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BEAUTY 589

SHA Itisa brightsummer day in 1947.Myfather,a fat,funnyman

with beautifuleyes and a subversivewit, is tryingto decide

Beauty: When the Other Dancer which ofhis eightchildrenhe willtakewithhim tothecounty

fair.My mother,ofcourse,willnotgo.She isknocked outfrom Isthe Self gettingmostof us ready:Ihold my neck stiffagainstthepres- sureofher knucklesasshe hastilycompletesthebraidingand theribboningofmy hair. ALICE WALKER Myfatheris the driverfor therichold white ladyup theroad. Her nameis MissMey.She ownsall thelandformilesaround,as wellasthehouseinwhich welive.AllIremember aboutheris thatsheonceofferedtopaymy motherthirty-fivecentsforclean- ingherhouse,rakingup pilesofhermagnolialeaves,and wash- ingherfamily’clothes,and thatmy mother—she ofno money,

eightchildren,and a chronicearache—refusedit.But I do not AliceWalker isan AfricanAmerican novelist,poet,and essayist thinkofthisin 1947. |am two-and-a-halfyearsold.1wantto go best known for her 1982 novel ,forwhich she everywheremy daddy goes.Iam excitedattheprospectof riding won the American Book Award and the PulitzerPrize.Born in in a car.Someone has toldme fairsarefun.That thereisroom in 1944 inEatonton,,Walker attended in the carforonlythreeofus doesn’tfazeme atall.Whirlinghap- Atlanta,Georgia,and holds a BA from pilyinmy starchyfrock,showingoff my biscuit-polishedpatent- in Yonkers, New York.After college,she became activein the leathershoesand lavendersocks,tossingmy head in a way that civilrightsmovement, risingto prominence inthe blackfeminist makes my ribbonsbounce,| stand,hands on hips,beforemy movement. InThe Color Purple,Walker dealswiththe themes of father.“Takeme, Daddy,”Isaywithassurance,“I’m theprettiest!” ,,and poverty featured in much of her work. This Later,itdoes not surpriseme to find myself in Miss Meys selection,“Beauty: When the Other Danceris the Self,”wasfirst shinyblackcar,sharingtheback seatwiththeotherluckyones. publishedinher 1983 essay collectionInSearch of Our Mothers’ Does not surpriseme that|thoroughlyenjoythefair.At home Gardens: Womanist Prose. In this essay, Walker details a child- thatnightItelltheunluckyonesall Ican remember aboutthe hood accidentand the impact ithad on herself-image through- merry-go-round,theman whoeats livechickens,and theteddy out muchof her life. bears,untiltheysay:that’senough,baby Alice.Shut up now, and go tosleep.

ItisEasterSunday, 1950. I am dressedin a green,flocked, BB scalloped-hemdress(handmade by my adoringsister,Ruth)

10

a

591

up

in-

it

see

my

me

the

my

eye

is

its

keep

roof.

from

“Yes,

They

what

Then

left

rising

to

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father

an

upon.

to

to

my

my

is

cover

flew

Eventu-

position

us.

the

from

I

say.

trunk,

make

makeshift

my

the

“Here

feel

me

whipping.

I

try

happened.

time

BEAUTY

to

I

head.

this

the

a

into

up

to

|

close

and

agreed

doctor.

by

growing

other

soup.

our

to

its

it

has

I

not.

gets

in

a

as

my

get

lie

which

“Yes,”

between

say

the

eat

of

guns.

tree

out

do

just

railing

ways

see

poles—holding

and

a

I

that

fields,

not

what to

the

will

stings,

looking

to

is

and

the

top

watch

new

the

fever,

start.

to

picking

do

around

find

me

I

relegated

down

“we

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some

me

it

learn

distance

on

eye

you?”

asks,

porch

blotted

to

past

get

their

am

My

stick

There

If

will

say,

of

I

sees.

do

he

anything

look toward

take

to

the

are

intense

bound

I

end

great

brother,

we

across

with

is

a

eye

out

say

they

on

climbs

they tries

side.

parents

one

eye. standing

right.

beginning

my

come?”

leaves

my

leaves

older

the

will

is

happen,

there

nailed

on

tell,”

right

that

happened.”

Instantly

to

parents

I

am

brothers

to

gun.

bench

its

appears

to

lily

the

looking

my

I

mother

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arrows.

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right

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of

rush

and

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long

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porch

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and

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says

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examine

at

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using

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in

brothers

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after

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do

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say

and

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“say

my

to

and

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|

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with

One

Both

Confronted

I

Indian.

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week

will

my

credible “garage”—pieces

of girl,

It

eye

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roof, piece

with

bow up shoot

did

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blood.

branches,

underneath

They

mother. wish happened,

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ally,

A

/

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are

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my

be-

de-

and

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are

have

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roses

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day,

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home, unlike

to

I

admire

I

“BBs,”

lilies

LaRue);

Cassidy,

pleased.

dressed.

that

but

even

“And

and

pride

new

colors

thoughtful

This

hat,

(womanish-

Back

When

they

outlaws,

shoot

patent

Lash

pause,

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are

playmates

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decide

and

way.

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hot-pink

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ended.

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we

show,

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tell

it

My

or

cowboy

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forget.

They

I.

my

being

Hopalong

dogs

love

two:

tiny

a

years

each

movie.

way

can

T-strap

vocabulary,

light.”

for

sassiness

day,

all,

to

parents

red.

I

birds.

to

of

.

of

our

six

was

rustling than

and

Mix,

picture

the

guns.

.

of

floats

on

have

cattle,

I

one

stammer

.

new

I

of

my

all

kill

in

wave

am

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kind

morning

stop

Tom

I

people’s

older

speeches

“real”

breath.

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then,

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whisper

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to

when

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pants,

Then

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are

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shoes,

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day.

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without

a

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or,

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go

rustling

say

bordering

years

their

frequently

they

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a

said

and

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favorite

in

Easter

My

difference

on

I

this

are

exists

all

named

cute.

hours

the

so

four

and

to

satin

her

gratefully

distress.

hold

shirt

speech

spirit,

we

only

mess,”

for

in

do

thing!”

even

applaud.

to

old

brothers

pretend

stammer,

These

are

longest

I

and

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my

my

speech

scallop.

blossom

they

from

them

biscuit-polished. smooth

/

the

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we

my

other

say

a

the

“beautiful”

nights it

fun

two

the

cutest

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People

guns.

(we've

each

of

years

own

secretly

checkered

speech

WALKER

thank

green,

but

white

highly

each

stutter,

the

girl’

I

great

Westerns

its

damsels

word

one

eight

ranch,”

into

They seem

sense!”

my

unlike

they

pellets

who

and

LaRue

and

was

she

ALICE has

the

hoots,

Saturday

the

brothers,

brothers

again

chase

“That

Lam

Naturally

It

much

give

dress,

ness),

my

olines.

expectation.

to

totally

learned

tucked that 590

addition

isn’t fore

those

On

my

pure er,

copper

my

Lash

so

“on mother;

black

boy

livering we 592 ALICE WALKER BEAUTY 593

and shakinghishead.“Eyesaresympathetic,”he says.“Ifone is My brother,theone who createdthestoryabout thewire, blind,the otherwilllikelybecomeblind too.” comes tomy rescue.But then brags so much about“protecting”

Thiscommentof thedoctor'sterrifiesme. Butit isreallyhow me, I become sick.

Ilookthatbothersme most.Where theBB pelletstruckthereis Aftermonths of tortureat the school,my parentsdecide to

a glob ofwhitishscartissue,a hideouscataract,on my eye.Now send me back to our old community, to my old school.I live

when I stareat people—a favoritepastime, up to now—they with my grandparents and the teacher they board. But there

willstareback. Notat the “cute”littlegirl,but ather scar.Forsix isno room for Phoebe, my cat.By the time my grandparents

yearsIdo notstare atanyone,because|do notraisemy head. decidethereisroom, and Iaskformy cat,shecannotbe found. Miss Yarborough,the boardingteacher,takesme under her

Yearslater, in the throes of a mid-life crisis,|ask my mother and wing,and beginstoteachme toplaythepiano.But soon she

sisterwhether 1 changed afterthe “accident.”“No,”theysay, marriesan African—a “prince,”she says—and iswhisked away puzzled.“What do you mean?” to hiscontinent.

Whatdo Imean? At my old schoolthereisatleastone teacherwho loves

I am eight,and, forthe firsttime,doing poorlyin school, me. She isthe teacherwho “knew me beforeI was born”

where I have been somethingof a whiz sinceI was four.We and bought myfirst baby clothes.Itisshe who makes life

have justmoved to the placewhere the “accident”occurred. bearable.Itisher presencethatfinallyhelpsme turnon the

We do not know any of the people around us becausethis isa one child at the school who continually callsme “one-eyed

differentcounty.The onlytime1seethefriendsIknew iswhen bitch.”One day Isimplygrab him by hiscoatand beathim

we go back to our old church. The new schoolis the former untilIam satisfied.Itismy teacherwhotells me my mother

statepenitentiary.Itisa largestonebuilding,coldand drafty, isill. crammed to overflowingwith boisterous,ill-disciplinedchil-

dren.Onthe thirdfloor thereisa hugecircularimprintofsome My motheris lyinginbed inthemiddle of theday,something 25

partitionthathasbeen tornout. Ihaveneverseen.She isintoomuch paintospeak.She hasan

“What used tobe here?”Iaska sullengirlnexttome on our abscessinherear.Istandlookingdown onher, knowing thatif way pastitto lunch. she dies, I cannotlive. She is being treated with warm oilsand “The electricchair,”says she. hot bricksheldagainsther cheek.Finallya doctorcomes.But

At nightIhavenightmaresabouttheelectricchair,and about Imust go back tomy grandparents’house.The weeks passbut allthepeoplereputedly“fried”init.|am afraidoftheschool, 1am hardlyawareof it.AllIknow isthatmy mother mightdie, where allthestudentsseem tobe budding criminals. my fatherisnot sojolly,my brothersstillhave theirguns,and

“What'sthematterwithyour eye?”theyask,critically. 20 I am the one sent away from home.

When I don’tanswer (Icannot decidewhether itwas an “You did not change,” they say.

“accident” or not), they shove me, insiston a fight. Did Iimaginetheanguishofneverlookingup? a 40

35

be

595

first

will

why with

years car.

hear.

sleep

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jour-

write

home

know

some-

book.

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realize

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“Glam-

the

eye

to

meanest

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he

“Besides,

love

and

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remembers

down

for

my

now

sweet

is

that in

BEAUTY

words

eye

says.

reasons

“My

enough

this?”

latest needed

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beautiful

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Then,

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is off.”

do

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up

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He

totally

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remember

She

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says.

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“whatever”

asking

fall

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he

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want

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of “accident.”

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beauty,

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say

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on me, Daddy,

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lover

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whether the

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day that

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is

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interview peace

when

its

time first

my

with

look

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of chose

to

the

to

since

the

meaning

out,”

by

blind

brother

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your

to

reason “Well,”

girl

magazine with

on

and

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as

photography

the

my the

think

sold remember

years

books.”

leaves,

about

probability,”

want

real

highway

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straight

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“glamorous,”

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bed

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visit

day

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stopped,

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the

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whatever.”

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so

take in

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side

or

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night

comes

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remember:

remember:

night

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It

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the

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Bill,

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in

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asks,

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boyfriend

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take

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change,” voted

beauty.

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herself

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BEAUTY

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Every

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against

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Poem

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perhaps

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in

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possibility—and

on

the

point.

Itself.

its

eye.

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flags,

are

desert

too.”

flag

that

sympathetic.

has

up

the

at

own

sight—sends

flags.

have

creatures desert

would

no is sky

of

the

thankful

are

of

were

WALKER

because

you?

of

is

which

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my

blind

I

so

is

the

the

Desert

desert

sun

stars

looking

trees

of

the

comes—which

there

am

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shock

ALICE

years

fading

I

The

And

And The

Which With There

Trees That

All The

The Clouds

Also None If

the

Would

596

ago:

madly,

become the five

The poem 598 ALICE WALKER BEAUTY 599

Walker makes deliberateuse of her age throughout the rollingup outof fatigue,not tomention floatingback atatten- . tioninexcitement(bearingwitness,a friendhascalledit),deeply essay as an organizing strategy,but to what end? Examine suitabletomy personality,and evencharacteristicofme. her use ofthis strategyand explainhow itrelatesto the subjectof identityas she exploresit here.Cite the textas That nightI dream I am dancingto StevieWonders song neededto supportand illustrateyour ideas. “Always”(thename ofthesongis really“As,”but I hearitas Develop an argument about what Walkeris sayingabout “Always”).As I dance,whirlingand joyous,happierthan I’ve childhoodexperiencesand how they shape our identityand ever been in mylife, another bright-faceddancer joinsme. We relationshipswith otherswhen weare adults.Includeinyour dance and kisseach otherand hold each otherthroughthe night. treatment a discussionofthose techniquesWalker uses to The otherdancerhas obviouslycome throughallright,as I persuade readers(and herself?)of thisposition. have done.She is beautiful,whole, and free.And sheis also me. Explainthe meaning ofthetitle based on what Walker says

inthe essay,especiallyatthe end. Be sureto clarityand support yourideas with detailsfrom the text. NAVIGATING THE WATERS: Reading Closely

1.How does Walker see and describeherselfup untilthe age of

eight(inparagraphs1-6)? Cite specificpassages forsupport. SHARING THE DISCOVERIES: Discussion and Writing 2. How doesher self-identitychange as she describesit it Inadditionto discussingher appearance before andafter paragraphs13-15? Cite thetextas needed to support your “the accident,” as she refers to it,Walker considers her response. appearanceand her ownfeelings aboutit atdifferent 3. When doesher identity change next, transforming her stagesof herlife.What do you thinkshe issayingabout our “almostimmediately...intoa differentperson from the girl relationshipwith and feelingstowards our appearance as we who would not raiseher head”? Describe the event andits age? What are your own thoughts about thisbased on your effecton her,citingthe textforsupport. experiences,those of people you know,or charactersyou 4. What causes Walkerto feel“happier than[she'd]ever been” have read aboutin novels? and see herself as “beautiful,whole, and free” by the end of Examineall the differentelements thatmake up our identity her essay? Describethe event andits effecton her,citingthe by firstmaking a listofthem all,then consideringwhich of textforsupport. these factorsmatter most to the world ingeneral,which are most importantto your ownidentity,and which apply to Walker based on what she writes. EXPLORING THE DEPTHS: Rhetorical Strategies and Structures Walker suggests we allowour identityto be determined or . mates, 1.How does Walker use the phrase “You did not change” defined by members of ourfamily, ourfriends, school

throughout the essay to examine heridentity andits spousesand partners,our children,and ourselves.Discuss

evolutioninher own mind and others’?Cite the textas thisideainher essay and asit appliesto one or more works needed to supportand illustrateyourideas. from thisuniton identity.