Distribution Company Argentina

Total Page:16

File Type:pdf, Size:1020Kb

Distribution Company Argentina Presenta CÓMO LO HACE? (I DON´T KNOW HOW SHE DOES IT) Dirigida por Doug McGrath Sarah Jessica Parker Greg Kinnear Pierce Brosnan Olivia Munn Christina Hendricks SINOPSIS BREVE Durante el día, Kate Reddy (Parker) trabaja sin parar en una firma de gestión financiera en Boston. Al caer la noche, vuelve a casa para reencontrarse con su devoto esposo Richard (Kinnear), un arquitecto que acaba de perder su trabajo, y sus dos pequeños hijos. Este precario equilibrio entre trabajo y familia es el mismo que mantiene a diario la mordaz Allison (Christina Hendricks), la mejor amiga y compañera de trabajo de Kate, y el que trata de evitar a toda costa la joven Momo (Olivia Munn), la competente subalterna de Kate con fobia a los niños. Cuando Kate recibe un importante encargo que la obliga a realizar frecuentes viajes a Nueva York, Richard consigue a su vez el trabajo de sus sueños, situación que debilita el delgado hilo que mantiene unido al matrimonio. Para complicar las cosas, el nuevo y encantador colega de Kate, Jack Abelhammer (Pierce Brosnan), resulta ser una inesperada tentación para ella. SINOPSIS Conozcan a Kate Reddy (Sarah Jessica Parker): esposa, madre, mujer profesional y malabarista por excelencia. La vida de Kate no para un segundo pero es bastante genial. Tiene un marido maravilloso, Richard (Greg Kinnear), un arquitecto que ha comenzado recientemente a trabajar independientemente y con quien tiene dos hijos: Emily (Emma Rayne Lyle), de seis años, y Ben (Theodore y Julius Goldberg), que adora por completo a su madre. Tiene también un trabajo que le encanta: es gerente de inversiones en una firma de Nueva York con sede de Boston. Kate viaja frecuentemente por trabajo pero se las arregla para estar involucrada en la vida escolar de Emily y en sus actividades, como lo hace cualquier ama de casa. Sus colegas, conocidos y familiares dicen siempre lo mismo cuando comentan las habilidades de Kate para mantener equilibradas las diferentes áreas que componen su vida: “No sé cómo lo haces”. Esta es una frase a la que Kate responde con una sonrisa y a la que su mejor amiga y también madre trabajadora Allison (Christina Hendricks) responde levantando una ceja sarcásticamente. La verdad es que Kate no puede ni acordarse cuándo fue la última vez que durmió una noche entera de corrido mientras arma y desarma en su cabeza listas de quehaceres que nunca terminan. A veces llega a la oficina llevando como accesorio restos del desayuno de sus hijos (para horror de su colega, la adicta al trabajo y fóbica a los niños Momo), pero se mantiene reservada respecto a su vida familiar cuando se junta con sus colegas del sexo masculino. Para ella, una cena íntima con su marido involucra un microondas y asegurarse de que aparezca una tarta casera para la feria del colegio de su hija. Luego de años de trabajar duramente, Kate consigue una victoria clave en su profesión cuando su propuesta para un nuevo fondo de inversión es muy bien recibida por la cabeza de la firma en Nueva York, Jack Abelhammer (Pierce Brosnan). Y hay más buenas noticias: Jack quiere ofrecerle el fondo a un cliente de primera línea, pero el tiempo con el que cuentan para hacer la presentación es poco. Kate deberá pasar incluso más tiempo lejos de casa, ultimando todos los detalles con Jack en Nueva York. Mientras tanto, en casa, Richard tiene sus propias buenas noticias: consiguió el primer gran contrato de su carrera independiente, lo que vaticina un momento de definiciones. Y, de este modo, los malabarismos de Kate llegan a la zona de riesgo… Basada en la aclamada novela del mismo título de Allison Pearson, ¿CÓMO LO HACE? es una comedia para toda madre trabajadora -o padre, por qué no-, cuya vida depende de una lista de pendientes por hacer. Dirigida por el exitoso realizador Douglas McGrath (EMMA), producida por la ganadora del Oscar Donna Gigliotti (SHAKESPEARE IN LOVE) y adaptada al cine por la nominada al BAFTA Aline Brosh McKenna (EL DIABLO VISTE A LA MODA), ¿CÓMO LO HACE? está protagonizada por Sarah Jessica Parker (SEX AND THE CITY) , Pierce Brosnan (MAMMA MIA! ), el nominado al Oscar Greg Kinnear (LITTLE MISS SUNSHINE), Christina Hendricks (“Mad Men”), Kelsey Grammer (“Frasier”), Seth Meyers (“Saturday Night Live”), Olivia Munn (“The Daily Show”) y Jane Curtin (I LOVE YOU, MAN). SOBRE LA PRODUCCIÓN La novela debut de la galesa Allison Pearson, ¿Cómo Lo Hace?, es una versión en un formato cuasi diario sobre los largos días y las insomnes noches de una esposa, madre y gerente de inversiones londinense llamada Kate Reddy. Escrita en una muy honesta primera persona, con mucha conciencia de sí misma y sarcasmo, el libro de Pearson muestra el detrás de escena de ese acto de malabarismo conocido como “tenerlo todo” y tocó varias fibras íntimas cuando Alfred A. Knopf lo publicó en Estados Unidos en el año 2002. Se mantuvo en la lista de los bestsellers del New York Times durante 23 semanas y, hasta la fecha, ha vendido casi cuatro millones de copias a nivel mundial. Oprah Winfrey la calificó como “el himno nacional de las madres trabajadoras” y fue muy bien recibido por la crítica y por los espectadores. “Aquí, finalmente, tenemos la gran comedia social de las madres trabajadoras”, escribió Marjorie Williams del Washington Post, mientras que la novelista Claire Dederer en su reseña para Amazon.com dijo: “Kate es un personaje muy atractivo y, como lectores, queremos que las cosas le salgan bien. Al final, el libro no es solamente un compendio de frases graciosas y listas sobre madres que trabajan; es una novela rica y realista acerca de un personaje que llegamos a adorar”. Aún cuando ciertas particularidades de la vida diaria de Kate Reddy son claramente femeninas, su historia apela a ambos géneros. De hecho, ¿Cómo lo Hace? convocó un gran número de lectores del género masculino y hasta se modificó el diseño de la tapa del libro. “En un comienzo, los hombres estaban muy reacios a leer el libro, principalmente porque tenía una tapa rosa brillante. Eventualmente, el editor lanzó una versión en azul para que los hombres no tuvieran que esconder el libro detrás del diario o una revista mientras viajaban en el tren, por vergüenza”, cuenta Pearson, la autora del libro. El equipo de realizadores detrás de ¿CÓMO LO HACE? sentía que la historia de Kate Reddy podía ser tan bienvenida en el cine como lo fue en papel. Donna Gigliotti, productora ganadora del Oscar (Shakespeare in Love) señala que la clave está en la relevancia universal del material original: “Es más, la vida para las Kate Reddys del mundo sólo se ha vuelto aún más complicada. Para mí, la novela de Allison está en la tradición clásica de la comedia social, una historia acerca de la manera en que vivimos hoy. Quería ver esas situaciones, esos personajes, todo, en la pantalla grande”. Aline Brosh McKenna, la guionista nominada al BAFTA por El Diablo Viste a la Moda, ya era fan de la novela cuando fue convocada para escribir la adaptación. La locación pasó de Londres a Boston, pero la estructura se mantuvo sin cambios. ¿Cómo lo Hace? era muy querido para mí, así que cuando surgió la oportunidad de adaptarlo para el cine enseguida dije que sí”, dice McKenna, que también fue parte de la producción ejecutiva de la película. “En mi cabeza, ¿Cómo lo Hace? es la descripción perfecta de los altos y bajos de cómo ser padres y sostener una carrera a la vez, y está escrito de manera muy específica y graciosa. Una de las razones por las que hay una voz en off en la película es que quería asegurarme de que se preservara al máximo la perspectiva personal y graciosísima de Allison sobre qué se siente realmente tener que estar yendo a mil partes al mismo tiempo”. Pearson, que también co-produjo el film, opina que la perspectiva de McKenna sobre su libro y sus temas son totalmente compatibles con las suyas propias: “Al ver la visión de Aline en el libro sentí que estaba en muy buenas manos. Tenemos una sensibilidad cómica muy similar y fue muy interesante ver la imaginación de otra persona jugando con el material”. McKenna le mostró el guión terminado al director Douglas McGrath, un amigo de ella que había escrito y dirigido sus propias películas, comenzando con su aclamado debut de 1996, “Emma”. “Me cautivó por completo. Nunca antes había dirigido un guión que no fuera mío, pero había algo muy bueno en el libro de Allison y luego en el guión de Aline que me hizo conectar enseguida con los padres trabajadores de la historia”, dice McGrath. “Nunca había visto un guión que capturara tan bien lo que significa la paternidad hoy, y menos que fuera tan encantador, gracioso y, a la vez, tan conmovedor como lo es el guión de Aline. Enseguida supe que quería dirigirlo”, agrega. El interés de McGrath por dirigir la película fue tan bienvenido como inesperado. McKenna recuerda: “Estaba encantado, Doug era la persona ideal para darle vida al libro. Hay una cierta chispa que Doug le brinda a una película, lo cual era perfecto para ¿CÓMO LO HACE? porque tenía la capacidad para capturar todo aquello con lo que Kate tenía que lidiar sin dejar de darle al espectador la diversión de ver a gente inteligente decir cosas ingeniosas. Gente lista diciendo cosas graciosas: ese es el mundo de Douglas McGrath”. ¿CÓMO LO HACE? volvió a reunir a McGrath con Gigliotti y Harvey y Bob Weinstein, quienes fueron productores ejecutivos de “Emma”, una producción de la compañía anterior de los Weinstein, Miramax.
Recommended publications
  • Partners Transcript: Aline & Rachel Aline: There Was Tons and Tons of Stuff Coming out of the Writers' Room That Rachel Coul
    Partners Transcript: Aline & Rachel Aline: There was tons and tons of stuff coming out of the writers' room that Rachel could not process because she was shooting. I would try and grab her when she was changing, or when she was peeing, or— (OVERLAP) Rachel: She saw me naked and peeing a lot. Aline: Yeah. Aline: My name is Aline Brosh McKenna and I'm the co-creator of Crazy Ex-Girlfriend. ​ ​ Rachel: My name is Rachel Bloom and I am the other co-creator of Crazy Ex-Girlfriend. ​ Hrishikesh: Crazy Ex-Girlfriend was a genre-bending TV show—part comedy, part drama, ​ part musical, that aired for four seasons on the CW, from 2015 to 2019. It was a show that challenged and subverted the familiar tropes of romantic comedies. And along the way, it won a Critics Choice Award, a Golden Globe Award, and four Emmys, including some for the star of the show, Rachel Bloom, who co-created it with Aline Brosh McKenna. When it comes to romantic comedies, Aline Brosh McKenna is a master of the form, having written the screenplays for 27 Dresses and The Devil Wears Prada, among others. But before Rachel and ​ ​ ​ Aline got to deconstructing romantic comedies, they had a meet-cute of their own, thanks to the website Jezebel. Here’s Aline. Aline: I was in my old office, which is on the Hanson Lot and I was procrastinating. And at the time I used to read Jezebel pretty regularly, and I saw a little piece on - Rachel had a new video out.
    [Show full text]
  • Bridget Jones's Legacy
    Bridget Jones’s Legacy : Gender and Discourse in Contemporary Literature and Romantic Comedy A daptations Miriam Bross Thesis s ubmitted for the degree of Doctor of Philosophy in Film Studies (Research) School of Art, Media and American Studies University of East Anglia December 2016 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. A bstract Romantic comedy adaptations based on bestsellers aimed at predominantly female readers have become more frequent in the fifteen years since the publication of Bridget Jones’s Diary (1996) and the financial success of its adaptation (Sharon Maguire, 2001). Contemporary popular literature and films created specifically for women have emerged alongside the spread of neoliberalist and postfeminist discourses. This thesis offers a timely examination of bestselling adapted texts, including chick lit novels, a sel f - help book and a memoir, and their romantic comedy adaptations. While some of the books and films have received individual attention in academic writing, they have not been examined together as an interconnected group of texts. This thesis is the first work to cohesively analyse representations of gender in mainstream bestsellers predominantly aimed at female readers and their romantic comedy adaptations published and released between 1996 and 2011. Through a combination of textual analysis and broader d iscursive and contextual analysis, it examines how these popular culture texts adapt and extend themes, characters , narrative style and the plot structure from Bridget Jones’s Diary .
    [Show full text]
  • It's a Little Bit Mad…
    It’s A Little Bit Mad… It’s out with the old, and in with the unexpected – Introducing The Lanesborough’s new Cruella inspired afternoon tea - Available from 28 May to 31 July 2021 - – Available throughout the summer, The Lanesborough’s new seasonal afternoon tea pays homage to Disney icon Cruella de Vil ahead of the new film release in the UK on 28 May 2021, with striking sculptural edible art May 2021 – The Lanesborough Hotel, London, is delighted to announce the latest in its innovative series of seasonal afternoon teas: It’s A Little Bit Mad, inspired by Disney’s all-new live-action film Cruella. Available from 28 May to 31 July 2021, the tea will pair one of London’s most beautiful dining settings under the naturally illuminated domed glass roof of Michelin-starred Céleste, with a striking, sophisticated black, red and gold-hued tea inspired by the glamorous pop-culture icon. Set against the backdrop of 1970s London with hints of punk rock, Disney’s most notorious, super chic villain will be back on our screens in cinemas and on Disney+ with Premier Access for a one-time additional fee, with more attitude than ever, on 28th May. Guests visiting The Lanesborough for tea can expect a stylish celebration of fashion and rebellion, blending traditional patisserie expertise with an unexpected, modern aesthetic that is utterly Instagrammable and “a little bit mad” – just like Cruella herself. The hotel’s Head Pastry Chef, Kevin Miller has carefully crafted a limited-edition menu that, alongside the classic savoury sandwich favourites and
    [Show full text]
  • THE DEVIL WEARS PRADA Theme: “The World of Fashion”
    Lai Chack Middle School S1-S3 English Language 2009-2010 English Week Name: _______________Group ______ Grade: _________________ Class: S. ________________ ( ) Date: __________________ THE DEVIL WEARS PRADA Theme: “The World of Fashion” Part A: Introduction In English Week 2010, we are going to watch the movie The Devil Wears Prada. Before you watch the movie, let’s see some basic information about it. Directed by David Frankel Written by Aline Brosh Mckenna based on Lauren Weisberger's novel Starring Meryl Streep as Miranda Priestly Anne Hathaway as Andrea Sachs Emily Blunt as Emily Stanley Tucci as Nigel Adrian Grenier as Nate Release Year: 2006 Awards: 2007 - Nominated for Oscar Academy Award for Best Achievement in Costume Design and Best Performance by an Actress in a Leading Role (Meryl Streep) 2007 - Won Golden Globe for Best Performance by an Actress in a Motion Picture - Musical or Comedy (Meryl Streep) 2007 - Won ALFS Award for Actress of the Year (Meryl Streep) and British Supporting Actress of the Year (Emily Blunt) 1 Now give short answers to the questions below. 1. Who is the director of the movie? ____________________________________________________________________ 2. Name the leading actresses. ____________________________________________________________________ 3. When did people first see the movie in cinemas? ____________________________________________________________________ 4. Did any stars win awards for acting in the movie? If yes, give ONE example. ____________________________________________________________________ Part B: About the Characters The pictures below are characters in the movie. Write the names of the characters and fill in the other blanks with the correct words while you are watching the movie. Name: ____________________ Name: ___________________ She is his _________________ .
    [Show full text]
  • Walt Disney Productions
    Walt Disney Productions New Trailer Released for Disney’s ‘Cruella’ April 7, 2021 The Walt Disney Company has released a new trailer and poster for its all-new live-action feature film Cruella, starring Academy Award® winners Emma Stone and Emma Thompson, directed by Craig Gillespie. The film will release simultaneously in theaters and on Disney+ with Premier Access for a one-time additional fee on Friday, May 28. Academy Award® winner Emma Stone (La La Land) stars in Disney’s Cruella, an all-new live-action feature film about the rebellious early days of one of cinema’s most notorious—and notoriously fashionable—villains, the legendary Cruella de Vil. Cruella, which is set in 1970s London amidst the punk rock revolution, follows a young grifter named Estella, a clever and creative girl determined to make a name for herself with her designs. She befriends a pair of young thieves who appreciate her appetite for mischief, and together they are able to build a life for themselves on the London streets. One day, Estella’s flair for fashion catches the eye of the Baroness von Hellman, a fashion legend who is devastatingly chic and terrifyingly haute, played by two-time Oscar® winner Emma Thompson (Howards End, Sense & Sensibility). But their relationship sets in motion a course of events and revelations that will cause Estella to embrace her wicked side and become the raucous, fashionable and revenge-bent Cruella. Disney’s Cruella is directed by Craig Gillespie (I Tonya) from a screenplay by Dana Fox and Tony McNamara, story by Aline Brosh McKenna and Kelly Marcel & Steve Zissis.
    [Show full text]
  • Press Release Editorial
    PRESS RELEASE EDITORIAL Reinventing yourself… never before has this mantra been as popular. encouragement from our partners from the get-go, the Ile-de-France For the public, we wanted to keep what is unique about Série Series, in the industry. It has also been a unique opportunity to see the A necessity when faced with this unprecedented situation. Yes, it has Region and the municipality of Fontainebleau, we got to work, access to behind the scenes of series creation. An access usually future dierently, to look forward to new projects and to take time been quite the blow. Unable to gather in Fontainebleau this Summer. refocusing our thinking around our DNA. Série Series is a community reserved for those at the heart of the industry. The entirety of the to reflect. We hope that this year’s Série Series will be, for you, a Unable to host 700 professionals that come from all corners of of devoted and active creators, it is a link between all the players in programme is based on testimonies from creators, interviews and means to reunite, to maintain connections, go forward, to escape, Europe - and beyond -, unable to invite the public to meet with them the creation industry. It is finding joy in reflecting, discussing shared case studies on series that we have enjoyed. No series available on to discover and to dream. We hope that you will be as excited about and reflect with them after discovering their works. Unable to create experiences, works that are thought-up and made collectively. This the Série Series Online platform - we did not see that as our mission the content on the programme as we were when putting it together.
    [Show full text]
  • The Devil Is in the Details: How the Devil Wears Prada Brands the Image of the Fashion Journalist
    THE DEVIL IS IN THE DETAILS: HOW THE DEVIL WEARS PRADA BRANDS THE IMAGE OF THE FASHION JOURNALIST BY PRISCILLA HWANG Introduction It’s the job “a million girls would die for,”1 if you’re into fashion, that is. And you have to be willing to do anything to keep your job working for Miranda Priestly, the terrorizing editor-in-chief of the fictitious Runway magazine. Author Lauren Weisberger illustrates the cruel and superficial world of fashion journalism in her 2003 best-selling novel The Devil Wears Prada – the adapted screenplay of the book was a box-office hit in 2006. Weisberger proves that working as a fashion journalist is not just a job, it’s a lifestyle. Andrea “Andy” Sachs figures it out the hard way when she unintentionally finds herself working for Miranda Priestly as her second assistant.2 Inadequate at first, Andrea’s lack of fashion sense and sophistication is ridiculed among the thin, gorgeous employees of Runway. After all, this is the glossy world of fashion magazines where even a bad hair day can get you fired.3 It’s an exclusive universe of socialites, celebrities, high-end designers, sought-after photographers, and front-row seats during Fashion Week in Paris, Milan and Italy.4 It’s a members-only club for those in-the-know, and as Andrea painfully learns within a year, all you have to do to get there is scrape every inch of skin off your back to please the Miranda Priestlys of the fashion world. THE DEVIL IS IN THE DETAILS: HOW THE DEVIL WEARS PRADA BRANDS THE IMAGE OF THE FASHION JOURNALIST BY PRISCILLA HWANG 2 Weisberger’s novel indirectly mirrors her own past experiences working as an assistant to an editor at Vogue, one of the world’s most prominent fashion magazines.5 Those in the fashion industry will confess – the merciless Miranda Priestly seems to be a carbon- copy of Vogue’s Editor-in-Chief Anna Wintour.
    [Show full text]
  • NOW SHOWING Here’S a List of Movies Now Playing in Fox, Tony Mcnamara, Aline Brosh Mckenna, Kelly Marcel and Steve Zissis Based on the Novel “One Cheyenne
    Page B2 Wyoming Tribune Eagle Friday, July 9, 2021 What to stream: HBO Max’s “No Sudden Move” has the art of the steal and lure Enjoy some of a Soderbergh heist movie By Michael Phillips summer fun with Chicago Tribune Steven Soderbergh has been here before. His latest project, these offbeat films the sleek, zigzaggy crime story “No Sudden Move” currently streaming on HBO Max, was shot and takes place in Detroit, where much of Soderbergh’s terrific 1998 “Out of Sight” un- folds. “Here” also means the heist genre. Soderbergh has prowled its streets many times. Among Soderbergh’s most commercial projects are the 2001 “Ocean’s 11” remake plus two sequels. Set in 1954, starring Don Chea- dle in his sixth Soderbergh Don Cheadle and Benicio Del Toro in Steven Soderbergh’s “No Sudden movie along with other Soder- Move.” Tribeca Festival/courtesy bergh alums including co-star Benicio del Toro, screenwriter bunch of great character ac- flamboyant conceit, but Duke’s Ed Solomon’s “No Sudden tors.” terrific, as is Ray Liotta as the Move” script has elements of Bingo! This explains why the venal adversary on the other the “Ocean’s” banter and low- Music Box’s recent heist mini- side of town. Screenwriter Sol- keyed wit. But the underworld festival did well, with Jules omon does more name-check- setting and hints of sociological Dassin’s “Rififi” Michael ing than dramatizing when it awareness point to a variation Mann’s “Heat,” Soderbergh’s comes to what’s going on in De- on film noir and its moral laby- “Ocean’s 11” remake and Steve troit (and elsewhere) in 1954, rinths.
    [Show full text]
  • The Tribeca CHANEL Women's Filmmaker Program Cocktail
    Images from Through Her Lens: The Tribeca CHANEL Women’s Filmmaker Program cocktail celebration (cleared for editorial and social use): https://assignments.gettyimages.com/v2/share/94618442-688d-4357-a3fd- 3e277b2759a4?page=1&order=desc Photo Credit: Dimitrios Kambouris / Getty Images @tribeca / #ThroughHerLens / tribecafilm.com/throughherlens TRIBECA AND CHANEL ANNOUNCE RECIPIENT OF 2019 PRODUCTION FUNDS FROM 5TH ANNUAL THROUGH HER LENS: THE TRIBECA CHANEL WOMEN’S FILMMAKER PROGRAM Jurors Diane Kruger, Dede Gardner, Gugu Mbatha-Raw, Sam Taylor-Johnson and Paula Weinstein Award CHAMP Full Production Funds Along with Support From Tribeca Studios NEW YORK, NY – November 6, 2019 – Tribeca Enterprises and CHANEL concluded the fifth annual THROUGH HER LENS: The Tribeca Chanel Women's Filmmaker Program, announcing the recipient who will receive full production funding for her original short film at a cocktail reception this evening in New York City. Writer/director Hannah Peterson and producer Taylor Shung were selected by the jury to receive the production grant, along with production support from Tribeca Studios for their short film, CHAMP. In addition, the other four writer/directors in the program each received a development grant to support continued work on their respective films to bring them closer to production. A total of $100,000 in filmmaker grants was awarded amongst the five projects. Following an intensive, three-day workshop, the filmmakers from the five projects selected pitched their projects to a jury comprised of: producer Dede Gardner (Moonlight, The Big Short), actor Diane Kruger (355, In the Fade), actor Gugu Mbatha-Raw (Motherless Brooklyn, “The Morning Show”) director Sam Taylor-Johnson (A Million Little Pieces, Nowhere Boy) and producer and Tribeca Chief Content Officer Paula Weinstein (“Grace and Frankie,” The Perfect Storm, Recount).
    [Show full text]
  • Annie and WWII………..28-39 (Includes Handout Tests)
    J e f f e r s o n P e r f o r m I n g A r t s S o c I e t y Presents A S t u d y C o m p a n I o n JEFFERSON PERFORMING ARTS SOCIETY 1118 Clearview Parkway Metairie, Louisiana 70001 Phone: 504 885 2000..Fax: 504 885 [email protected] 1 Table of Contents Teacher notes………………………………………………………………..……….3 Educational Overview………………………………………….………………..4 History………………………………………………………………………………..5-15 Lesson Plans Cartoon Scavenger Hunt……………...16-19 (includes handout) Forming Opinions………………………………………….………….. 20-21 'Toon Tic Tac Toe.…………………..……….22-24 (includes handout) Cartoon Symbol Bingo…………………..25-27 (includes handout) Little Orphan Annie and WWII………..28-39 (includes handout tests) Standards and Benchmarks: English…………………….………….40-41 Annie: The Play……………………………………………………………….…..42-44 Annie: the Songs………………………………………………..………………..45-51 NACAE Lesson Plan: Little Orphan Annie: Leapin' Through the Depression……………………………………………………………...…………..52-62 Standards and Benchmarks: English Language Arts……….…63 Annie: the History of the Production………………………………64-67 A n n i e: the Films 1982 & 2014…………………………….....………….…..68-86 Trivia, Bloopers and Quotes Standards and Benchmarks: theatre Arts………….……………87-89 Standards and Benchmarks: Music……………………………………90 Additional resources………………………………………………………..92 Image Retrieved From: http://cgi.ebay.com/Little-Orphan-Annie- BROADWAY-Orphans- 12_W0QQitemZ260058976576QQihZ016QQcategoryZ778QQrdZ1QQcmdZViewItem 2 Teacher notes Welcome to the JPAS production of Annie, directed by Lynne L. Bordelon. Annie is a spunky Depression-era orphan determined to find her parents. Annie’s parents abandoned her years ago on the doorstep of a New York City Orphanage run by the cruel, embittered Miss Hannigan. In adventure after fun-filled adventure, Annie foils Miss Hannigan and her evil helpers, befriends President Franklin Delano Roosevelt and finds a new family and home with billionaire Oliver Warbucks, his personal secretary, Grace Farrell, and a lovable mutt named Sandy.
    [Show full text]
  • Frances Marion, Screenwriter of the BIG HOUSE. According to Imdb, She Is
    Frances Marion, screenwriter of THE BIG HOUSE. ​ ​ ​ According to IMDb, she is the “most renowned female screenwriter of the 20th century and one of the most respected scripters of any gender”. Marion has 188 writing credits including THE SCARLET LETTER (1926), THE RED MILL (1927), and THE CHAMP (1931). She received one Oscar for THE BIG HOUSE in 1930, making her the first woman to win a Best Writing Oscar, and another Best Writing Oscar for THE CHAMP (1932) – the only woman to win back to back Oscars in the same category, as the Oscars were not held in 1931. She also received an Oscar nomination for the PRIZEFIGHTER AND THE LADY under the Best Writing – Original Story category in 1934. Robin Smith, writer and director of HE’S ONLY MISSING, is a documentary ​ filmmaker, whose work includes COME WALKING IN MY SHOES, WOMEN OF SUBSTANCE, and SHOOTING BACK: PHOTOGRAPHY BY HOMELESS CHILDREN, which is an Emmy Award winner. Her nonprofit organization, Video Action, produces educational television and multimedia programs on issues affecting women and at­risk children. She was a network news producer on CBS and NBC News. Jennie Livingston, director of PARIS IS BURNING, is known for directing the two shorts ​ WHO’S THE TOP? (2005) and THROUGH THE ICE (2006). Her work is recognized by several awards such as a Best Documentary/Non­Fiction Film Award from the Los Angeles Film Critics Association Awards (1990), an International Documentary Association Award (1990), a Best Documentary Film from Berlin International Film Festival (1991), a Grand Jury Prize from Sundance Film Festival (1991), a Student Jury Award for Best Short Film from the Czech Gay and Lesbian Film Festival (2007), and three Cinema Eye Honors Award (2015 and 2016).
    [Show full text]
  • View Or Download the Report
    Brilliant Futures for GIRLS Letter of Introduction from Executive Director Keren Taylor I was driving to a WriteGirl workshop recently, when it struck me that some of our girls were not even born when WriteGirl began in 2001. WriteGirl was just an idea on a piece of paper back then. It was the fall of 2001, and I was laid off from my Internet job. I took a few weeks to think about what with underserved girls (and some boys!) who are I might want to do next with my life, and I found facing tremendous challenges such as poverty, myself compelled to launch a writing program and overcrowded schools, unstable families, ineffective organization for teen girls. Public schools in Los school counselors, pregnancy, depression, violence Angeles are large, creative writing programs are and incarceration. Since 2001, we have maintained rare or nonexistent, and there aren't enough a 100% success rate in not only helping our seniors college counselors to give girls the one-on-one in the Core Mentoring Program graduate from high support they need. Girls need to be guided and school, but also guiding them to enroll in college! inspired to find their fire, their individual voices It's daunting, inspiring, overwhelming and and their personal perspectives. Within just a few joyous—all at the same time. I go to bed and wake weeks, there were 13 of us gathered around a up every day thinking about how to give girls the conference table, fine-tuning a proposal to launch hope, tools and foundation they need to face what would become WriteGirl.
    [Show full text]