO– For over 30 years, New Dances has fostered new dance creation as one of Chicago’s first and most extensive in-house choreography incubation programs. Founded by The Chicago Repertory Dance Ensemble in the 1980’s and continued since 2000 by Thodos Dance Chicago, New Dances offers opportunities for emerging choreographers to realize and share their creative vision with the community. Today, Thodos Dance Chicago (TDC) and DanceWorks Chicago (DWC) announce a unique partnership to present New Dances 2018, continuing the annual tradition of developing choreographic talent and bringing New Dances home to its birthplace in the newly-renovated Ruth Page Center for the Arts. Melissa Thodos, Founder and Artistic Director of Thodos Dance Chicago shares, “We are so excited to be partnering with DanceWorks this season. Julie Nakagawa (Co-founder and Artistic Director of DanceWorks) and I share such a deep passion for developing young artists, both as dancers and choreographers. DanceWorks has such an incredible record of developing early career artists to rise to the next level. They are a perfect partner for this endeavor, and I believe New Dances will offer a level of quality and innovation never seen before.” "DanceWorks Chicago is thrilled to partner with Thodos Dance Chicago on New Dances 2018,” says Julie Nakagawa. “DWC values around cultivating a diverse next generation of movers and makers, engaging in community collaboration, offering mentorship, and sharing performances which shine a light on dancers and dances which makes New Dances a natural fit. -
Belvoir Terrace Staff 2018
Belvoir Terrace Staff 2018 Belvoir Terrace Staff 2018 Diane Goldberg Marcus - Director Educational Background D.M.A. City University of New York M.M. The Juilliard School B.M. Oberlin Conservatory Teaching/Working Experience American Camping Association Accreditation Visitor Private Studio Teacher - New York, NY Piano Instructor - Hunter College, New York, NY Vocal Coach Assistant - Hunter College, New York, NY Chamber Music Coach - Idyllwild School of Music, CA Substitute Chamber Music Coach - Juilliard Pre-College Division Awards/Publications/Exhibitions/Performances/Affiliations Married to Michael Marcus, Owner/Director of Camp Greylock, boys camp Becket, MA Independent School Liaison - Parents In Action, NYC Health & Parenting Association Coordinator - Trinity School, NYC American Camping Association Accreditation Visitor D.M.A. Dissertation: Piano Pedagogy in New York: Interviews with Four Master Teachers (Interviews with Herbert Stessin, Martin Canin, Gilbert Kalish, and Arkady Aronov) Teaching Fellowship - The City University of New York Honorary Scholarship for the Masters of Music Program – The Juilliard School The John N. Stern Scholarship - Aspen Music Festival Various Performances at: Paul Hall - Juilliard - New York Alice Tully Hall - New York City College - New York Berkshire Performing Arts Center, National Music Center - Lenox, MA WGBH Radio - Boston Reading Musical Foundation Museum Concert Series - Reading, PA Cancer Care Benefit Concert - Princeton, NJ Nancy Goldberg - Director Educational Background M.A. Harvard University -
2008–2009 Season Sponsors
2008–2009 Season Sponsors The City of Cerritos gratefully thanks our 2008–2009 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. Season 08/09 YOUR FAVORITE ENTERTAINERS, YOUR FAVORITE THEATER If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at (562) 916-8510. THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following CCPA Associates who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue in which patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510. Benefactor Morris Bernstein Linda Dowell Ping Ho $50,001-$100,000 Norman Blanco Gloria Dumais Jon Howerton José Iturbi Foundation James Blevins Stanley Dzieminski Christina and Michael Hughes Michael Bley Lee Eakin Melvin Hughes Patron Kathleen Blomo Dee Eaton Marianne and Bob Hughlett, Ed.D. $20,001-$50,000 Marilyn Bogenschutz Susie Edber and Allen Grogan Mark Itzkowitz Linda and Sergio Bonetti Gary Edward Grace and Tom Izuhara National Endowment for the Arts Patricia Bongeorno Jill Edwards Sharon Jacoby Ilana and Allen Brackett Carla Ellis David Jaynes Partner Paula Briggs Robert Ellis Cathy and James Juliani $5,001-$20,000 Darrell Brooke Eric Eltinge Luanne Kamiya Bryan A. Stirrat & Associates Mary Brough Teri Esposito Roland Kerby Chamber Music Society of Detroit Dr. -
Exploring Films About Ethical Leadership: Can Lessons Be Learned?
EXPLORING FILMS ABOUT ETHICAL LEADERSHIP: CAN LESSONS BE LEARNED? By Richard J. Stillman II University of Colorado at Denver and Health Sciences Center Public Administration and Management Volume Eleven, Number 3, pp. 103-305 2006 104 DEDICATED TO THOSE ETHICAL LEADERS WHO LOST THEIR LIVES IN THE 9/11 TERROIST ATTACKS — MAY THEIR HEORISM BE REMEMBERED 105 TABLE OF CONTENTS Preface 106 Advancing Our Understanding of Ethical Leadership through Films 108 Notes on Selecting Films about Ethical Leadership 142 Index by Subject 301 106 PREFACE In his preface to James M cG regor B urns‘ Pulitzer–prizewinning book, Leadership (1978), the author w rote that ―… an im m ense reservoir of data and analysis and theories have developed,‖ but ―w e have no school of leadership.‖ R ather, ―… scholars have worked in separate disciplines and sub-disciplines in pursuit of different and often related questions and problem s.‖ (p.3) B urns argued that the tim e w as ripe to draw together this vast accumulation of research and analysis from humanities and social sciences in order to arrive at a conceptual synthesis, even an intellectual breakthrough for understanding of this critically important subject. Of course, that was the aim of his magisterial scholarly work, and while unquestionably impressive, his tome turned out to be by no means the last word on the topic. Indeed over the intervening quarter century, quite to the contrary, we witnessed a continuously increasing outpouring of specialized political science, historical, philosophical, psychological, and other disciplinary studies with clearly ―no school of leadership‖with a single unifying theory emerging. -
2021 Cityarts Grantees
2021 CITYARTS GRANTEES 2nd Story Chicago Jazz Philharmonic 3Arts, Inc. Chicago Kids Company 6018North Chicago Maritime Arts Center A.B.L.E. - Artists Breaking Limits & Expectations Chicago Media Project a.pe.ri.od.ic Chicago Public Art Group About Face Theatre Collective Chicago Shakespeare Theater Access Contemporary Music Chicago Sinfonietta Africa International House USA Chicago Tap Theatre Aguijon Theater Company Chicago West Community Music Center American Indian Center Chicago Youth Shakespeare Apparel Industry Board, Inc. Cinema/Chicago Art on Sedgwick Clinard Dance Arts Alliance Illinois Collaboraction Theatre Company Arts & Business Council of Chicago Collaborative Arts Institute of Chicago Arts of Life, Inc. Community Film Workshop of Chicago Asian Improv aRts: Midwest Community Television Network Avalanche Theatre Constellation Men's Ensemble Balzekas Museum of Lithuanian Culture Contextos Beverly Arts Center Court Theatre Beyond This Point Performing Arts Association Crossing Borders Music Black Alphabet Dance in the Parks, NFP Black Ensemble Theatre DanceWorks Chicago Black Lunch Table D-Composed Gives Cedille Chicago, NFP Definition Theatre Company Cerqua Rivera Dance Theatre Design Museum of Chicago Changing Worlds Erasing the Distance Chicago a cappella Fifth House Ensemble Chicago Architecture Foundation Filament Theatre Ensemble Chicago Art Department Forward Momentum Chicago Chicago Arts and Music Project Free Lunch Academy Chicago Arts Partnerships in Education Free Spirit Media Chicago Balinese Gamelan Free Street Theater Chicago Blues Revival FreshLens Chicago Chicago Cabaret Professionals Fulcrum Point New Music Project Chicago Childrens Choir Garfield Park Conservatory Alliance Chicago Composers Orchestra Global Girls Inc. Chicago Dance Crash Goodman Theatre Chicago Dancemakers Forum Guild Literary Complex Chicago Filmmakers Gus Giordano's Jazz Dance Chicago, Inc. -
Instruction Booklet Please Carefully Read the Nintendo 3Dstm Operations Manual Before Using Your System, Game Card Or Accessory
INSTRUCTION BOOKLET PLEASE CAREFULLY READ THE NINTENDO 3DSTM OPERATIONS MANUAL BEFORE USING YOUR SYSTEM, GAME CARD OR ACCESSORY. THIS MANUAL CONTAINS IMPORTANT HEALTH AND SAFETY INFORMATION. IMPORTANT SAFETY INFORMATION: READ THE FOLLOWING WARNINGS BEFORE YOU OR YOUR CHILD PLAY VIDEO GAMES. WARNING - 3D FEATURE ONLY FOR CHILDREN 7 AND OVER Viewing of 3D images by children 6 and under may cause vision damage. Use the Parental Control feature to restrict the display of 3D images for children 6 and under. See the Parental Controls section in the Nintendo 3DS Operations Manual for more information. WARNING - SEIZURES • Some people (about 1 in 4000) may have seizures or blackouts triggered by light flashes or patterns, and this may occur while they are watching TV or playing video games, even if they have never had a seizure before. • Anyone who has had a seizure, loss of awareness, or other symptom linked to an epileptic condition should consult a doctor before playing a video game. • Parents should watch their children play video games. Stop playing and consult a doctor if you or your child has any of the following symptoms: Convulsions Eye or muscle twitching Loss of awareness Altered vision Involuntary movements Disorientation To reduce the likelihood of a seizure when playing video games: 1. Sit or stand as far from the screen as possible. 4. Play in a well-lit room. 2. Play video games on the smallest available television screen. 5. Take a 10 to 15 minute break every hour. 3. Do not play if you are tired or need sleep. WARNING - EYESTRAIN AND MOTION SICKNESS Playing video games can result in eyestrain after a sustained period of time, and perhaps sooner if using the 3D feature. -
River North Dance Chicago
Cheryl Mann River North Dance Chicago Frank Chaves, Artistic Director • Gail Kalver, Executive Director The Company: Levizadik Buckins, Taeler Cyrus, Michael Gross, Hank Hunter, Lauren Kias, Ethan R. Kirschbaum, Melanie Manale-Hortin, Michael McDonald*, Hayley Meier, Olivia Rehrman, Ahmad Simmons, Jessica Wolfrum *Performing apprentice Artistic & Production Sara Bibik, Assistant to the Artistic Director • Claire Bataille, Ballet Mistress Joshua Paul Weckesser, Production Stage Manager and Technical Director Mari Jo Irbe, Rehearsal Director • Laura Wade, Ballet Mistress Liz Rench, Wardrobe Supervisor Administration Alexis Jaworski, Director of Marketing • Salena Watkins, Business Manager Diana Anton, Education Manager • Paula Petrini Lynch, Development Manager Christopher W. Frerichs, Grant Writer Lisa Kudo, Development and Special Events Assistant PROGRAM The Good Goodbyes Beat Eva (World Premiere) -Intermission- Three Renatus Forbidden Boundaries Thursday, April 4 at 7:30 PM Friday, April 5 at 8 PM Saturday, April 6 at 2 PM & 8 PM Media support for these performances is provided by WHYY. 12/13 Season | 23 PROGRAM The Good Goodbyes Choreography: Frank Chaves Lighting Design: Todd Clark Music: Original composition by Josephine Lee Costume Design: Jordan Ross Dancers: Taeler Cyrus, Michael Gross, Lauren Kias, Ethan R. Kirschbaum, Melanie Manale-Hortin, Hayley Meier, Jessica Wolfrum Artistic Director Frank Chaves’ newest work, The Good Goodbyes, is an homage to the relationships forged and nurtured within the dance community. Set to an original piano suite by Josephine Lee, artistic director of the acclaimed Chicago Children’s Choir, this wistful and bittersweet work for seven dancers suggests “the beautiful memories and the wonderful relationships I’ve forged with dancers over the years. I want to celebrate the incredibly intimate, intense, fulfilling and—because of the nature of our profession—often short-lived connections we’ve made, and have bid goodbye along the way,” says Chaves. -
Campus Scene
c<>uth Bend Pizza - Campus Scene U.ECV-OW co VOL. XXI, NO. 106 FRIDAY, MARCH 6, 1987 the independent student newspaper serving Notre Dame and Saint Mary’s Dancin’ Irish allowed to perform next year By MIRIAM HILL ters complaining that the Dancin’ Irish Senior Staff Reporter “were more bothersome than helpful,” said Corrigan, a member of the board. The Dancin’ Irish will be allowed to In addition to banning the group from perform at basketball games for at football games, the committee made least one more year, but have been several other recommendations. Cor barred from appearing at football rigan will appoint an adviser to act as games. a liaison between the Dancin’ Irish and That was the consensus of the eight- the athletic department. member appeals committee appointed to review a recent decision by the fac The adviser will schedule court times ulty board in control of athletics to dis at,the ACC for the Dancin’ Irish and band the Dancin’ Irish. arrange performances and practices. Associate Vice President for Student Dancin’ Irish co-captains had previ Services Father Peter Rocca said ously taken care of such responsibili Thursday that the group will be allowed ties. to perform at basketball games next The present and newly elected co year “on a trial basis.” captains of the Dancin’ Irish will choose “The question of whether the group an additional adviser to help the group should be disbanded will be reviewed choreograph routines. The advice of a by the appeals committee at the end of choreographer will “ensure the next year,” said Rocca, who chaired quality” of the group’s performance, the committee. -
In This Issue
2016/2017 SEASON IN THIS ISSUE OCTOBER 2016 Title Page 2 Cast 3 About the Play 4 The Cast 9 The Creative Team 15 ATC Artistic Director 19 About Arizona Theatre Company 20 ATC Board of Trustees 21 Donors 23 ATC Staff 29 Theater Information 31 The historic Herberger Theater Center, Arizona Theatre Company’s home in downtown Phoenix Cover art by: ESSER DESIGN 1 David Ira Goldstein William Russo Artistic Director Managing Director KING CHARLES III BY MIKE BARTLETT ARIZONA PREMIERE Matt August Director G. W. Mercier Scenic Designer Kish Finnegan Costume Designer Paul Miller Lighting Designer Brian Jerome Peterson Sound Designer Kevin Black Voice and Dialect Coach Michael Donovan, CSA …Casting Timothy Toothman* Stage Manager Glenn Bruner* Assistant Stage Manager On this original Arizona Theatre Company production, the ATC Production Staff is responsible for scenic construction, costume construction, lighting, projections, sound, props, furniture, wigs, scene painting, and special effects King Charles III is presented by special arrangement with Dramatists Play Service, Inc , New York 2016/2017 ATC PHOENIX SEASON SPONSORS: PHOENIX CONVENTION CENTER & VENUES 2 2016/2017 SEASON CAST (IN ORDER OF APPEARANCE) Charles Peter Van Norden* Camilla Cathy Dresbach* Kate Kate Maher Hyland* William Adam Haas Hunter* James Reiss Harold Dixon* Mr Evans Corey Walter Johnson Harry Dylan Saunders* Spencer / Terry / Paul / Sir Michael / Archbishop of Canterbury Christian Miller* Couttsey / Clive / Speaker of the House / Sir Gordon. Steve Alderfer* Jess Jeanne Syquia* Mr Stevens Gregory North* Sarah / Ghost / TV Producer / Newspaper Woman Kathryn Kellner Brown* Ensemble Jesse Boone / Bill Chameides Ensemble Aubrey King Ensemble Ali Wood Moser Ensemble Cera Naccarato *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. -
NEA Chronology Final
THE NATIONAL ENDOWMENT FOR THE ARTS 1965 2000 A BRIEF CHRONOLOGY OF FEDERAL SUPPORT FOR THE ARTS President Johnson signs the National Foundation on the Arts and the Humanities Act, establishing the National Endowment for the Arts and the National Endowment for the Humanities, on September 29, 1965. Foreword he National Foundation on the Arts and the Humanities Act The thirty-five year public investment in the arts has paid tremen Twas passed by Congress and signed into law by President dous dividends. Since 1965, the Endowment has awarded more Johnson in 1965. It states, “While no government can call a great than 111,000 grants to arts organizations and artists in all 50 states artist or scholar into existence, it is necessary and appropriate for and the six U.S. jurisdictions. The number of state and jurisdic the Federal Government to help create and sustain not only a tional arts agencies has grown from 5 to 56. Local arts agencies climate encouraging freedom of thought, imagination, and now number over 4,000 – up from 400. Nonprofit theaters have inquiry, but also the material conditions facilitating the release of grown from 56 to 340, symphony orchestras have nearly doubled this creative talent.” On September 29 of that year, the National in number from 980 to 1,800, opera companies have multiplied Endowment for the Arts – a new public agency dedicated to from 27 to 113, and now there are 18 times as many dance com strengthening the artistic life of this country – was created. panies as there were in 1965. -
Sacred Fools Theater Company Presents
Sacred Fools Theater Company Presents Mom's Dead written by Nathan Wellman directed by Alicia Conway Rock Starring Mark Costello *........................................................................................... Arthur Eric Giancoli ............................................................................................Mike Jessica Sherman * ................................................................................. Alice Taylor Marr................................................................................................... John Halle Charlton ....................................................................................... Laura Cameron Kasal ............................................................................................ Gary Richard McDonald........................................................................................Dave Marsha Warner ......................................................................... Voice of Barbara Billy Aldridge ....................................................................... Voice of Young Gary Understudies Anthony Backman ‡ .......................................................................................Mike Madeline Fair ............................................................................................... Alice Bryan Bellomo ........................................................................................ John Phoebe Kuhlman......................................................................................... Laura -
Education Costume & Wardrobe Experience
[email protected] www.junesaito.com 248-321-5851 COSTUME & WARDROBE EXPERIENCE Production Position Director/Designer/Supervisor Company Year TRU Holiday Wardrobe Stylist Prod. Abigail Su Disney Interactive 2016 Make Your Own Dress Costume Construction Consultant Dir. Safiya Nygaard Buzzfeed Video 2016 Nifty Bra Pocket Wardrobe/Construction Dir. Devin Lytle Buzzfeed Video 2016 Flopstoppers Costume Designer Dir. Corey Lubowich Tin Can Brothers 2016 Splendor & Misery Assistant Costume Designer Des. Yonit Olshan Patrick Kennelly Unmarked 2016 Firebringer Costume Designer Dir. Nick Lang, Julia Albain Starkid Productions 2016 A Very Starkid Reunion Wardrobe Supervisor Dir. Nick Lang Starkid Production 2015 Destination Solar System Costume Designer/Draper Dir. Mark Webb Adler Planetarium 2015 Gypsy Stitcher Sup. Ryan Magnuson Chicago Shakespeare Theater 2014 Little Prince Assistant Costume Supervisor Sup. Mieka van der Ploeg Lookingglass Theatre 2013 The Moms: Fannypackin’ Heat Costume Designer Dir. Daniel Strauss Albain Productions 2013 Richard III Stitcher Sup. Ryan Magnuson Chicago Shakespeare Theater 2013 North China Lover Stitcher Sup. Mieka van der Ploeg Lookingglass Theatre 2013 The Last Days of Judas Iscariot Costume Designer Dir. Julia Albain Albain Productions 2013 Homeland Remount Costume Coordinator/Wardrobe Dir. David Feiner Albany Park Theater Project 2013 Twisted Costume Designer Dir. Brian Holden Starkid Productions 2013 From Doo Wop to Hip Hop Costume Designer Dir. Jackie Taylor, Rueben Echoles Black Ensemble Theater 2013 The Other Cinderella Costume Designer Dir. Jackie Taylor Black Ensemble Theater 2012 The Sound of Music Wardrobe Run Crew Des. Emily Nelson Chamber Opera Chicago 2012 Metamorphoses Stitcher Sup. Mieka van der Ploeg Lookingglass Theatre 2012 A Very Potter Senior Year Costume Designer Dir.