The Voices of Knitting in the Loop 3
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VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 P.M
VOGU Eknitting CHICAGO THE ULTIMATE KNITTING EVENT OCTOBER 24 –26 ,2014 • PALMER HOUSE HILTON HOTEL PRINTABLE BROCHURE NEW& INSPIRATIONAL KNITWORTHY HAND KNITTING PRODUCTS CLASSES & LECTURES! VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 p.m. –7 p.m. OF EVENTS Classroom Hours: 6 p.m. –9 p.m. Friday, October 24 VOGUEknitting Registration: 8 a.m. –7:30 p.m. 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. 2-hour Classroom Hours: 9 a.m.–11 a.m., 2 p.m.–4 p.m. Marketplace: 5:00 p.m. –8:30 p.m. Please refer to VogueknittingLIVE.com for complete details. Saturday, October 25 HOTEL INFORMATION Registration: 8 a.m. –6:30 p.m. Vogue Knitting LIVE will be held in 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. downtown Chicago at the luxurious 2-hour Classroom Hours: Palmer House Hilton Hotel, located 9 a.m.–11 a.m., 2 p.m.–4 p.m. near Millennium Park in the heart of Marketplace: 10 a.m. –6:30 p.m. the theater, financial, and shopping districts of downtown Chicago. The Palmer House Hilton Hotel is within walking distance of the Windy City’s Sunday, October 26 most famous museums, shopping,a government, and corporate buildings. Registration: 8 a.m. –3 p.m. 3-hour Classroom Hours: The Palmer House Hilton Hotel 9 a.m.–12 p.m., 2 p.m.–5 p.m. -
Master Magic Loop Knitting with This Free Guide + Patterns from Knitting
Master Magic Loop Knitting with this Free Guide + Patterns from Master Magic Loop Knitting with this Free Guide + Patterns I STARTED KNITTING CIRCULAR OBJECTS—SOCKS, right—the Magic Loop method brought me back to sock GLOVES, MITTENS, HATS, AND SO ON—ON DOUBLE- knitting! POINTED NEEDLES (DPNS). While I enjoyed knitting the patterns, I didn’t particularly like the finished object; This knitting technique was made popular by Sarah I always ended up with ladders where I switched from one Hauschka and I used her book, The Magic Loop, published needle to the next. I guess I wasn’t knitting those stitches by Bev Galeskas and Fiber Trends, in the class I took. tight enough, but as much as I tried to tighten them, the Now I use the Magic Loop method for almost all of my ladders remained. And who likes to think about tightening small, circular knitting projects. It makes circular knitting stitches all the time, anyway? so much fun. Because of this problem, I simply didn’t do as many “tube I put together this tutorial because I think you’ll enjoy projects” as I wanted to. knitting this way, too. This eBook is contains a pictorial Enter the Magic Loop! I was at my LYS one Saturday lesson, but I also filmed a video of the technique, which afternoon and I saw a gal knitting a sock on the oddest you can view here. looking contraption with loops sticking out of each end of Cheers, the knitted sock. I asked her about it and she said she was using the Magic Loop method—which uses just one, long circular needle. -
Memory in the Fingers: an Exploration of Knitting Through the Lens of Modern Knitters' Lives Sinclair Rishel University of Mississippi
University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) 2016 Memory in the Fingers: An exploration of knitting through the lens of modern knitters' lives Sinclair Rishel University of Mississippi. Sally McDonnell Barksdale Honors College Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the Journalism Studies Commons Recommended Citation Rishel, Sinclair, "Memory in the Fingers: An exploration of knitting through the lens of modern knitters' lives" (2016). Honors Theses. 866. https://egrove.olemiss.edu/hon_thesis/866 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. Memory in the Fingers An exploration of knitting through the lens of modern knitters’ lives By Sinclair Rishel A thesis submitted to the faculty of the University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford, Mississippi April 2016 Approved by __________________________________ Advisor: Dr. Kathleen Wickham __________________________________ Reader: Ms. Ellen Meacham __________________________________ Reader: Mr. Charlie Mitchell © 2016 Sinclair Rishel ALL RIGHTS RESERVED ii Acknowledgements I would like to take this opportunity to thank those who have been instrumental in the creation of this thesis. To all of my interviewees, your stories have inspired and excited me. It was my great pleasure to tell each one and I thank you for sharing them with me. I hope I’ve done them justice. To my thesis advisor, Dr. -
The Knit of a Nation?
The Kn it of a Nation? How Irishness was marketed to the world by the Aran sweater (1950-1980) Pierce Kehoe. 514551. GLOCAL Master’s Thesis. Supervisor Prof. dr. Ben Wubs Erasmus School of History, Culture and Communication Erasmus University Rotterdam 1 Pierce Kehoe 514551 The Knit of a Nation? Acknowledgements The completion of this thesis was very much a collaborative effort, and I owe a debt of gratitude to a number of people who helped me along the way. First and foremost, I am very grateful for the attention, critique and encouragement I have received over the year from my supervisor Prof. dr. Ben Wubs, it has helped me greatly. I would also like to thank Dr. Jeroen Euwe who co-supervised our Research Workshop and provided me with much guidance throughout the year. I am very grateful to have had the opportunity to interview Vawn Corrigan (Author of Irish Aran, History, Tradition, Fashion) while researching for this thesis, which, aside from being an absolute pleasure, added an extra layer of valuable analysis to the discussion. I am also very lucky to have been a part of a wonderful class of friends in the GLOCAL programme, and wish them all the best going forward. Last but not least I would like to thank my family back home in Ireland, in particular my parents who have supported me in more ways than one throughout this Master’s experience. Fortunately, writing a thesis on Irishness meant home was never too far from my mind! 2 Contents Chapter 1: Introduction…………………………………………………………………...1 Chapter 2: Myths of the Wild West…………………………………………………15 Chapter 3: New Exports from Old Ireland……………………………………….26 Chapter 4: Aran Sweaters for the Masses…………………………………......39 Chapter 5: The Aran Identity Crisis………………………………………….….…..55 Chapter 6: Conclusion……………………………………………………………………..69 References………………………………………………………………….....................74 Appendices……………………………………………………………………………………..81 1 Pierce Kehoe 514551 The Knit of a Nation? List of Figures Figure 3. -
The Technical Designer: a New Craft Approach for Creating Seamless Knitwear
The Technical Designer: A new craft approach for creating seamless knitwear. Jane Taylor A thesis submitted in partial fulfillment of the requirements of Nottingham Trent University for the degree of Doctor of Philosophy. September 2015 Copyright Statement. This work is the intellectual property of Jane Taylor. You may copy up to 5% of this work for private study, or personal, non-commercial research. Any re-use of the information contained within this document should be fully referenced, quoting the author, title, university, degree level and pagination. Queries or requests for any other use, or if a more substantial copy is required, should be directed to the owner of the intellectual property right. List of Contents. 1. Introduction ................................................................................... 1 1.1 The Technology Skills Gap. ................................................................... 2 1.1.1 An Overview of The Current Approach to Seamless Knitting Within the Contemporary Fashion Market. ....................................................................................................................... 3 1.1.2 The Communication Bottleneck. .................................................................................. 10 1.1.3 Organisational Culture. ................................................................................................. 12 1.1.4. The Creative Use of Seamless Knitting Technology. ................................................... 14 1.2 Digital Craft. .................................................................................... -
Knitting in 21St Century America: the Culture and Ideology of Knitting Groups in Rural Oregon
Western Oregon University Digital Commons@WOU Honors Senior Theses/Projects Student Scholarship 6-1-2017 Knitting in 21st Century America: The Culture and Ideology of Knitting Groups in Rural Oregon Robin Roemer Western Oregon University Follow this and additional works at: https://digitalcommons.wou.edu/honors_theses Recommended Citation Roemer, Robin, "Knitting in 21st Century America: The Culture and Ideology of Knitting Groups in Rural Oregon" (2017). Honors Senior Theses/Projects. 136. https://digitalcommons.wou.edu/honors_theses/136 This Undergraduate Honors Thesis/Project is brought to you for free and open access by the Student Scholarship at Digital Commons@WOU. It has been accepted for inclusion in Honors Senior Theses/Projects by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected], [email protected], [email protected]. Knitting in 21st Century America: The Culture and Ideology of Knitting Groups in Rural Oregon By Robin Roemer An Honors Thesis Submitted in Partial Fulfillment of the Requirements for Graduation from the Western Oregon University Honors Program Dr. Isidore Lobnibe, Thesis advisor Dr. Gavin Keulks, Honors Program Director June 2017 Roemer ii Acknowledgments I wish to thank my advisor Isidore Lobnibe, the Anthropology department, Gavin Keulks and the Honors department, and my mom and dad for their help and support. I also want to thank all of the knitters who were interviewed in this study for sharing their knowledge with me and the knitters of the local group mentioned in this study. I want to thank Awana Black for letting me accompany her to events. Roemer iii Abstract Knitting has existed since the Middle Ages, and continues to thrive well into twenty- first century America. -
Download Complete Issue
ISLAND STUDIES JOURNAL Volume 13 | Issue 2 | November 2018 islandstudies.ca ISSN: 1715-2593 ISLAND STUDIES JOURNAL Island Studies Journal is a peer-reviewed open access journal published by the University of Prince Edward Island’s Institute of Island Studies. https://www.islandstudies.ca Executive editor Adam Grydehøj (University of Prince Edward Island, Canada) Editorial board Laurie Brinklow (University of Prince Edward Island, Canada) Lead Copyeditor Gordon Cooke (Memorial University of Newfoundland, Canada) Deputy Editor for Business & Economics Scholarship Lisa Fletcher (University of Tasmania, Australia) Deputy Editor for Book Reviews Ilan Kelman (University College London, UK) Deputy Editor for Excellence & Disciplines Ulunnguaq Markussen (Ilisimatusarfik/University of Greenland, Kalaallit Nunaat) Deputy Editor for Indigenous Research & Outreach G. Edward MacDonald (University of Prince Edward Island, Canada) Deputy Editor for Institutional Relations Maeve McCusker (Queen's University Belfast, Northern Ireland) Deputy Editor for Literature Scholarship Yaso Nadarajah (RMIT University, Australia) Deputy Editor for Diversity & Regions Jan Petzold (Alfred Wegner Institute for Polar and Marine Research, Germany) Deputy Editor for Climate Change and Environment Scholarship Evangelia Papoutsaki (Unitec Institute of Technology, New Zealand) Deputy Editor for Digital Communications Elaine Stratford (University of Tasmania, Australia) Deputy Editor for Policy Impact Godfrey Baldacchino (University of Malta, Malta) Editor Emeritus Editorial -
Knits YOUR MAN Will Want to WEAR
REVIEWED MODERN KNITS YOUR MAN WILL WANT TO WEAR £4.99 ISSUE 94 JANUARY 2014 The UK's best knitting magazine Perfect Cosy winter knits! cables Weekend 14 projects KNIT thiS for PLUS! juSt £10 • Deliciously sof yarns • Sweet home knit s • Smart stashbusters 8 cute makes for kids On - trend accessory ChartS maDe Simple Luxurious Step-by-step guide inside flower cowl WIN £1,000 WORTH OF GORGEOUS YARN! Knitting yarns • Designs for Men - Women - Children - Babies • Decoration • Crafts at bergeredefrance. co.uk Bergère de France has been the French leader in knitting yarns since 1946, thanks to a passion for quality and constant innovation. Now more than ever, every yarn is a source of creative that brings the art of quality materials to inspiration your projects. hand-made Request your FREE catalogue Find your nearest retailer at bergeredefrance.co.uk Find more patterns to download for FREE at www.knit-today.com p38 p10 Welcome ew Year is almost upon us and it's time to take stock. What are you excited about knitting in 2014? After spending months before the Nholidays making presents for family and friends, I'm looking forward to picking a project for myself at last. I loved Sian Brown's classy cable sweater p18 on page 18 as soon as I saw it. I'll be knitting it up in a cool green to help me think of spring during these long winter nights. By the time I've finished, perhaps the trees in my local park will be in bud once again! Of course, not every knitting project needs to take a long time. -
Beginning to Purl
Beginning to Knit — The Purl Stitch Purl Stitch (Combined Method) Purling is actually a mirror image of knitting. Constructing a smooth fabric re- In front of the fence, quires purling one row (when the wrong side faces) after knitting one row (with Catch the float, right or public side facing). Back we go, 1. First bring the yarn to the front. Holding the yarn in front of Jump off the boat. your work, insert the right needle into the loop as shown. 2. Bring the yarn up letting the needle catch a new loop and pull it through the back of the loop on the left needle. For further details, drawings and animation of purling, please go to Annie Modesit’s web site.1 Purl Stitch (Traditional Method) It is useful to know about this method since just about everyone in America uses it. Traditionally the yarn is wrapped clockwise over the top of the needle before bringing the yarn back under and through to form a loop. This movement is awk- ward for the Continental knitter (holding yarn in left hand). It is comfortable for the American or English style who “throws” the yarn using the right hand. Return now to the Combined Method of purling. (Skip if you hold yarn in your right hand.) The combined method will cause the purled stitches from the previous row to be turned around backwards on the right needle. (Backwards as compared to the way they sat when you knit every row.) After purling, the turned loops must be knit through the back loop. -
22Nd August 2020
Irish Shows Association 22nd August 2020 www.irishshows.org First Virtual Show 1 Equestrian Ponies Class 135: Champion Pony Championship class: no direct entry. 1st. Ella Connolly, Kilkenny Wychenlea Polly Pocket, Part Bred, 9th May, 2011, Female, Sire: Kastenjehof, Dam: Wychenlea Premonition 2nd. Pam Clingan, West Sussex Glencarrig Dolly, Connemara, 24th May, 2012, Female, Sire: Glencarrig Knight, Dam: Templebready Penny Young Handlers Class 1: Junior Young Handler 1st. Jessica McAuliffe, Limerick Singing The Blues, Brp, 1st January, 2005, Female, Sire: Ainsty Musical Dream, Dam: Lovedon Sapphire 2nd. Katie Kelly, Derry Castleton Royal Secret, Part Bred Welsh, 22nd March, 2012, Female, Sire: Syon Star, Dam: Inchyra Royal Princess 3rd. Saoirse Johnston, Wexford Hightopps Tigers Eye, Welsh Part Bred, 15th May, 2006, Male, Sire: Barkway Partytime, Dam: Hightopps Crystal Blue 4th. Aoibhinn Boyle, Donegal Cailin Traigheanna Rebel, Family Pony, 10th October, 2009, Female, Sire: Treagheanna Lizzy, Dam: Unknown 5th. Seana Mc Garry, Donegal ISPCA Marge, Rescue Pony (pony), 23rd June, 2011, Sire: Na, Dam: Na 6th. Fia Mai Guinan, Roscommon Northwinds Catwalk, English Riding Pony, 12th August, 2012, Female, Sire: Rosevean North Wind, Dam: Pantmanr Jazz-cat Class 2: Senior Young Handler 1st. Ciara Slattery, Clare Clarehall Kannanball, Irish Sport Horse, 22nd April, 2016, Female, Sire: Kannan, Dam: Ballymurphy Veronica 2nd. Emma Collins, Wexford Loughanageer Owens Rose, Connemara, 15th April, 2015, Female, Sire: Ballydaniel Christopher, Dam: Blue Lands Rosey 3rd. Tara Daly, Cork Meelin Buttercup, Pony, 1st January, 2012, Sire: -, Dam: - 4th. Shane Fleming, Limerick 2 Susie, Cob, 1st January, 2015, Female, Sire: Unknown, Dam: Unknown Breeding Stock Class 3: Pony Broodmare 1st. -
Traditional Maker Practices and Sustainable Futures
The Design Journal An International Journal for All Aspects of Design ISSN: 1460-6925 (Print) 1756-3062 (Online) Journal homepage: https://www.tandfonline.com/loi/rfdj20 Traditional Maker Practices and Sustainable Futures. The implications of expertise Stuart Walker, Martyn Evans & Louise Mullagh To cite this article: Stuart Walker, Martyn Evans & Louise Mullagh (2019) Traditional Maker Practices and Sustainable Futures. The implications of expertise, The Design Journal, 22:sup1, 835-848, DOI: 10.1080/14606925.2019.1595403 To link to this article: https://doi.org/10.1080/14606925.2019.1595403 © 2019 Informa UK Limited, trading as Taylor & Francis Group Published online: 31 May 2019. Submit your article to this journal View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rfdj20 Running with Scissors, 13th International Conference of the EAD, University of Dundee, 10-12 April 2019 Traditional Maker Practices and Sustainable Futures. The implications of expertise Stuart Walkera*, Martyn Evansb, Louise Mullaghb, aLancaster University bManchester Metropolitan University *Corresponding author e-mail: [email protected] Abstract: This paper considers the contemporary position of traditional maker practices and their relationship to sustainability. It outlines the basis of the approach and insights from the field, and offers a range of initiatives where design can make a positive contribution to traditional production. Traditional maker practices are in steep decline in the UK and internationally; the kinds of knowledge promoted and valued in contemporary society tend to be at odds with those inherent to these kinds of practices. The paper considers the inadequacy of purely theoretical forms of knowledge and demonstrates the importance of values-guided practice, experience, skills, and tacit and situated knowledge. -
To Be Fully Herself
TO BE FULLY HERSELF: Autobiographies of Trauma, Flow, and Resilience in Knitting Literature (Knit Lit) Sharyn Kaesehagen BA (Professional and Creative Communication)—UNISA BA Honours (Creative Writing) (1st class)—University of Adelaide Supervisors Professor Kate Douglas Dr Steve Evans (Retired) Dr Threasa Meads (Adjunct) Dr Kylie Cardell Flinders University College of Humanities, Arts and Social Sciences Date of completion: 5 September, 2018 A thesis submitted for the Degree of Doctor of Philosophy Table of Contents Declaration iii Acknowledgements iv Abstract vi Introduction: A Poetics of Words & Stitches viii Chapter 1: Charting the Fabric of Knit Lit 1 Chapter 2: The Autobiographical Turn in Knit Lit 11 Chapter 3: Trauma, Flow, and Resilience in Knit Lit 20 Section A 21 Section B 34 Chapter 4: ‘To be fully herself’ 67 Part 1: Old Stradbroke 69 First Stiches 70 Hard Times 80 Part 2: Norse Yearning 85 Shadow Maiden 86 Dropped Stitches 92 Solitaire 104 Jessie & Stella 121 Oslo 128 Interregnum 134 Part 3: North Again 140 What If? 141 To England 152 Wooden Drawers 155 Beatrix Potter 161 Shetland Museum 169 Jamieson & Smith 183 The Böd of Gremista 193 Fair Isle 207 ‘Moose Wifey’ 225 Mary Queen of Scots 228 Ashgrove House B&B 236 Jean Moss Knitting Tour 239 Inis-óirr 248 Part 4: Home 253 Betty Mouat 254 Cynthie 262 i BMC Lace Wrap—1 268 BMC Lace Wrap—2 273 Reading Knit Lit 276 Wool Brokers Socks 281 Memory 288 Frida Kahlo 294 The Flying Koala 298 Chapter 5: Conclusions 303 Bibliography 312 ii Declaration I certify that this thesis does not incorporate, without acknowledgement, any material previously submitted for a degree or diploma in any university, and that to the best of my knowledge and belief it does not include any material previously published or written by another person except where reference is given in the text.