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October 2018
YMOCT18Cover.FINAL:Layout 1 11/1/18 5:21 PM Page CV1 CAN YOU KEEP BE THE LISTEN A SECRET? CHANGE UP! Protect shared The retail Podcasts get you information with landscape is inside the heads of a nondisclosure changing your customers— agreement. quickly.Are literally. you ready? OCTOBER/NOVEMBER 2018 2019: A YARN ODYSSEY FREE COPY DelicatE wslavender eucalyptus grapefruit unscented jasmine h p teatmen o you in ashable YMN1018_Eucalan_AD.indd 1 10/23/18 12:49 PM Plymouth Yarn Pattern #3272 Drape Front Cardi Plymouth Yarn Pattern #3272 Drape Front Cardi 60% Baby Alpaca 25% Extrafine Merino 15% Yak 60% Baby Alpaca 25% Extrafine Merino 15% Yak WWW.PLYMOUTHYARN.COMWWW.PLYMOUTHYARN.COM YMN1018_Plymouth_AD.indd 1 10/23/18 12:48 PM YMOCT18EdLetter.FINAL:Layout 1 10/31/18 2:24 PM Page 2 EDITOR’S LETTER Looking Back, Looking Forward ROSE CALLAHAN Where were you five years ago? It was the fall of 2013. Some of you may not have even owned your business in the yarn industry yet, while others of you had been at it for well over 20 years. Some of you had not yet become parents; others were close to becoming empty nesters. A lot can change in five years, but of course, a lot can stay the same. Five years ago, Yarn Market News made a change. Because of dwindling advertising dollars, we announced that we would be publishing three issues a year instead of five. And this issue marks our first all-digital issue, born out of both a desire to go green and to help the magazine’s struggling bottom line. -
Elegant Shoulderette ¤ 1999 by Leef Bloomenstiel
1 Elegant Shoulderette ¤ 1999 by Leef Bloomenstiel This shrug pattern can be a wel- come addition to any wardrobe. It can be worn as a dressy acces- sory, or look equally well with jeans. It is not a tight fitting shrug, but more loosely fitted with an ele- gant drape. The pattern will fit a wide range of sizes, but you must take your arm span measurement first. Stand with your arms com- fortably at your side, and measure from the top of your wrist (where you like the cuffs of your sweaters to fit) up your arm to the top of the shoulder, over the shoulder and to the middle of your back, to the nape of the neck. Write this measurement down as you will re- fer to it often. The pattern is knit sideways from the left wrist STITCH LEGEND to the right wrist. There is a garter stitch border ———————————— at both the top and bottom. The top garter K - knit stitch border is gently increased to provide a P - purl fold back collar, and the center panel is in- st - stitch creased from the arms to cover the length of sts- stitches the back from the neck, to the lower middle M1 - make one (an increase) RS - right side of the back. The directions are given for the WS - wrong side first half of the sweater, as the second half is k2tog - knit 2 sts together knitted exactly the same as the first half, with p2tog - purl 2 sts together decreases where increases were made. PM - place marker The use of a row counter is highly recommended. -
Mechanism and Formation of Woven Selvage Lines
Mechanism and Formation of Woven Selvage Lines By Sei Uchiyama, Member,TMSJ Takatsuki Institute, Toyobo Co., Ltd. Takatsuki, Osaka Pref. Basedon Journalof the TxetileMachinery Society of Japan, Vol.19, No.11, T284-289(1966); Vol.19, No. 12, T309-315 (1966); Vol.20, No. 2, T49-56 (1967) ; Vol.20 , No.2, T57-60 (1967) Abstract This article discussestheoretically the mechanismof a woven selvage line and establishesbasic knowledgeabout, among other things, its dynamic construction, the differencesbetween the selvage and the body of a fabric, the process of stabilizingthe form of a selvage. interlaced to form a selvage is x,=C. This location 1. Introduction is a function of T-,, a force which pulls the selvage- formation point to the left ; and of T+,, a force which This work is an attempt to clarify the weaving pulls that point to the right. mechanism of a selvage as part of a research into the xi=f (T-1, T+1) .........(1) function of weaving. Seldom is the selvage of a fabric Assume that, with the progress of weaving cycles, specially woven. It is a by-product, so to say, of a fabric. xi transforms into, sucessively, x2, x3 and x; and is However, it should not be ignored, because it improves stabilized on reaching xn. xi, an optional point x at that the quality of a fabric, protects its ground and facili- time, is given as a function of xi-1. That is, tates the processing and handling of the fabric. It is xi=~5i-i(xi-,) believed, therefore, that establishing a theoretical basis xi-1=~Si-2(xi-2) for obtaining a uniform selvage is an undertaking of Also, practical value and will help to expand the range of x1~x2C"' "'.xi-1Cxi+1"' "'xn=xn+j reseach into weaving. -
VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 P.M
VOGU Eknitting CHICAGO THE ULTIMATE KNITTING EVENT OCTOBER 24 –26 ,2014 • PALMER HOUSE HILTON HOTEL PRINTABLE BROCHURE NEW& INSPIRATIONAL KNITWORTHY HAND KNITTING PRODUCTS CLASSES & LECTURES! VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 p.m. –7 p.m. OF EVENTS Classroom Hours: 6 p.m. –9 p.m. Friday, October 24 VOGUEknitting Registration: 8 a.m. –7:30 p.m. 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. 2-hour Classroom Hours: 9 a.m.–11 a.m., 2 p.m.–4 p.m. Marketplace: 5:00 p.m. –8:30 p.m. Please refer to VogueknittingLIVE.com for complete details. Saturday, October 25 HOTEL INFORMATION Registration: 8 a.m. –6:30 p.m. Vogue Knitting LIVE will be held in 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. downtown Chicago at the luxurious 2-hour Classroom Hours: Palmer House Hilton Hotel, located 9 a.m.–11 a.m., 2 p.m.–4 p.m. near Millennium Park in the heart of Marketplace: 10 a.m. –6:30 p.m. the theater, financial, and shopping districts of downtown Chicago. The Palmer House Hilton Hotel is within walking distance of the Windy City’s Sunday, October 26 most famous museums, shopping,a government, and corporate buildings. Registration: 8 a.m. –3 p.m. 3-hour Classroom Hours: The Palmer House Hilton Hotel 9 a.m.–12 p.m., 2 p.m.–5 p.m. -
Fibers and Fabrics Level 1 Oregon 4-H Clothing Construction Fact Sheets: Basic Skills—Level 1
Archival copy. For current version, see: https://catalog.extension.oregonstate.edu/4-h32017 Fibers and Fabrics Level 1 Oregon 4-H Clothing Construction Fact Sheets: Basic Skills—Level 1 4-H 320-17 • October 2014 Natural and man-made fibers Fibers are the basic component of fabrics. Each type of fiber has unique characteristics, and fabrics have the same characteristics as the fibers they are made from. Learning about fibers is important because it helps you understand how the fabric will perform and what care the fabric needs. Fibers can be natural or man-made. Natural fibers Natural fibers come from natural sources, such as plants and animals. There are four natural fibers: cotton, linen, silk, and wool (figure 1). These fibers are naturally absorbent and porous. This is why fabrics made from natural fibers will be comfortable to wear in a variety of temperatures. However, natural fibers will Figure 1. Cotton is an example of a also shrink if they are not handled carefully. natural fiber. Man-made fibers The term “man-made fiber” refers to all fibers not found in nature. Man-made fibers are made from a synthetic source (chemicals, such as petroleum) or a cellulose source that has been enhanced in a lab (figure 2). Man-made fibers include nylon, polyester, olefin, rayon, acetate, triacetate, spandex, and acrylic. These fibers are highly resilient, so they resist creases. However, because they are not very absorbent or porous, they may be uncomfortable in hot or humid weather. Woven, knitted, and other fabric construction Fibers or yarns made from fibers can be used in many ways to make fabrics. -
Hello-Baby-Cardigan-1.Pdf
http://spudandchloe.com/blog http://spudandchloe.com Hello Baby Cardigan An original design by, Susan B. Anderson for Spud & Chloë Size: To fit newborn to 3 months Measurements: 8 inches in length from shoulder to bottom edge 16½ inches chest circumference Yarn: Spud & Chloë Sweater (55% superwash wool, 45% organic cotton; 160 yards/100 grams), 2 hanks in Igloo #7517 for the cardigan and 1 hank (or a small amount) in Toast #7506 for the edging Needles: US size 7 needles, 24‐inch circular and a set of 4 double‐pointed needles or size to obtain gauge *I also used a set of two US size 5 double‐pointed needle for the applied I‐cord edging. The smaller size needle for the applied I‐cord gives a tighter effect but you could also use your larger dpns from the sleeves. Gauge: 5 stitches per inch in stockinette stitch Materials: Tape measure or ruler Scissors Stitch markers Waste yarn Yarn needle 3 buttons – ½ inch Sewing needle and matching thread Abbreviations: k knit p purl ssk slip 2 stitches separately as if to knit and knit the two slipped stitches together through the back loop k2tog knit 2 stitches together yo yarn over the needle sl slip pm place marker dpn(s) double‐pointed needle(s) Note: This is a top‐down seamless cardigan so you start at the neck edge and work down. I’d like to give technique credit to both Wendy Bernard author of Custom Knits and Meg Swansen of Schoolhouse Press. Cardigan: With the 24‐inch circular needles and Igloo cast on (co) 34 stitches (st(s)) and place markers (pm) as follows: Co 1 st, pm, co 6 sts, pm, co 20 sts, pm, co 6 sts, pm, co 1 st (34 sts) Work rows 1 and 2 as follows, slipping the stitch markers as you go: Row 1 (right side (RS)): knit in the front and back (kfb) on each side of each stitch marker (increasing 8 sts) Row 2 (wrong side (WS)): knit Now AT THE SAME TIME as you are working rows 1 and 2, kfb in the first and last sts on the RS rows. -
Yarnover 2016 April 23Th 7:45 AM- 5:30 PM Hopkins West Junior High – 3830 Baker Road Minnetonka MN, 55305
Sponsors the 30th Annual Minnesota Knit Together Yarnover 2016 April 23th 7:45 AM- 5:30 PM Hopkins West Junior High – 3830 Baker Road Minnetonka MN, 55305 Schedule: Cost: 7:45-8:30 A.M. Registration Cost is $125 for full day or $80 8 A.M. Market Opens for half day classes for members. 9:15 A.M.-12:15 P.M. Morning Classes For non member pricing add 12:15-1:30 P.M. Lunch in dining room, included with class registration $30 which covers one-year 1:30-4:30 P.M. Afternoon classes; Continuation of All Day class membership dues to the guild 5:30 P.M. Market close Teacher Dinner: Friday April 22, 6PM Key Note Speaker: Meg Swansen Join us in the Waterford Ballroom at the Minneapolis Marriott West (9960 Wayzata Boulevard, Saint Louis Park MN 55426) at 6:00 PM for a delicious buffet dinner. Doors open at 5:30 P.M. Then stay for “Knitting Longevity” with Meg Swansen. Questions from the audience will be welcome. Cost $50.00 Welcome to the Minnesota Knitters’ Guild If you like to knit, you’re one of us, no matter where you live, newbie or expert! We promote interest and appreciation for the art of knitting, and knitting education, and fellowship (socializing!). We come together formally every month in Minneapolis and Duluth, Minnesota. Informally, we gather in coffee shops, bars, and on knitting retreats. There’s always room for you! Visit knitters.org to find out more about the best knitting association in Minnesota. Yarnover Committee Tracy Barrett Anna Blomster Sheri Braun Bonnie Esplie Shelley Hermanson Barb Lind Sue Traczyk Shari O’Flanagan If you encounter any of the people listed above during Yarnover 2016, please take the time to express your appreciation for their work. -
A Quick and Easy Project – This Lovely Little Scarf Is Knit in Fisherman's
by Robyn Diliberto for Make One Design Features: A quick and easy project – this lovely little scarf is knit in fisherman’s rib and finished with a knitted flower and button. Size: One size fits most. Yarn required: 150 yards fingering weight yarn* *Yarn used is labelled 26sts/4” (sport weight), but it seemed as fine as any sock yarn. Blocked Gauge: 26 sts/32 rows = 4” (10cm) in Fisherman’s Rib stitch pattern Needles: Size 5 U.S. (3.75 mm) needles (set of 5 double pointed or two circulars) or size needed to obtain gauge. Other Supplies: Size F (3.75 mm) crochet hook Waste yarn Tapestry Needle Skill Level: Advanced Beginner/Intermediate Yarn Used for sample: Swiss Mountain Silk by Hand Maiden 65% cashmere/35% silk 180 m/50 g Color: Rose Revised August 27, 2008 Page 2 of 2 Scarf Queen’s Ball Button With Size 5 U.S. needles (straight or circular – knitter’s With Size 5 U.S. double pointed or straight needles, choice) cast on 27 stitches. cast on 8 stitches. Row 1: Knit in front and back of each stitch; *Fisherman’s Rib Stitch pattern 16 stitches. (instructions include a two stitch selvage at each edge): Row 2: *purl 1, knit 1; Row 1: Slip 1 purlwise, purl 1, knit 23, purl 1, knit 1. repeat from * to end of row. Row 2: Slip 1 purlwise, knit 1, Row 3: *knit 1, purl 1; *purl 1, knit next stitch in the row below repeat from * to end of row. [insert right hand needle into the center of the Row 4, 6, 8, 10: Repeat Row 2. -
Nine Clever and Creative Ways to Use Fabric Edges
Salvage SelvagesYour good selvage is like a bonus with your fabric purchase. Most of Nine clever and the time, sewers use selvages as references to ensure we’re placing A patterns on the fabric’s straight grain, and then we cut them off creative ways to and toss them. Selvages can be so much more, however, whether used for use fabric edges structural support, as embellishment, or as a source of inspiration. You may not usually buy a piece of fabric because of its selvage, but you BY MARY RAY just might start once you learn how using a beautiful and interesting sel- vage creatively can turn a humdrum garment into a statement piece. Some selvages are unobtrusive, narrow, and woven a little tighter with stronger yarns than the rest of the fabric, while some are much fancier, with multi- colored yarns, woven patterns, or feathery edges—or sometimes all three. Once you start looking at selvages with a designer’s eye, you’ll see how useful they can be. Here are nine ways you can use selvages that are just too good to discard. Mary Ray is a Threads contributing editor and teaches apparel design and construction at Appalachian State University in Boone, North Carolina. 36 THREADS Selvages, like those shown on the facing page, may be reserved or flashy. Discover how to use them instead of trims to highlight garment details. At right, a wool tweed dress gets a boost from self- fabric selvages applied as stitched-down seam piping. Pattern: Vogue 1183; fabric: MoodFabrics.com. www.threadsmagazine.com AUGUst/SEPteMBER 2014 37 Prepare to use selvages The ways you can use a selvage depend on whether it is uncut (flat) or fringed. -
Master Magic Loop Knitting with This Free Guide + Patterns from Knitting
Master Magic Loop Knitting with this Free Guide + Patterns from Master Magic Loop Knitting with this Free Guide + Patterns I STARTED KNITTING CIRCULAR OBJECTS—SOCKS, right—the Magic Loop method brought me back to sock GLOVES, MITTENS, HATS, AND SO ON—ON DOUBLE- knitting! POINTED NEEDLES (DPNS). While I enjoyed knitting the patterns, I didn’t particularly like the finished object; This knitting technique was made popular by Sarah I always ended up with ladders where I switched from one Hauschka and I used her book, The Magic Loop, published needle to the next. I guess I wasn’t knitting those stitches by Bev Galeskas and Fiber Trends, in the class I took. tight enough, but as much as I tried to tighten them, the Now I use the Magic Loop method for almost all of my ladders remained. And who likes to think about tightening small, circular knitting projects. It makes circular knitting stitches all the time, anyway? so much fun. Because of this problem, I simply didn’t do as many “tube I put together this tutorial because I think you’ll enjoy projects” as I wanted to. knitting this way, too. This eBook is contains a pictorial Enter the Magic Loop! I was at my LYS one Saturday lesson, but I also filmed a video of the technique, which afternoon and I saw a gal knitting a sock on the oddest you can view here. looking contraption with loops sticking out of each end of Cheers, the knitted sock. I asked her about it and she said she was using the Magic Loop method—which uses just one, long circular needle. -
Knit to Shape Garments Under HTSUS Heading 6110
What Every Member of the Trade Community Should Know About: Classification of Knit to Shape Garments under HTSUS Heading 6110 AN INFORMED COMPLIANCE PUBLICATION MAY 2008 Classification of Knit to Shape Garments under HTSUS Heading 6110 May 2008 NOTICE: This publication is intended to provide guidance and information to the trade community. It reflects the position on or interpretation of the applicable laws or regulations by U.S. Customs and Border Protection (CBP) as of the date of publication, which is shown on the front cover. It does not in any way replace or supersede those laws or regulations. Only the latest official version of the laws or regulations is authoritative. Publication History First Issued June 2006 Reviewed with no changes May 2008 PRINTING NOTE: This publication was designed for electronic distribution via the CBP website (http://www.cbp.gov) and is being distributed in a variety of formats. It was originally set up in Microsoft Word 2003®. Pagination and margins in downloaded versions may vary depending upon which word processor or printer you use. If you wish to maintain the original settings, you may wish to download the .pdf version, which can then be printed using the freely available Adobe Acrobat Reader®. 2 Classification of Knit to Shape Garments under HTSUS Heading 6110 May 2008 PREFACE On December 8, 1993, Title VI of the North American Free Trade Agreement Implementation Act (Pub. L. 103-182, 107 Stat. 2057), also known as the Customs Modernization or “Mod” Act, became effective. These provisions amended many sections of the Tariff Act of 1930 and related laws. -
Memory in the Fingers: an Exploration of Knitting Through the Lens of Modern Knitters' Lives Sinclair Rishel University of Mississippi
University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) 2016 Memory in the Fingers: An exploration of knitting through the lens of modern knitters' lives Sinclair Rishel University of Mississippi. Sally McDonnell Barksdale Honors College Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the Journalism Studies Commons Recommended Citation Rishel, Sinclair, "Memory in the Fingers: An exploration of knitting through the lens of modern knitters' lives" (2016). Honors Theses. 866. https://egrove.olemiss.edu/hon_thesis/866 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. Memory in the Fingers An exploration of knitting through the lens of modern knitters’ lives By Sinclair Rishel A thesis submitted to the faculty of the University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford, Mississippi April 2016 Approved by __________________________________ Advisor: Dr. Kathleen Wickham __________________________________ Reader: Ms. Ellen Meacham __________________________________ Reader: Mr. Charlie Mitchell © 2016 Sinclair Rishel ALL RIGHTS RESERVED ii Acknowledgements I would like to take this opportunity to thank those who have been instrumental in the creation of this thesis. To all of my interviewees, your stories have inspired and excited me. It was my great pleasure to tell each one and I thank you for sharing them with me. I hope I’ve done them justice. To my thesis advisor, Dr.