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October 2018
YMOCT18Cover.FINAL:Layout 1 11/1/18 5:21 PM Page CV1 CAN YOU KEEP BE THE LISTEN A SECRET? CHANGE UP! Protect shared The retail Podcasts get you information with landscape is inside the heads of a nondisclosure changing your customers— agreement. quickly.Are literally. you ready? OCTOBER/NOVEMBER 2018 2019: A YARN ODYSSEY FREE COPY DelicatE wslavender eucalyptus grapefruit unscented jasmine h p teatmen o you in ashable YMN1018_Eucalan_AD.indd 1 10/23/18 12:49 PM Plymouth Yarn Pattern #3272 Drape Front Cardi Plymouth Yarn Pattern #3272 Drape Front Cardi 60% Baby Alpaca 25% Extrafine Merino 15% Yak 60% Baby Alpaca 25% Extrafine Merino 15% Yak WWW.PLYMOUTHYARN.COMWWW.PLYMOUTHYARN.COM YMN1018_Plymouth_AD.indd 1 10/23/18 12:48 PM YMOCT18EdLetter.FINAL:Layout 1 10/31/18 2:24 PM Page 2 EDITOR’S LETTER Looking Back, Looking Forward ROSE CALLAHAN Where were you five years ago? It was the fall of 2013. Some of you may not have even owned your business in the yarn industry yet, while others of you had been at it for well over 20 years. Some of you had not yet become parents; others were close to becoming empty nesters. A lot can change in five years, but of course, a lot can stay the same. Five years ago, Yarn Market News made a change. Because of dwindling advertising dollars, we announced that we would be publishing three issues a year instead of five. And this issue marks our first all-digital issue, born out of both a desire to go green and to help the magazine’s struggling bottom line. -
Hello-Baby-Cardigan-1.Pdf
http://spudandchloe.com/blog http://spudandchloe.com Hello Baby Cardigan An original design by, Susan B. Anderson for Spud & Chloë Size: To fit newborn to 3 months Measurements: 8 inches in length from shoulder to bottom edge 16½ inches chest circumference Yarn: Spud & Chloë Sweater (55% superwash wool, 45% organic cotton; 160 yards/100 grams), 2 hanks in Igloo #7517 for the cardigan and 1 hank (or a small amount) in Toast #7506 for the edging Needles: US size 7 needles, 24‐inch circular and a set of 4 double‐pointed needles or size to obtain gauge *I also used a set of two US size 5 double‐pointed needle for the applied I‐cord edging. The smaller size needle for the applied I‐cord gives a tighter effect but you could also use your larger dpns from the sleeves. Gauge: 5 stitches per inch in stockinette stitch Materials: Tape measure or ruler Scissors Stitch markers Waste yarn Yarn needle 3 buttons – ½ inch Sewing needle and matching thread Abbreviations: k knit p purl ssk slip 2 stitches separately as if to knit and knit the two slipped stitches together through the back loop k2tog knit 2 stitches together yo yarn over the needle sl slip pm place marker dpn(s) double‐pointed needle(s) Note: This is a top‐down seamless cardigan so you start at the neck edge and work down. I’d like to give technique credit to both Wendy Bernard author of Custom Knits and Meg Swansen of Schoolhouse Press. Cardigan: With the 24‐inch circular needles and Igloo cast on (co) 34 stitches (st(s)) and place markers (pm) as follows: Co 1 st, pm, co 6 sts, pm, co 20 sts, pm, co 6 sts, pm, co 1 st (34 sts) Work rows 1 and 2 as follows, slipping the stitch markers as you go: Row 1 (right side (RS)): knit in the front and back (kfb) on each side of each stitch marker (increasing 8 sts) Row 2 (wrong side (WS)): knit Now AT THE SAME TIME as you are working rows 1 and 2, kfb in the first and last sts on the RS rows. -
Yarnover 2016 April 23Th 7:45 AM- 5:30 PM Hopkins West Junior High – 3830 Baker Road Minnetonka MN, 55305
Sponsors the 30th Annual Minnesota Knit Together Yarnover 2016 April 23th 7:45 AM- 5:30 PM Hopkins West Junior High – 3830 Baker Road Minnetonka MN, 55305 Schedule: Cost: 7:45-8:30 A.M. Registration Cost is $125 for full day or $80 8 A.M. Market Opens for half day classes for members. 9:15 A.M.-12:15 P.M. Morning Classes For non member pricing add 12:15-1:30 P.M. Lunch in dining room, included with class registration $30 which covers one-year 1:30-4:30 P.M. Afternoon classes; Continuation of All Day class membership dues to the guild 5:30 P.M. Market close Teacher Dinner: Friday April 22, 6PM Key Note Speaker: Meg Swansen Join us in the Waterford Ballroom at the Minneapolis Marriott West (9960 Wayzata Boulevard, Saint Louis Park MN 55426) at 6:00 PM for a delicious buffet dinner. Doors open at 5:30 P.M. Then stay for “Knitting Longevity” with Meg Swansen. Questions from the audience will be welcome. Cost $50.00 Welcome to the Minnesota Knitters’ Guild If you like to knit, you’re one of us, no matter where you live, newbie or expert! We promote interest and appreciation for the art of knitting, and knitting education, and fellowship (socializing!). We come together formally every month in Minneapolis and Duluth, Minnesota. Informally, we gather in coffee shops, bars, and on knitting retreats. There’s always room for you! Visit knitters.org to find out more about the best knitting association in Minnesota. Yarnover Committee Tracy Barrett Anna Blomster Sheri Braun Bonnie Esplie Shelley Hermanson Barb Lind Sue Traczyk Shari O’Flanagan If you encounter any of the people listed above during Yarnover 2016, please take the time to express your appreciation for their work. -
The Journal of the Walters Art Museum
THE JOURNAL OF THE WALTERS ART MUSEUM VOL. 73, 2018 THE JOURNAL OF THE WALTERS ART MUSEUM VOL. 73, 2018 EDITORIAL BOARD FORM OF MANUSCRIPT Eleanor Hughes, Executive Editor All manuscripts must be typed and double-spaced (including quotations and Charles Dibble, Associate Editor endnotes). Contributors are encouraged to send manuscripts electronically; Amanda Kodeck please check with the editor/manager of curatorial publications as to compat- Amy Landau ibility of systems and fonts if you are using non-Western characters. Include on Julie Lauffenburger a separate sheet your name, home and business addresses, telephone, and email. All manuscripts should include a brief abstract (not to exceed 100 words). Manuscripts should also include a list of captions for all illustrations and a separate list of photo credits. VOLUME EDITOR Amy Landau FORM OF CITATION Monographs: Initial(s) and last name of author, followed by comma; italicized or DESIGNER underscored title of monograph; title of series (if needed, not italicized); volume Jennifer Corr Paulson numbers in arabic numerals (omitting “vol.”); place and date of publication enclosed in parentheses, followed by comma; page numbers (inclusive, not f. or ff.), without p. or pp. © 2018 Trustees of the Walters Art Gallery, 600 North Charles Street, Baltimore, L. H. Corcoran, Portrait Mummies from Roman Egypt (I–IV Centuries), Maryland 21201 Studies in Ancient Oriental Civilization 56 (Chicago, 1995), 97–99. Periodicals: Initial(s) and last name of author, followed by comma; title in All Rights Reserved. No part of this book may be reproduced without the written double quotation marks, followed by comma, full title of periodical italicized permission of the Walters Art Museum, Baltimore, Maryland. -
Conservation Newsletter
62\=66 TCX TEXTI LE CONSERVATION NEWSLETTER mi Number 27 FALL 1994 TEXTILE CONSERVATION NEWSLETTER TABLE OF CONTENTS "FROM THE EDITORS" 1 TEXTILE OPEN STORAGE AT THE MUSEE ACADIEN 2 MISCOUCHE, PRINCE EDWARD ISLAND Reginald Porter CONSERVATION RIGHT NOW! 5 Evelyn Payton Tayler DUST COVERS 7 Leslie K. Redman and Helen Holt FIBER mENTIFICATION 9 Jane Merritt THE FANCY WORK OF GODEY'S LADY'S BOOK 1840-1859 12 FINDER'S AIDS NOW AVAILABLE ON MICROFICHE Barbara Mcintyre & Ruth Mills AN INVESTIGATION INTO THE CURRENT USE AND 16 APPLICATION OF ADHESIVES IN TEXTILE CONSERVATION Ela Keyserlingk & Lynda Hillyer DYEING SAFELY 17 MASTER'S THESES RELATING TO MUSEUMS AND MATERIAL 24 CULTURE AT THE UNIVERSITY OF ALBERTA THE TEXTILE CONSERVATION CENTRE: ABSTRACTS 26 OF FINAL YEAR PROJECTS ANNOUNCEMENTS 33 TCN SUBSCRIPTION INFORMATION 35 TCN SUBMISSIONS 35 Number 27 Fall 1994 TCN ROM THE EDITORS and also on the last page of this issue. THE NEW TEAM In our last issue, we made a plea for new leadership on the Textile Conservation LESLIE REDMAN is the Assistant Newsletter. We are pleased to announce that Conservator in the Dress and Insignia Lab at the newsletter is able to continue, and has the Canadian War Museum. A recent been taken over by a new enthusiastic team graduate from the Masters in Art of three co-editors. They are Helen Holt, Conservation Programme at Queen's Dress and Insignia Conservator, and Leslie University in Kingston, Ontario, she worked Redman, Assistant Textile Conservator b6th in the General Artifacts lab at the Canadian at the Canadian War Museum, and Lesley Museum of Civilization in Hull, Queb6c until Wilson, textile artist. -
The Glass Palace Chronicle
1 THE GLASS PALACE CHRONICLE Patricia le Roy 2 Prologue LONDON October 1990 Everything was ready. She laid the syringe on the edge of the washbasin and stowed the instruments neatly away in her handbag. The sounds of voices and laughter filtered dimly down from the floor above. The party was in full swing. She had made the call from the basement storeroom five minutes ago. Even if Roland had heard the sound of the phone being replaced in its cradle, there was nothing he could do about it. The new exhibition had attracted a lot of attention and there were at least fifty people in the gallery. In any case, he had no reason to be suspicious. She brushed her hair carefully back from her face and applied fresh lipstick. Death was a friend: one should go to meet him looking one's best. There was a whole gram of heroin in the syringe, ten times the normal dose. She had left nothing to chance. She sat down on the closed toilet seat and rolled up her sleeve. Since she had made her decision two days earlier she had been conscious of a vast inner lightness, as if a weight had been lifted from her heart. Subconsciously she had known for a long time that this was how it would end. Heroin was another country: it had no frontiers. No one escaped. There was only one way to get free of it. She had tried five times to give it up and she was weary of struggling. Even if Philip hadn't been coming back next week, she might have done it now anyway. -
The Bayeux Tapestry Embroiderers Story PDF Book
THE BAYEUX TAPESTRY EMBROIDERERS STORY PDF, EPUB, EBOOK Jan Messent | 112 pages | 01 Jan 2011 | Search Press Ltd | 9781844485840 | English | Tunbridge Wells, United Kingdom The Bayeux Tapestry Embroiderers Story PDF Book Lists with This Book. Oxford University Press. The tapestry is a band of linen feet 70 metres long and Want to Read saving…. Is any historical primary source of information entirely reliable? Richard Burt, University of Florida. Reopening with new conditions: Only the gallery of the Tapestry is open, the interpretation floors remain closed Timetable: 9. The Latin textual inscriptions above the story-boards use Old English letter forms, and stylistically the work has parallels in Anglo-Saxon illuminated manuscripts. What's on? According to Sylvette Lemagnen, conservator of the tapestry, in her book La Tapisserie de Bayeux :. Hearing this news, William decides to cross the Channel in to reclaim his throne…. With a visit to the museum, you can discover the complete Bayeux Tapestry, study it close up without causing damage to it, and understand its history and how it was created thanks to an audio-guide commentary available in 16 languages. Rachelle DeMunck rated it it was amazing Sep 06, Open Preview See a Problem? Heather Cawte rated it it was amazing Apr 05, American historian Stephen D. The design and embroidery of the tapestry form one of the narrative strands of Marta Morazzoni 's novella The Invention of Truth. It required special storage in with the threatened invasion of Normandy in the Franco-Prussian War and again in — by the Ahnenerbe during the German occupation of France and the Normandy landings. -
WTK Library by Title As of 07-15-2019.Xlsx
What the Knit! Guild Library Title Author(s) Year 365 Knitting Stitches a Year 55 Christmas Balls to Knit Arne & Carlos 2010 Aran Knitting: New & Expanded Edition Starmore, Alice 2010 Aran Sweater Design Szabo, Janet 2006 Arctic lace: Knitting Projects and Stories Inspired by Alaska's Native Knitters Druchunas, Donna Armenian Knitting Designs Meg Swansen & Joyce Williams Art of Fair Isle Knitting: History, Technique Color & Patterns Feitelson, Ann 1996 At Knit's End: Meditations for Women Who Knit Too Much Stephanie Pearl-McPhee 2005 Best of Interweave Knits: Our Favorite Designs From the First Ten Years. Budd, Ann, ed. Best of Vogue Knitting Magazine: 25 years of articles, techniques & expert advice 2007 Big Book of Knitting Katharina Buss 1996 Book of Fair Isle Knitting Starmore, Alice 1988 Cables. Vol 1: The Basics Szabo, Janet 2007 Cast On, Bind Off Leslie Ann Bestor 2012 Charts Made Simple JC Briar 2010 Chicks with Sticks Guide to Knitting Queen & O'Connell 2008 Circular Knitting Workshop Margaret Radcliffe 2012 Color Style: Innovative to traditional, 17 inspired designs to knit. Pam Allen & Ann Budd, eds. Colors of Shetland: Ten Signature Hand-Knit Designs Inspired by the Shetland Islands Kate Davies Complete Book of Traditional Aran Knitting Shelagh Hollingswoth 1982 Custom Fit Knit Jackets: Casual to Couture Jean Frost 2011 Custom Knits: Unleash Your Inner Designer with Top-Down & Improvisational Techniques Wendy Bernard 2008 Eclectic Sole: Socks for Adventurous Knitters Laidman, Janel Encyclopedia of Knitting, Donna Kooler's -
Knitters' Knews
Knitters’ Knews Vol. 34, Issue 7 March 2014 The Madison Knitters’ Guild meets the second Monday of each month September through May. Doors open at 5:00 pm • Meeting starts at 6:30 p.m. • Bishop O'Connor Center, 702 South High Point Rd, Madison, WI th The March 10 Meeting Features Gwen W. Steege, March Meeting: Author of Knitter’s Life List 5:00–6:30 pm: Doors Open Sign up at the Hospitality table, Senior Acquisitions Editor at Storey Publishing, Gwen has check out the Library, visit edited close to 200 books over the past 25 years. Her vendors, peruse Community first books were mostly gardening and cooking titles, Projects and seek out Knit Aid including collaborating with a pastry chef to write The 5:45 pm : Knit Connection Search for the Perfect Chocolate Chip Cookie. About 10 years What are You Knitting? ago, Gwen began acquiring, developing and editing books Gather in the Dining Room. on knitting, crocheting, spinning and weaving. This dream 6:30 pm: Meeting Starts job offers the opportunity to be completely immersed in Business Meeting, Guest what is not only a professional, but a personal, passion. Speaker, Break, Show N’ Tell, Her work has led to developing delightful relationships Door Prizes in Auditorium with knowledgeable and talented designers and authors across the country, with the result of deepening her own In This Issue: knowledge of many different fiber crafts. March’s Speaker – 1 The humbling, yet inspiring fact is that each time she learns a little more, she Message from the discovers how very much more there is to discover. -
Knitting Artists of Northern Virginia Library
Knitting Artists of Northern Virginia Library Index to Book Collection – 405 Books Updated April 22, 2016 TITLE INDEX Abstracts and Images. Andersen, Lee. 1994. Adorable Knits for Tots: 25 Stylish Designs for Babies and Toddlers. Mellor, Zoe. 2004. Donated by Ruth Ann Harrold. The Advanced Knitting Architect. Elalouf, Sion. 1987. Donated by Elaine Cook. Afghans: Traditional and Modern. Bray, Bonita. 1977. Donated by Joan Furtaw. Afghans to Knit and Crochet. Better Homes and Gardens. 1986. Alice Starmore’s Book of Fair Isle Knitting. Starmore, Alice. 1988. Donated by Dina & Steve Robbins in memory of her mother, Jean Shelton. All Sweaters in Every Gauge. Goldstein, Barbara. 1984. Donated by Ann Hagen. All Wound Up: The Yarn Harlot Writes for a Spin. Pearl-McPhee, Stephanie. 2011. Donated by Anne McCombs. American Collection. Vogue Knitting International. 2000. Donated by Dina & Steve Robbins in memory of her mother, Jean Shelton. America’s Knitting Book. Taylor, Gertrude. 1968. Andean Folk Knitting: Traditions and Techniques from Peru and Bolivia. LeCount, Cynthia Gravelle. 1993. Donated by Jean Fleming. Andean Inspired Knits: Designs in Luxurious Alpaca. Hamann, Helen. 2006. From the library of Susan Markarian. Aran from the Neck Down: A Much Neglected Traditional Irish Style: The Complete Manual. Falls, Dixie L. 1986. Aran Sweater Design. Szabo, Janet. 2003. Gift from Brenda FitzSimons, Owner of Uniquities. The Art of Knitting. Rogers, Jerry. 1991. The Art of Knitting. Butterick Publishing Company. 1892. At Knit’s End: Meditations for Women Who Knit Too Much. Pearl-McPhee, Stephanie. 2005. From the library of Kay Donaldson. KANV Member, 1985-2009. Knitter of the Year, 2000. -
Swahili Forum 13 (2006): Special Issue “Lugha Ya Mitaani in Tanzania”
SSWWAAHHIILLII FFOORRUUMM 1133 Edited by: Rose Marie Beck, Lutz Diegner, Clarissa Dittemer, Thomas Geider, Uta Reuster-Jahn SPECIAL ISSUE LUGHA YA MITAANI IN TANZANIA THE POETICS AND SOCIOLOGY OF A YOUNG URBAN STYLE OF SPEAKING WITH A DICTIONARY COMPRISING 1100 WORDS AND PHRASES Uta Reuster-Jahn & Roland Kießling 2006 Department of Anthropology and African Studies Johannes Gutenberg University Mainz, Germany ISSN 1614-2373 SWAHILI FORUM 13 (2006): SPECIAL ISSUE “LUGHA YA MITAANI IN TANZANIA” Content 1. Introduction: Lugha ya Mitaani 1 1.1 History of colloquial non-standard Swahili speech forms 1 1.2 Special forms of Lugha ya Mitaani 4 1.2.1 Campus Swahili 5 1.2.2 Secret codes derived from Swahili 5 1.2.3 Lugha ya vijana wa vijiweni 6 1.2.4 The language of daladalas 8 1.3 Overview of the article 9 2. Methodology 10 2.1 Field research 10 2. 2 Acknowledgements 12 2. 3 The making of the dictionary 12 3. Sociolinguistics of Lugha ya Mitaani 13 3.1 Lugha ya Mitaani as youth language 13 3.2 Knowledge, use and attitudes 14 3.3 Diachronic aspects of Lugha ya Mitaani 17 4. Lexical elaboration 18 4.1 Humans and social relations 20 4.1.1 Humans 20 4.1.2 Women 21 4.1.3 Men 23 4.1.4 Homosexuals 23 UTA REUSTER-JAHN & ROLAND KIEßLING 4.1.5 Social relationship 24 4.1.6 Social status 24 4.2 Communication 24 4.3 Body & Appearance 25 4.4 Economy, Money & Occupation 26 4.5 Sex 27 4.6 Drugs & Alcohol 28 4.7 Movement & Vehicles 28 4.8 Evaluative terms 29 4.9 Experience 30 4.10 Trouble & Violence 30 4.11 Crime & Police 30 4.12 Food 31 4.13 Disease 31 4.14 Geography & Place 32 4.15 Education 32 4.16 Sports 33 4.17 Weapons 33 4.18 Cultural innovation 33 4.19 Time 33 5. -
M Narrative Designs in Artworks from Burma/ Myanmar in the Náprstek
ANNALS OF THE NÁPRSTEK MUSEUM 41/2 • 2020 • (pp. 71–91) NARRATIVE DESIGNS IN ARTWORKS FROM BURMA/ MYANMAR IN THE NÁPRSTEK MUSEUM COLLECTIONS Fiona Kerlogue – Dagmar Pospíšilová1 ABSTRACT: This article gives an overview of material from Burma/Myanmar in the collections of the Náprstek Museum, with a focus on three types: lacquerware, silverware, and embroidery. Examples from the collection are linked by their use of narrative scenes as devices to embellish the surfaces, especially scenes from the life of the Buddha and scenes from the stories of his previous lives. Historical scenes are often depicted on lacquerware from Bagan. Techniques employed to decorate the objects are very much the same today as they were when the majority of the items discussed were made, that is in the 19th century. KEYWORDS: Burma/Myanmar – Náprstek Museum collections – arts and crafts – silverwork – lacquerware – tapestry embroidery/kalaga ATERIALIA The Burmese2 collection of the Náprstek Museum contains around five hundred items M in a range of types and materials. They include sculptures in metal, sandstone, marble, and wood. Figural wood carving is represented by small statues of the seated Buddha, and of nats and demons, some coated with gold lacquer and some decorated with tiny spangles and coloured glass beads. Painted figures of dancers, monks and courtiers are also included in the museum collection. The art of metal casting is represented by weights in the shapes of animals, bells, as well as weapons, exemplified by the dha (sword). The collection also contains a few examples of clothing and textiles, toys and marionettes representing popular characters from the traditional theatre.