Horror Movie Bracket

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Horror Movie Bracket First Round Second Round Regionals Semi-Finals Championship Semi-Finals Regionals Second Round First Round PSYCHO SHAUN OF THE DEAD PSYCHO SHAUN OF THE DEAD SUSPIRIA A HAUNTED HOUSE SHAUN OF THE PSYCHO DEAD MISERY THE BURBS STEPHEN KING'S IT THE BURBS STEPHEN KING'S IT SLITHER SHAUN OF JAWS THE DEAD ROSEMARY'S BABY THE LOST BOYS ROSEMARY'S BABY THE LOST BOYS PARANORMAL ACTIVITY JOHN DIES AT THE END BIG TROUBLE IN JAWS LITTLE CHINA JAWS BIG TROUBLE IN LITTLE CHINA BIG TROUBLE IN LITTLE JAWS CHINA SALEM'S LOT HATCHET HORROR COMEDY-HORROR ALIEN ARMY OF DARKNESS I KNOW WHAT YOU DID ALIEN LAST SUMMER I KNOW WHAT YOU DID LAST THE GATE SUMMER BUFFY THE VAMPIRE POLTERGEIST SLAYER NOSFERATU BUFFY THE VAMPIRE SLAYER BUFFY THE VAMPIRE POLTERGEIST SLAYER POLTERGEIST YOU'RE NEXT TEXAS CHAINSAW MASSACRE GREMLINS FREAKS GREMLINS TEXAS CHAINSAW MASSACRE GREMLINS THE TEXAS CHAINSAW MASSACRE CRITTERS TEXAS CHAINSAW MASSACRE GREMLINS THE THING TUCKER AND DALE VS. EVIL DRACULA: DEAD AND THE THING LOVING IT CANDYMAN DRACULA: DEAD AND LOVING IT THE EXORCIST CABIN IN THE WOODS THE EXORCIST CHAMPION CABIN IN THE WOODS THE RING LEPRECHAUN CABIN IN THE THE EXORCIST WOODS NIGHTMARE ON ELM STREET MONSTER SQUAD NIGHTMARE ON ELM STREET MONSTER SQUAD FRIDAY THE 13TH FROM DUSK TILL DAWN SILENCE CABIN IN OF THE THE LAMBS WOODS NIGHT OF THE LIVING DEAD RETURN OF THE LIVING DEAD NIGHT OF THE LIVING DEAD THE FACULTY CHILD'S PLAY THE FACULTY SILENCE OF THE LAMBS IDLE HANDS SILENCE OF THE LAMBS TREMORS SILENCE OF THE LAMBS IDLE HANDS THE BLAIR WITCH PROJECT IDLE HANDS HORROR COMEDY-HORROR THE SHINING EVIL DEAD 2 THE SHINING EVIL DEAD 2 ATTACK OF THE KILLER EVENT HORIZON TOMATOES THE SHINING EVIL DEAD 2 28 DAYS LATER DEAD ALIVE SAW DEAD ALIVE AMERICAN WEREWOLF IN SAW LONDON THE EVIL DEAD SHINING 2 Horror Movie Bracket First Round Second Round Regionals Semi-Finals Championship Semi-Finals Regionals Second Round First Round LET THE RIGHT ONE IN THE FRIGHTENERS LET THE RIGHT ONE IN THE FRIGHTENERS THE DEVIL'S BACKBONE SLEEPAWAY CAMP HALLOWEEN SCREAM HALLOWEEN SCREAM HALLOWEEN SCREAM KILLER KLOWNS FROM OUTER FRIGHT NIGHT SPACE.

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SLAV-T230 Vampire F2019 Syllabus-Holdeman-Final
The Vampire in European and American Culture Dr. Jeff Holdeman SLAV-T230 11498 (SLAV) (please call me Jeff) SLAV-T230 11893 (HHC section) GISB East 4041 Fall 2019 812-855-5891 (office) TR 4:00–5:15 pm Office hours: Classroom: GA 0009 * Tues. and Thur. 2:45–3:45 pm in GISB 4041 carries CASE A&H, GCC; GenEd A&H, WC * and by appointment (just ask!!!) * e-mail me beforehand to reserve a time * It is always best to schedule an appointment. [email protected] [my preferred method] 812-335-9868 (home) This syllabus is available in alternative formats upon request. Overview The vampire is one of the most popular and enduring images in the world, giving rise to hundreds of monster movies around the globe every year, not to mention novels, short stories, plays, TV shows, and commercial merchandise. Yet the Western vampire image that we know from the film, television, and literature of today is very different from its eastern European progenitor. Nina Auerbach has said that "every age creates the vampire that it needs." In this course we will explore the eastern European origins of the vampire, similar entities in other cultures that predate them, and how the vampire in its look, nature, vulnerabilities, and threat has changed over the centuries. This approach will provide us with the means to learn about the geography, village and urban cultures, traditional social structure, and religions of eastern Europe; the nature and manifestations of Evil and the concept of Limited Good; physical, temporal, and societal boundaries and ritual passage that accompany them; and major historical and intellectual periods (the settlement of Europe, the Age of Reason, Romanticism, Neo-classicism, the Enlightenment, the Victorian era, up to today).
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The Dracula Film Adaptations
DRACULA IN THE DARK DRACULA IN THE DARK The Dracula Film Adaptations JAMES CRAIG HOLTE Contributions to the Study of Science Fiction and Fantasy, Number 73 Donald Palumbo, Series Adviser GREENWOOD PRESS Westport, Connecticut • London Recent Titles in Contributions to the Study of Science Fiction and Fantasy Robbe-Grillet and the Fantastic: A Collection of Essays Virginia Harger-Grinling and Tony Chadwick, editors The Dystopian Impulse in Modern Literature: Fiction as Social Criticism M. Keith Booker The Company of Camelot: Arthurian Characters in Romance and Fantasy Charlotte Spivack and Roberta Lynne Staples Science Fiction Fandom Joe Sanders, editor Philip K. Dick: Contemporary Critical Interpretations Samuel J. Umland, editor Lord Dunsany: Master of the Anglo-Irish Imagination S. T. Joshi Modes of the Fantastic: Selected Essays from the Twelfth International Conference on the Fantastic in the Arts Robert A. Latham and Robert A. Collins, editors Functions of the Fantastic: Selected Essays from the Thirteenth International Conference on the Fantastic in the Arts Joe Sanders, editor Cosmic Engineers: A Study of Hard Science Fiction Gary Westfahl The Fantastic Sublime: Romanticism and Transcendence in Nineteenth-Century Children’s Fantasy Literature David Sandner Visions of the Fantastic: Selected Essays from the Fifteenth International Conference on the Fantastic in the Arts Allienne R. Becker, editor The Dark Fantastic: Selected Essays from the Ninth International Conference on the Fantastic in the Arts C. W. Sullivan III, editor Library of Congress Cataloging-in-Publication Data Holte, James Craig. Dracula in the dark : the Dracula film adaptations / James Craig Holte. p. cm.—(Contributions to the study of science fiction and fantasy, ISSN 0193–6875 ; no.
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Monster Squad
The Monster Squad by Alek J. Talevich (Based on the 1987 original film) Working Draft Daschwah LABS Bellingham, WA (626) 590-4765 FADE IN EXT. SEATONVILLE HARBOR - NIGHT The brackish waters of a modest commercial marina, with rows of contract fishing and cargo trawlers hugging the concrete strip of the waterfront and warehouse blocks. Fog hangs low over the water. All's quiet on the night watch, save for the dinging of buoys and slow churn of the tides. INT. HARBORMASTER'S OFFICE The cluttered office of the Harbormaster, manned by a single operator: a night watchman in his late fifties. Hokey nautical memorabilia hugs the walls, a coffee pot brews, and the watchman reads from a dog-eared paperback while seated before several security monitors. NIGHT WATCHMAN (singsong) My father's a poor missionary… he saves pretty women from sin… The silhouette of a man moves across the monitors, unnoticed by the sentry; pacing from one screen to the next, along the perimeter fence. NIGHT WATCHMAN (still singing) … he'll save you a blonde for five dollars… Lord, how the money rolls in. The sentry flips a page, not noticing as the intruder nonchalantly LEAPS over the twelve-foot high fence without missing a step, vanishing from the security cameras' view. CUT TO: 2. EXT. SEATONVILLE HARBOR Leather dress shoes touch down on the corrugated steel roof of a warehouse, as the intruder is revealed: CHARLES RUEGER, somewhere in his forties, bespectacled, his expression haunted. Dressed in a threadbare overcoat and the dirty, ripped trappings of what was once a three-piece suit underneath.
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Raven Leilani the Novelist Makes a Shining Debut with Luster, a Mesmerizing Story of Race, Sex, and Power P
Featuring 417 Industry-First Reviews of Fiction, Nonfiction, Children'sand YA books KIRKUSVOL. LXXXVIII, NO. 15 | 1 AUGUST 2020 REVIEWS Raven Leilani The novelist makes a shining debut with Luster, a mesmerizing story of race, sex, and power p. 14 Also in the issue: Raquel Vasquez Gilliland, Rebecca Giggs, Adrian Tomine, and more from the editor’s desk: The Dysfunctional Family Sweepstakes Chairman BY TOM BEER HERBERT SIMON President & Publisher MARC WINKELMAN John Paraskevas # As this issue went to press, the nation was riveted by the publication of To o Chief Executive Officer Much and Never Enough: How My Family Created the World’s Most Dangerous Man MEG LABORDE KUEHN (Simon & Schuster, July 14), the scathing family memoir by the president’s niece. [email protected] Editor-in-Chief For the past four years, nearly every inhabitant of the planet has been affected TOM BEER by Donald Trump, from the impact of Trump administration policies—on [email protected] Vice President of Marketing climate change, immigration, policing, and more—to the continuous feed of SARAH KALINA Trump-related news that we never seem to escape. Now, thanks to Mary Trump, [email protected] Ph.D., a clinical psychologist, we understand the impact of Donald Trump up Managing/Nonfiction Editor ERIC LIEBETRAU close, on his family members. [email protected] It’s not a pretty picture. Fiction Editor LAURIE MUCHNICK The book describes the Trumps as a clan headed by a “high-functioning [email protected] Tom Beer sociopath,” patriarch Fred Trump Sr., father to Donald and the author’s own Young Readers’ Editor VICKY SMITH father, Fred Jr.
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Horrorhound 33(C2c)(2012)(Re Em DCP)
HOP Movie News « Comics « Action Figures « Biu-rays ^ GORE! Jan/Feb 2012 $6.99 THE HOME ORIGINAL AND r EHRAORDINARY FICTION IGHTMARE ICITY^ OR THESE AHD MAHY OTHER CLASSICS KOj^JtlS "At Samhain, we 're committed to bringingyou the very best in " horror every month. —Don D'Auria, Executive Editor JM iWWW.samhainhorroncom' HQRReR IS mmFi Till EXCLUSIVE INTERVIEW-. ' wi th \ OHfb^ C USA'C K w’ E'S E AND, J, AM K^CT;E EG u m -r ^ HORRORHOUND LTD. r.O. Box 710 Jlilforrt, OH 45150 Dear HorrorHound, "Monster Mash” on the radio, the Aurora Models and the HORROIUIOUND I would like to let you know that I’m a big fan of your newsstand invasion of monster magazines like Famous magazine. I have been a true fan of horror since I was 7 Monsters, Castle of Frankenstein, Horror Monsters and Publisher JEREjVry SHELDON years of age. I’m currently 29, and love horror even on and on. I’ve never lost my fascination for horror and more. My favorites are Halloween (1978), Halloween 2 fantasy films (despite the many turkeys I've been privi- Editor-iu-Chief NATHAN HANNE]\IAN (1981) and My Bloody Valentine (1981). Being a child leged to watch during the last five decades), and I’ve bom in 1982 during the era when slasher films ruled is bought and read most of the mags that have come and Managing Editor renting of AARON CROWELL quite interesting. I collect slasher films and was also writ- gone over the years, not to mention scads VHS ing to ask if you know of any establishments or Web sites tapes and DVDs since the video explosion in the '80s.
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Characterizing an ￢ﾀﾜimpossible￢ﾀﾝ Subgenre
7KH&KLOGUHQ·V+RUURU)LOP&KDUDFWHUL]LQJDQ´,PSRVVLEOHµ6XEJHQUH &DWKHULQH/HVWHU 7KH9HOYHW/LJKW7UDS1XPEHUSS $UWLFOH 3XEOLVKHGE\8QLYHUVLW\RI7H[DV3UHVV )RUDGGLWLRQDOLQIRUPDWLRQDERXWWKLVDUWLFOH KWWSVPXVHMKXHGXDUWLFOH Access provided by University of Warwick (2 Sep 2016 12:36 GMT) THE CHILDREN’S HORROR FILM Characterizing an “Impossible” Subgenre BY CATHERINE LESTER ABSTRACT The relationship between children and horror is fraught with tension, with children typically assumed to be vulnerable, impressionable, and in need of protection from horrific media lest they become “corrupted” by it. Despite this, a number of hor- ror films intended specifically for the child demographic have been made since the 1980s. This article situates the children’s horror subgenre in a generic and industrial context and addresses the key issues that its existence raises: the development of children’s horror as a subgenre in Hollywood; how children’s horror films, which, due to their target audience, must be inherently “less scary” than adult horror films, medi- ate their content, and negotiate issues of censorship in order to be recognizably of the horror genre while remaining “child-friendly”; and what pleasures the subgenre might serve its audience. The discussion concludes with analysis of the theme of “acceptance” in relation to the films ParaNorman (2012), Frankenweenie (2012), and Hotel Transylvania (2012): acceptance of monsters, of other people, and of the con- sumption of the horror genre as a valid children’s pastime. HILDREN ARE TRADITIONALLY CONSIDERED INNOCENT, VULNERABLE, AND IMPRESSIONABLE beings. Horror, which is typically considered a genre for adults, is one particular area of Cthe media from which children are often thought of as needing protection; however, re- search shows that children’s enjoyment of horror films goes back to at least as early as the advent of sound cinema,1 and the number of horror films made specifically for the child demographic has been steadily increasing since the 1980s.
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Phases of the Moon
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MONSTER FREAK a Ready-To-Go Module for Henshin!: a Sentai RPG
Henshin!: A Sentai RPG MONSTER FREAK A Ready-To-Go Module for Henshin!: A Sentai RPG Written by Tim Batiuk & Sam Kusek Illustrated by Emmett Helen Find more at henshingame.com ©2020 Cave of Monsters Games Bell Hill, a town renowned for ghastly folktales and classic monster movies filmed on location, is home to a scary secret discovered by a group of young citizens. When they find out that the long-gone mon- sters were real and were protecting the town from a far greater evil, these teens are bestowed with the monsters’ powers and a duty: Protect the people of Bell Hill! Designer Notes This module borrows from classic movie monsters, especially those featured in Universal Studios films from the 1920s to 1950s. The aesthetic is distinct and anchored in popular imagination, which helps get “Monster Freak” to the table. Also, sentai heavily features monsters as the antagonists, much like in these classic films, except we often sympathize with these horrific creatures when we see the transformations they underwent to become that scarier self. What if when the teens in “Monster Squad” transformed into masked heroes, they also took on these monstrous forms, and the civilians then had to reconsider who the true mon- sters really are? Henshin!: A Sentai RPG Color Aesthetics Community & Cast First Session Hooks Dracula Setting: Bell Hill, a sleepy town that was once the An opening scene to draw the Colors into the Mysterious, elegant, and cunning, the vampire lurks filming location of old monster movies action could include: in the shadows… Base: The abandoned Bela Theatre, a once- • An out-of-town amateur film crew arrives in Bell Suit detail: Shadow cloak ornate movie house that is home to the Phantom Hill to dig up local legends for their documenta- ry.
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The Ultimate Halloween Movies List
THE ULTIMATE HALLOWEEN MOVIES LIST Family-Friendly Halloween Horror Comedic John Carpenter's Halloween Documentary Halloween II It's the Great Pumpkin, Charlie Brown Halloween III: Season of the Witch The Nightmare Before Christmas Halloween 4: The Return of Michael Frankenweenie Myers Disney's Halloween Treat Halloween 5: The Revenge of Young Frankenstein Michael Myers Ghostbusters Fun Size Halloween 6: The Curse of Michael Goosebumps: The Haunted Mask Myers Goosebumps: The Haunted Mask II Halloween H20 Hocus Pocus Rob Zombie's Halloween The Witches Rob Zombie's Halloween II Beetlejuice Don't Look Under the Bed House of 1000 Corpses Double, Double, Toil and Trouble Idle Hands Ernest Scared Stupid The Guest The Halloween Tree Sleepy Hollow Casper The Rocky Horror Picture Show Halloweentown Halloweentown II: Kalabar's Revenge I Am Not a Serial Killer Halloweentown High Tales of Halloween Return to Halloweentown The Houses October Built The Addams Family The Houses October Built 2 Addams Family Values Hell House, LLC Once Bitten WNUF Halloween Special How We First Met Tower of Terror Night of the Demons The American Scream Boys in the Trees Twitches All Hallows' Eve Mean Girls Satan's Little Helper A Cinderella Story May The Adventures of Ichabod and Mr. Toad Mad Monster Party Lady in White The Monster Squad Ginger Snaps Halloween is Grinch Night Trick 'r Treat The Haunted Mansion 31 Monster House Fear, Inc. Boo! A Madea Halloween Something Wicked This Way Comes Donnie Darko The American Scream Pumpkinhead Haunters: The Art of the Scare mrandmrshalloween.com.
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The Children's Horror Film
A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/90706 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications The Children’s Horror Film: Beneficial fear and subversive pleasure in an (im)possible Hollywood subgenre Catherine Lester A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in Film and Television Studies Department of Film and Television Studies University of Warwick October 2016 Table of Contents Acknowledgements .................................................................................................................. 4 Declaration of Inclusion of Published Work ............................................................................ 5 Abstract .................................................................................................................................... 6 List of Illustrations .................................................................................................................... 7 Introduction – Thinking of the Children ......................................................................... 11 Structure and Aims ...........................................................................................................
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TFH Catalog 2017 03062017.Pdf
TFH # Trailer Guru Runtime Genre Release Year TFH-0001 The T.A.M.I. Show John Landis 4:05 Musical 1964 TFH-0002 House on Haunted Hill Mick Garris 2:53 Horror 1959 TFH-0003 The Terror Joe Dante 2:56 Drama 1959 TFH-0004 The Unearthly Joe Dante 2:36 Horror 1957 TFH-0005 The Incredible Petrified World Joe Dante 2:02 Science Fiction 1957 TFH-0006 Danger Diabolik Edgar Wright 2:39 Action 1968 TFH-0007 The Fiendish Ghouls Joe Dante 2:55 Horror 1965 TFH-0008 X - The Man with the X-Ray Eyes Mick Garris 2:34 Science Fiction 1963 TFH-0009 The Fall of the Roman Empire John Landis 4:34 Drama 1964 TFH-0010 The Vampire Lovers Mick Garris 2:33 Horror 1970 TFH-0011 Journey to the Lost City Sam Hamm 2:15 Western 1954 TFH-0012 Colossus: The Forbin Project John Landis 3:27 Science Fiction 1970 TFH-0013 Monster From Mars A.K.A. Robot Monster Joe Dante 2:00 Science Fiction 1953 TFH-0014 House of Usher Mary Lambert 2:49 Horror 1960 TFH-0015 Spartacus Larry Cohen 3:04 Adventure 1960 TFH-0016 These Are The Damned Joe Dante 4:14 Science Fiction 1962 TFH-0017 Attack of the 50 Foot Woman Joe Dante 2:33 Science Fiction 1958 TFH-0018 God Told Me To A.K.A. Demon Mick Garris 1:30 Horror 1976 TFH-0019 Kronos Sam Hamm 2:25 Science Fiction 1957 TFH-0020 Village of the Damned Mary Lambert 2:23 Science Fiction 1960 TFH-0021 Invaders From Mars Larry Cohen 2:40 Science Fiction 1953 TFH-0022 The Pit and the Pendulum Mary Lambert 2:43 Horror 1961 TFH-0023 The Cyclops Joe Dante 2:23 Science Fiction 1957 TFH-0024 She Demons Joe Dante 2:07 Horror 1958 TFH-0025 13 Ghosts Sam Hamm 2:49 Fantasy 1960 TFH-0026 Black Sunday AKA-Mask of the Demon Larry Cohen 2:15 Horror 1961 TFH-0027 Dr.
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Sample File Back Hatcher Free Creature for the Mutant Epoch RPG Page 2 of 6
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