Dmtthttatt Iatlg (Eamjms Serving Storrs Since 1896

Total Page:16

File Type:pdf, Size:1020Kb

Dmtthttatt Iatlg (Eamjms Serving Storrs Since 1896 dmttHttatt iatlg (Eamjms Serving Storrs Since 1896 SATURDAY. SEPTEMBER 16. 1967 VOI. I.XXII. NO 1 fl»tiirrti. (Caunrft'fiit Babbidge Greets Frosh "Much of what you will he "But it is letter than m- st demonstrated. No institution can exposed to here requires reflec- Connecticut citizens realize; it excel -- can be called excellent-- tion; much of what you taste here is better by far than a histori- unless all the individuals that should he savored," President cally neglectful public has any make up that institution them- Homer C. Babhidge, Jr. told reason to expect it to be; and at selves desire to excel and are freshmen as he welcomed the its peaks, it will equal the best willing to 'put out' that additional Class of '71 to the University anywhere." effort that marks the difference Thursday night. The University is young, like between the good and the great." Bihhidge told freshmen to the freshmen themselves, Bab- "Significant adaptations of "live the life of your genera- hidge said. "And it, too, has ex- tion", taking an interest or ac- perienced those things called both the technique and substance tive part in th» major concerns growing pains," he said. "But of instruction are needed if the experience of a collegiate educa- of their generation, be it civil most importantly, it is, like you, tion is to command the respect rights or peace or social dynam- youthful, vigorous, confident of of a rising generation," the ite. its future," he told the freshm?n, Urging frosh to pursue excel- adding, "It has a modest but proud president said. lence and to be vigorous in all past, and a inture that is exciting Although the need for a revi- their pursuits, both academic and almost beyond comprehension." talization of undergraduate in- non-academic, Babbidge said it Calling this a crucial time in struction is apparent the answers Is characteristic of college stu- the history of the University, do not fall into place, Babbidge dents to be always on the run. Babbidge reminded freshmen that said. "It's not, on the one hand, "But give a little thought to the "principal product of inter- a reorganization of la it year's whether you are running toward action between faculty and stu- lecture notes," lie said. "Nor something, or running to get away dents has been progress" in is it, on the other hand, a mat- from something," he advised. seekine the common goal of ex- ter o f giving over the curricu- "The University of Connect- cellence. lum to psychedelic 'trips' or to icut is a little-understood and "We want undergraduate ed- student indulgofir-e in th"ir inter- insufficiently appreciated insti- ucation to be as meaningful and ests of the moment. It is a change tution," he said. "It is not fully valuable and lasting as we pos- of a far more profound and dif- known by the people of the State sibly can make it," he said. ficult nature." and even by its own students and "Each of us," he said, "is staff. It is, like any human cre- capable of far more and far finer ation, imperfect and uneven. achievement than he has thus far S3& Tor the Freshmen a victorious year . WELCOME CLASS OF 71 Freshman Potential Seen The class of 1971 is march- These are the steps th.it the Thc-y will also be one of the first ing forward. On Wednesday freshmen class Is taking. The are classes to take a set of exams, morning, September 13th, at 9:00 taking an active part in the administered by Richard O. a.m. the parade commenced as changes being initialed by admin- Goodwlllie, director of the coun- 208J freshmen entered the doors istration. They are the fi rst <-lass seling anil Student Testing Cen- of UConn. With an increase of 85 to lie exempt from English place- ter, to determine the nature of students over last year's fresh- ment exams, lieing placed in En- the students in the class itself. men enrollment, the class of '71 glish classes by the result of their With Orientation Week almost took big confident steps as they Senior Achievement Test scores. SOP paRP thrpp walked into campus life. As a new class, the freshmen are as diversified as they a re en- thusiastic, with 10% of their members representing twenty states in the Union. They come from as far west as California, and included such states as Ala- Freshmen Will Never Eat bama, Virginia, Illinois, New York, New Jersey, and Massa- or Park Like Th is Again chusettes. Also adding to the var- iety of the new class are 32 stu- dents from 12 foreign countries. As the class marches on, great steps can be predicted. Dr. John Vlandis, Dean of Admis- sions, stated that the new stu- dents have the potential for being "the best freshman class, aca- demically". He remarked that through his meetings and inter- views with the new additions to UConn, he has been able to per- ceive different attitudes and mot- ivations than in previous years. "The students," he said, "are coming better prepared, having experienced more comprehen- sive college preparatory cours- es than ever before. The new freshmen," Dr. Vlandis contin- ued, "seem to show a greater In- terest In graduate school and In future plans." The freshmen march forward quickly -- "they seem to want to finish college faster, and now are asking more questions about ac- cellerating their programs." Qhmtitttinst Eatlg (EampitH ^letters to tlje ^Editor Serving Storrs Since 1896 SATURDAY, SEPTEMBER 16, 1967 tity in this apparently unfeeling, low blundering and blithering uncaring place. I think we all in- freshman. Now you have your Voice In The Horde variably sense, and at first, re- chance to draw together and unite sent, the bigness and the great- with the rest of the proud and ness of the place when we first spirited students of UConn. Dear Freshman, arrive here. I hope in the coming semes- You are now bombarded by But Storrs and our University ter, you will learn to forget the people trying to (ell you what your are not so big and so cold, and size of this institution, and re- next four years will be like. I you are not so Insignificant or member to join in its spirit and will not add my voice to the al- so anonymous as you might now greatness. ready overpowering horde, not think. After a few weeks of study- Sincerely, because I am wiser than others, ing, playing, and living here, you Glen Goldberg but simply because I do not know will begin to find yourself more President, Class of what your four years will belike. and more integrated into the 1969 UConn is turning into a multi- UConn com rjiity. You will be- versity which is impersonal and gin to feel the closeness, the unyielding, but also exciting, ful- spirit, and the pride inevitable filling and adventuresome. at an institution of UConn's cal- Ch allenge There is no longer one edu- ibre, regardless of its size in cational opportunity at Storrs, acres or in numbers. but an unlimited variety of them. You will find that you don't Dear Frosh: No one will stop you from going have to be a statistic. You will This year's Orientation has In welcoming you to the University of Con- to a party every night. No one will find that you can have as much been directed toward developing stop you from joining a fraternity or as little access to people - be a sense of class spirit and pride, necticut community, the Board of Directors along with encouraging freshman and staff members of the CONNECTICUT or sorority. No one will stop you they administrators, instructors, from letting your hair grow and or fellow students - as you may to meet other freshman. For DAILY CAMPUS have prepared this edition moving into the Campus Restau- wish to work for. You will find these reasons, beanies and name rant. And no one will stop you that you can distinguish your- tags have been traditionally re- of the DAILY CAMPUS especially for you, quired of ALL freshmen, and from becoming a nameless lump self in any organization - be it the Class of 1971. Throughout the issue will be continued to be worn un- in a lecture hall. student government, the newspa- you will find reports and comments on the This school is becoming more til the Yale game, three weeks per, the radio station, the ama- from toda. Class of '71, as well as happenings around free anil open and confused ev- teur radio club - if you're willing the campus in general. ery day, and this is why it is on to work for that distinction. You However: With a sense of fair its way to becoming a great edu- need not lose your identity at play, I offer you an alternative. Of special interest, of course, will be the cational environment. Education UConn; if anything, you can dis- This Thursday, Sept. 21, the is the process by which the in- cover and develop it here. You annual Pied Piper's Parade will articles dealing with the "Freshman Orienta- dividual by being bombarded with will find that everyone of you can, begin in the Field House, with tion Week". And if you look back over different ideas and activities if you work for it, realize your pajamas and nightgowns the re- you first few days here -- the dances, romes to his own opinions. The ambitions here. Whether you quired dress.
Recommended publications
  • Paramount Collection
    Paramount Collection Airtight To control the air is to rule the world. Nuclear testing has fractured the Earth's crust, releasing poisonous gases into the atmosphere. Breathable air is now an expensive and rare commodity. A few cities have survived by constructing colossal air stacks which reach through the toxic layer to the remaining pocket of precious air above. The air is pumped into a huge underground labyrinth system, where a series of pipes to the surface feed the neighborhoods of the sealed city. It is the Air Force, known as the "tunnel hunters", that polices the system. Professor Randolph Escher has made a breakthrough in a top-secret project, the extraction of oxygen from salt water in quantity enough to return breathable air to the world. Escher is kidnapped by business tycoon Ed Conrad, who hopes to monopolize the secret process and make a fortune selling the air by subscription to the masses. Because Conrad Industries controls the air stacks, not subscribing to his "air service" would mean certain death. When Air Force Team Leader Flyer Lucci is murdered, his son Rat Lucci soon uncovers Conrad's involvement in his father's death and in Escher's kidnapping. Rat must go after Conrad, not only to avenge his father's murder, but to rescue Escher and his secret process as well. The loyalties of Rat's Air Force colleagues are questionable, but Rat has no choice. Alone, if necessary, he must fight for humanity's right to breathe. Title Airtight Genre Action Category TV Movie Format two hours Starring Grayson McCouch, Andrew Farlane, Tasma Walton Directed by Ian Barry Produced by Produced by Airtight Productions Proprietary Ltd.
    [Show full text]
  • Lost Spoiler Practices: Online Interaction As Social Participation
    . Volume 11, Issue 2 November 2014 Lost spoiler practices: Online interaction as social participation Ödül Gürsimsek and Kirsten Drotner Institute for the Study of CultureMedia Studies, University of Southern Denmark Abstract: The American television network ABC’s serialized drama Lost (2004-10) is a key example of recent media culture where both viewers and producers utilize a range of digital media tools to advance the narrative: producers through transmedia storytelling strategies and the creation of complex narratives, and viewers through tracing, dismantling – and sometimes questioning – content in order to create coherent meanings in the maze of narratives. Online audiences, such as spoiler communities, may uncover components of transmedia storytelling, discuss their validity and enhance them with individual and collective content production, thus negotiating purposes and interpretive practices with producers and amongst themselves. Through critical discourse analysis of key instances where the Lost community collaborates over resources beyond the official Lost transmedia narratives, this article argues and documents that interactions between Lost audiences and producers operate as forms of social participation when spoiler-seeking audiences work to unravel, challenge and predict the narrative while the producers seek to orchestrate transmedia storytelling experiences. Our results serve as a sobering empirical critique of the more celebratory claims made about the emancipatory potentials of participatory online practices. Keywords:
    [Show full text]
  • F E a T U R E S Summer 2021
    FEATURES SUMMER 2021 NEW NEW NEW ACTION/ THRILLER NEW NEW NEW NEW NEW 7 BELOW A FISTFUL OF LEAD ADVERSE A group of strangers find themselves stranded after a tour bus Four of the West’s most infamous outlaws assemble to steal a In order to save his sister, a ride-share driver must infiltrate a accident and must ride out a foreboding storm in a house where huge stash of gold. Pursued by the town’s sheriff and his posse. dangerous crime syndicate. brutal murders occurred 100 years earlier. The wet and tired They hide out in the abandoned gold mine where they happen STARRING: Thomas Nicholas (American Pie), Academy Award™ group become targets of an unstoppable evil presence. across another gang of three, who themselves were planning to Nominee Mickey Rourke (The Wrestler), Golden Globe Nominee STARRING: Val Kilmer (Batman Forever), Ving Rhames (Mission hit the very same bank! As tensions rise, things go from bad to Penelope Ann Miller (The Artist), Academy Award™ Nominee Impossible II), Luke Goss (Hellboy II), Bonnie Somerville (A Star worse as they realize they’ve been double crossed, but by who Sean Astin (The Lord of the Ring Trilogy), Golden Globe Nominee Is Born), Matt Barr (Hatfields & McCoys) and how? Lou Diamond Phillips (Courage Under Fire) DIRECTED BY: Kevin Carraway HD AVAILABLE DIRECTED BY: Brian Metcalf PRODUCED BY: Eric Fischer, Warren Ostergard and Terry Rindal USA DVD/VOD RELEASE 4DIGITAL MEDIA PRODUCED BY: Brian Metcalf, Thomas Ian Nicholas HD & 5.1 AVAILABLE WESTERN/ ACTION, 86 Min, 2018 4K, HD & 5.1 AVAILABLE USA DVD RELEASE
    [Show full text]
  • Years & Counting
    YEARS & 10 COUNTING he terrorist attacks of September 11, 2001 and the subsequent fall of the Taliban in Afghanistan provided a potent backdrop for the formation of the U.S.-Afghan Women’s Council (USAWC). The Tplight of Afghan women and girls captured the hearts of the American people. The counterpoint of their oppression, the horrific attack on innocent citizens in the United States, underscored their brutal oppression. The American public was outraged, particularly American women. First Lady Laura Bush captured these sentiments in her historic radio address on November 17, 2001. Americans wanted to respond. Harnessing the empathy, compassion, and energy of these individuals was to become the impetus for forming the U.S.-Afghan Women’s Council—a mechanism to direct public and private resources to help Afghan women re-establish their rightful place in society and contribute to the rebuilding of Afghanistan. The stars were aligned. Influential leaders both in the White House and State Department began developing the idea of a private-public partnership to address the future of women in Afghanistan; they were inspired by the determination of several remarkable women in the private sector who were prepared to develop and fund new initiatives. The idea of a Council that would gather ideas and talent, channeling them into a private-public response, emerged in partnership with the Afghan government and the enthusiastic support of the President and the First Lady. On January 28, 2002, President George W. Bush and Afghan Interim Authority Chairman
    [Show full text]
  • Crossword Cryptoquip Seek and Find
    B10 THE NEWS-ENTERPRISE CLASSIFIEDS FRIDAY, APRIL 20, 2012 CROSSWORD FRIDAY EVENING April 20, 2012 Cable Key: E-E’town/Hardin/Vine Grove/LaRue R/B-Radcliff/Fort Knox/Muldraugh/Brandenburg E R B 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 12:00 HCEC 2 25 2 City of Radcliff Council Work Session Reel Talk Marquee Hardin County Focus-Finance Bridges Over Elizabethtown City Council Meeting WAVE 3 News at WAVE 3 News at Who Do You Think You Are? “Reba Grimm “Cat and Mouse” Monroe and Dateline NBC (N) (CC) WAVE 3 News at (:35) The Tonight Show With Jay WAVE 3 6 3 7 (N) (CC) 7:30 McEntire” (CC) Rosalee harbor a suspect. (N) 11 (N) Leno (CC) Entertainment To- Inside Edition (N) Shark Tank Mark Cuban upsets the (:01) Primetime: What Would You 20/20 (CC) High School Ga- (:35) Nightline (N) Jimmy Kimmel WHAS 11 4 11 night (N) (CC) other sharks. (CC) Do? (CC) metime (CC) Live (CC) Wheel of Fortune Jeopardy! (N) Mike & Molly Rules of Engage- CSI: NY “Cavallino Rampante” A Blue Bloods Danny and Linda plan a WLKY News at (:35) Late Show With David Letter- WLKY 5 5 5 (N) (CC) (CC) “Opening Day” ment (CC) woman is found dead in a Ferrari. romantic weekend. (CC) 11:00PM (N) man (CC) Two and a Half The Big Bang The Finder “The Conversation” Walter Fringe The team battles the Observers WDRB News at (:45) WDRB Two and a Half 30 Rock “The The Big Bang WDRB 12 9 12 Men (CC) Theory (CC) looks for a missing father.
    [Show full text]
  • Online Interaction As Social Participation Gürsimsek, Ödül; Drotner, Kirsten
    University of Southern Denmark Lost spoiler practices Online interaction as social participation Gürsimsek, Ödül; Drotner, Kirsten Published in: Participations.Journal of audience and reception studies Publication date: 2014 Document version: Final published version Citation for pulished version (APA): Gürsimsek, Ö., & Drotner, K. (2014). Lost spoiler practices: Online interaction as social participation. Participations.Journal of audience and reception studies, 11(2), 24-44. http://www.participations.org/Volume%2011/Issue%202/3.pdf Go to publication entry in University of Southern Denmark's Research Portal Terms of use This work is brought to you by the University of Southern Denmark. Unless otherwise specified it has been shared according to the terms for self-archiving. If no other license is stated, these terms apply: • You may download this work for personal use only. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying this open access version If you believe that this document breaches copyright please contact us providing details and we will investigate your claim. Please direct all enquiries to [email protected] Download date: 30. Sep. 2021 . Volume 11, Issue 2 November 2014 Lost spoiler practices: Online interaction as social participation Ödül Gürsimsek and Kirsten Drotner Institute for the Study of CultureMedia Studies, University of Southern Denmark Abstract: The American television network ABC’s serialized drama Lost (2004-10) is a key example of recent media culture where both viewers and producers utilize a range of digital media tools to advance the narrative: producers through transmedia storytelling strategies and the creation of complex narratives, and viewers through tracing, dismantling – and sometimes questioning – content in order to create coherent meanings in the maze of narratives.
    [Show full text]
  • {DOWNLOAD} Wyatt Pdf Free Download
    WYATT PDF, EPUB, EBOOK Garry Disher | 313 pages | 17 Jul 2012 | Soho Press Inc | 9781616951610 | English | New York, United States 6 Things You Should Know About Wyatt Earp - HISTORY Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. The story of Wyatt Earp as he interacts and battles other famous figures of the Wild West era. Director: Lawrence Kasdan. Writers: Dan Gordon , Lawrence Kasdan. Added to Watchlist. From metacritic. Halloween Movies for the Whole Family. Filmes que tenho. Agosto Share this Rating Title: Wyatt Earp 6. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Nominated for 1 Oscar. Edit Cast Cast overview, first billed only: Kevin Costner Wyatt Earp Dennis Quaid Doc Holliday Gene Hackman Nicholas Earp David Andrews James Earp Linden Ashby Morgan Earp Jeff Fahey Ike Clanton Joanna Going Josie Marcus Mark Harmon Sheriff Johnny Behan Michael Madsen Virgil Earp Catherine O'Hara Allie Earp Bill Pullman Ed Masterson Isabella Rossellini Big Nose Kate Tom Sizemore Bat Masterson JoBeth Williams Bessie Earp Mare Winningham Edit Storyline Wyatt Earp is a movie about a man and his family. Taglines: The epic story of love and adventure in a lawless land. CG-MALS requires no labeling or immobilization, addressing self-association as well as hetero-association. Conformation and Composition Information about nanoparticle shape and structure can be obtained by combining MALS analysis with dynamic light scattering. High-Throughput Sizing Need to characterize your nanoparticles under hundreds of solvent conditions in the space of a few hours? A camera conveniently photographs each well to identify precipitates.
    [Show full text]
  • LOST Archives Checklist
    LOST Archives Checklist Base Cards # Card Title [ ] 01 Jack Shephard played by Matthew Fox [ ] 02 Christian Shephard played by John Terry [ ] 03 Marshal Edward Mars played by Fredric Lehne [ ] 04 Kate Austin played by Evangeline Lilly [ ] 05 Diane Janssen played by Beth Broderick [ ] 06 Bernard Nadler played by Sam Anderson [ ] 07 Rose Nadler played by L. Scott Caldwell [ ] 08 Jin Kwon played by Daniel Dae Kim [ ] 09 Sun Kwon played by Yunjin Kim [ ] 10 Ben Linus played by Michael Emerson [ ] 11 Young Ben Linus played by Sterling Beaumon [ ] 12 Roger Linus played by Jon Gries [ ] 13 Martin Keamy played by Kevin Durand [ ] 14 Alex Rousseau played by Tania Raymonde [ ] 15 Danielle Rousseau played by Mira Furlan [ ] 16 Karl Martin played by Blake Bashoff [ ] 17 Leslie Arzt played by Daniel Roebuck [ ] 18 Ana Lucia Cortez played by Michelle Rodriguez [ ] 19 Charlie Pace played by Dominic Monaghan [ ] 20 Claire Littleton played by Emilie de Ravin [ ] 21 Aaron played by William Blanchette [ ] 22 Ethan Rom played by William Mapother [ ] 23 Zoe played by Sheila Kelley [ ] 24 Charles Widmore played by Alan Dale [ ] 25 Desmond Hume played by Henry Ian Cusick [ ] 26 Penelope Widmore played by Sonya Walger [ ] 27 Kelvin Inman played by Clancy Brown [ ] 28 Hugo Hurley Reyes played by Jorge Garcia [ ] 29 Carmen Reyes played by Lillian Hurst [ ] 30 David Reyes played by Cheech Marin [ ] 31 Libby Smith played by Cynthia Watros [ ] 32 Dave played by Evan Handler [ ] 33 Dr. Douglas Brooks played by Bruce Davison [ ] 34 Ilana Verdansky played by Zuleika
    [Show full text]
  • FILM CREDITS Last Update: 7/08
    KERN COUNTY FILM CREDITS Last Update: 7/08 (TV) Made for Television (D) Documentary (S) Serial TITLE RELEASED LOCATION CAST Keystone Cops unknown Red Rock Canyon The Keystone Cops Opportunity 1913 Taft Fatty Arbuckle Cowboy and the Lady, The 1915 Mojave S. Miller Kent, Hellen Case Back To God's Country 1919 Kern River Valley Nell Shipman, Wheeler Oakman Branded a Bandit 1924 Robbers Roost Yakima Canutt, Alys Murrell King of the Wild Horses, The 1924 Old Kernville Edna Murphy, Charley Chase Man From God's Country, The 1924 Kern River Valley William Fairbanks, Dorothy Revier Greed 1925 Mojave Desert Gibson Gowland, Zasu Pitts White Thunder 1925 Old Kernville Yakima Canutt Wild Horse Canyon 1925 Red Rock Canyon, Kernville Yakima Canutt, Helene Rosson Battling Butler 1926 Bakersfield, Kern River Buster Keaton, Sally O'Neil, Walter James Born to the West 1926 Red Rock Canyon Jack Holt, Margaret Morris Hands Up! 1926 Red Rock Canyon George A Billings, Virginia Lee Corbin Beau Sabreur 1928 Red Rock Canyon Gary Cooper, Evelyn Brent Hell's Heroes 1930 Mojave Desert Charles Bickford, Raymond Hatton Under a Texas Moon 1930 Red Rock Canyon Frank Fay, Myrna Loy Cimarron 1931 Kern River Valley Richard Dix, Irene Dunne Lightning Warrior, The (S) 1931 Old Kernville Rin Tin Tin Phantom of the West, The 1931 Old Kernville Tom Tyler, William Desmond Range Feud 1931 Kernville John Wayne, Buck Jones Vanishing Legion, The 1931 Old Kernville Harry Carey, Edwina Boothe Border Devils 1932 Kern River Valley Harry Carey, Gabby Hayes Flaming Guns 1932 Red Rock Canyon
    [Show full text]
  • UNIVERSITY of CALIFORNIA Los Angeles United
    UNIVERSITY OF CALIFORNIA Los Angeles United States-Based Latina Producers of Feature Films (1976-Present): The Role of Community, Creativity, and Currency in Synergistic Authorship A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Film and Television by Mirasol Aurelia Riojas 2012 ©copyright by Mirasol Aurelia Riojas 2012 ABSTRACT OF THE DISSERTATION United States-Based Latina Producers of Feature Films (1976-Present): The Role of Community, Creativity, and Currency in Synergistic Authorship by Mirasol Aurelia Riojas Doctor of Philosophy in Film and Television University of California, Los Angeles, 2012 Professor Chon A. Noriega, Chair Latinas’ marginalization within the film industry has been reproduced in the writing of film history as a result of many factors, including (but not limited to) male-centered notions of history and dominant models of authorship that center the director as the principle creative force behind the filmmaking process. Motivated by a commitment to securing Latina filmmakers’ place in film history, this study of U.S.-based Latina producers of Latina/o-themed feature films proposes a “synergistic” model of authorship that makes visible creative contributions of authors who do not occupy designated roles such as “director” or (less so) “writer,” traditionally associated with authorship. Instead, it acknowledges the way numerous creative, institutional, historical, sociological, and economic forces come together to shape a film. ii This dissertation involves
    [Show full text]
  • Genre, Auteur and Identity in Contemporary Hollywood Cinema: Clint Eastwood’S White Hunter, Black Heart1
    GENRE, AUTEUR AND IDENTITY IN CONTEMPORARY HOLLYWOOD CINEMA: CLINT EASTWOOD’S WHITE HUNTER, BLACK HEART1 LUIS MIGUEL GARCÍA MAINAR University of Zaragoza 21 In keeping with contemporary enthusiasm for popular culture products, recent US American film criticism has shown great interest in the study of clearly codified artistic forms, with special emphasis on generic conventions and their attendant ideologies. This interest seems to be based on a distinction between generic and personal films, the assumption being that the former are more appropriate objects of study because they show a consistency and predictability that the latter lack. Critical interest does not, however, run parallel with Hollywood’s production, and the truth is that genre pieces do still coexist with a considerable number of more personal films, which show a relatively more realistic approach and pay more attention than the average Hollywood narrative to the construction of their characters. These films, presumably targeted at more mature audiences than the generic majority, seem to join forces with the independent cinema of the 80s and 90s, which has often exhibited a return to well-crafted stories and characters typical of classical cinema. In this paper I would like to concentrate on the study of Clint Eastwood’s White Hunter, Black Heart (1990) as a film with an interest in portraying the experience of the “self” through textual forms that fall outside Hollywood’s generic codes. The mention of Clint Eastwood already indicates the relevance of his presence, both as actor and director, to the understanding of the film, illustrating the persistence of forms of auteurism in contemporary Hollywood.
    [Show full text]
  • Reminder List of Productions Eligible for the 92Nd Academy Awards
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 92ND ACADEMY AWARDS FILM TITLE ACTORS ACTRESSES ABOMINABLE Albert Tsai Chloe Bennet Tenzing Norgay Trainor Sarah Paulson Joseph Izzo Tsai Chin Eddie Izzard AD ASTRA Brad Pitt Ruth Negga Tommy Lee Jones Liv Tyler John Ortiz Kimberly Elise Donald Sutherland LisaGay Hamilton Greg Bryk Loren Dean John Finn Donnie Keshawarz Bobby Nish ADAM Nicholas Alexander Bobbi Salvor Menuez Bobbi Salvor Menuez Margaret Qualley Leo Sheng THE ADDAMS FAMILY Oscar Isaac Charlize Theron Finn Wolfhard Chloe Grace Moretz Nick Kroll Bette Midler Snoop Dogg Allison Janney Martin Short Catherine O'Hara Tituss Burgess Jenifer Lewis Conrad Vernon Elsie Fisher Scott Underwood THE AERONAUTS Eddie Redmayne Felicity Jones Himesh Patel Phoebe Fox Robert Glenister Rebecca Front Vincent Perez Anne Reid Tom Courtenay Page 1 of 53 FILM TITLE ACTORS ACTRESSES AFTER THE WEDDING Billy Crudup Julianne Moore Michelle Williams Abby Quinn THE AFTERMATH Alexander Skarsgard Keira Knightley Jason Clarke Kate Phillips Martin Compston Flora Li Thiemann Jannik Schumann ÁGA Mikhail Aprosimov Feodosia Ivanova Sergey Egorov Galina Tikhonova ALADDIN Will Smith Naomi Scott Mena Massoud Marwan Kenzari Navid Negahban Nasim Pedrad Billy Magnussen Numan Acar ALITA: BATTLE ANGEL Christoph Waltz Rosa Salazar Mahershala Ali Jennifer Connelly Ed Skrein Lana Condor Jackie Earle Haley Idara Victor Keean Johnson Eiza Gonzalez Jorge Lendeborg, Jr. Jeff Fahey Rick Yune ALWAYS BE MY MAYBE Randall Park Ali Wong James Saito Michelle Buteau Daniel Dae Kim Vivian Bang Keanu Reeves Charlyne Yi Karan Soni Susan Park THE AMAZING JOHNATHAN —— —— DOCUMENTARY AMERICAN FACTORY —— —— Page 2 of 53 FILM TITLE ACTORS ACTRESSES AMERICAN WOMAN Aaron Paul Sienna Miller Will Sasso Christina Hendricks Pat Healy Sky Ferreira Alex Neustaedter Amy Madigan E.
    [Show full text]