DOCSLIB.ORG

Life Strategies. Part Two: Literature

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Life Strategies. Part Two: Literature Life Strategies Part Two: Literature - DRAFT - Florentin Smarandache, Ph D Associate Professor Chair of Department of Mathematics & Sciences University of New Mexico, Gallup, USA edited by V. Christianto ILQ 2008 1 This book can be ordered in a paper bound reprint from: Books on Demand ProQuest Information & Learning (University of Microfilm International) 300 N. Zeeb Road P.O. Box 1346, Ann Arbor MI 48106-1346, USA Tel.: 1-800-521-0600 (Customer Service) http://wwwlib.umi.com/bod/basic Copyright 2008 by InfoLearnQuest (Ann Arbor) and the Author Many books can be downloaded from the following Digital Library of Science: http://www.gallup.unm.edu/~smarandache/eBooks-otherformats.htm Peer Reviewers: Dr. Sukanto Bhattacharya, Department of Business Administration, Alaska Pacific - University, U.S.A. Prof. Dr. Adel Helmy Phillips. Ain Shams University, 1 El-Sarayat st., Abbasia, 11517, Cairo, Egypt. V. Christianto, sciprint.org, Jakarta - Indonesia. (ISBN-10): 1-59973-0-52-9 (ISBN-13): 978-1-59973-052-3 (EAN): 9781599730523 Printed in the United States of America 2 LIFE STRATEGIES. PART TWO: LITERATURE By Florentin Smarandache PREFACE “Think like a man of action, act like a man of thought,” says H. Louis Bergson. This small book collects some ideas, hints and methods in various aspects of art and literature. Here you can find novel ideas for experimental literature, new genre of poems and countless other things about nothing. This book is rather a draft, or fragments of a draft. If for nothing else, the (random) sentences listed here at least can stimulate further thoughts and ideas – for instance, young writers and artists may find plenty of interesting ideas for their next literary work (or best-selling novels) in ‘Experimental Literature’ section. In a sense, this book itself is an experimental one. Needless to say, the readers may find that some of these ideas are quite absurd or seemingly outlandish, just like an absurd idea in Umberto’s Foucault Pendulum, where the personages discuss possibility to teach inappropriate courses such as ‘City planning for Gypsies’ etc. These ideas were either collected or inspired from author's various lectures of books, journals, newspapers, TV and radio shows, personal conversations. I started to write down such ideas since I was a high school student and continue even today - I always bear with me a small pen and small notebook where I write in the plane, or when driving my car, or even in class room. But I hope that despite three decades of postponement, this small book will keep on inspiring the reader, as good ideas will always be worth to ponder. Editorial note: some of the sentences (proverbial lines) here are specific to Romanian prose-writers and poets, some others reflect author’s personal opinion. But the remaining parts are generally quite accessible to most readers. “The wisdom of the wise and the experience of ages, May be preserved by quotations.” -- I. Disraeli Gallup, New Mexico, Feb. ‘08 F. S. 3 CONTENTS (PART TWO) PREFACE …………………………………………3 CONTENTS.....................................................................4 LIFE STRATEGIES 1. Life Strategies in Literature ...................................5 2. Life Strategies in Internet literature......................17 3. Life Strategies in Experimental Literature ........20 3.1. Junk Book .............................................................32 3.2. A-Poems, A-Literature ......................................47 3.3. Encyclopoetry ......................................................56 3.4. Semagraphy .........................................................91 3.5. The Literary Paradoxist Movement ................95 3.6. Tri-Dimensional Poetry .....................................96 3.7. The Assault on Culture ....................................100 3.8. Underground Writing .......................................108 3.9. The Japan Tanka Poet's Club .........................126 4. Life Strategies for Experimental Book .............128 4 1 LIFE STRATEGIES IN LITERATURE • A literary opera made of collages; • Arabic style; • Calculated eccentricity (A. E. Baconsky); • Ostentation garments; • The great art of spectacle; • That who creates has a need of excesses; • To pose as blamable; • Esthetic bizarre; • Don’t subscribe to the norm; • Nonconformist; • Literary disorder; • Self abandonment; • Be an action man; • Abstract theatre (Felix Aderca); • The auto-destruction and the death of literature (Adrian Marino); antipoetic, anti- author, anti-talent, anti-vocation; the surpassing of the literature; anti-literature; ultra- literature; par-literature; a-literature; “On one side, nothing is literature, on the other side everything is or could be literature. The notion of literary genus disappears.” The literature condition = the total elimination of the idea of intention, value, and hierarchy; • How is good to be? The rule of RQC: Read, quoted, commented; • A music score in poetry; • Travel a lot for inspiration; • Organize competitions for studying your literary opera; (students); • Counterculture (Şerban C. Andronescu): the misrepresentation of the aesthetic, social, moral, politic categories; no distinction between nice and ugly, good and bad, moral and immoral, hero and villainous; • Theatre on the street; • Pantomime and dance (Dan Puric and Carmen Ungureanu); • The same spectacle to be different from a representation to another; • Write from the inside of a personage, but, also from exterior (seen by others); [like in “Madame Bovary”, by Flaubert]; • Dedicate yourself totally to the subject that you write about, put aside everything else; 5 • The sensational captures the attention; • Personages-authors; • A fictional opera could have more than one author (Mihaela Albu); • Be actual (i. e. read); • To tell something to future generations; • Critical literature; • When you get an idea, write it down immediately; • Wings’ theatre; • Poems with verbs at past tense and slang, popular expressions; • Submarine paintings; • Roman (novel) in which the criminal/thief is never caught (not even known), the enigma is not solved; • The re-apparition of personages from a book to another (Balzac); placing the whole opera under one title (“Human Comedy”) [as an unitary system]; • Alternative culture; • Marguerite Yourcenar (roman about lesbians); Latin expressions • Nihil novi sub sole = nothing new under sun; • Non idem est si duo dicunt idem = many times something smells fly, but in fact sounds like cheese; • Be able to forecast events; • Information analysis; • Automated communication; • Technical surprise; • Techno-terrorism; • People hate you if you are successful; analogue if you are wealthy, happy, handsome; • There are conspirators against you; • Circular poisonous letters addressed to your adversaries; • Planned, organized, sustained disinformation; • Repeating many times the same thing, by many people, from various places, in diverse journals, would make people accept it. o If it is new, the people would say that’s better; o If a famous person used it, ordinary people will accept it; o Usage of key words; o Appeal to sentimentalism for your ideas to be accepted; o Numerous references to you; • Disappointment; the way how you lie; • Be able to operate under supervision; 6 • Your facial muscle shouldn’t give up your feelings; • The battle of minds (brains); • Ideological supremacy; • LSD – hallucinogen; • There are substances, radiations, electromagnetic energies whose radiations of various frequencies and intensities could produce modifications in the population’s comportment (Dumitru Prunariu); • Keep up to date; • Be non-conventional; • Be a participant to an event, no spectator; • Build your own luck; • The governments “train cyber-solders to attack and spy on the enemy through the computer and to produce hits from the distance” (A. Hanning); • Hackers attack information networks; • Supervision of the e-mails; • The interception of telephone, fax, telex, e-mail anywhere in the world; • Usage of communication satellites; • Hacking of state; • Obtaining the passwords of servers using special dictionaries in many languages and search for letters combinations; • Electronic pursuance; • Decoding the ciphers; • Supercomputers; • Choose your allies in function of various conjunctures; • The hackers make modifications to sites; • Cyber war = cybernetic war; • Braking into programs; • Hacker = breaker; creators of viruses; • Insistence, perseverance, powerful will, continuous work; predisposition to conflict; • Measure your life energy; • Control your relaxation; • Learn to direct the energy flowing from your body; • Develop your ability to concentrate; • A healthier lifestyle; • To manipulate others; • To become a new person any time you want; • To fabricate a new identity for yourself; • Invent stories (or cover stories) learn to extract information from others; • The enemy fakes his friendship; • To resist to stress, pressure, tricks; • To anticipate; 7 • Have a credible cover story; • If the enemy is good to you, pay attention, he’s trapping you; • Control yourself; • Surveillance team; • Place for inconsistencies; • Meteorological war (HAARP = High Frequency Active Auroral Research Program.); • Impact on short, medium, long term; • Resistant to stress; • Rapid adaptation to new changes; • Be as energetic as you can; • Rich in information; • Self control; • Coordination of your work using the internet; • The radio and television as propaganda weapons; • Paid publicity campaign (public opinion is very important); • “The justice
Load more

Recommended publications
  • Locating Poems Inside the Quotidian | Axon: Creative Explorations
    Locating poems inside the quotidian | Axon: Creative Explorations https://www.axonjournal.com.au/issue-vol-9-no-1-may-2019/locating-... LOCATING POEMS INSIDE THE QUOTIDIAN Found poetry borrows from other writers – from different writings, artefacts, and sources – always attributing and referencing accurately. In this paper, regional daily newspapers and their front page headlines are privileged as primary texts, the Found Poetry performing as nonfiction lyrical collage, with applied rules, nestling beside them. Considering the notion that contemporary poetry ‘inhabits language’, this paper uses three forms of Found Poetry – erasure, free-form and research – to test and demonstrate both literally and metaphorically, its veracity. Implicitly nonfiction, these poems create a nuanced and rhythmic lineated transcript of Australian life, derived from regional legacy newspapers, while they endure. Furthermore, using a comparative textual method, the aesthetics of Found Poetry is established visually. This paper is the second in a series derived from the beginnings of a research project into Australian legacy newspaper stories and Found Poetry. The first was a sequence of prose poems; this second collection is lineated and contributes to the notion of poetry mediating and enriching our understanding of the reality of the everyday. Keywords: Found Poetry – Australian outback – lyrical collage – legacy newspapers – lineation Introduction There are many definitions of Found Poetry, understandably echoing each other. My definition is simply: Found Poetry is lyrical textual collage, with rules. The rules create a writing to constraint paradigm, which is as evocative as it is challenging. My research into this area is relatively new but there is one notion I am certain of from these early forays – poetry is as ubiquitous as language: our earliest sense of sound, in most countries globally, is lyrical or poetic, in culturally differentiated lullaby and song, hummed or whispered into our ears, if we are fortunate enough, by our mothers/parents/family.
    [Show full text]
  • Eminescu – Mit Al Spiritualităţii Noastre
    eseu Eugen Simion EMINESCU – MIT AL SPIRITUALITÃÞII NOASTRE Se împlinesc 115 ani de la moartea lui Mihai Eminescu, aceastã greºealã. O mare poezie rezistã acestor confruntãri, în poetul despre care Maiorescu credea, în 1889, cã este „un om fond, o mare operã existã ca atare ºi învinge timpul pe mãsurã al timpului modern” ºi cã „pe cât se poate omeneºte prevedea, ce întâmpinã ºi convinge generaþiile noi de cititori. literatura poeticã românã va începe secolul al XX-lea sub În fine, faptul cã Eminescu este folosit, azi ca ºi ieri, în auspiciile geniului lui, ºi forma limbii naþionale care ºi-a gãsit confruntãrile politice ºi cã în jurul numelui sãu continuã sã (în el) cea mai frumoasã înfãptuire pânã astãzi, va fi punctul prolifereze o literaturã encomiasticã este în afarã de orice de plecare pentru toatã dezvoltarea viitoare a vestmântului discuþie. Este, cum am spus ºi altã datã, un fenomen de care cugetãrii româneºti”. Previziuni adeverite. Poezia româneascã nu scapã nici un mare creator. Existã, adevãrat, o „mediocritate din secolul care s-a încheiat nu de mult a pornit, într-un chip a elogiilor” (cum zice cineva), care asfixiazã opera vie a poetului, sau altul, de la Eminescu, chiar ºi atunci când s-a îndepãrtat dar trebuie sã recunoaºtem cã, în aceeaºi mãsurã, este ºi o de el (cazul simbolismului, cazul Blaga, cazul – mai complex – „modalitate a contestaþiei” lui Eminescu. Tot atât de intolerantã, al inclasabilului Arghezi). Eminescu a devenit un model cultural fudulã ºi parazitarã... Soluþia este sã nu ne despãrþim de ºi, cu timpul, un mit al spiritualitãþii noastre.
    [Show full text]
  • TEEN ZINE Fall 2014 Issue 1 Collage by Haneen E
    Pasadena Public Library Made by teens for teens TEEN ZINE Fall 2014 Issue 1 Collage by Haneen E. (TAB) Cover art by Medar de la Cruz Page layouts by the 2014 Teen Advisory Board (TAB), Jane Gov, and Kevin Crain Contents Librarian’s message 2 Page 3 Book Festival 3 Flash Fiction 5 Art Contest 7 Page 7 Open Mic Night 9 Poems 10 Roaring 20s Night 15 Photo Contest 16 DIY Clocks 17 Page 15 Top Ten Picks 20 Book Reviews 24 Book Clubs 27 Banned Books 30 Teen Advisory Board 32 Page 17 Page 16 1 Librarian’s message Welcome readers: This is our very first Teen Zine! Everything featured in this issue was either selected or created by our library teens, or it is in celebration of teens, teen literature, or teen ser- vices at Pasadena Public Library. All art and writing in this issue was written, created, or prompted by one of our teen pro- grams. The Teen Advisory Board has made many contributions to this zine including book selections, artwork, writing, and the very layout itself. I am thankful for the multitude of very talented and supportive individuals who helped make this hap- pen! Jane Gov, Youth Services Librarian [email protected] Cool Sites for Available 24/7! Free resources for homework, college, career, web editing, creating online content, art, creative writing, games, self help, book lists, and more! Visit http://cityofpasadena.libguides.com/webteen 2 Pasadena Teen Book Festival On April 26, nearly 150 guests gath- ered at Central Library to meet, get books signed, and hear 20 YA and middle grade authors speak at the 2014 Pasade- Andrew Smith signing a copy of his book, Grasshopper Jungle.
    [Show full text]
  • Eminescu Și Romantismul German Zoe Dumitrescu-Bușulenga
    Când vorbesc despre Mihai Eminescu mi se pare că întreprind o acţiune sacerdotală. F „C C. A. Z D-B – M B Caietele de la Putna 3, III – 2010 Apare cu binecuvântarea Înalt Preas nţitului Pimen, Arhiepiscop al Sucevei şi Rădăuţilor În căutarea absolutului: Eminescu C: D H, E S, A Z, A C, G Ș, C U , I P, E S, G G, M D, I L, M Ș, S L, L C, V C, E D, I M, C-R Ș-N, R H, N R, O G E, I M, N P C: B M, L L, D H, D C E : N P IAR CERUL ESTE TATĂL MEU / ŞI MUMA MEA E MAREA „Eminescu şi romantismul german” de Zoe Dumitrescu-Buşulenga, într-un nou veşmânt editorial D H, E S, L C, S L, I T P, I D D ISSN 1844–7791 © Fundaţia „Credinţă şi Creaţie. Acad. Zoe Dumitrescu-Buşulenga – Maica Benedicta” Editura Nicodim Caligraful Mănăstirea Putna, 2010 Tel. : 0230 414 055 Fax: 0230 414 119 Argument Fundaţia „Credinţă și Creaţie. Academician Zoe Dumitrescu-Bușulenga – Maica Benedicta”a organizat, în perioada 19-22 august 2009, colocviul internaţional cu tema „În căutarea absolutului: Eminescu”, prilejuit de comemorarea a 120 de ani de la trecerea în veșnicie a celui mai mare poet al românilor. Manifestarea s-a constituit ca un omagiu adus celei care a meditat o viaţă întreagă la sensurile poeziei eminesciene: academician Zoe Dumitrescu-Bușulenga. „Când vorbesc despre Mihai Eminescu mi se pare că întreprind o acţiune sacerdotală”, mărturisea ea. S-au reunit, la Putna, exegeţi consacraţi și iubitori ai operei lui Eminescu (din România, Republica Moldova, Italia și Ucraina), personalităţi reprezentative ale culturii române actuale, tineri doctoranzi și cercetători ai poeziei, prozei și publicisticii eminesciene.
    [Show full text]
  • Youth Uprising the Lettrist Alternative to Post-War Trauma
    Please, return this text to box no. 403 available at museoreinasofia.es Youth Uprising The Lettrist Alternative to Post-War Trauma Lettrism was the first art movement after the Second World War to reintroduce the radicalism of the first avant-garde trends, particularly Dada and Surrealism, and became a communicating vessel for the Neo-avant- garde trends that followed. Lettrism is conceived as a total creative movement, a movement that doesn’t forsake any medium or field of action: poetry, music, film, visual arts or drama. Isou managed to place Lettrism ‘at the vanguard of the avant-garde,’ in contrast with the decline of Dada and Surrealism. During this period Lettrism acquired the true dimension of a group, although the first differences appeared almost at once, producing a split that some years later and in concurrence with other cells of rebe- llious creativity would give rise to the Si- tuationist International. By order of mem- bership, the individuals who joined the first Lettrism is one of the few avant-garde isms that still have a secret history. With the ex- Lettrist group included Gabriel Pomerand, ception of France, its native and almost exclusive soil (radiant Paris, to be more precise), François Dufrêne, Gil Joseph Wolman, the movement was only known superficially, remotely and partially. Ironically, Lettrism Jean-Louis Brau, Serge Berna, Marc’O, is often referred to as an episode prior to Situationism, given the mutual disdain and the Maurice Lemaître, Guy-Ernest Debord, ruthless insults the groups levelled at each other. Furthermore, it is a very complex move- Yolande du Luart and Poucette.
    [Show full text]
  • Examining the Relationship Between Children's
    A Spoonful of Silly: Examining the Relationship Between Children’s Nonsense Verse and Critical Literacy by Bonnie Tulloch B.A., (Hons), Simon Fraser University, 2013 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Children’s Literature) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) December 2015 © Bonnie Tulloch, 2015 Abstract This thesis interrogates the common assumption that nonsense literature makes “no sense.” Building off research in the fields of English and Education that suggests the intellectual value of literary nonsense, this study explores the nonsense verse of several North American children’s poets to determine if and how their play with language disrupts the colonizing agenda of children’s literature. Adopting the critical lenses of Translation Theory and Postcolonial Theory in its discussion of Dr. Seuss’s On Beyond Zebra! (1955) and I Can Read with My Eyes Shut! (1978), along with selected poems from Shel Silverstein’s Where the Sidewalk Ends (1974), A Light in the Attic (1981), Runny Babbit (2005), Dennis Lee’s Alligator Pie (1974), Nicholas Knock and Other People (1974), and JonArno Lawson’s Black Stars in a White Night Sky (2006) and Down in the Bottom of the Bottom of the Box (2012), this thesis examines how the foreignizing effect of nonsense verse exposes the hidden adult presence within children’s literature, reminding children that childhood is essentially an adult concept—a subjective interpretation (i.e., translation) of their lived experiences. Analyzing the way these poets’ nonsense verse deviates from cultural norms and exposes the hidden adult presence within children’s literature, this research considers the way their poetry assumes a knowledgeable implied reader, one who is capable of critically engaging with the text.
    [Show full text]
  • The Art of Hans Arp After 1945
    Stiftung Arp e. V. Papers The Art of Hans Arp after 1945 Volume 2 Edited by Jana Teuscher and Loretta Würtenberger Stiftung Arp e. V. Papers Volume 2 The Art of Arp after 1945 Edited by Jana Teuscher and Loretta Würtenberger Table of Contents 10 Director’s Foreword Engelbert Büning 12 Foreword Jana Teuscher and Loretta Würtenberger 16 The Art of Hans Arp after 1945 An Introduction Maike Steinkamp 25 At the Threshold of a New Sculpture On the Development of Arp’s Sculptural Principles in the Threshold Sculptures Jan Giebel 41 On Forest Wheels and Forest Giants A Series of Sculptures by Hans Arp 1961 – 1964 Simona Martinoli 60 People are like Flies Hans Arp, Camille Bryen, and Abhumanism Isabelle Ewig 80 “Cher Maître” Lygia Clark and Hans Arp’s Concept of Concrete Art Heloisa Espada 88 Organic Form, Hapticity and Space as a Primary Being The Polish Neo-Avant-Garde and Hans Arp Marta Smolińska 108 Arp’s Mysticism Rudolf Suter 125 Arp’s “Moods” from Dada to Experimental Poetry The Late Poetry in Dialogue with the New Avant-Gardes Agathe Mareuge 139 Families of Mind — Families of Forms Hans Arp, Alvar Aalto, and a Case of Artistic Influence Eeva-Liisa Pelkonen 157 Movement — Space Arp & Architecture Dick van Gameren 174 Contributors 178 Photo Credits 9 Director’s Foreword Engelbert Büning Hans Arp’s late work after 1945 can only be understood in the context of the horrific three decades that preceded it. The First World War, the catastro- phe of the century, and the Second World War that followed shortly thereaf- ter, were finally over.
    [Show full text]
  • Pushkin and the Futurists
    1 A Stowaway on the Steamship of Modernity: Pushkin and the Futurists James Rann UCL Submitted for the Degree of Doctor of Philosophy 2 Declaration I, James Rann, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 3 Acknowledgements I owe a great debt of gratitude to my supervisor, Robin Aizlewood, who has been an inspirational discussion partner and an assiduous reader. Any errors in interpretation, argumentation or presentation are, however, my own. Many thanks must also go to numerous people who have read parts of this thesis, in various incarnations, and offered generous and insightful commentary. They include: Julian Graffy, Pamela Davidson, Seth Graham, Andreas Schönle, Alexandra Smith and Mark D. Steinberg. I am grateful to Chris Tapp for his willingness to lead me through certain aspects of Biblical exegesis, and to Robert Chandler and Robin Milner-Gulland for sharing their insights into Khlebnikov’s ‘Odinokii litsedei’ with me. I would also like to thank Julia, for her inspiration, kindness and support, and my parents, for everything. 4 Note on Conventions I have used the Library of Congress system of transliteration throughout, with the exception of the names of tsars and the cities Moscow and St Petersburg. References have been cited in accordance with the latest guidelines of the Modern Humanities Research Association. In the relevant chapters specific works have been referenced within the body of the text. They are as follows: Chapter One—Vladimir Markov, ed., Manifesty i programmy russkikh futuristov; Chapter Two—Velimir Khlebnikov, Sobranie sochinenii v shesti tomakh, ed.
    [Show full text]
  • Examining the Relationship Between Children's Nonsense Verse And
    A Spoonful of Silly: Examining the Relationship Between Children’s Nonsense Verse and Critical Literacy by Bonnie Tulloch B.A., (Hons), Simon Fraser University, 2013 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Children’s Literature) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) December 2015 © Bonnie Tulloch, 2015 Abstract This thesis interrogates the common assumption that nonsense literature makes “no sense.” Building off research in the fields of English and Education that suggests the intellectual value of literary nonsense, this study explores the nonsense verse of several North American children’s poets to determine if and how their play with language disrupts the colonizing agenda of children’s literature. Adopting the critical lenses of Translation Theory and Postcolonial Theory in its discussion of Dr. Seuss’s On Beyond Zebra! (1955) and I Can Read with My Eyes Shut! (1978), along with selected poems from Shel Silverstein’s Where the Sidewalk Ends (1974), A Light in the Attic (1981), Runny Babbit (2005), Dennis Lee’s Alligator Pie (1974), Nicholas Knock and Other People (1974), and JonArno Lawson’s Black Stars in a White Night Sky (2006) and Down in the Bottom of the Bottom of the Box (2012), this thesis examines how the foreignizing effect of nonsense verse exposes the hidden adult presence within children’s literature, reminding children that childhood is essentially an adult concept—a subjective interpretation (i.e., translation) of their lived experiences. Analyzing the way these poets’ nonsense verse deviates from cultural norms and exposes the hidden adult presence within children’s literature, this research considers the way their poetry assumes a knowledgeable implied reader, one who is capable of critically engaging with the text.
    [Show full text]
  • Study Regarding Attractions and Tourist Objectives from Dolj County
    Chirila M. et al./Scientific Papers: Animal Science and Biotechnologies, 2019, 52 (2) Study Regarding Attractions and Tourist Objectives from Dolj County Mariana Chirilă1, Daniel Chirilă1, Claudia Sîrbulescu2* 1Polytechnic University Timisoara, Piața Victoriei, No.2, Romania 2Banat’s University of Agricultural Sciences and Veterinary Medicine "King Michael I of Romania" from Timisoara, Faculty of Management and Rural Tourism, Calea Aradului, No 119, Romania Abstract Oltenia, although it is less known, is of surprising complexity where there are countless monasteries and hermitages, resorts with "waters that make wonders", villages with old wooden churches, caves, gorges and wonderful wings. Located in southern Romania, in the Oltenia region, Dolj County is a very fruitful and attractive tourist area, with many attractions for tourists. In order to promote the objectives and tourist attractions from Dolj County, we have presented in this study the ones that should not be missed by a tourist in this area, including the Craiova Art Museum, the Amza Pellea Memorial House, The Roman Castro from Răcarii de Jos, Segarcea wine cellar, Cetate Port, special reservations such as the Paleontological one from Bucovăț, the one Wild Peonies from Plenița, or the Ciuperceni Ornithological Reservation. In the chapter of places of worship, we remembered the Metropolitan Cathedral of St. Dumitru from Craiova, but also the monasteries Cârcea, Maglavit, Sadova. Keywords: forms of tourism, tourism, tourist attractions, tourist spots 1. Introduction important driver of economic growth and prosperity. [3] The existence of a valuable tourist patrimony does Tourism represents an economic and social not automatically lead to the manifestation of a phenomenon of modern civilization, being profitable tourism, unless it is accompanied by anchored in the life of society and in a relationship appropriate services that make them accessible to of interconditionality with it.
    [Show full text]
  • A Visionary Book: Charles Nodier's L'h Istoire Du Roi De Boheme Et De Ses Sept Chateaux
    A Visionary Book: Charles Nodier's L'H istoire du Roi de Boheme et de ses sept chateaux Anne-Marie Christin ABSTRACT: Charles Nodier's Histoire du Roi de Boheme is original in several respects: it is the first French Romantic illustrated book; it introduces into writing a completely new typographic expressivity; and it represents an aside in the oeuvre of an author torn between "bibliomania" and the love of fantastic tales. The purpose of this article is to analyze the various functions of the image and the typography within L'Histoire du Roi de de Boheme, and to show that these visual representations of the written word, which give the effect of both spectacle and plastic utterance, mark the beginning of a quest that will find its completion many years later. It will also be seen that the author who is thus dispossessed of his control over narration is the very same who is fascinated by the "dispossession" of dreams; and that for him, a compelling necessity links this book to the oneiric inspiration peculiar to his tales. In January of 1830, when L'Histoire du Roi de Boheme et de ses sept chateaux was beginning to appear in bookstores, Charles Nodier wrote: "This is a work which does not strike a responsive chord in any mind, and which is not of this era."1 In point of fact, the book was a commercial fail­ ure, and it even bankrupted its publisher, Delangle, who fell victim to the considerable expense of its production. "To the loony bin with the King of Bohemia!" was the refrain with which, in a satire by Sci pion Marin two years later, several well-known literary figures attempted to drown out the litany of Nodier's onomatopoeias and quotations assaulting their ears.2 Champfleury, analyzing the principal illustrated books of the Romantic era- of which Nodier's was the first- confirms the book's misunderstood nature: "By its printing, by the accents of its vignettes, the Roi de de Boheme continues to be a most singular note in the world of the Romantic book"; but, he adds, "Nodier wished to be read ...
    [Show full text]
  • 1.Hum-Roald Dahl's Nonsense Poetry-Snigdha Nagar
    IMPACT: International Journal of Research in Humanities, Arts and Literature (IMPACT: IJRHAL) ISSN(P): 2347-4564; ISSN(E): 2321-8878 Vol. 4, Issue 4, Apr 2016, 1-8 © Impact Journals ROALD DAHL’ S NONSENSE POETRY: A METHOD IN MADNESS SNIGDHA NAGAR Research Scholar, EFL University, Tarnaka, Hyderabad, India ABSTRACT Following on the footsteps of writers like Louis Carroll, Edward Lear, and Dr. Seuss, Roald Dahl’s nonsensical verses create a realm of semiotic confusion which negates formal diction and meaning. This temporary reshuffling of reality actually affirms that which it negates. In other words, as long as it is transitory the ‘nonsense’ serves to establish more firmly the authority of the ‘sense.’ My paper attempts to locate Roald Dahl’s verse in the field of literary nonsense in as much as it avows that which it appears to parody. Set at the brink of modernism these poems are a playful inditement of Victorian conventionality. The three collections of verses Rhyme Stew, Dirty Beasts, and Revolving Rhyme subvert social paradigms through their treatment of censorship and female sexuality. Meant primarily for children, these verses raise a series of uncomfortable questions by alienating the readers with what was once familiar territory. KEYWORDS : Roald Dahl’s Poetry, Subversion, Alienation, Meaning, Nonsense INTRODUCTION The epistemological uncertainty that manifested itself during the Victorian mechanization reached its zenith after the two world wars. “Even signs must burn.” says Jean Baudrillard in For a Critique of the Political Economy of the Sign (1981).The metaphor of chaos was literalized in works of fantasy and humor in all genres.
    [Show full text]