Queenship and Power
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WRAP THESIS Shilliam 1986.Pdf
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/34806 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. FOREIGN INFLUENCES ON AND INNOVATION IN ENGLISH TOMB SCULPTURE IN THE FIRST HALF OF THE SIXTEENTH CENTURY by Nicola Jane Shilliam B.A. (Warwick) Ph.D. dissertation Warwick University History of Art September 1986 SUMMARY This study is an investigation of stylistic and iconographic innovation in English tomb sculpture from the accession of King Henry VIII through the first half of the sixteenth century, a period during which Tudor society and Tudor art were in transition as a result of greater interaction with continental Europe. The form of the tomb was moulded by contemporary cultural, temporal and spiritual innovations, as well as by the force of artistic personalities and the directives of patrons. Conversely, tomb sculpture is an inherently conservative art, and old traditions and practices were resistant to innovation. The early chapters examine different means of change as illustrated by a particular group of tombs. The most direct innovations were introduced by the royal tombs by Pietro Torrigiano in Westminster Abbey. The function of Italian merchants in England as intermediaries between Italian artists and English patrons is considered. Italian artists also introduced terracotta to England. -
AFOTC Newsletter No 8 .Pub
Camino Chronicle Australian Friends of the Camino Newsletter No 8, March 2014 Page 1 AFotC Newsletter #8 March 2014 MESSAGE FROM OUR CHAIRMAN As some of you are aware, I made a winter Camino over the recent Christmas period. This was very much a solitary journey. There were few pilgrims on the road, perhaps a dozen or so initially, increasing to about 30 by the time I got to Galicia. On my first night, at St Jean-Pied-de-Port, I shared the albergue with an Englishman, a South American, 2 Italians, 2 Koreans, as well as 6 Australians from Darwin. Along the way I continued to meet numerous Italians and many Koreans. But I also met more Australians at various points along the way, Jill (from Victoria) whom I had arranged to meet in Burgos before I left, being one. With so few pilgrims on the road I often walked for days on end without meeting anyone. With six weeks to complete the journey from St Jean to Santiago I could take my time, though my days were governed by what accommodation was avail- able. Being winter, many places were closed and often there was no choice as to where I could stay. I was blessed with a couple of weeks of mostly fine weather initially, though it was still very cold. The path was often frozen, making it easy to walk on the mud! A couple of months later and I suspect it would be a differ- ent story. Galicia though turned on the tap! Here the water just poured out of the hillsides. -
Spring 2011 Catalogue:1 21/10/10 12:09 Page 1
Spring 11 Cat. Cover final_1 21/10/2010 11:26 Page 1 YALE yale spring & summer 2011 spring & summer 2011 London WC1B 3DP • Yale University Press 47 Bedford Square www.yalebooks.co.uk Bolton - McQueen page:1 17/11/10 15:46 Page 1 A stunning overview of the career of designer Alexander McQueen, whose iconic and intricate fashions challenged the conventional parameters of clothing From left to right: ‘Sarabande’, Spring/Summer 2007, ‘It’s Only a Game’, Spring/Summer 2005, ‘The Overlook’, Autumn/Winter 1999. Alexander McQueen JUST ANNOUNCED Savage Beauty Andrew Bolton and Harold Koda With contributions by Tim Blanks and Susannah Frankel Alexander McQueen (1969–2010) was one of the most influential, imaginative and inspirational designers at the turn of the millennium. His fashions both challenged and expanded the conventional parameters of clothing beyond utility to a compelling expression of culture, politics and identity. Focusing on the most iconic and acclaimed designs of his prolific career, this stunning book examines McQueen’s inimitable technical virtuosity and its subversion of traditional tailoring and dressmaking practices. MuseumThe of Art Metropolitan York • New The book also focuses on the highly sophisticated narrative structures found in McQueen’s collections and in his astonishing and extravagant runway presentations, which suggested the most avant-garde installation and performance art. Intended as an assessment of Alexander McQueen’s entire career, the book includes in-depth studies Exhibition of six collections that illustrate and encapsulate thematic chapters as The Metropolitan Museum of Art, well as an interview with Sarah Burton, the new creative director of 04/05/11–31/07/11 Alexander McQueen who had been the designer’s right-hand design aide since 1996. -
Full Press Release
Press Contacts Patrick Milliman 212.590.0310, [email protected] Sandra Ho 212.590.0311, [email protected] THE MORGAN LIBRARY & MUSEUM TO EXHIBIT NEWLY ACQUIRED PRAYER BOOK MADE FOR QUEEN CLAUDE DE FRANCE TINY BOOK—JUST 2 ¾ BY 2 INCHES—IS AN EXTREMELY RARE MASTERWORK OF RENAISSANCE ILLUMINATION Manuscript to Go on View May 20 New York, NY, May 9, 2008—The Morgan Library & Museum will put on special exhibition beginning May 20 an extremely rare Renaissance illuminated manuscript, the Prayer Book of Queen Claude de France (1499–1524), created around the time of her coronation in 1517. It is the most important single illuminated manuscript acquired by the Morgan in the last twenty-five years and will go on view in the East Room of the historic McKim building. The tiny, jewel-like book, measuring just 2 ¾ by 2 inches, is richly illustrated with 132 scenes from the lives of Christ, the Virgin Mary, the apostles, and numerous saints. The work was created by an artist known as the Master of Claude de France and can be characterized as the pinnacle of delicacy in Renaissance illumination. The artist, named after this prayer book and a companion manuscript, was active in Tours during the first quarter of the sixteenth century. Barely a dozen of his works survive. The prayer book was given to the Morgan by Mrs. Alexandre P. Rosenberg, a long time generous supporter of the Museum. The gift is in memory of her husband Alexandre Paul Rosenberg, who died in Virgin and Child with St. John the Baptist, with the coat of arms of Queen Claude de France in the lower border, illuminated 1987. -
Fire Damages Cathedral in France, Arson Probe Launched
SUNDAY, JULY 19, 2020 06 News in brief u Thousands Fire damages cathedral in Thai of mainly young youth take to and black-clad Thai protesters street in pro- converged democracy at Bangkok’s France, arson probe launched protest Democracy Monument as the city’s largest and rowdiest anti-government protest in years stretched deep into the night. Thailand, a kingdom whose “everything was in order last rambunctious politics is defined by coups and often deadly street protests, is facing an The blaze destroyed night,” and that “a very close unprecedented economic shock due to the coronavirus pandemic. With the economy stained• glass windows inspection was made before it in freefall, anger is boiling against a government stacked with elderly former generals closed, like every other evening.” and supporters of the royalist establishment. and the grand organ Ferlay played down any com- parison with the 1972 blaze or u A drug dealer convicted of murdering five people, including two at the Saint-Pierre-et- young girls, was executed by lethal injection, the third federal inmate to Saint-Paul cathedral, with Notre-Dame, which caught fire during repair work in April be put to death in the United States this week. Dustin Lee Honken, 52, of Britt, which dates from last year. Iowa, was pronounced dead at 4:36 pm (2036 GMT) at Terre Haute prison in the the 15th Century midwest state of Indiana, the Justice Department said. Honken was convicted in Reinforced roof Iowa in 2004 of the 1993 murders of two drug dealers who became government informants and were going to testify about his methamphetamine operation. -
Medieval and Renaissance Manuscripts
THE MORGAN LIBRARY & MUSEUM MASTERWORKS FROM THE MORGAN: MEDIEVAL AND RENAISSANCE MANUSCRIPTS Although Pierpont Morgan acquired medieval and Renaissance manuscripts only during the last dozen years of his life, his collection of some six hundred manuscripts was world renowned. His son, J. P. Morgan, Jr., added two hundred more that matched those of his father in terms of quality and importance. The collection currently numbers nearly fourteen hundred books and leaves. Written by hand and often sumptuously painted or illuminated with gold leaf, these manuscripts reflect the religious, intellectual, and artistic life of their time. Often commissioned by leaders of church and state, they were frequently made of rare and precious materials, requiring the combined skills of parchment makers, scribes, editors, illuminators, and binders. Protected by their bindings, the vivid colors of their miniatures have changed little, making them the best preserved of all medieval and Renaissance paintings. The icons of illumination shown here were selected because each, in some way, is the best of its kind and part of the core of masterworks upon which the Morgan’s international reputation is based. Nativity, in an initial P, leaf from a Gradual (I), in Latin. Italy, Florence, 1392–99, illuminated at Santa Maria degli Angeli by Don Silvestro dei Gherarducci for Paolo Venier, abbot of San Michele à Murano. This large historiated initial and four others in the Morgan come from the same two-volume Gradual, a choir book containing the sung portions of the Mass. The initial P begins the Introit for the Christmas Mass, taken from Isaiah (9:6): Puer natus est nobis (A child is born to us). -
Brittany & Its Byways by Fanny Bury Palliser
The Project Gutenberg EBook of Brittany & Its Byways by Fanny Bury Palliser This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.guten- berg.org/license Title: Brittany & Its Byways Author: Fanny Bury Palliser Release Date: November 9, 2007 [Ebook 22700] Language: English ***START OF THE PROJECT GUTENBERG EBOOK BRITTANY & ITS BYWAYS*** Brittany & Its Byways by Fanny Bury Palliser Edition 02 , (November 9, 2007) [I] BRITTANY & ITS BYWAYS SOME ACCOUNT OF ITS INHABITANTS AND ITS ANTIQUITIES; DURING A RESIDENCE IN THAT COUNTRY. BY MRS. BURY PALLISER WITH NUMEROUS ILLUSTRATIONS London 1869 Contents Contents. 1 List of Illustrations. 7 Britanny and Its Byways. 11 Some Useful Dates in the History of Brittany. 239 Chronological Table of the Dukes of Brittany. 241 Index. 243 Transcribers' Notes . 255 [III] Contents. CHERBOURG—Mont du Roule—Visit of Queen Victoria—Har- bour, 1—Breakwater—Dock-Yard, 2—Chantereyne—Hôpi- tal de la Marine, 3—Castle—Statue of Napoleon I.—Li- brary—Church of La Trinité, 4—Environs—Octeville, 5—Lace- school of the Sœurs de la Providence, 11. QUERQUEVILLE—Church of St. Germain, 5—Château of the Comte de Tocqueville, 6. TOURLAVILLE—Château, 7—Crêpes, 11. MARTINVAST—Château, 12. BRICQUEBEC—Castle—History, 12—Valognes, 14. ST.SAUVEUR-le-Vicomte—Demesne—History, 15—Cas- tle—Convent—Abbey, 16. PÉRI- ERS, 17—La Haye-du-Puits, 17—Abbey of Lessay—Mode of Washing—Inn-signs, 18—Church, 19. -
First, Unique and Unrepeatable Editions Limited to 987 Copies
First, unique and unrepeatable editions limited to 987 copies numbered and certifi ed by notary public LIVRE DE CHASSE Binding of the Livre de Chasse, by GASTON PHOEBUS by Gaston Phoebus Bibliothèque nationale de France • Paris First, unique and unrepeatable edition limited to 987 copies numbered and certifi ed by notary public The Livre de Chasse (Book of the Hunt) was written by Gaston Phoebus, count of Foix and expert huntsman. For many years this treatise was famous for both the quality of its hunting lessons and its extraordinary illuminations: a masterpiece of early-fi fteenth- century manuscript production in Paris, and one of the very few educational books to be illustrated as lavishly as a Bible. Besides the lessons it contains, this treatise also presents hunting as a redeeming exercise enabling hunters to go straight to Heaven by endowing them with an upright body and mind. The composition itself of this deeply pondered book links the hunter to the spiritual world. The different artists who worked on this manuscript – skilful mas- ters of medieval canons of illustration such as line dynamics, repeated fi gures, effects of colours, etc – placed their art at the service of Gaston Phoebus’s desire to teach, thereby setting out not merely a lesson of hunting but a lesson of life. Shelf mark: Français 616 Date: early 15th c. Size: 380 x 280 mm 436 pages, 87 illuminations Morocco-bound New! Full-colour commentary volume moleiro.com — f. 57v — 57v — f. — f. 94r — THE HOURS OF HENRY VIII The Morgan Library & Museum • New York First, unique and unrepeatable edition limited to 987 copies numbered and certifi ed by notary public The Hours of Henry VIII, Jean Poyer’s masterpiece, receives its name from King Henry VIII of England, second monarch of the House of Tudor. -
Spotlight on Tours
Spotlight on Tours Medieval Books of Hours from Tours at Dr. Jörn Günther Rare Books Basel – Stalden, Switzerland Spotlight on Tours Whereas Paris has so long been France’s ‘capital of the arts’ – around 1500 it had to share this title with Tours on the Loire, favoured by royalty and their entourage. Many of them were avid patrons of the arts and books. Since the second half of the 15th century to the early 16th century, the city of Tours was a renowned centre of manuscript illumination. Four French kings – Louis XI, Charles VIII, Louis XII and Francis I – were served here by the best illuminators. Jean Bourdichon (c. 1457-1521) had been the pupil of Jean Fouquet (c. 1420-1481) in Tours, where both men painted several masterpieces. They inspired the Master of Petrarch’s Triumphs (c. 1490-1510), Jean Poyer (c. 1465–1503), the Master of Claude de France (1498-c.1520) and their circles. But it began even earlier…. THE ‘DE NULLY DE GROSSEVRE’ HOURS ILLUMINATED IN THE CIRCLE OF THE JOUVENEL MASTER AND THE MASTER OF BOETHIUS FRANÇAIS 809. France, Tours (?), c. 1450-1460. Manuscript on vellum, 213 x 148 mm, 183 leaves with 17 large miniatures with full borders, three-sided vine- leaf borders on each page. The provenance is uncertain but some saints (Gatian, Lidorius) in the Litany point to Tours as city of origin. The fine Annunciation is attributed to the Boethius Master. He was also influenced by Jean Fouquet. The ‘De Nully de Grossevre’ Hours illuminated in the circle of the Jouvenel Master and the Master of Boethius Français 809. -
Iluminace Od První Poloviny 15
UNIVERSITA KARLOVA FILOSOFICKÁ FAKULTA ÚSTAV PRO DĚJINY UMĚNÍ DISERTAČNÍ PRÁCE PhDr. Kateřina Průšová Kniha jako klenot Frankoflámské knihy hodinek z pražského Klementina Book as a Jewel, Francoflemish Books of Hours from the National Library in Prague Školitel: PhDr. Hana J. Hlaváčková 2016 2 Prohlašuji, že jsem disertační práci vypracovala samostatně, že jsem řádně citovala všechny použité prameny a literaturu a že práce nebyla využita v rámci jiného vysokoškolského studia či k získání jiného nebo stejného titulu. V Praze, dne 8. 3. 2016 PhDr. Kateřina Průšová 3 Abstrakt Účelem této disertace je představit první souborný uměleckohistorický katalog frankoflámských knih hodinek ze sbírek Národní knihovny v Praze (NK). Některé rukopisy byly již časopisecky publikovány, jiné dosud publikovány nebyly. Jádrem katalogu je formální a stylová analýza knih hodinek, atribuce jednotlivým mistrům a dílnám, lokalizace a datace založená na srovnání se stylově příbuznými rukopisy. Katalog je pokračováním mé předešlé badatelské práce zaměřené na pařížské knihy hodinek (NK Břevnov 297, NK Osek 70 and NK XXIII G 89, magisterská a rigorózní práce). Šest knih hodinek je uloženo ve sbírkách Národní knihovny (NK XXIII H 22, NK Břevnov 296, NK XXIII F 198, NK XXIII G88, NK Osek 65, NK VI D 25) a jeden rukopis ve sbírce Lobkowiczů na Nelahozevsi, dříve deponován v pražské Národní knihovně (pod sign. VI Fg 67). Katalog pokrývá období největšího rozkvětu flámské iluminace od první poloviny 15. století do počátku 16. století. Knihy hodinek z pražského Klementina pochází převážně ze šlechtických sbírek (Lobkowiczové, Rohanové) pokud je možné sledovat jejich původ. Majitelé knih hodinek v 15. století byli zástupci širokých společenských kruhů, od bohatých obchodníků a měšťanů po členy vysoce postavených šlechtických a královských rodin. -
Les Peintures De La Cathédrale Saint-Pierre De Nantes
In Situ Revue des patrimoines 26 | 2015 La reconversion des sites et des bâtiments industriels Les peintures de la cathédrale Saint-Pierre de Nantes Pierre Curie Édition électronique URL : http://journals.openedition.org/insitu/11856 DOI : 10.4000/insitu.11856 ISSN : 1630-7305 Éditeur Ministère de la Culture Référence électronique Pierre Curie, « Les peintures de la cathédrale Saint-Pierre de Nantes », In Situ [En ligne], 26 | 2015, mis en ligne le 07 juillet 2015, consulté le 25 mars 2020. URL : http://journals.openedition.org/insitu/11856 ; DOI : https://doi.org/10.4000/insitu.11856 Ce document a été généré automatiquement le 25 mars 2020. In Situ Revues des patrimoines est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Les peintures de la cathédrale Saint-Pierre de Nantes 1 Les peintures de la cathédrale Saint- Pierre de Nantes Pierre Curie 1 Cette étude a été conduite et ce texte rédigé en 1990-1991 dans le contexte de la préparation d’un Cahier du patrimoine consacré à la cathédrale de Nantes, projet de publication de l’Inventaire général dans une collection nationale qui n’a malheureusement jamais vu le jour. 2 En 2013, à la suite d’une erreur d’appréciation sur le droit d’auteur et de ce que le droit français nomme une contrefaçon, ce texte a paru, tronqué et sous une signature apocryphe, dans un ouvrage publié chez un éditeur privé. 3 In Situ présente ici ce texte dans sa forme originale, in extenso, et sous le nom de son auteur. -
Galeries Nationales – Grand Palais Dossier Pédagogique Enseignants
GALERIES NATIONALES – GRAND PALAIS DOSSIER PÉDAGOGIQUE ENSEIGNANTS FRANCE 1500 ENTRE MOYEN ÂGE ET RENAISSANCE Jean Hey Annonciation, vers 1495, détail Huile sur bois The Art Institute of Chicago © RMN / The Art Institute of Chicago 2010 Affiche de l’exposition France 1500 (6 octobre 2010 – 10 janvier 2011) Réunion des musées nationaux, 2010 1 SOMMAIRE DOSSIER DES ENSEIGNANTS INTRODUCTION page 3 REPÈRES CHRONOLOGIQUES page 4 1 LA COMMANDE page 5 Le commanditaire ; ses obligations Maître d’œuvre et atelier 2 POUR TOUS LES GOÛTS page 9 Une production très variée Thèmes anciens et nouveaux Ornements modernes et antiques Le portrait 3 UN MONDE EN MOUVEMENT page 14 Les biens circulent Les artistes voyagent La révolution de l’imprimerie CONCLUSION page 17 QUELQUES PERSONNALITÉS page 18 DOSSIER DES ÉLÈVES (second fichier pdf à télécharger) LES ŒUVRES RACONTENT TOMBEAU DES ENFANTS DE CHARLES VIII ET ANNE DE BRETAGNE (1506) page 4 MÉDAILLE : LOUIS XI ET ANNE DE BRETAGNE (1499) page 6 RETABLE PAR JEAN HEY : L’ANNONCIATION (VERS 1495) page 8 PORTRAIT PAR LÉONARD DE VINCI : LA BELLE FERRONNIÈRE (VERS 1495-1499) page 10 PORTRAITS D’UN HOMME ET D’UNE FEMME PAR JEAN PERRÉAL (VERS 1500) page 12 IMPRIMÉ : LA DANSE MACABRE (VERS 1492) page 14 ENLUMINURE DE JEAN POYER : VIERGE EN MAJESTÉ (VERS 1500) page 16 FRAGMENT DE TAPISSERIE : PÉNÉLOPE (VERS 1500) page 18 VITRAIL : SAINT ÉLOI PROUVE SON INNOCENCE (VERS 1510) page 20 L’IMPRIMERIE: UNE TECHNIQUE RÉVOLUTIONNAIRE page 22 Réunion des musées nationaux, 2010 2 INTRODUCTION « France 1500, entre Moyen Âge et Renaissance » : tout est dit ! Comme toute période charnière de l’histoire de l’art, celle qui correspond ici aux règnes des rois Charles VIII et Louis XII restait à découvrir pour elle-même.