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Civiltà Del Circo Circus’ World

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Civiltà Del Circo Circus’ World Piero Piani Civiltà del Circo Circus’ world Dagli scaffali della Libreria Naturalistica di Bologna &DWDORJKLOLEUDULPRQRJUDÀFL “Piani e ripiani” n° 4 6WXGLR%LEOLRJUDÀFR di Piero Piani & C. s.n.c. YLD6DQ6LPRQH&3%2/2*1$ Telefono (051) 22.03.44 e 22.25.62)D[ (051) 23.35.67 K 2UDULR VXDSSXQWDPHQWR 3,9$&&3 Web: http://www.libnat.itHPDLOinfo@libnat.it 6WXGLR%LEOLRJUDÀFRPiani Formati dei libri:GHÀQL]LRQLFRU Folio ROWUHcm circa 16°GDDFPFLUFD UHQWHPHQWHLQXVRGDO;,;VHFROR 4°GDDcm circa 24°GDDFPFLUFD LQSRLLQEDVHDOO·DOWH]]D 8°GDDcm circa via San Simone 5 (Brando, &RSHUWLQDQGHOFDWDORJR ½ ,6%1 Civiltà del Circo Circus’ world - 1 - - 2 - Piero Piani Civiltà del Circo Circus’ world Edizioni Libreria Naturalistica Bologna, 2007 - 3 - - 4 - Al circo ed al suo mondo sono state dedicati veramente tanti racconti e OLEULQXPHURVLGLSLQWLHGLVHJQLIRWRJUDÀHHÀOPVHPSUHXQLYRFDPHQWHHOHJLDFL Quasi tutti hanno nello stesso tempo evidenziato l’allegria e la gioia procurata, il fascino esercitato per i meravigliosi esercizi di abilità di uomini ed animali ed insieme la profonda malinconica tristezza dei pagliacci, la dignità ferita di leoni, elefanti e tigri costretti ad essere altri da sé, caricature umanoidi anacronisticamente DOVHUYL]LRGLXQRVSHWWDFRORFRPXQTXHULFFRGLVHPSUHVWXSHIDFHQWLHVLEL]LRQL Qui ho riunito, in un personale omaggio a quel mondo fantasioso che mi ha sempre affascinato solo “indirettamente”, attraverso cioé le emozioni trasmesse da Roualt e Chaplin, da Chagall e Lautrec, da Seurat e Fellini, tutto TXDQWRVRQRULXVFLWRDUDFFRJOLHUHGHLUHVWLGLXQIDPRVRFDWDORJRPRQRJUDÀFR realizzato una ventina d’anni or sono da un indiscusso Maestro tra i librai anti- TXDULGHOODPLDFLWWj Non sono più tempi di raccolte stupefacenti essendo il mercato attuale del libro antico fatto di “tagli, ritagli e frattaglie” (e buona grazia anche che ci VLDDQFRUDTXDOFRVDGLTXHVWH (·VWDWDIDWLFDQRQSLFFRODTXLQGLSUHVHQWDUHXQ pò di libri appartenuti al ‘nostro’ Alessandro Cervellati, con dediche sempre mai banali assieme ad altri di provenienza meno nobile ma di contenuto cultural- PHQWHVWRULFDPHQWHRGDQHGGRWLFDPHQWHGLJUDQGHLQWHUHVVH Per questo vorrei proporre “in blocco” la collezione qui presentata evitandone, SHUXQSzDOPHQRODGLVSHUVLRQH3RLYHGUHPRSRL La presentazione di Giancarlo Roversi, indiscutibilmente il maggior conoscitore di storia locale, giornalista e scrittore fecondo, poliedrico e docu- mentatissimo e che fu di Cervellati amico personale é inoltre un per me assai SLDFHYROHDUULFFKLPHQWRDOWXWWR Un ringraziamento pubblico e sentito al collega Pietro Franchi, appas- sionato di circo così come di tutte le curiosità popolari della nostra società, che PLKDDLXWDWRLQPROWLHFRPSHWHQWLPRGL6XHVRQRDQFKHOHQRWHFKHSUHFHGRQR i vari “capitoli” di questo libretto : piccole gocce di vera poesia rivelatrici di una SDUWHFLSD]LRQHDXWHQWLFDWUDLOFXULRVRORVWXSLWRHO·LQIRUPDWR Non poteva mancare la usuale nota di Fabio Pierantoni che dopo aver DVVLVWLWRODÀJOLD0DULDWUDGXWWULFHLQLQJOHVHGLWXWWHOHVFKHGHqO·DXWRUHGL “Circo/scritto” : originale punto di vista, assolutissimamente condivisibile ! Questo libretto non avrebbe mai avrebbe visto la luce senza la solita, FRPHVHPSUHLQL]LDOPHQWHLSRFRQGULDFDHGDOODÀQHDVVDLSRVLWLYDSDUWHFLSD- ]LRQHWHFQLFRRUJDQL]]DWLYDGL0DUFR6LQLFKHDOVROLWRqTXLSXEEOLFDPHQWHH GRYHURVDPHQWHULQJUD]LDWR(JOLqXRPRLPSDJDELOHGDYYHUR (GLQIDWWL - 5 - So many tales and books have been dedicated to circus and its world, SKRWRVDQGPRYLHVDOZD\VHOHJLDFV1HDUO\DOORIWKHPKLJKOLJWKHGWKHPLUWKDQ joy brought, the allure wielded by the marvelous exercizes of men an animals and by the deep, melancholy sadness of the clowns; the wounded dignity of lions, elephants and tigers forced to be something far from themselves, huma- noid caricatures anachronistically serving a show in any case rich of always DVWRQLVKLQJSHUIRUPDQFHV Here I gathered, in a personal tribute to that imaginative world that always charmed me “second handed” (namely the emotions given by Roualt and Chaplin, by Chagall and Lautrec, by Seurat and Fellini) all I could get from the remainders of a famous monographic catalog made some twenty years ago by DQXQGLVSXWHG0DHVWURDPRQJWKHDQWLTXDULDQERRNVHOOHUVRIP\FLW\ This aren’t times anymore for an astounding collection, for current an- tique books market is made of little things here and there (thankfully ther’s still DIHZRIWKLV 7KHUHIRUHSUHVHQWLQJVHYHUDOERRNVEHORQJLQJWRRXU$OHVVDQGUR Cervellati, with never trivial inscriptions, together with others less noble but still culturally, historically or anecdotically interesting ones, has been not so small an HIIRUW7KDW·VZK\,·GOLNHEHWWHUWRSURSRVHWKLVFROOHFWLRQ´DVRQHµDYRLGLQJDW OHDVWIRUVRPHPRUHWLPHWRGLVSHUVHLW$IWHUWKDWZH·OOVHH The introduction by Giancarlo Roversi (without dispute the best expert LQORFDOKLVWRU\MRXUQDOLVWDQGSUROLÀFZULWHUHFOHFWLFDQG&HUYHOODWL·VSHUVRQDO IULHQG LVWRPHDYHU\SOHDVLQJHQULFKPHQWRIDOOWKLV A public and deeply felt acknowledgement to the colleague Pietro Franchi, circus enthusiast so as of all popular trivias of our society, who helped me in many and valuable ways: tiny drops of authentic poetry revealing true in- YROYHPHQWEHWZHHQFXULRXVDVWRQLVKHGDQGFRPSHWHQW There is no missing the custumary Fabio Pierantoni’s note who, after KDYLQJDLGHGKHUGRXJKWHU0DU\HQJOLVKWUDQVODWHURIHYHU\ÀOHLVWKHDXWKRURI “CIRCUmScribed”: original point of view, absolutely shareable! This book couldn’t see the light of day without the usual, as always hi- SRFKRQGULDFÀUVWDQGSRVLWLYHDIWHULQYROYHPHQWRI0DUFR6LQLZKRKDVXVXDO ZLOOEHKHUHE\WKDQNHG$SULFHOHVVPDQKHUHDOO\LV $QGDFFRUGLQJWRWKLV English version by Fabrizio Bortolini - 6 - &,5&2VFULWWR Il mondo del circo: un variegato insieme di uomini e bestie con diverse RULJLQLHDELOLWjFKHYLYRQRDVWUHWWRFRQWDWWRLQXQRVWHVVROXRJR6RQRWXWWLGHOOH ´DWWUD]LRQLµKDQQRFLRqTXDOFRVDGDPRVWUDUHXQDORUR´SXOFULWXGRµGDRIIULUH DOODFXULRVLWjGHOODJHQWHFRPXQH Qualcuno mangia il fuoco, altri lame e coltelli, donne esibiscono barba HEDIÀRHQWUDQRLQYDOLJHSLFFROLVVLPHQDQLVWLOH9HODVTXH]ULQFRUURQREHVWLH PDODPHQWHDVVRUWLWHFRQHUUDWLQXPHULGLWHVWHDUWLHFFHFF1DWXUDOLDHW0LUDEL- lia! Una Wunderkammern post-rinascimentale! (SSXUHWXWWRTXHVWRIRUVHSURSULRSHUTXHVWRRJJLqLQJUDQGHFULVL 1RQqPXWDWDODFXULRVLWjGHOODJHQWHHFHUWDPHQWHLOFLUFRPRGHUQRRIIUHDQFRUD di più al gentile pubblico, ma le alternative con cui competere sono spietate e ci JLXQJRQRFRPRGDPHQWHDGRPLFLOLRTXDVLWXWWHOHVHUH Come possono i nostri semplici “fenomeni” del circo competere con quelli del Grande Fratello, Amici o Isole con Famose attrazioni che la televi- sione quotidianamente elargisce? I meccanismi sono sempre gli stessi: mirabili difformità raccolte in uno spazio CIRCOscritto danno mostra delle loro anomale FDSDFLWj,OSXEEOLFRRUDYLHQHFKLDPDWRDGHFLGHUHFKLUHVWDHFKLYLHQHHOLPLQD- WRFLVHQWLDPRFRLQYROWLHVLDO]DO·LQGLFHGLDVFROWRPDQRQqFHUWRXQDQRYLWj Una volta, in un circo più antico, era il pollice dello spettatore a deci- GHUHFKLULPDQHYDQHOO·DUHQD1RQFDPELDQXOOD,OVXFFHVVRGHOORVSHWWDFRORq garantito, impossibile osservare certe meravigliose anomalie senza rimanerne FDWWXUDWLVWXSLWLQHOYHURVHQVRHWLPRORJLFRGHOWHUPLQH Al circo si potevano ammirare prodigiosi cavalli che sapevano contare PDQRQqQXOODVHFRQIURQWDWRDOO·HPR]LRQHGLSRWHUDVVLVWHUHDGHVVHULXPDQL che non ci riescono e ne ridono con disinvoltura! Il circo deve rassegnarsi: non potrà mai competere con uno spettacolo nel quale tutti gli artisti, a prescindere dall’altezza, sono dei nani! Fabio Pierantoni 368RPLQL HEHVWLH LQXQRVWHVVRVSD]LR7DQWLQDQL,OSXEEOLFRYRWDFKLGHYHULPDQHUH mi verrebbe in mente un’altra analogia da sviluppare con altra WunderCammer e Wun- GHU6HQDWPDIRUVHVDUHEEHWURSSRTXDOXQTXLVWLFDPHQWHIDFLOHHVFRQWDWR - 7 - &,5&8P6FULEHG The world of circus: a motley group of men and animals, differing for RULJLQVDQGDELOLWLHVUXEELQJHDFKRWKHU·VVKRXOGHUVLQWKHVDPHSODFH7KH\DOO are attractions, having something to show: a “pulcritudo” offered to everyday’s SHRSOHFXULRVLW\ 6RPHRQHHDWVÀUHRWKHUVEODGHVRUNQLIHVZRPHQZLWKEHDUGVDQG PRXVWDFKHVRUJHWWLQJLQWRVPDOOOXJJDJHV9HODVTXH]LDQGZDUIVFKDVLQJEDOGO\ DVVRUWHGDQLPDOVZLWKZURQJKHDGVDUPV1DWXUDOLDHW0LUDELOLD$SRVW5HL- nassance Wunderkammern! 6WLOODOOWKLVPD\EHIRUWKLVYHU\UHDVRQLVLQJUHDWFULVLV3HRSOH·V curiosity hasn’t changed, and sure modern circus is offering even more to the public, but the options to compete with are merciless and can easily reach us LQRXUKRPHVDOPRVWHYHU\HYHQLQJ+RZFRXOGHYHURXUVLPSOHFLUFXV´IUHDNVµ compete with Big Bros, Survivors, Idols and all the modern attractions tv gives us daily? Mechanisms are always the same: wonderful difformities gathered in D&,5&8P6FULEHGVSDFHVKRZWKHLUXQFRPPRQVNLOOV1RZDGD\VDXGLHQFHLV called to decide who’s in and who’s out; we feel involved and the rating goes XSEXWVXUHWKLVLVQ·WDQ\QHZV In ancient times, in an older circus, was up to spectator’s thumb to de- FLGHZKRZDVWRVXUYLYHLQWKHDUHQD1RWKLQJQHZXQGHUWKHVXQ6KRZVXFFHVV is granted, there’s no way to watch these wonderful anomalies without being FDSWXUHGDPD]HG In circus you could admire prodigious horses that could count, but this is nothing compared to the emotions of watching human beings who couldn’t and who easily laugh of it! Circus has to surrender: it’ll never compete with a show in wich all the artists, never mind their heigh, are dwarfs! Fabio Pierantoni 360HQ DQGEHDVWV LQWKHVDPHVSDFH6RPDQ\GZDUIV$QGSXEOLFYRWHV who has to stay: comes in mind another analogy to develop with another Wun- GHU&KDPEHUH:XQGHU6HQDWHEXWLWZRXOGEHWRRHDV\DQGSUHGLFWDEOH - 8 - Presentazione al catalogo Il circo, o per usare un termine classico, gli spettacoli circensi di antica memoria, sono da tempo immemorabile una delle forme più universali di divertimento, che attraversa
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