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MVFD Listing by Dance Name CD Track Dance Name Nationality Type Inst 31- 12 Letchina Greek Line I 67- 5 Let's Have a Ceilidh Scottish Set 4 Couple I 50- 24 Levacko Kolo (U Sest) Serbian Line 76- 18 Levendikos Greek Circle, Open I 19- 21 Levi Jackson Rag USA Set 5 Couple I 96- 14 Levi Jackson Rag (Flying Tomatoes) American Set, 5 Couple 95- 20 Levi Jackson Rag (FT Edited) American Set, 5 Couple 105- 1 Levo Horo Bulgarian 19- Lezginka Russian Couple I 61- Lezginka Russian Couple I 73- 6 L'Hirondelle Italian Couple I 84- 9 Lian Hua Chinese Solo I 77- 6 Liasa Bulgarian Line I 33- 3 Likrat Kalah Israeli Couple I 64- 16 Likrat Shabat Israeli Circle, Open I 11- 15 Lili Marlene USA Mixer I 60- 20 Lili Marlene USA Mixer I 51- 22 Lill-Ingrids Vals Swedish Waltz 88- 12 Lipa Momarica, Rezanjanka Slovenian Couple, Lon 36- 9 Lirushala'Im Israeli Circle I 47- Little Man in a Fix Danish Set 2 Couple I 824- Little Man in a Fix Danish Set 2 Couple I 10- 9 Little Man in a Fix Danish Set 2 Couple I 28- 17 Little Man In A Fix (Bitte Mand I Knibe Danish Set 2 Couple I 28- 20 Little Man In A Fix (Bitte Mand I Knibe Danish Set 2 Couple I ö 321- Little Man in a Fix (Bitte Mand in Knibe Danish Set 2 Couple I 21- 16 Ljavata (Trite Puti From Gergebunar) Bulgarian Line I 66- 23 Loch Lomond (1x96) Scottish Couple I 82- 3 Lochiel's Rant (8x32 Strathspey) Scottish 18- 18 Logovac Serbian (Vojvodi Trio I 34- 7 London Higlsnd Club's Farewell to Fette Scottish Sunday, May 08, 2005 Page 47 of 92 MVFD Listing by Dance Name CD Track Dance Name Nationality Type Inst 103- 7 Long Cacak Serbian 315- Long Eight, The (Cumberland) English Set 62- 14 Long Pond USA Contra 56- 5 Loorke Armenian Line I 57- 4 Loosnee Shoghov Armenian Line I 54- 15 Lord Gordon's Reel Scottish 56- 17 Loree Armenian Line I 610- Lorenz German Couple I 821- Lott' Ist Tod Swedish Couple I 67- 14 Lottista Norwegian Couple 62- 2 Louie Louie Jamaican Solo I 85- 26 Louky Bohemian Line I 19- 3 Lousiana Saturday Night USA Solo I 51- 24 Love's Triumph English Set 3 Couple 55- 12 Lowiczanka Polish 719- Lowland Schottische Scandinavian Schottische 52- 21 Loxley Figure Eight English I 103- 25 Lu Yehi Chinese 38- 16 Lucky Seven (6x32) English Mixer 80- 28 Luncan din Vadul Crisului Romanian 29- 19 Luneburger Windmuller German Square I 103- 23 Lyla Lyla Israeli 45- 21 Ma Avarech Israeli Couple I 16- 8 Ma Navu Israeli Circle I 101- 13 Macarena Puerto Rican Solo 58- 21 MacDonald of the Isles (3x32 Strathspey Scottish Set 3 Couple I 25- 7 Macedonka Kolo Yugoslavian Line 69- 2 Mach Polish Couple I 80- 1 Mach Polish Couple I 92- 19 Machar Israeli Trio 82- 2 Machine Without Horses, The (8x32 Jig) Scottish Set 4 Couple I Sunday, May 08, 2005 Page 48 of 92 MVFD Listing by Dance Name CD Track Dance Name Nationality Type Inst 70- 13 Macka Yollari Turkish Line I 81- 14 Macphersons of Edinburgh, The (8x32 S Scottish Set 4 Couple 53- 8 Mad Robin English Contra I 76- 3 Madjarac Yugoslavian 54- 1 Magyar Verbunk Hungarian Solo 79- 19 Mai Marie Romanian 52- 4 Maid in the Mood, The English Set 3 Couple 23- 7 Maike German Square 29- 2 Maine Mixer (Angus Reel) USA Mixer 81- 12 Mairi's Wedding (8x40 Reel) Scottish Set 4 Couple I 96- 5 Maître de la Maison (Flying Tomatoes) French Line ö 64- Makazice Serbian Line I 23- 13 Makazice Serbian Line I 18- 13 Makedonikos Horos Greek Line I 91- 24 Makedonsko Devojče Macedonian Line 19- 5 Makin' It (Ten Count Hustle) USA Solo I 12- 5 Malaguena A Lo Canarias Spanish Couple I 48- 14 Maleševsko Macedonian Line 68- 9 Maleševsko Oro (Pece) Macedonian Line 41- 6 Maleviziotiko Greek 74- 4 Mališevsko Horo Bulgarian Line I 93- 22 Malj Mome Macedonia 62- 21 Mallo Macedonian Circle, Open 711- Malo Kolo Croatian Line I 49- 3 Malo Kolo (Sokacko) Croatian Line I 93- 22 Maloj Mome Macedonia 77- 22 Malokonarska Rechenitsa Bulgarian Line 44- 22 Malu Asamenu Bar Israeli 49- 29 Malu Asamenu Bar Israeli 44- 2 Malunas (Little Mill) Lithuanian Set 8 Couple I 36- 26 Mamer Assyrian Line I Sunday, May 08, 2005 Page 49 of 92 MVFD Listing by Dance Name CD Track Dance Name Nationality Type Inst 526- Man in the Hay German Set 4 Couple I 79- 7 Manastireanca Romanian 96- 10 Mandilatos (Flying Tomatoes) Greek Line 102- 16 Manfrina Croatian 40- 3 Manger Du Lievre (Laquelle Marierons - Canadian-French 92- 6 Manginat Hadror Israeli Circle 79- Mangupsko Kolo Yugoslavian Line 30- 1 Mantili Kalamatiano (Kalamationos) Greek Circle, Open 622- Marching Through Georgia USA Square 56- 14 Mareeyeda Armenian Line 95- 16 Margot's Waltz Swedish Couple 97- 6 Mari Marijko (Ajde Na Horo) Bulgarian Line 101- 17 Maria Israeli Solo 67- 21 Mariana French Solo 18- 25 Marieta, La Mexican Couple I 16- 13 Márine Greek Line I 93- 23 Marinela (Kazuj Kremo) Serbia 25- 6 Marioara Romanian 15- 4 Market Lass, The USA Contra I 15- 3 Market Lass, The (Prompted) USA Contra I 29- 10 Markin' Time USA 527- Marklander German Couple I 94- 7 Mårråspolsen åt Gammeljutula Norwegian Couple 98- 7 Mårråspolsen åt Gammeljutula (pols) Norwegian Couple 15- 15 Marry Month of May, The (Fandango, T English 68- 22 Marschier Bayrischer Austrian 67- 13 Marsj (Norwegian) Norwegian Couple 22- 11 Marsj og Vals Norwegian Couple 79- 25 Maruszka Polish 47- 12 Masko Berance Macedonian 48- 4 Maskoto Oro Macedonian Line I Sunday, May 08, 2005 Page 50 of 92 MVFD Listing by Dance Name CD Track Dance Name Nationality Type Inst 23- 1 Mason's Apron English Trio I 54- 12 Mason's Apron Irish 67- 9 Masticka Turkish Line 54- 10 Matrai Verbunk Hungarian 42- 7 Matura de la Sinnicolaul Mare Romanian Circle I 10- 17 Maxina English Couple 10- 17 Maxina English Couple 59- 14 Maxwell's Rant (8x32 Reel) Scottish Reel I 37- 3 Mayana Assyrian 67- 16 Mayflower (Blooms of Bon Accord) Scottish Mixer I ö 44- 18 Mayim, Mayim Israeli Circle I 17- Mayim, Mayim Israeli Circle I 63- 15 Mazulinka Slovenian Couple I 15- 9 Mazurka USA Couple 15- 10 Mazurka (cueband) USA Couple 94- 16 Mazurka (Med sølv i håret) Norwegian Couple 98- 16 Mazurka (Med sølv I håret) Norwegian Couple 94- 3 Mazurka (Nytt fra bygdom) Norwegian Couple 99- 10 Me Traes de un Ala - Extended (Mexica Mexican Mixer I 15- 11 Me Traes de un Ala (Mexican Polka) Mexican Mixer I 49- 26 Me'ayin Tavo'a Shiri Israeli 36- 4 Mechol Giborim Israeli Circle I 85- 16 Mechol Halahat Israeli Circle, Open I 92- 7 Mechol Hashabat Israeli Circle 46- 5 Mechol Hashabat (Ki Ashamerah) Israeli Circle, Open I 33- 1 Mechol Hashbat Israeli Circle, Open I 92- 8 Mechol Hasheket Israeli Circle 69- Mecklenburg Mazurka German Couple I 98- 16 Med sølv I håret (mazurka) Norwegian Couple 56- 20 Medax Tashginag Armenian Line I 54- 22 Medley: G. Scott Skinner Scottish Sunday, May 08, 2005 Page 51 of 92 MVFD Listing by Dance Name CD Track Dance Name Nationality Type Inst 34- 4 Meeting of the Waters (Reel of May, 8x Scottish Set 4 Couple I 75- 14 Mein Mann ist gegefahren ins Heu German 35- Meitschi Putz Di; Lassie, Primp Up Swiss Couple I 48- 10 Memede Macedonian Line 76- 4 Memede Macedonian Line 57- 12 Mendo Bari Turkish Line 31- 6 Menoúsis Greek Circle, Open I 75- 6 Menuettwalzer German Couple I 28- 18 Menuetwalzer German Couple I 101- 14 Merenge (Qjalá que llueve café) Puerto Rican Couple 31- 5 Mermingas Kefallinias Greek Circle, Open I 11- 6 Merry Widow Waltz, The USA Couple 13- 23 Mexican Mixer Mexican Mixer I 28- 10 Mexican Mixer (Jesusita En Chihuahua) Mexican Mixer I 99- 10 Mexican Polka - Extended (Me Traes de Mexican Mixer I 15- 11 Mexican Polka (Me Traes de un Ala) Mexican Mixer I 27- 24 Mexican Shuffle, The Mexican Couple 617- Mexican Waltz USA Couple 71- 15 Mi Ha'ish Israeli 92- 20 Mi Hayish Israeli Circle I 18- 23 Mi Reina (Chotis De La Frontera) Couple 63- 6 Mi Yitneni Of Israeli Circle 69- 13 Mi Yitneni Of Israeli Circle 91- 15 Michael's Csardas Hungarian Couple 50- 16 Micino Cergasko Kolo; Orijent Serbian Line 12- 3 Midsummer Night's Dream Danish 44- 3 Mikita (Rod Dance) Lithuanian Contra 418- Mikita (The Red Dance) Lithuanian Contra ö 26- 8 Milanovo Kolo Serbian Circle I 49- 5 Milanovo Kolo Serbian Circle I 710- Milica Kolo Yugoslavian Trio Sunday, May 08, 2005 Page 52 of 92 MVFD Listing by Dance Name CD Track Dance Name Nationality Type Inst 75- 24 Milica Kolo Yugoslavian Trio 13- 14 Milk Bucket Boogie USA 216- Min Skal Din Skal Swedish Mixer I 216- Min Skal Din Skal Swedish Mixer I ö 88- 3 Mindrele Romanian 41- 16 Mindrele Romanian Line I 80- 32 Mindrele Romanian Circle I 60- 9 Minka Bulgarian Solo 15- 7 Minuet (Handel's) USA Couple I 15- 8 Minuet (Handel's) (cueband) USA Couple I 42- 27 Mireasa Cununa Ta Romanian 45- 6 Mishal Israeli Line I 49- 20 Mishal Israeli Line I 85- 18 Mishol Hapere Israeli 43- 18 Misirlou Greek Circle, Open I 48- 26 Misirlou (Neat) Greek Circle, Open I ö 26- 7 Misirlou (Scratchy) Greek Line I 35- 19 Miss Brown's Fancy (Set Dance) Irish Set 59- 16 Miss Mary Douglas (8x48 Jig) Scottish Jig 53- 12 Miss Sayer's Allemande English Set 3 Couple I 51- 25 Miss Spark's Maggot English Set 3 Couple 32- 15 Mista Kolo (Krici Krici Ticek) Croatian Circle I 26- 10 Mistletoe Kiss (Schottische) Scandinavian Couple 49- 17 Mitzva Tanz Israeli Mixer I 42- 21 Mocaneasca Romanian 65- 17 Mocher Ha Prachim Israeli 93- 5 Mocher Prachim Israeli 88- 4 Mocirita Romanian Line 100- 5 Moj Marinë, Moj Maro Albanian, Souther Bent elbows 69- 12 Moja Diridika Croatian Circle 42- 25 Moldoveneasca Din Pascani Romanian Sunday, May 08, 2005 Page 53 of 92 MVFD Listing by Dance Name CD Track Dance Name Nationality Type Inst 86- 14 Mona's Party Waltz Swedish Mixer 11- 3 Money Musk USA Contra I 57- 20 Monterrey Mexican Couple 99- 17 Montgomeries' Rant Scottish Set, 4 Couple 82- 4 Montgomeries' Rant, The (8x32 Reel) Scottish Set 4 Couple 101- 11 Monymusk (8x32 Strasphey) Schottish Set 4 Couple 103- 5 Moonlight Waltz (Wals bij Maanlicht) Danish Couples in a 48- 25 Moravac Yugoslavian Line I 22- 4 Moravsko Kolo Serbian Line I 39- 9 More Cica Rece De Me Zeni (Paidushka Macedonian Line 39- 13 More Sokol Pie Voda (Lesnoto) Macedonian Line 64- 5 Morris Reel (328 Meas) Irish Square I 24- 5 Mosaico Mexicano Mexican Couple I 53- 6 Mr.
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    LISTING BY TEACHER Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Armenian Polka Armenia Ajoian, F. 57 Bardezuh Mer Armenia Ajoian, F. 56,57 Boozdigoots Armenia Ajoian, F. 57 Gemrigin Baduh Armenia Ajoian, F. 56 Golden Bracelet Armenia Ajoian, F. 56, 57 Halay Armenia Ajoian, F. 55 Halay Havasi Armenia Ajoian, F. 56 Lorkay Lorkay Armenia Ajoian, F. 56, 57 Medax Tashginag Armenia Ajoian, F. 57 Nor Imatsa (Yerzinga Tamzara) Armenia Ajoian, F. 57 Pompouri Armenia Ajoian, F. 55 Sotis Armenia Ajoian, F. 56 Tamzara Armenia Ajoian, F. 55 Three And One (Bar) Armenia Ajoian, F. 55 Sheleg Al Iri Israel Alpert, A. 18 Ve’shuv Itchem Israel Alpert, A. 18 Yaffo Israel Alpert, A. 18 Normali israel Alpert, A. 18 Or Chadash Israel Alpert, A. 18 Haleluyah Le’Gal Israel Alpert, A.` 18 Hayom Hazeh Israel Alpert, A.` 18 Heya Heya Israel Alpert, A.` 18 Hora Ha’bika Israel Alpert, A.` 18 Carbonero, El El Salvador Amaya, N. 68 Cortadoras, Las El Salvador Amaya, N. 68 Diablo Chingo, El Costa Rica Amaya, N. 68 Xuc, El El Salvador Amaya, N. 68 Yenka Spain Amaya, N. 68 Bereznianka Ukraine Arabagi, G. & I. 14 Bukovinskii Tanets Ukraine Arabagi, G. & I. 12 STOCKTON FOLK DANCE CAMP INDEX 1948-2018 PAGE 1 LISTING BY TEACHER Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Dansul Tiganilor Basarabeni Moldova (Bessarabia; Rom) Arabagi, G. & I. 14 Hora din Giurgiuleşti Moldova (Moldavian) Arabagi, G. & I. 12 Hora Dragostei Moldova Arabagi, G. & I. 14 Horlitsya Ukraine Arabagi, G. & I. 14 Hutsulka Ukraine Arabagi, G. & I. 12 Joc Mare Ukraine (Moldavian) Arabagi, G.
  • Cahiers Balkaniques, 33

    Cahiers Balkaniques, 33

    Cahiers balkaniques 33 | 2004 Turquie, Grèce : un passé commun, des nouvelles perspectives Édition électronique URL : https://journals.openedition.org/ceb/3053 DOI : 10.4000/ceb.3053 ISSN : 2261-4184 Éditeur INALCO Édition imprimée Date de publication : 1 janvier 2004 ISSN : 0290-7402 Référence électronique Cahiers balkaniques, 33 | 2004, « Turquie, Grèce : un passé commun, des nouvelles perspectives » [En ligne], mis en ligne le 24 juillet 2012, consulté le 06 juillet 2021. URL : https://journals.openedition.org/ ceb/3053 ; DOI : https://doi.org/10.4000/ceb.3053 Ce document a été généré automatiquement le 6 juillet 2021. Cahiers balkaniques est mis à disposition selon les termes de la Licence Creative Commons Attribution - Pas d’Utilisation Commerciale 4.0 International. 1 Sans être naïfs sur les questions aussi importantes que le contentieux en mer Égée, le problème chypriote, la question des minorités, la confrontation des nationalismes, l’instrumentalisation de l'histoire, l’utilisation des différends comme outil politique interne, avec ce numéro spécial « Turquie et Grèce : un passé commun, des nouvelles perspectives », nous avons voulu délibérément mettre l’accent sur la complémentarité et la communauté culturelle entre Grecs et Turcs, bien plus encore que Grèce et Turquie, qui sont au contact depuis presque un millénaire. Aux Langues O’, langue et culture turques sont parmi les enseignements fondateurs de l’institution, et le grec moderne a eu très tôt une place de choix, puisque c’est dès 1800 qu’Ansse de Villoison inaugurait son enseignement. Entre le turc, le grec et l’INALCO, c'est déjà une vieille histoire, naturellement et plus que jamais porteuse d’avenir.
  • Stockton Index by Instructor

    Stockton Index by Instructor

    LISTING BY TEACHER Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Armenian Polka Armenia Ajoian, F. 57 Bardezuh Mer Armenia Ajoian, F. 56, 57 Boozdigoots Armenia Ajoian, F. 57 Gemrigin Baduh Armenia Ajoian, F. 56 Golden Bracelet Armenia Ajoian, F. 56, 57 Halay Armenia Ajoian, F. 55 Halay Havasi Armenia Ajoian, F. 56 Lorkay Lorkay Armenia Ajoian, F. 56, 57 Medax Tashginag Armenia Ajoian, F. 57 Nor Imatsa (Yerzinga Tamzara) Armenia Ajoian, F. 57 Pompouri Armenia Ajoian, F. 55 Sotis Armenia Ajoian, F. 56 Tamzara Armenia Ajoian, F. 55 Three And One (Bar) Armenia Ajoian, F. 55 Sheleg Al Iri Israel Alpert, A. 18 Ve’shuv Itchem Israel Alpert, A. 18 Yaffo Israel Alpert, A. 18 Normali israel Alpert, A. 18 Or Chadash Israel Alpert, A. 18 Haleluyah Le’Gal Israel Alpert, A.` 18 Hayom Hazeh Israel Alpert, A.` 18 Heya Heya Israel Alpert, A.` 18 Hora Ha’bika Israel Alpert, A.` 18 Carbonero, El El Salvador Amaya, N. 68 Cortadoras, Las El Salvador Amaya, N. 68 Diablo Chingo, El Costa Rica Amaya, N. 68 Xuc, El El Salvador Amaya, N. 68 Yenka Spain Amaya, N. 68 Bereznianka Ukraine Arabagi, G. & I. 14 Bukovinskii Tanets Ukraine Arabagi, G. & I. 12 Dansul Tiganilor Basarabeni Moldova (Bessarabia; Rom) Arabagi, G. & I. 14 STOCKTON FOLK DANCE CAMP INDEX 1948-2019 PAGE 1 LISTING BY TEACHER Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Hora din Giurgiuleşti Moldova (Moldavian) Arabagi, G. & I. 12 Hora Dragostei Moldova Arabagi, G. & I. 14 Horlitsya Ukraine Arabagi, G. & I. 14 Hutsulka Ukraine Arabagi, G. & I. 12 Joc Mare Ukraine (Moldavian) Arabagi, G.
  • NOSTALGIA, EMOTIONALITY, and ETHNO-REGIONALISM in PONTIC PARAKATHI SINGING by IOANNIS TSEKOURAS DISSERTATION Submitted in Parti

    NOSTALGIA, EMOTIONALITY, and ETHNO-REGIONALISM in PONTIC PARAKATHI SINGING by IOANNIS TSEKOURAS DISSERTATION Submitted in Parti

    NOSTALGIA, EMOTIONALITY, AND ETHNO-REGIONALISM IN PONTIC PARAKATHI SINGING BY IOANNIS TSEKOURAS DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Musicology in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Associate Professor Donna A. Buchanan, Chair Professor Emeritus Thomas Turino Professor Gabriel Solis Professor Maria Todorova ABSTRACT This dissertation explores the multilayered connections between music, emotionality, social and cultural belonging, collective memory, and identity discourse. The ethnographic case study for the examination of all these relations and aspects is the Pontic muhabeti or parakathi. Parakathi refers to a practice of socialization and music making that is designated insider Pontic Greek. It concerns primarily Pontic Greeks or Pontians, the descendants of the 1922 refugees from Black Sea Turkey (Gr. Pontos), and their identity discourse of ethno-regionalism. Parakathi references nightlong sessions of friendly socialization, social drinking, and dialogical participatory singing that take place informally in coffee houses, taverns, and households. Parakathi performances are reputed for their strong Pontic aesthetics, traditional character, rich and aesthetically refined repertoire, and intense emotionality. Singing in parakathi performances emerges spontaneously from verbal socialization and emotional saturation. Singing is described as a confessional expression of deeply personal feelings