The Origin and Principles of Victorian Nonsense: Darwin's and Lyell's Influence on Lear's Limericks and Carroll's Alice Stories"
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Lewis Carroll at Play •}'Y It, -Pjf55 Dhhl )')~, I
CQS€.; RS 3b Lewis Carroll at Play •}'Y It, -PJf55 dhhl )')~, I A Thesis Presented to the Chancellor's Scholars Council of The University ofNorth Carolina at Pembroke In Partial Fulfillment Ofthe Requirements for Completion of The Chancellor's Scholars Program By James Nichols December 4,2001 Faculty Advisor's Approval ~ Faculty Advisor's Approvaldi: Faculty Advisor's APproi :£ Date ~ 296640 Lewis Carroll at Play Chancellor's Scholars Paper Outline I. Introduction A. Popularity ofthe Alice books B. Lewis Carroll background & summary ofAlice books C. Lewis Carroll put Alice books together for insight D. Lewis Carroll incorporated math, logic and games in Through the Looking Glass and Alice's Adventures in Wonderland, which benefits computer scientists and mathematicians. II. Mathematics in Alice books relates to computer science A. Properties 1. Identity 2. Inverses 3. No solution problems (nonsense) 4. Rules not absolute-always an exception B. Symmetry C. Dimensions D. Meaning ofmathematical phrases E. Null class F. Math puzzles 1. Multiplying 2. Alice's running 3. Line puzzle 4. Time 5. Zero-sum game 6. Transformations G. Mathematical puns m. Logic in the Alice books relates to computer science A. Concepts being broken down B. Humpty Dumpty chooses what words mean C. Need for Order D. Alice as a logician E. Logic ofa child F. Don't assume anything G. Symbols N. Games in the Alice books relates to computer science A. Cards B. Chess C. Acrostics D. Doublets E. Syzgies F. Magic Tricks 1. Fan 2. Apple 3. Magic Number G. Mazes H. Carroll's Games V. What Lewis Carroll offers to Computer Science and Mathematics today A. -
THE WATSONVILLE-SANTA CRUZ JACL Newsletter January 2017
THE WATSONVILLE-SANTA CRUZ JACL Newsletter January 2017 2017, THE “YEAR OF THE COCK” SIRs founders chose the rooster as the official logo to Editor represent the freedom This year, 2017, will prove to be an interesting one, even he displays around the for those who were not born in the Year of the Cock. barnyard. “We have People born in the Year of the Cock consider themselves paid our dues to the to be deep thinkers. They are always busy and devoted to business world and their work. They always want to do more than they are able, now is the time for us to and if they undertake a task strut and crow a little. beyond their abilities, they are We share the dignity of disappointed when they discover retirement with one they are unable to fulfill their another as members of obligation. Cock people are SIRs.” eccentric, and it is this eccentricity The local that prevents them from having Watsonville branch is #85 and meets on the second Tuesday what is known in Japan as of the month for lunch at the VFW Hall in Freedom. Retired “roundness” in their relationships men are welcome to join Norm Haney, Victor Kimura, Jack with others. They always think they Spurlock, Don Yamaguchi, Doug Nakashima and yours are right and that they know what truly. Golfers are most welcome to join. they are doing. They do not trust other people and prefer to do what they like, alone. Their outward attitude and presentation is that of an adventuresome spirit, but inwardly they have little gift for high adventure and are filled with nonsensical plans that never mature. -
Examining the Relationship Between Children's
A Spoonful of Silly: Examining the Relationship Between Children’s Nonsense Verse and Critical Literacy by Bonnie Tulloch B.A., (Hons), Simon Fraser University, 2013 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Children’s Literature) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) December 2015 © Bonnie Tulloch, 2015 Abstract This thesis interrogates the common assumption that nonsense literature makes “no sense.” Building off research in the fields of English and Education that suggests the intellectual value of literary nonsense, this study explores the nonsense verse of several North American children’s poets to determine if and how their play with language disrupts the colonizing agenda of children’s literature. Adopting the critical lenses of Translation Theory and Postcolonial Theory in its discussion of Dr. Seuss’s On Beyond Zebra! (1955) and I Can Read with My Eyes Shut! (1978), along with selected poems from Shel Silverstein’s Where the Sidewalk Ends (1974), A Light in the Attic (1981), Runny Babbit (2005), Dennis Lee’s Alligator Pie (1974), Nicholas Knock and Other People (1974), and JonArno Lawson’s Black Stars in a White Night Sky (2006) and Down in the Bottom of the Bottom of the Box (2012), this thesis examines how the foreignizing effect of nonsense verse exposes the hidden adult presence within children’s literature, reminding children that childhood is essentially an adult concept—a subjective interpretation (i.e., translation) of their lived experiences. Analyzing the way these poets’ nonsense verse deviates from cultural norms and exposes the hidden adult presence within children’s literature, this research considers the way their poetry assumes a knowledgeable implied reader, one who is capable of critically engaging with the text. -
Examining the Relationship Between Children's Nonsense Verse And
A Spoonful of Silly: Examining the Relationship Between Children’s Nonsense Verse and Critical Literacy by Bonnie Tulloch B.A., (Hons), Simon Fraser University, 2013 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Children’s Literature) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) December 2015 © Bonnie Tulloch, 2015 Abstract This thesis interrogates the common assumption that nonsense literature makes “no sense.” Building off research in the fields of English and Education that suggests the intellectual value of literary nonsense, this study explores the nonsense verse of several North American children’s poets to determine if and how their play with language disrupts the colonizing agenda of children’s literature. Adopting the critical lenses of Translation Theory and Postcolonial Theory in its discussion of Dr. Seuss’s On Beyond Zebra! (1955) and I Can Read with My Eyes Shut! (1978), along with selected poems from Shel Silverstein’s Where the Sidewalk Ends (1974), A Light in the Attic (1981), Runny Babbit (2005), Dennis Lee’s Alligator Pie (1974), Nicholas Knock and Other People (1974), and JonArno Lawson’s Black Stars in a White Night Sky (2006) and Down in the Bottom of the Bottom of the Box (2012), this thesis examines how the foreignizing effect of nonsense verse exposes the hidden adult presence within children’s literature, reminding children that childhood is essentially an adult concept—a subjective interpretation (i.e., translation) of their lived experiences. Analyzing the way these poets’ nonsense verse deviates from cultural norms and exposes the hidden adult presence within children’s literature, this research considers the way their poetry assumes a knowledgeable implied reader, one who is capable of critically engaging with the text. -
1.Hum-Roald Dahl's Nonsense Poetry-Snigdha Nagar
IMPACT: International Journal of Research in Humanities, Arts and Literature (IMPACT: IJRHAL) ISSN(P): 2347-4564; ISSN(E): 2321-8878 Vol. 4, Issue 4, Apr 2016, 1-8 © Impact Journals ROALD DAHL’ S NONSENSE POETRY: A METHOD IN MADNESS SNIGDHA NAGAR Research Scholar, EFL University, Tarnaka, Hyderabad, India ABSTRACT Following on the footsteps of writers like Louis Carroll, Edward Lear, and Dr. Seuss, Roald Dahl’s nonsensical verses create a realm of semiotic confusion which negates formal diction and meaning. This temporary reshuffling of reality actually affirms that which it negates. In other words, as long as it is transitory the ‘nonsense’ serves to establish more firmly the authority of the ‘sense.’ My paper attempts to locate Roald Dahl’s verse in the field of literary nonsense in as much as it avows that which it appears to parody. Set at the brink of modernism these poems are a playful inditement of Victorian conventionality. The three collections of verses Rhyme Stew, Dirty Beasts, and Revolving Rhyme subvert social paradigms through their treatment of censorship and female sexuality. Meant primarily for children, these verses raise a series of uncomfortable questions by alienating the readers with what was once familiar territory. KEYWORDS : Roald Dahl’s Poetry, Subversion, Alienation, Meaning, Nonsense INTRODUCTION The epistemological uncertainty that manifested itself during the Victorian mechanization reached its zenith after the two world wars. “Even signs must burn.” says Jean Baudrillard in For a Critique of the Political Economy of the Sign (1981).The metaphor of chaos was literalized in works of fantasy and humor in all genres. -
Theological Education Volume 40, Number 1 ISSUE FOCUS 2004 New Directions for the Timeless Quest— Theological Libraries in an Era of Change
Theological Education Volume 40, Number 1 ISSUE FOCUS 2004 New Directions for the Timeless Quest— Theological Libraries in an Era of Change What’s a Seminary Library for? Timothy D. Lincoln Jam To-morrow and Jam Yesterday, but Never Jam To-day: The Dilemma of Theology Libraries Planning for the Twenty-first Century Jack W. Ammerman Changing Libraries, Changing Collections Donald M. Vorp Is There Anything Worthwhile on the Web? A Cooperative Project to Identify Scholarly Resources in Theology and Religion Eileen Crawford, Amy Limpitlaw, and Bill Hook Incorporating Global Perspectives into Theological Education: The Role of the Library Martha Lund Smalley and Paul F. Stuehrenberg Librarians and Teaching Faculty in Collaboration: New Incentives, New Opportunities Melody Layton McMahon Is There a Strategic Alliance in Your Future? Lessons Learned from Library Consortia Ann Hotta Information Literacy in Theological Education Douglas L. Gragg Assessing Library Performance in a New Landscape, or “How Did We Do Today?” Jan Malcheski BOOK REVIEWS OPEN FORUM Reducing the Identity Crisis in Doctor of Ministry Education Charles J. Conniry Jr. Getting Them Through the Doctor of Ministry Dissertation Steve Delamarter Thinking Again about the Reformed Tradition and Public Life Mark Douglas, Lewis Mudge, and Jim Watkins The Association of Theological Schools IN THE UNITED STATES AND CANADA ISSN 0040-5620 Theological Education is published semiannually by The Association of Theological Schools IN THE UNITED STATES AND CANADA 10 Summit Park Drive Pittsburgh, Pennsylvania 15275-1103 DANIEL O. ALESHIRE Executive Editor JEREMIAH J. McCARTHY Editor DAVID R. STEWART Issue Editor NANCY MERRILL Managing Editor LISA KERN Production Assistant For subscription information or to order additional copies or selected back issues, please contact the Association. -
Finding Sense Behind Nonsense in Select Poems of Sukumar Ray
Journal of the Department of English Vidyasagar University Vol. 12, 2014-2015 Finding Sense Behind Nonsense in Select Poems of Sukumar Ray Rima Chakraborty Nonsense literature is generally categorized as part of the macrocosm of children’s literature. And there is no denying that as children we have all read such literary pieces with much amusement and delight. In 1900 G.K. Chesterton wrote that, if he were to be asked for the best proof of ‘adventurous growth’ in the nineteenth century, he would reply, “with all respect for its portentous science and philosophy, that it was to be found in the literature of nonsense” and that “this was the literature of the future” (Chesterton 43). Now, “Nonsense” as a literary genre is difficult to define in absolute terms. It is interpretation gone wild, but also lucid, as clearly appears in the works of the early practitioners of the form in the mid 19th century, namely Edward Lear and Lewis Carroll. It is true that the “modern nonsense” originated in the mid- 19th century, but it is equally true that the roots of the tradition can be traced back to some of its early practitioners and precursors- such as the anonymous nonsense of nursery rhymes, the ‘water poet’ John Taylor and the Bedlamite and mad talk of Shakespeare. Again, if the genre of literary nonsense is analyzed with reference to its contemporary socio-political scenario, it becomes clear that nonsense is actually a medium which allows the literary artist to point out various shortcomings of the society at large. So, as its name suggests, “non-sense” always exists in relation to, and as a comment on, “sense.” T. -
Light and Outrageous - the New York Review of Books
Light and Outrageous - The New York Review of Books http://www.nybooks.com/articles/17325 VOLUME 51, NUMBER 13 · AUGUST 12, 2004 Light and Outrageous By Edward Mendelson W. H. Auden's Book of Light Verse The New York Review of Books 1. When a poet presents an outline of the history of literature, he generally describes a tradition of many centuries that culminates in his own poems. W.B. Yeats found the high points of English verse and prose in the Irish Protestant writers he claimed as his literary ancestors, Bishop Berkeley and Jonathan Swift, and in visionaries such as William Blake. T.S. Eliot persuaded many of his contemporaries that the central line of descent in the history of English poetry extended from the school of John Donne to Eliot himself; Milton and the Romantics were mere offshoots, and Shakespeare's primacy was slightly doubtful. W.H. Auden compiled The Oxford Book of Light Verse[1] in 1937 partly to provide an entertaining textbook of literary history that emphasized a tradition that could be traced back from his own poems through the work of Byron, Pope, and Chaucer, with contributions from dozens of poets known only as "Anon.," derived not only from books but also from oral tradition, broadsides, and tombstones, a tradition that comprised ballads, limericks, nonsense verse, sea chanties, barroom songs, nursery rhymes, epigrams, spirituals, and the songs sung by soldiers, laborers, criminals, and tramps. In the first half of the twentieth century, the Oxford books of verse enjoyed greater prestige and authority than any other series of anthologies, although they had the slightly stuffy air of monuments left over from an earlier generation. -
Exploring Wonderland with Alice
Deep Blue Deep Blue https://deepblue.lib.umich.edu/documents Research Collections Library (University of Michigan Library) 2015 "Curioser and Curioser!": Exploring Wonderland with Alice McLoone, Juli https://hdl.handle.net/2027.42/120246 Downloaded from Deep Blue, University of Michigan's institutional repository “Curiouser and Curiouser!” : Exploring Wonderland with Alice 25 August – 17 December 2015 Special Collections Exhibit Space 7th Floor • Hatcher Graduate Library University of Michigan Library Ann Arbor, Michigan PB 1 © 2015 University of Michigan Library (Special Collections Library) All rights reserved. Curators: Juli McLoone, Outreach Librarian & Curator, Special Collections Library & Jo Angela Oehrli, Learning Librarian, Children’s Literature Librarian, Learning and Teaching Unit We thank Cathleen A. Baker and Tom Hogarth of the Preservation & Conservation Department for their help in designing, preparing, and installing this exhibit; Anne Elias and Karmen Beecroft of the Special Collections Library for their assistance; Olivia Crowley and Michael McLean of Askwith Media Library for help with film editing and Mary Reilly of Services for Students with Disabilities for assistance with captioning; and Janet Crayne of International Studies for assistance with the Russian edition of Alice on display. 2 3 “Curiouser and Curiouser!” : Exploring Wonderland with Alice “It flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, and, burning with curiosity, she ran across the field after it, and was just in time to see it pop down a large rabbit-hole under the hedge.” With these words, Charles Dodgson—better known as Lewis Carroll— launches his heroine down the rabbit hole and into a wonderland filled with impossible riddles, irascible characters, and constant threats to life and limb. -
Lewis Carroll's 'Jabberwocky': Non -Sense Not Nonsense 1 Adam Rose, University of Chicago
ARTICLE Lewis Carroll's 'Jabberwocky': non -sense not nonsense 1 Adam Rose, University of Chicago Abstract Although Lewis Carroll's 'Jabberwocky' is traditionally considered to be 'nonsense', such a characterisation ultimately rests on a Western folk notion of language as fundamentally semantico-referential. A more semiotically, and pragmatically, informed view of language and language-use, however, is capable of describing in considerable detail both the means by which a text such as 'Jabberwocky' 'makes sense' and the ends to which such a text can be put. Indeed, such a view shows that some discursive ends are particularly suited to attainment by means of so-called 'nonsense' texts such as 'Jabberwocky'. This article outlines such a view and applies it to 'Jabberwocky', which is thus seen to make both denotational and interactional 'sense'. Keywords: Carroll, Lewis; 'Jabberwocky'; literary pragmatics; poetics: pragmatics; semiotics The analysis of the two closely interconnected synthetic powers of poetry - that of similarity and contiguity and that of selection and combination - is a burning task faced by our science. Any fear of or reluctance about the analysis of poetic transformation of language impairs the scientific program of those linguists who pull back from the pivotal problem of this vital transformation; and likewise it curtails the research of those literary scholars who, in treating poetry, pull back from the innermost problems of language. (Jakobsen and Waugh (1979) The Sound Shape of Langunge, p. 236) I Introduction Since its publication in 1871 as part of Through the Looking Glass, Lewis Carroll's 'Jabberwocky' (see Appendix) has traditionally been considered to be a masterful piece of 'nonsense'. -
Never Jam To-Day: on the Impossibility of Takings Jurisprudence Jeanne L
Yeshiva University, Cardozo School of Law LARC @ Cardozo Law Articles Faculty 1996 Never Jam To-day: On the Impossibility of Takings Jurisprudence Jeanne L. Schroeder Benjamin N. Cardozo School of Law, [email protected] Follow this and additional works at: https://larc.cardozo.yu.edu/faculty-articles Part of the Law Commons Recommended Citation Jeanne L. Schroeder, Never Jam To-day: On the Impossibility of Takings Jurisprudence, 84 Georgetown Law Journal 1531 (1996). Available at: https://larc.cardozo.yu.edu/faculty-articles/390 This Article is brought to you for free and open access by the Faculty at LARC @ Cardozo Law. It has been accepted for inclusion in Articles by an authorized administrator of LARC @ Cardozo Law. For more information, please contact [email protected], [email protected]. ARTICLES Never Jam To-day: On the Impossibility of Takings Jurisprudence JEANNE L. SCHROEDER* "I'm sure I'll take you with pleasure!" the Queen said. "Twopence a week, and jam every other day." Alice couldn't help laughing, as she said, "I don't want you to hire me-and I don't care for jam." "It's very good jam," said the Queen. "Well, I don't want any to-day, at any rate." "You couldn't have it if you did want it," the Queen said. "The rule is, jam to-morrow and jam yesterday-but never jam to-day." "It must come sometimes to 'jam to-day,' "Alice objected. "No, it can't," said the Queen. "It's jam every other day: to-day isn't any other day, you know." "I don't understand you,'' said Alice. -
João Vilnei De Oliveira Filho Alices: Encontros Na Vera-Cruz
Universidade de Aveiro Departamento de Comunicação e Arte 2009 João Vilnei de Oliveira Alices: Encontros na Vera-Cruz Filho Universidade de Aveiro Departamento de Comunicação e Arte 2009 João Vilnei de Oliveira Alices: Encontros na Vera-Cruz Filho Dissertação apresentada à Universidade de Aveiro para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Criação Artística Contemporânea realizada sob a orientação científica do Doutor José Pedro Barbosa Gonçalves de Bessa, Professor Auxiliar do Departamento de Comunicação e Arte da Universidade de Aveiro I o júri presidente Prof. Doutor Paulo Bernardino das Neves Bastos Professor Auxiliar do Departamento de Comunicação e Arte da Universidade de Aveiro Prof. Doutora Maria Isabel da Fonseca e Castro Moreira Azevedo Professora Auxiliar da ARCA-EUAC Escola Universitária das Artes de Coimbra Prof. Doutor José Pedro Barbosa Gonçalves de Bessa Professor Auxiliar do Departamento de Comunicação e Arte da Universidade de Aveiro II agradecimentos Ao Pedro Bessa, por apostar e confiar neste projecto. Ao Wellington Junior, pela paciência. Ao José Cândido, pela parceria e companheirismo. Ao Luis Melo, pela energia e ajuda em todos os momentos. À Ingrid Teixeira, por acompanhar e perguntar por mais. Ao André Quintino, pelos comentários pertinentes. Ao Tobias, pela alegre companhia na reta final. Ao Edmílson Júnior, pelo ouvido amigo. Ao meu pai e à minha mãe, por acreditarem. À vovó, pelo olhar doce de sempre. Ao Sérgio Mota, pelos bigodes rejuvenecedores. Ao Paulo Cerqueira, pelo futebol de quinta. Ao Ceará Sporting, pelas alegrias deste 2009. À Vera-Cruz, pode se deixar ver. À Aveiro, pela luz. Ao Carroll, pelas Alices.