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HAND OF FIRE: THE COMICS ART OF JACK KIRBY PDF, EPUB, EBOOK

Deepest condolences to his loved ones, colleagues, and fans everywhere. He analyzes the development of Kirby's cartooning technique, his use of dynamic composition, the recurring themes and moral ambiguities in his work, his eventual split from Lee, and his later work as a solo artist. This takes many words. Many comics creators have depicted Kirby as a near-mythic figure, a kind of demiurge or creative Source. I have paraphrased the above from Chapter One of the book to give a flavour of this part of the work. My thinking is that certain details should either have been heightened to show their powerful effect on Kirby—for example, Klinghoffer and Kirby met in the Boys Brotherhood Republic when they were young, a connection that meant a lot to Kirby—or snipped out altogether, so that the book might give more selective attention to what it considers key incidents. With Stan Lee, he created the Fantastic Four and defined the drawing and narrative style of Marvel Comics from the s to the present day. Joe Sinnott and other Marvel inkers had usually toned him down, replacing squiggles with more standard strokes. Some of the close readings of work do drag on and are spectacularly subjective, but you do get the sense of just how many ideas and concepts Kirby riffed on in his work. Did unrelenting deadlines force Kirby to grow quickly from a journeyman to a standout cartoonist? Never before published, A Business Career is the story of Stella Merwin, a white woman entering the working-class world to There are no discussion topics on this book yet. Kirby is credited with creating or cocreating a number of Marvel's mainstay properties, among them the X-Men, the Hulk, Thor, and the Silver Surfer. University Press of Mississippi. More Details Maybe he felt at home there. Aug 29, Jon Holt rated it liked it. I dig the formalist discipline, but miss the variability, the rubato, of humanized drama. Just to read that comic is to experience a sort of Kirby contact high: so amazing. Raymond Chandler also had mixed feelings on his pulp fiction being something that intellectuals clawed each other about. Not enough about the art. After giving an overview of Kirby's career that this relative ignoramus found very useful, Hatfield spends a fair amount of time at the start of the book discussing narrative drawing and how it fits into more theoretical readings of how art conveys meaning. His inflected brush lines were impeccable, solidifying form, creating texture, imparting wholeness to pages touched by many hands. Rating details. Raymond Chandler also had mixed feelings on his pulp fiction being something that intelle One is always wary when the academics get their hands on popular culture. Authors Affiliations are at time of print publication. Charles Hatfield, author More Less. This is nuanced stuff and highlights the tensions in Kirby's thematic considerations his loathing of fascism in tension with the very concept of the superman which was co-opted by fascism in the 30s, for example which makes his work both sophisticated and appealing. A wide-ranging survey of how comics have portrayed southern ways of lifeContributions from Tim Caron, There is a chapter on the history and authorship of the Marvel Universe. Want to Read saving…. Happily, some of them are reproduced here. That was truly a felicitous combination of artists. Truth to tell, the rhythm is so steady as to be metronomic, which gives the story a matter-of-fact, almost deadpan tone. Image from Heritage Auctions. Kirby became the "blueprint" for other creators. But an artist style usually evolves over time and this generally is not due to any deterioration of his capabilities. Art rated it really liked it Jun 02, Hand of Fire: The Comics Art of Jack Kirby Writer

I like those moments of economy, understatement, and silence—the deep breaths, so to speak. You may not agree with everything Hatfield writes, but you will understand why he takes the positions that he does and you may his ideas challenging. Print Save Cite Share This. Raymond Chandler also had mixed feelings on his pulp fiction being something that intellectuals clawed each other about. With Stan Lee, he created the Fantastic Four and defined the drawing and narrative style of Marvel Comics from the s to the present day. Dee rated it it was amazing May 29, Otherwise, this book is less inspire Hand of Fire begins with a joyless but geeky semiotic analysis of Kirby's style. Scioli gets this right: the Kirby in his biography —rightly characterized by Charles as in sync with the real Kirby, a scrappy doer rather than a self-reflective theorist—skips from publisher to publisher and event to event with only passing mentions of his inspirations and his own growth as a visual storyteller. Want to Read saving…. Publications Pages Publications Pages. Shay rated it it was amazing Mar 04, Thanks for telling us about the problem. Paul Spence rated it liked it Apr 15, Sign in to Purchase Instantly. Romance is another word where the simple modern meaning does not apply. Add to cart Near Mint. View Product. Hanna, Christina M. What really gets me about the book, though, are its structural choices. Richard Stevens, Justin Related Searches. Hall rated it it was amazing. Just a moment while we sign you in to your Goodreads account. Tom Shapira rated it really liked it Feb 25, How much did Kirby learn and grow during this period? Thanks, Craig! More Jack Kirby — is one of the most influential and popular artists in comics history. Community Reviews. Password Please enter your Password. Kirby is credited with creating or cocreating a number of Marvel's mainstay properties, among them the X-Men, the Hulk, Thor, and the Silver Jack Kirby is one of the most influential and popular artists in comics history. I dig the formalist discipline, but miss the variability, the rubato, of humanized drama. Hand of Fire: The Comics Art of Jack Kirby Reviews

He returned with 44 November , replacing Colletta, stayed on for almost all the remaining issues of the Lee-Kirby run through , September , and continued to ink FF for several years after both Lee and Kirby left the comic. Hall rated it it was amazing. Trivia About Hand of Fire: The Dee rated it it was amazing May 29, In this book, Charles Hatfield examines the artistic legacy of one of America's true comic book giants. One is always wary when the academics get their hands on popular culture. At other times, though, the rhythm seems deadening: the book steamrolls over one event after another, treating most of them as similar. Never before published, A Business Career is the story of Stella Merwin, a white woman entering the working-class world to I have paraphrased the above from Chapter One of the book to give a flavour of this part of the work. It is clear, informative and, perhaps more importantly, prompted me to view Kirby specifically and comics in general in a deeper, more thoughtful way. But an artist style usually evolves over time and this generally is not due to any deterioration of his capabilities. Hatfield' chief contribution to Kirby Studies is the notion of the "technological sublime" -- an important element of the King's aesthetic that had been searching for a name. His earlier work with Joe Simon led to the creation of Captain America, the popular kid gang and romance comic genres, and one of the most successful comics studios of the s and s. Kirby never seemed interested in realistic depictions of the human form; both Sinnott and inker Mike Royer note that Kirby would usually draw faces with eyes askew from each other, and it was up to them to fix this mistake. In preparation for reviewing this book, I have read all of it several times over the last forty years and have most of it to hand in my bookcase. Flying high is no bad thing and this is a book that will stretch the mind. Enabling JavaScript in your browser will allow you to experience all the features of our site. Aug 29, Jon Holt rated it liked it. My problem with this book is that Hatfield feels compelled to retell 10 to 40 issues of a series. Art rated it really liked it Jun 02, Joe Sinnott, sourced from his Facebook page. Maybe he felt at home there. University Press of Mississippi. You know the saying: There's no time like the present Conversations with Maxine Hong Kingston. Powered by WordPress. Hatfield is to be commended for trying to avoid the excessive opaqueness of much academic work on pop culture and he mostly succeeds. The insights into the work offer great insights into the man himself.

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To honor the occasion, the Jack Museum and Research Center is holding 3 Days for , a three-day online event series to be streamed live to Facebook, YouTube, and Twitter. Subscriber Login Email Address. Please enable JavaScript in your browser and refresh the page. In that case, we can't Gary rated it really liked it Feb 25, Goodreads helps you keep track of books you want to read. I suspect Kirby Cultists will not be pleased but I was. Powered by WordPress. Repetitive at times and it can't help but delve into the Marvel gossip as it tries to get at Kirby's contributions to important titles. Photographer unknown. For a better shopping experience, please upgrade now. Overview Jack Kirby is one of the most influential and popular artists in comics history. Joe Sinnott and Jack Kirby, Conversations with Eugene O'Neill. A couple of weeks later, Stan called me and asked me to ink another Kirby story. Hatfield' chief contribution to Kirby Studies is the notion of the "technological sublime" -- an important element of the King's aesthetic that had been searching for a name. Scioli gets this right: the Kirby in his biography—rightly characterized by Charles as in sync with the real Kirby, a scrappy doer rather than a self-reflective theorist—skips from publisher to publisher and event to event with only passing mentions of his inspirations and his own growth as a visual storyteller. His inflected brush lines were impeccable, solidifying form, creating texture, imparting wholeness to pages touched by many hands. Jack Kirby is one of the most influential and popular artists in comics history. Conversations with Maxine Hong Kingston. Learn how to enable JavaScript on your browser.

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