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Presenta CÓMO LO HACE? (I DON´T KNOW HOW SHE DOES IT) Dirigida por Doug McGrath Sarah Jessica Parker Greg Kinnear Pierce Brosnan Olivia Munn Christina Hendricks SINOPSIS BREVE Durante el día, Kate Reddy (Parker) trabaja sin parar en una firma de gestión financiera en Boston. Al caer la noche, vuelve a casa para reencontrarse con su devoto esposo Richard (Kinnear), un arquitecto que acaba de perder su trabajo, y sus dos pequeños hijos. Este precario equilibrio entre trabajo y familia es el mismo que mantiene a diario la mordaz Allison (Christina Hendricks), la mejor amiga y compañera de trabajo de Kate, y el que trata de evitar a toda costa la joven Momo (Olivia Munn), la competente subalterna de Kate con fobia a los niños. Cuando Kate recibe un importante encargo que la obliga a realizar frecuentes viajes a Nueva York, Richard consigue a su vez el trabajo de sus sueños, situación que debilita el delgado hilo que mantiene unido al matrimonio. Para complicar las cosas, el nuevo y encantador colega de Kate, Jack Abelhammer (Pierce Brosnan), resulta ser una inesperada tentación para ella. SINOPSIS Conozcan a Kate Reddy (Sarah Jessica Parker): esposa, madre, mujer profesional y malabarista por excelencia. La vida de Kate no para un segundo pero es bastante genial. Tiene un marido maravilloso, Richard (Greg Kinnear), un arquitecto que ha comenzado recientemente a trabajar independientemente y con quien tiene dos hijos: Emily (Emma Rayne Lyle), de seis años, y Ben (Theodore y Julius Goldberg), que adora por completo a su madre. Tiene también un trabajo que le encanta: es gerente de inversiones en una firma de Nueva York con sede de Boston. -
Partners Transcript: Aline & Rachel Aline: There Was Tons and Tons of Stuff Coming out of the Writers' Room That Rachel Coul
Partners Transcript: Aline & Rachel Aline: There was tons and tons of stuff coming out of the writers' room that Rachel could not process because she was shooting. I would try and grab her when she was changing, or when she was peeing, or— (OVERLAP) Rachel: She saw me naked and peeing a lot. Aline: Yeah. Aline: My name is Aline Brosh McKenna and I'm the co-creator of Crazy Ex-Girlfriend. Rachel: My name is Rachel Bloom and I am the other co-creator of Crazy Ex-Girlfriend. Hrishikesh: Crazy Ex-Girlfriend was a genre-bending TV show—part comedy, part drama, part musical, that aired for four seasons on the CW, from 2015 to 2019. It was a show that challenged and subverted the familiar tropes of romantic comedies. And along the way, it won a Critics Choice Award, a Golden Globe Award, and four Emmys, including some for the star of the show, Rachel Bloom, who co-created it with Aline Brosh McKenna. When it comes to romantic comedies, Aline Brosh McKenna is a master of the form, having written the screenplays for 27 Dresses and The Devil Wears Prada, among others. But before Rachel and Aline got to deconstructing romantic comedies, they had a meet-cute of their own, thanks to the website Jezebel. Here’s Aline. Aline: I was in my old office, which is on the Hanson Lot and I was procrastinating. And at the time I used to read Jezebel pretty regularly, and I saw a little piece on - Rachel had a new video out. -
Novidades Adultos 2014
Los puentes de Madison = The bridges of Madison county / screenplay by Richard LaGravanese ; produced by Clint Eastwood and Kathleen Kennedy ; directed by Clint Eastwood. Ano de realización: 1995 Duración: 129 min. Localización: CINE 791-DM PUE [AUDV 19] Memorias de África = Out of Africa / directed by Sydney Pollack ; screenplay by Kurt Luedtke ; music by John Barry. Ano de realización: 1985 Duración: 154 min. Localización: CINE 791-DM MEM Lo que queda del día / una película de James Ivory ; screenplay by Ruth Prawer Jhabvala ; guión de Ruth Prawer Jhabvala ; música de Richard Robbins. Ano de realización: 1993 Duración: 129 min. Localización: CINE 791-DM LOQ Maridos y mujeres = Husbands and wives / una comedia escrita y dirigida por Woody Allen. Ano de realización: 1992 Duración: 103 min. Localización: CINE 791-C MAR Groundhog day = [Atrapado en el tiempo] / directed by Harold Ramis ; screenplay by Danny Rubin and Harol Rams ; produced by Trevor Albert and Harold Rams. Ano de realización: 1993 Duración: 97 min. Localización: CINE 791-C ATR La vida de Adèle / Abdellatif Kechiche. Ano de realización: 2013 Duración: 180 min. Localización: CINE 791-DM VID Los amantes del Círculo Polar / una película de Julio Medem. Ano de realización: 1998 Duración: 112 min. Localización: CINE 791-DM AMA Call me by your name / directed by Luca Guadagnino ; screenplay by James Ivory. Ano de realización: 2017 Duración: 127 min. Localización: CINE 791-DM CAL Midnight in Paris / escrita y dirigida por Woody Allen ; productores Letty Aronson, Stephen Tenenbaum, Jaume Roures. Ano de realización: 2011 Duración: 94 min. Localización: CINE 791-C MID El diario de Noa / dirigida por Nick Cassavetes ; guión de Jeremy Leven ; producida por Mark Johnson, Lynn Harris. -
BEST PICTURE Director Actor in a Leading Role ACTRESS in A
Up–to–the–minute Oscar news and wrap-up on vulture.com 2011 OSCAR POOL BALLOT BEST PICTURE FOreiGN LANGuaGE FilM DOcuMENtarY Feature Black Swan Biutiful Exit Through the Gift Shop Banksy and Jaimie D’Cruz The Fighter Mexico | Directed by Alejandro González Iñárritu Gasland Josh Fox and Trish Adlesic Inception Dogtooth (Kynodontas) Inside Job Charles Ferguson and Audrey Marrs Greece | Directed by Giorgos Lanthimos The Kids Are All Right Restrepo Tim Hetherington and Sebastian Junger In a Better World (Hævnen) The King’s Speech Waste Land Lucy Walker and Angus Aynsley Denmark | Directed by Susanne Bier 127 Hours Incendies DOcuMENtarY SHOrt SUBJect The Social Network Canada | Directed by Denis Villeneuve Killing in the Name Nominees to be determined Toy Story 3 Outside the Law (Hors-la-loi) Poster Girl Nominees to be determined True Grit Algeria | Directed by Rachid Bouchareb Strangers No More Karen Goodman and Kirk Simon Winter’s Bone OriGINal SCOre Sun Come Up Jennifer Redfearn and Tim Metzger DirectOR How to Train Your Dragon John Powell The Warriors of Qiugang Ruby Yang and Darren Aronofsky Black Swan Inception Hans Zimmer Thomas Lennon David O. Russell The Fighter The King’s Speech Alexandre Desplat ANIMated SHOrt FilM Tom Hooper The King’s Speech 127 Hours A.R. Rahman Day & Night Teddy Newton David Fincher The Social Network The Social Network Trent Reznor and Atticus Ross The Gruffalo Jakob Schuh and Max Lang Joel Coen and Ethan Coen True Grit OriGINal SONG Let’s Pollute Geefwee Boedoe ActOR IN A LeadiNG ROle Country Strong “Coming Home” The Lost Thing Shaun Tan and Andrew Ruhemann Javier Bardem Biutiful Music and Lyric by Tom Douglas, Troy Verges, Madagascar, carnet de voyage (Madagascar, a and Hillary Lindsey Journey Diary) Bastien Dubois Jeff Bridges True Grit Tangled “I See the Light” Jesse Eisenberg The Social Network Music by Alan Menken, Lyric by Glenn Slater LIVE ActiON SHOrt FilM Colin Firth The King’s Speech 127 Hours “If I Rise” The Confession Tanel Toom James Franco 127 Hours Music by A.R. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Bridget Jones's Legacy
Bridget Jones’s Legacy : Gender and Discourse in Contemporary Literature and Romantic Comedy A daptations Miriam Bross Thesis s ubmitted for the degree of Doctor of Philosophy in Film Studies (Research) School of Art, Media and American Studies University of East Anglia December 2016 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. A bstract Romantic comedy adaptations based on bestsellers aimed at predominantly female readers have become more frequent in the fifteen years since the publication of Bridget Jones’s Diary (1996) and the financial success of its adaptation (Sharon Maguire, 2001). Contemporary popular literature and films created specifically for women have emerged alongside the spread of neoliberalist and postfeminist discourses. This thesis offers a timely examination of bestselling adapted texts, including chick lit novels, a sel f - help book and a memoir, and their romantic comedy adaptations. While some of the books and films have received individual attention in academic writing, they have not been examined together as an interconnected group of texts. This thesis is the first work to cohesively analyse representations of gender in mainstream bestsellers predominantly aimed at female readers and their romantic comedy adaptations published and released between 1996 and 2011. Through a combination of textual analysis and broader d iscursive and contextual analysis, it examines how these popular culture texts adapt and extend themes, characters , narrative style and the plot structure from Bridget Jones’s Diary . -
2011 Bar Library Academy Awards Competition
2011 Bar Library Academy Awards Competition $2.00 entry fee. One entry per person. Entry with most correct answers wins pool. In the event of a tie, the pool is divided amongst those with most correct entries. Entries must be lodged at the Bar library or [email protected] by close of business Friday 25 February 2011. * denotes Australian nominee Name : Chambers: Telephone No: Best Picture Actor in a Leading Role □ “Black Swan” Mike Medavoy, Brian □ Javier Bardem in “Biutiful” Oliver and Scott Franklin, Producers □ Jeff Bridges in “True Grit” □ “The Fighter” David Hoberman, Todd Lieberman and Mark Wahlberg, □ Jesse Eisenberg in “The Social Producers Network” □ “Inception” Emma Thomas and □ Colin Firth in “The King's Speech” Christopher Nolan, Producers □ James Franco in “127 Hours” □ “The Kids Are All Right” Gary Gilbert, Jeffrey Levy-Hinte and Celine Actor in a Supporting Role Rattray, Producers □ Christian Bale in “The Fighter” □ “The King's Speech” Iain Canning, Emile Sherman* and Gareth Unwin, □ John Hawkes in “Winter's Bone” Producers □ Jeremy Renner in “The Town” □ “127 Hours” Christian Colson, Danny Boyle and John Smithson, Producers □ Mark Ruffalo in “The Kids Are All Right” □ “The Social Network” Scott Rudin, Dana Brunetti, Michael De Luca □ Geoffrey Rush* in “The King's and Ceán Chaffin, Producers Speech” □ “Toy Story 3” Darla K. Anderson, Producer □ “True Grit” Scott Rudin, Ethan Coen and Joel Coen, Producers □ “Winter's Bone" Anne Rosellini and Alix Madigan-Yorkin, Producers Actress in a Leading Role Cinematography □ Annette -
1 CHAPTER I INTRODUCTION A. Background of the Study People
CHAPTER I INTRODUCTION A. Background of the Study People lives in the world have maintained a goal, which can motivate someone to become survive in the world. Each people have a different maintain a goal, but it has a same purpose to make a better life. Many people lives to make a life better than before. They must work hard and endeavor to get better. They have the same opportunity to get their property, prosperity, and happiness. They can change their destiny and make a life better thing as they wish. The way to change their destiny and to hope their wish is called endeavor for life. According to Meizeir (Meizeir, Email: www.selfgrowth.com.2008) “Struggle is any personal goal achievement accompanied by discomfort and resistance. Struggle may still certainly involve overcoming resistance and discomfort”. Struggle or also called endeavor has a general meaning as a way to get the best result and something worth. People will do everything to get it. This occurs in many kinds of field, one of them in literary works. Literary work which has idea of endeavor elements such as novel, poetry, and movie. Movie has the same position in textual studies. Sometimes it reflex’s a daily life, history, or legends. That the meaning of movie has become part of daily life, which is more complicated than the other works. 1 2 Making a movie is not like writing a novel. It needs a teamwork, which involves many people as crew. Film has many elements, such as director, script, writer, editor, music composer, artistic, costume, designer, etc. -
It's a Little Bit Mad…
It’s A Little Bit Mad… It’s out with the old, and in with the unexpected – Introducing The Lanesborough’s new Cruella inspired afternoon tea - Available from 28 May to 31 July 2021 - – Available throughout the summer, The Lanesborough’s new seasonal afternoon tea pays homage to Disney icon Cruella de Vil ahead of the new film release in the UK on 28 May 2021, with striking sculptural edible art May 2021 – The Lanesborough Hotel, London, is delighted to announce the latest in its innovative series of seasonal afternoon teas: It’s A Little Bit Mad, inspired by Disney’s all-new live-action film Cruella. Available from 28 May to 31 July 2021, the tea will pair one of London’s most beautiful dining settings under the naturally illuminated domed glass roof of Michelin-starred Céleste, with a striking, sophisticated black, red and gold-hued tea inspired by the glamorous pop-culture icon. Set against the backdrop of 1970s London with hints of punk rock, Disney’s most notorious, super chic villain will be back on our screens in cinemas and on Disney+ with Premier Access for a one-time additional fee, with more attitude than ever, on 28th May. Guests visiting The Lanesborough for tea can expect a stylish celebration of fashion and rebellion, blending traditional patisserie expertise with an unexpected, modern aesthetic that is utterly Instagrammable and “a little bit mad” – just like Cruella herself. The hotel’s Head Pastry Chef, Kevin Miller has carefully crafted a limited-edition menu that, alongside the classic savoury sandwich favourites and -
The Western Screenwriter in Japan: Screenwriting Considerations in Transnational Cinema
The Western Screenwriter in Japan: Screenwriting Considerations in Transnational Cinema by Alexander McAulay Submitted in partial fulfillment of the requirements for a Doctor of Philosophy Faculty of Media and Communication Bournemouth University May 2017 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and due acknowledgement must always be made of the use of any material contained in, or derived from, this thesis. 2 Alexander McAulay The Western Screenwriter in Japan: Screenwriting Considerations in Transnational Cinema Abstract This PhD investigates the writing of a feature film screenplay for mainstream Japanese-language cinema by a British screenwriter. As a long-term resident of Japan with production credits in Japanese cinema, I have for many years been interested in how to write stories set in Japan that will appeal to domestic and international audiences. The study examines the challenges I face as a Western screenwriter writing a screenplay for Japanese cinema, and how those challenges inform my creative practice, bringing into being a screenplay that is intended to enhance screenwriting craft in mainstream Japanese cinema and provide new knowledge to transnational cinema and screenwriting research. The critical commentary that accompanies the screenplay takes a dialogic approach in practice-led research to explore how various issues emerge for the Western screenwriter in Japanese cinema. These problems are examined with regard to relevant theory, and contextualised in considerations of various films in Japanese-language cinema written by non-Japanese screenwriters. One salient issue is the application of the Hollywood ‘universal’ model of screenwriting to stories about Japan. -
PRESS Graphic Designer
© 2021 MARVEL CAST Natasha Romanoff /Black Widow . SCARLETT JOHANSSON Yelena Belova . .FLORENCE PUGH Melina . RACHEL WEISZ Alexei . .DAVID HARBOUR Dreykov . .RAY WINSTONE Young Natasha . .EVER ANDERSON MARVEL STUDIOS Young Yelena . .VIOLET MCGRAW presents Mason . O-T FAGBENLE Secretary Ross . .WILLIAM HURT Antonia/Taskmaster . OLGA KURYLENKO Young Antonia . RYAN KIERA ARMSTRONG Lerato . .LIANI SAMUEL Oksana . .MICHELLE LEE Scientist Morocco 1 . .LEWIS YOUNG Scientist Morocco 2 . CC SMIFF Ingrid . NANNA BLONDELL Widows . SIMONA ZIVKOVSKA ERIN JAMESON SHAINA WEST YOLANDA LYNES Directed by . .CATE SHORTLAND CLAUDIA HEINZ Screenplay by . ERIC PEARSON FATOU BAH Story by . JAC SCHAEFFER JADE MA and NED BENSON JADE XU Produced by . KEVIN FEIGE, p.g.a. LUCY JAYNE MURRAY Executive Producer . LOUIS D’ESPOSITO LUCY CORK Executive Producer . VICTORIA ALONSO ENIKO FULOP Executive Producer . BRAD WINDERBAUM LAUREN OKADIGBO Executive Producer . .NIGEL GOSTELOW AURELIA AGEL Executive Producer . SCARLETT JOHANSSON ZHANE SAMUELS Co-Producer . BRIAN CHAPEK SHAWARAH BATTLES Co-Producer . MITCH BELL TABBY BOND Based on the MADELEINE NICHOLLS MARVEL COMICS YASMIN RILEY Director of Photography . .GABRIEL BERISTAIN, ASC FIONA GRIFFITHS Production Designer . CHARLES WOOD GEORGIA CURTIS Edited by . LEIGH FOLSOM BOYD, ACE SVETLANA CONSTANTINE MATTHEW SCHMIDT IONE BUTLER Costume Designer . JANY TEMIME AUBREY CLELAND Visual Eff ects Supervisor . GEOFFREY BAUMANN Ross Lieutenant . KURT YUE Music by . LORNE BALFE Ohio Agent . DOUG ROBSON Music Supervisor . DAVE JORDAN Budapest Clerk . .ZOLTAN NAGY Casting by . SARAH HALLEY FINN, CSA Man In BMW . .MARCEL DORIAN Second Unit Director . DARRIN PRESCOTT Mechanic . .LIRAN NATHAN Unit Production Manager . SIOBHAN LYONS Mechanic’s Wife . JUDIT VARGA-SZATHMARY First Assistant Director/ Mechanic’s Child . .NOEL KRISZTIAN KOZAK Associate Producer . -
THE DEVIL WEARS PRADA Theme: “The World of Fashion”
Lai Chack Middle School S1-S3 English Language 2009-2010 English Week Name: _______________Group ______ Grade: _________________ Class: S. ________________ ( ) Date: __________________ THE DEVIL WEARS PRADA Theme: “The World of Fashion” Part A: Introduction In English Week 2010, we are going to watch the movie The Devil Wears Prada. Before you watch the movie, let’s see some basic information about it. Directed by David Frankel Written by Aline Brosh Mckenna based on Lauren Weisberger's novel Starring Meryl Streep as Miranda Priestly Anne Hathaway as Andrea Sachs Emily Blunt as Emily Stanley Tucci as Nigel Adrian Grenier as Nate Release Year: 2006 Awards: 2007 - Nominated for Oscar Academy Award for Best Achievement in Costume Design and Best Performance by an Actress in a Leading Role (Meryl Streep) 2007 - Won Golden Globe for Best Performance by an Actress in a Motion Picture - Musical or Comedy (Meryl Streep) 2007 - Won ALFS Award for Actress of the Year (Meryl Streep) and British Supporting Actress of the Year (Emily Blunt) 1 Now give short answers to the questions below. 1. Who is the director of the movie? ____________________________________________________________________ 2. Name the leading actresses. ____________________________________________________________________ 3. When did people first see the movie in cinemas? ____________________________________________________________________ 4. Did any stars win awards for acting in the movie? If yes, give ONE example. ____________________________________________________________________ Part B: About the Characters The pictures below are characters in the movie. Write the names of the characters and fill in the other blanks with the correct words while you are watching the movie. Name: ____________________ Name: ___________________ She is his _________________ .