Jon Anderson

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Moderne Welt Tourneen, Konzerte und Veranstaltungs AG Kornbergstraße 44, 70176 Stuttgart Public Relations: Raphaela Ciblis / Telefon: 0711-95474-75 e-mail: [email protected] Presseinformation Jon Anderson Bei dem Namen JON ANDERSON denken viele wohl an die legendäre Progressive-Rockband YES, die mit JON ANDERSONS Falsett-Gesang ein unverkennbares Markenzeichen gewonnen hat. Der gebürtige JO(H)N ANDERSON, der das -h- erst in seiner Londoner Zeit strich, lernte schon früh Verantwortung zu übernehmen. Seine familiären Verhältnisse zwangen ihn dazu, unter anderem als Milchmann zu jobben. Dabei hörte er die Musik von Elvis Presley, Eddie Cochran und The Everly Brothers, die seine Zukunft stark beeinflussten sollten. Die YES Ära begann 1968 als JON ANDERSON in einem Londoner Club auf den Bassisten Chris Squire traf. Mit Tony Kaye, Peter Banks und Bill Bruford war YES geboren. Ihr populärster Hit "Owner Of A Lonely Heart" stand an der Spitze der US Charts und erreichte in Deutschland die Top Ten. Das von Trevor Horne produzierte dazugehörige Album "90125" landete 1984 in Deutschland sogar auf Platz 2 der Album Charts. Nach einigen Auswechslungen anderer Bandmitglieder stieg auch JON ANDERSON im Jahr 1978 aus künstlerischen, finanziellen und persönliche Gründen aus. Aus der bereits bestehenden Zusammenarbeit mit Vangelis ging nach 1978 Jon & Vangelis hervor. Bis 1991 entstanden so 4 Alben. Auf einem der Alben ist die Hit-Single „I’ll Find My Way Home!“ zu finden. Parallel dazu begann JON ANDERSON sich auf seine Solokarriere zu konzentrieren. „Olias Of Sunhillow“ und „Song Of Seven“ waren seine ersten beiden Alben. Nachdem Squire Anderson neues Songmaterial zeigte stieg dieser 1983 spontan als Frontmann bei YES wieder ein, und sie produzierten 2 weitere erfolgreiche Alben. Aus verschiedenen Gründen verließ Jon 1988 zum zweiten Mal die Band und stürzte sich auf weitere Projekte die jedoch mit einigen YES Mitgliedern in Verbindung standen. Daraus ergab sich, dass YES sich Anfang der Neunziger wieder formierten und JON ANDERSON bis heute Mitglied der Band ist. Aktuell konzentriert sich JON ANDERSON auch auf seine ganz persönliche Karriere und hat auf seiner Europatournee viel Solo-Material im Gepäck. Man darf also gespannt sein auf eine interessante Mischung von JON ANDERSON, YES und Vangelis. JON ANDERSON auf Solo-Acoustic-Tour in Deutschland: 20.11.07 Mainz, Frankfurter Hof 21.11.08 Bonn, Brückenforum Tourneeveranstalter: Moderne Welt Tourneen, Konzerte, Veranstaltungs AG Tickets unter: 0711-954 74 64 oder www.modernewelt.de .

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The Yes Catalogue ------1
THE YES CATALOGUE ----------------------------------------------------------------------------------------------------------------------------------------------------- 1. Marquee Club Programme FLYER UK M P LTD. AUG 1968 2. MAGPIE TV UK ITV 31 DEC 1968 ???? (Rec. 31 Dec 1968) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- 3. Marquee Club Programme FLYER UK M P LTD. JAN 1969 Yes! 56w 4. TOP GEAR RADIO UK BBC 12 JAN 1969 Dear Father (Rec. 7 Jan 1969) Anderson/Squire Everydays (Rec. 7 Jan 1969) Stills Sweetness (Rec. 7 Jan 1969) Anderson/Squire/Bailey Something's Coming (Rec. 7 Jan 1969) Sondheim/Bernstein 5. TOP GEAR RADIO UK BBC 23 FEB 1969 something's coming (rec. ????) sondheim/bernstein (Peter Banks has this show listed in his notebook.) 6. Marquee Club Programme FLYER UK m p ltd. MAR 1969 (Yes was featured in this edition.) 7. GOLDEN ROSE TV FESTIVAL tv SWITZ montreux 24 apr 1969 - 25 apr 1969 8. radio one club radio uk bbc 22 may 1969 9. THE JOHNNIE WALKER SHOW RADIO UK BBC 14 JUN 1969 Looking Around (Rec. 4 Jun 1969) Anderson/Squire Sweetness (Rec. 4 Jun 1969) Anderson/Squire/Bailey Every Little Thing (Rec. 4 Jun 1969) Lennon/McCartney 10. JAM TV HOLL 27 jun 1969 11. SWEETNESS 7 PS/m/BL & YEL FRAN ATLANTIC 650 171 27 jun 1969 F1 Sweetness (Edit) 3:43 J. Anderson/C. Squire (Bailey not listed) F2 Something's Coming' (From "West Side Story") 7:07 Sondheim/Bernstein 12. SWEETNESS 7 M/RED UK ATL/POLYDOR 584280 04 JUL 1969 A Sweetness (Edit) 3:43 Anderson/Squire (Bailey not listed) B Something's Coming (From "West Side Story") 7:07 Sondheim/Bernstein 13.
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WARNER BROS. / WEA RECORDS 1970 to 1982
AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS.
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Forma Y Fondo En El Rock Progresivo
Forma y fondo en el rock progresivo Trabajo de fin de grado Alumno: Antonio Guerrero Ortiz Tutor: Juan Carlos Fernández Serrato Grado en Periodismo Facultad de Comunicación Universidad de Sevilla CULTURAS POP Índice Resumen 3 Palabras clave 3 1. Introducción. Justificación del trabajo. Importancia del objeto de investigación 4 1.1. Introducción 4 1.2. Justificación del trabajo 6 1.3. Importancia del objeto de investigación 8 2. Objetivos, enfoque metodológico e hipótesis de partida del trabajo 11 2.1. Objetivos generales y específicos 11 2.1.1. Objetivos generales 11 2.1.2. Objetivos específicos 11 2.2. Enfoque metodológico 11 2.3. Hipótesis de partida 11 3. El rock progresivo como tendencia estética dentro de la música rock 13 3.1. La música rock como denostado fenómeno de masas 13 3.2. Hacia una nueva calidad estética 16 3.3. Los orígenes del rock progresivo 19 3.4. La difícil definición (intensiva) del rock progresivo 25 3.5. Hacia una definición extensiva: las principales bandas de rock progresivo 27 3.6. Las principales escenas del rock progresivo 30 3.7. Evoluciones ulteriores 32 3.8. El rock progresivo hoy en día 37 3.9. Algunos nombres propios 38 3.10. Discusión y análisis final 40 4. Conclusiones 42 5. Bibliografía 44 5.1. De carácter teórico-metodológico (fuentes secundarias) 44 5.2. General: textos sobre pop y rock 45 5.3. Específica: rock progresivo 47 ANEXO I. Relación de documentos audiovisuales de interés 50 ANEXO II. PROGROCKSAMPLER 105 2 Resumen Este trabajo, que constituye un ejercicio de periodismo cultural, en el que se han puesto en práctica conocimientos diversos adquiridos en distintas asignaturas del Grado de Periodismo, trata de definir el concepto de rock progresivo desde dos perspectivas complementarias: una interna y otra externa.
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Jon Anderson Dalai Angolul, Magyarul Jon Anderson`S Songs in English and in Hungarian
Szerény kísérlet az elveszett harmónia megtalálására Modest attempt to find the lost harmony Jon Anderson dalai angolul, magyarul Jon Anderson`s songs in English and in Hungarian 1 Jon Anderson 2 Table of Contents Tartalomjegyzék So Far Away, So Clear - Oly messzi, oly tiszta (1975)______________________________ 4 Olias of Sunhillow (1976)____________________________________________________ 5 Short Stories - Novellák (1980) ______________________________________________ 12 Song of Seven – A hét dala (1980) ____________________________________________ 20 The Friends Of Mr. Cairo – Kairo úr barátai (1981) _____________________________ 32 Animation – Mozgatás (1982) _______________________________________________ 33 ¤ 3ULYDW &ROOHFWLR ¡£¢ 0DJiQJ\&MWHPpQ __________________________________ 34 Three Ships - Három hajó (1985) ____________________________________________ 41 In The City Of Angels - Az angyalok városában (1988) ___________________________ 53 "LOVED BY THE SUN"(A NAP SZERETTE) ____________________________________ 73 Requiem For The Americas - Rekviem az amerikaiakért (1989) ____________________ 74 Page Of Life - Az élet oldala (1991) ___________________________________________ 78 Close To The Hype – Közel a feldobott állapothoz (1992)__________________________ 81 Dream - Álom (1992) ______________________________________________________ 82 Change We Must - Meg kell változnunk (1994) _________________________________ 87 Deseo (1994) ____________________________________________________________ 105 ¦ §©¨ ¦ ¦ ,WC¥ $ERX 7LP (OM| D LG
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The BG News December 5, 1997
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 12-5-1997 The BG News December 5, 1997 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News December 5, 1997" (1997). BG News (Student Newspaper). 6259. https://scholarworks.bgsu.edu/bg-news/6259 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Directory SPORTS OPINION ■■■■■■■ 2 TODAY Switchboard 372-2601 Men's Basketball Paranoia or theft? The Tom Mather experience. Classified Ads 372-6977 Display Ads 372-2605 VS. Editorial 372-6966 Sports 372-2602 Maine Entertainment 372-2603 Falcons hope to stop the STATE snow Slory idea? Give us a call bleeding in the Springfield, Ohio Public Defenders Office argues that they will weekdays from I pm.lo5 pjn., or Missouri Pizza Hut Classic e-mail: "[email protected]'" 4? defend the "Volunteer" despite his wishes. High: 32 Low: 28 FRIDAY December 5,1997 Volume 84, Issue 68 The BG News Rowling Green, Ohio "Serving the Bowling Green community for over 75 years // # Students Take it easy Police investigate get ready residence hall □ Fires broke out in rector, as a result of finding no for BGSU suspects, the University is offer- Compton and Batchel- ing up to $5,000 in reward to preview der stairwells last week.
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No J5” the MAKING of a POET Hubertien H. Williams A
no J5” i D. H. LAWRENCE: THE MAKING OF A POET Hubertien H. Williams A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 1968 Approved by Doctoral Committee \ « Copyright 1969 by Hubertien H. Williams ACKNOWLEDGEMENTS Maqy people have contributed in many ways to the completion of this study. To all of them: thank you. But special acknowledge ment is due those few without whose assistance none of this would have come about. The study represents the end product of three years of grad uate work made possible by a National Defense Education Act fellowship awarded through Bowling Green State University. It represents the end product of a most rewarding association with members of the English Department there. Particularly I am grateful to Dr. John J. Gross who patiently guided me through a thesis and was still willing to serve as adviser for the dissertation. He is the epitone of the scholar, learned, kind, and generous with his knowledge. Dr. Richard Carpenter and Dr. Frank Baldanza gave freely of their time and asked just the right questions when they were most desperately needed. To these three men I am particularly grateful. The University of Chattanooga also gave generously of both time and money to see the study to completion. Dr. James Livingood, Dean, College of Arts and Sciences, and Professor George Connor, Chairman, Department of English, have been more than considerate in arranging scholarships as well as released time from teaching and committee work.
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ENGLISH-LANGUAGE THEATRES in POST-COMMUNIST PRAGUE By
TITLE PAGE PERFORMING CULTURES: ENGLISH-LANGUAGE THEATRES IN POST-COMMUNIST PRAGUE by Gwendolyn Alaine Orel AB English, AB Classics, Stanford University, 1987 AM English, Stanford University, 1987 Submitted to the Graduate Faculty of Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2005 COMMITTEE PAGE UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Copyright © by Gwendo lyn Alaine Orel Gwendolyn2005 Alaine Orel It was defended on December 1, 2005 and approved by Nancy Condee, Associate Professor, Slavic Languages and Literatures Attilio Favorini, Professor, Theatre Arts Kathleen George, Professor, Theatre Arts Kiki Gounaridou, Associate Professor, Theatre Studies, Smith College J. Thomas Rimer, Professor Emeritus, Theatre Arts, Department of East Asian Languages and Literatures Dissertation Advisor: Attilio Favorini, Professor, Theatre Arts ii ABSTRACT PERFORMING CULTURES: ENGLISH-LANGUAGE THEATRE IN POST-COMMUNIST PRAGUE Gwendolyn Alaine Orel, PhD University of Pittsburgh, 2005 The presence of English-language theatres (ELTs) in Prague in the nineties coincided with the ongoing transition to a market economy in the Czech Republic, as the English language itself became increasingly the international language of business and culture. Under Communism, Czech theatre had been highly political through veiled protests against the system of power. After 1989, Czech theatre began moving into spheres of commodification and tourism. How the ELTs in Prague negotiated their place in a shifting society reveals a performance of identity. The ELTs tracked the turning points in Czech post-revolutionary history of the 1990s. The history of the ELTs has been constructed through personal and telephone interviews and emails, as well as reviews, articles, manuscripts and production videotapes.
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(ACR) Force Abba Super Trouper
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Jon Anderson Jon Anderson
Sylwetki Kiedyś śpiewał o Polsce, a niedawno odwiedził nasz kraj z jedną z dwóch grup występujących pod nazwą Yes. Gdy formacja ze Steve’em Howe’em (gitara) i Alanem White’em (perkusja) rozpoczynała trasę po USA, w Warszawie zagrali Trevor Rabin (gitara), Rick Wakeman (klawisze) i Jon Anderson (wokal). Grzegorz Walenda Jon Anderson – artysta o anielskim głosie 76 Hi•Fi i Muzyka 10/18 fot. Grzegorz Walenda Sylwetki adarza się więc okazja, żeby nie wypalił. Pojawił się również pomysł „Everydays” – to z kolei utwór Stephena przypomnieć sylwetkę tego współpracy z zespołem The Gun, znanym Stillsa, także uczestnika tego epokowego ostatniego – jednego z najsłyn- z hitu „Race with the Devil” (płytę tej grupy dla muzyki festiwalu. Oba kawałki znacz- niejszych przedstawicieli wczesnej ery pro- w 1971 wydały Polskie Nagrania), ale on nie różniły się od wersji oryginalnych; gresywnego rocka, mimo ponad siedem- także nie doczekał się realizacji. miały bogatą oprawę klawiszową, urozmai- dziesiątki na karku – wciąż aktywnego coną udziałem sekcji dętej i smyczków. i popularnego. Yes Okładka albumu z nagą kobietą wzbu- Dopiero w 1968 roku, kiedy Anderson dziła sporo kontrowersji w krajach eu- Początki kariery poznał basistę grupy Mabel Greer’s Toy- ropejskich, a w USA została zakazana. John Roy Anderson urodził się 25 paź- shop, Chrisa Squire’a, jego przyszłość za- Dlatego amerykańską wersję longplaya dziernika 1944 roku w Accrington, w an- częła się krystalizować. Jon i Chris mieli zdobi zdjęcie zespołu. Jest na nim nowy gielskim hrabstwie Lancashire. Jego pierw- zbliżony gust artystyczny. Podobały im członek grupy, Steve Howe, który zastąpił szymi idolami byli Elvis Presley, Eddie się harmonie wokalne, które uatrakcyj- Petera Banksa.
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Pre-Yes & Early Shows
Contact: [email protected] Pre-Yes & Early shows (1963/1969) ARTWORK SETLIST CD Yes Sessions - 1966-78 Studio recordings and radio broadcasts - B+ to A+, live recordings - C to B CD 1 : Created by Clive, Grounded, Flowerman, 14 hour technicolor dream (The Syn feat. Chris Squire & Peter Banks), Beyond and before, Images of you and me, Jeanetta (Mabel Greer's Toy Shop, BBC 1968), Looking around (Yes live 6/4/69, Johnny Walker Show), For everyone (Yes live 4/7/70, John Peel's Sunday Show), America (Yes live 10/20/70, Mike Harding Show), I've seen all good people, Astral traveller, everydays (Yes live in Gothenburg, 1/24/71) CD 2 : Bye bye goodbye baby (Yes live with Iron Butterfly, Copenhagen, 1/25/71), Yours is no disgrace, I've seen all good people (Beat Club, Bremen 1/28/71), 3 Starship trooper (Top of the pops, BBC 4/1/71), Clap, Perpetual change, America (Berlin, 6/5/71) CD 3 : Roundabout (demo 9/71), I've seen all good people (London, 8/23/71), The fish/Heart of the sunrise/Howe solo (BBC radio interview, 10/71), Your move/Perpetual change/Long distance runaround/Heart of the sunrise/Mood for a day/Yours is no disgrace (BBC program, excerpts from Hampstead, 10/3/71), The revealing science of God (BBC, 11/1/73), Don't kill the whale, Madrigal, On the silent wings of freedom ("Tormato" alternate versions) Moments - 1966-73 Studio recordings and TV broadcasts - A- to A+, live recordings - C- to B The revealing science of God (BBC, 01/11/73), Beyond and before, Images of you and me, Jeanetta (Mabel Greer's Toy Shop, BBC 1968), Dear father, Beyond and before, For everyone (BBC 1969-70), 1 Dear father, Eleanor Rigby, I see you (Live in Sheffield 21/12/1969), Witchi-Tai-Po (Larry Smith single feat.
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Three Steps Toward Station Dominance a Conversation with Ted Bolton of Bolton Research Plus: a Comprehensive A) New Release Guide
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Reclaiming the Right to Rock
ARCHIVES OF AFRICAN AMERICAN MUSIC AND CULTURE liner notes NO. 14 / 2009-2010 Reclaiming the Right to Rock: Black Experiences in Rock Music aaamc mission From the Desk of the Director The AAAMC is devoted to the collection, preservation, and This issue of Liner Notes follows Michael Lydon and Portia Maultsby for dissemination of materials for several months of engagement with three his forthcoming book A Hundred Dollars the purpose of research and major projects. From January through Crooked: The Chitlin’ Circuit and the study of African American August 2009, the Archives’ traveling Road to Rock-N-Roll. Professor J. Andrew music and culture. exhibit Rock, Rhythm, & Soul: The Black Flory (Shenandoah Conservatory, www.indiana.edu/~aaamc Roots of Popular Music attracted large Virginia) researched the George and audiences at City Hall (Bloomington, Maultsby collections for his forthcoming IN), the Crispus Attucks Museum book I Hear a Symphony: Listening to (Indianapolis), the Black Cultural Center the Music of Motown. Emily C. Morry at Purdue University (Lafayette, IN), the (University of Rochester) conducted Evansville African American Museum research for her dissertation, “‘I Too Sing Table of Contents (IN), the San Diego County Fair, the America’: The Sense of Place in African Indianapolis Black Expo, and the Paul W. American Music, 1927-1992,” using the From the Desk of Ogle Cultural and Community Center at Nelson George, Karen Shearer, Charles the Director ......................................3 Indiana University Southeast (see story Sykes, Michael Lydon, William Barlow, in Liner Notes no.13). Portia Maultsby, Smithsonian Black Featured Collection: The Archives hosted a major Radio, and Dayton Funk collections.
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