Geoffrey Patterson CAS Resume

Total Page:16

File Type:pdf, Size:1020Kb

Geoffrey Patterson CAS Resume GEOFFREY PATTERSON PRODUCTION SOUND MIXER CINEMA AUDIO SOCIETY SELECTED FILM CREDITS *MORE COMPLETE CREDITS AVAILABLE AT HTTP://WWW.IMDB.COM/NAME/NM0666215/ THE WALL DIRECTOR: DOUG LIMAN PRODUCER: RAY ANGELIC CAST: AARON TAYLOR-JOHNSON, JOHN CENA STUDIO: AMAZON STUDIOS BEASTS OF NO NATION DIRECTOR: CARY FUKUNAGA PRODUCER: CARY FUKUNAGA CAST: IDRIS ELBA STUDIO: NETFLIX INTO THE STORM DIRECTOR: STEVEN QUALE PRODUCERS: TODD GARNER, MARK MCNAIR CAST: RICHARD ARMITAGE, JEREMY SUMPTER, SARA WAYNE CALLIES STUDIO: NEW LINE CINEMA, WARNER BROTHERS PRODUCTIONS SEVEN PSYCHOPATHS DIRECTOR: MARTIN MCDONOUGH PRODUCER: GRAHAM BROADBENT CAST: COLIN FARRELL, WODDY HARRELSON, CHRISTOPHER WALKEN STUDIO: CBS FILMS TRANSFORMERS: REVENGE OF THE FALLEN DIRECTOR: MICHAEL BAY PRODUCER: IAN BRYCE CAST: SHIA LABEOUF, MEGAN FOX, JOSH DUHAMEL STUDIO: DREAMWORKS FRIENDS WITH BENEFITS DIRECTOR: WILL GLUCK PRODUCER: GLENN GAINOR CAST: MILA KUNIS, JUSTIN TIMBERLAKE, PATRICIA CLARKSON STUDIO: SONY PICTURES ALONG CAME POLLY DIRECTOR: JOHN HAMBURG PRODUCER: MICHAEL SHAMBERG CAST: BEN STILLER, JENNIFER ANISTON, DEBRA MESSING STUDIO: SONY PICTURES TWISTER DIRECTOR: JAN DE BONT PRODUCER: STEPHEN SPIELBERG CAST: HELEN HUNT, BILL PAXTON, CARY EWLES STUDIO: WARNER BROTHERS MICHAEL DIRECTOR: NORA EPHRON PRODUCER: DELIA EPHRON CAST: JOHN TRAVOLTA, ANDIE MACDOWELL, WILLIAM HURT STUDIO: TURNER CINEMA THE USUAL SUSPECTS DIRECTOR: BRYAN SINGER PRODUCER: MICHAEL MCDONNELL CAST: KEVIN SPACEY, GABRIEL BYRNE, CHAZ PALMENTERI STUDIO: POLYGRAM PICTURES THE X-FILES MOVIE DIRECTOR: ROB BOWMAN PRODUCER: CHRIS CARTER CAST: DAVID DUCHOVNEY, GILLIAN ANDERSON, JOHN NEVILLE STUDIO: 20TH CENTURY FOX THE WEDDING PLANNER DIRECTOR: ADAM SHANKMAN 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] GEOFFREY PATTERSON-PRODUCTION SOUND MIXER CINEMA AUDIO SOCIETY PRODUCER: PETER ABRAMS CAST: JENNIFER LOPEZ, MATTHEW MCCONAUGHEY STUDIO: SONY PICTURES PAYBACK DIRECTOR: BRIAN HELGELAND PRODUCER: MEL GIBSON CAST: MEL GIBSON, GREGG HENRY, MARIA BELLO STUDIO: PARAMOUNT STUDIOS FORCES OF NATURE DIRECTOR: BRONWEN HUGHES PRODUCER: IAN BRYCE CAST: SANDRA BULLOCK, BEN AFFLECK, MAURA TIERNEY STUDIO: DREAMWORKS MALIBU’S MOST WANTED DIRECTOR: JOHN WHITESELL PRODUCER: MIKE KARZ CAST: JAMIE KENNEDY, RYAN O’NEAL, BLAIR UNDERWOOD STUDIO: WARNER BROTHERS APT PUPIL DIRECTOR: BRYAN SINGER PRODUCER: MIKE MEDAVOY CAST: IAN MCKELLAN, BRAD RENFRO, JOSHUA JACKSON STUDIO: TRI-STAR PICTURES THE ONE DIRECTOR: JIM WONG PRODUCERS: JOE ROTH, LATA RYAN CAST: JET LI, CARLA GUGINO, DELROY LINDO STUDIO: REVOLUTION STUDIOS/SONY GUNSHY DIRECTOR: ERIC BLAKENEY PRODUCER: SANDRA BULLOCK CAST: LIAM NEESON, SANDRA BULLOCK, OLIVER PLATT STUDIO: BUENA VISTA MADE DIRECTOR: JON FAVREAU CAST: VINCE VAUGHN, JON FAVREAU, JOE GOOSSEN STUDIO: ARTISAN ENTERTAINMENT MONKEYBONE DIRECTOR: HENRY SELLICK CAST: BRENDAN FRASER, FRIDGET FONDA, JOHN TURTURO STUDIO: 20TH CENTURY FOX 187 DIRECTOR: KEVIN REYNOLDS PRODUCER: MEL GIBSON CAST: SAMUEL L. JACKSON, JOHN HEARD, KELLY ROWAN STUDIO: WARNER BROTHERS APOLLO 13 DIRECTOR: RON HOWARD (SECOND UNIT) PRODUCER: BRIAN GLAZER CAST: TOM HANKS, BILL PAXTON, KEVIN BACON STUDIO: UNIVERSAL SELECTED TV CREDITS *MORE COMPLETE CREDITS AVAILABLE AT HTTP://WWW.IMDB.COM/NAME/NM0666215/ LOVE DIRECTOR: JUDD APATOW (SEASON 3) PRODUCER: JUDD APATOW STUDIO: NETFLIX SNOWFALL DIRECTOR: JOHN SINGLETON (SEASON 1) PRODUCER: NICOLAS STERN, TOMMY SCHLAMME, DAVID ANDRON STUDIO: FX NETWORKS 2 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] GEOFFREY PATTERSON-PRODUCTION SOUND MIXER CINEMA AUDIO SOCIETY 24 LEGACY (PILOT) DIRECTOR: STEPHEN HOPKINS PRODUCER: HOWARD GORDON CAST: COREY HAWKINS STUDIO: FOX TRUE DETECTIVE DIRECTOR: CARY FUKUNAGA (16 EPISODES) PRODUCER: SCOTT STEPHENS CAST: MATTHEW MCCONAUGHEY, WOODY HARRELSON STUDIO: HBO BOSCH DIRECTOR: ERNEST DICKERSON (SEASON 2) PRODUCER: PIETER JAN BRUGGE CAST: TITUS WELLIVER, LANCE REDDICK, JAMIE HECTOR STUDIO: AMAZON DEADWOOD DIRECTOR: WALTER HILL (SEASONS 1, 2 & 3) PRODUCERS: DAVID MILCH, GREGG FIENBERG CAST: TIMOTHY OLYPHANT, IAN MCSHANE, MOLLY PARKER STUDIO: HBO CRAZY EX GIRLFRIEND (PILOT) DIRECTOR: MARC WEBB PRODUCER: ALINE BROSH McKENNA CAST: RACHEL BLOOM STUDIO: AMAZON HOUSE OF LIES DIRECTOR: STEPHEN HOPKINS (SEASONS 1, 2, & 3) PRODUCER: STEPHEN HOPKINS CAST: DON CHEADLE, KRISTEN BELL, BEN SCHWARTZ STUDIO: SHOWTIME HAND OF GOD (PILOT) DIRECTOR: MARK FORSTER PRODUCER: BEN WATKINS CAST: RON PERLMAN, GARRET DILLAHUNT, DANA DELANEY STUDIO: AMAZON OPEN (PILOT) DIRECTOR: RYAN MURPHY PRODUCER: RYAN MURPHY CAST: MICHELLE MONAGHAN, SCOTT SPEEDMAN, WES BENTLEY STUDIO: HBO ROGUE (PILOT) DIRECTOR: BRETT RATNER PRODUCER: GARRY BROWN CAST: ANGELA BASSETT, STEVIE LYNN JONES, JULIAN MCMAHON STUDIO: FOX TELEVISION HUNG DIRECTOR: ALEXANDER PAYNE (10 EPISODES) PRODUCER: SCOTT STEPHENS CAST: THOMAS JANE, JANE ADAMS, CHARLIE SAXTON STUDIO: HBO FLASH FORWARD DIRECTOR: DAVID GOYER (22 EPISODES) PRODUCER: DAVID GOYER CAST: JOHN CHO, JOSEPH FIENNES, JACK DAVENPORT, SONJA WALKER STUDIO: HBO PRIVATE PRACTICE PRODUCER: SHONDA RHIMES (12 EPISODES) PRODUCER: MARK TINKER CAST: KATE WALSH, PAUL ADELSTEIN, KADEE STRICKLAND STUDIO: ABC TELEVISION 3 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] GEOFFREY PATTERSON-PRODUCTION SOUND MIXER CINEMA AUDIO SOCIETY BIG LOVE DIRECTOR: RODRIGO GARCIA (4 EPISODES) PRODUCER: GREGG FIENBERG CAST: BILL PAXTON, JEANNE TRIPPLEHORN, CHLOE SEVIGNY STUDIO: HBO JOHN FROM CINCINNATI DIRECTOR: MARK TINKER (10 EPISODES) PRODUCERS: DAVID MILCH, GREGG FIENBERG CAST: BRUCE GREENWOOD, ED O’NEILL, REBECCA DEMORNAY STUDIO: HBO HOMELAND SECURITY DIRECTOR: DAN SACKHEIM (TELEFILM) PRODUCER: KERRY MCCLUGGAGE CAST: SCOTT GLENN, TOM SKERRITT, GRANT SHOW STUDIO: PARAMOUNT STUDIOS NOMINATIONS & AWARDS ACADEMY AWARD NOMINEE TRANSFORMERS: REVENGE OF THE FALLEN BEST MOTION PICTURE SOUND ACADEMY AWARD NOMINEE TWISTER BEST MOTION PICTURE SOUND EMMY AWARD NOMINEE TRUE DETECTIVE BEST TELEVISION SOUND EMMY AWARD NOMINEE DEADWOOD, SEASON 1 BEST TELEVISION SOUND EMMY AWARD NOMINEE DEADWOOD, SEASON 2 BEST TELEVISION SOUND C.A.S. AWARD WINNER DEADWOOD, SEASON 1 BEST TELEVISION SOUND C.A.S. AWARD WINNER DEADWOOD, SEASON 2 BEST TELEVISION SOUND C.A.S. AWARD WINNER DEADWOOD, SEASON 3 BEST TELEVISION SOUND C.A.S. AWARD NOMINEE: TRANSFORMERS: REVENGE OF THE FALLEN BEST MOTION PICTURE SOUND C.A.S. AWARD NOMINEE: TWISTER BEST MOTION PICTURE SOUND C.A.S. AWARD NOMINEE: THE X-FILES MOVIE BEST MOTION PICTURE SOUND C.A.S. AWARD NOMINEE TRUE DETECTIVE BEST TELEVISION SOUND EDUCATION 4 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] GEOFFREY PATTERSON-PRODUCTION SOUND MIXER CINEMA AUDIO SOCIETY UNIVERSITY OF SOUTHERN CALIFORNIA, B.A. JOURNALISM, 1976 5 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] .
Recommended publications
  • SHOOT Magazine March/April 2019 Issue
    March/April 2019 March/April Chat Room 4 The Road To Emmy Preview Hot Locations 10 4 Spring 2019 DIR Adam McKay Lauren Greenfield Chat Room 18 ECT online.com Series SHOOT ORS Matthew Heineman 8 Ramaa Mosley www. Up-and-Coming Directors 19 Floyd Russ Ridley Scott Spike Jonze Cinematographers & Cameras 22 Top Ten VFX & Animation Chart 26 Top Ten Music Tracks Chart 28 TO GET CONNECTED THE FURTHEST REACHES OF YOUR IMAGINATION ARE CLOSER THAN YOU THINK. With versatile landscapes, experienced film crews and incentivized tax breaks, the only limit to filming in the U.S. Virgin Islands is your imagination. Enjoy up to a 29% tax rebate and up to a 17% transferable tax credit when you film in the USVI. For more opportunities in St.Croix, St. John and St. Thomas, call 340.774.8784 ext. 2243. filmusvi.com DOWNLOAD THE FILM USVI APP: © 2019 U.S. Virgin Islands Department of Tourism USVI19037_9x10.875_SHOOT.indd 1 3/22/19 4:09 PM AGENCY: JWT/Atlanta SPECS: 4C Page Bleed PUB: SHOOT Magazine CLIENT: USVI TRIM: 9” x 10.875” DATE: March/April, 2019 AD#: USVI19037 BLEED: 9.25” x 11.125” HEAD: “The Furthest Reaches of LIVE: 8.5” x 10.375” your Imagination...” Perspectives The Leading Publication For Film, TV & Commercial Production and Post March/April 2019 spot.com.mentary By Robert Goldrich Volume 60 • Number 2 www.SHOOTonline.com EDITORIAL Publisher & Editorial Director Serious Comedy Roberta Griefer 203.227.1699 ext. 701 [email protected] Editor Robert Goldrich Our Up-and-Coming known for its humorous chops, and hope- her feature film, Late Night.
    [Show full text]
  • Widescreen Weekend 2007 Brochure
    The Widescreen Weekend welcomes all those fans of large format and widescreen films – CinemaScope, VistaVision, 70mm, Cinerama and Imax – and presents an array of past classics from the vaults of the National Media Museum. A weekend to wallow in the best of cinema. HOW THE WEST WAS WON NEW TODD-AO PRINT MAYERLING (70mm) BLACK TIGHTS (70mm) Saturday 17 March THOSE MAGNIFICENT MEN IN THEIR Monday 19 March Sunday 18 March Pictureville Cinema Pictureville Cinema FLYING MACHINES Pictureville Cinema Dir. Terence Young France 1960 130 mins (PG) Dirs. Henry Hathaway, John Ford, George Marshall USA 1962 Dir. Terence Young France/GB 1968 140 mins (PG) Zizi Jeanmaire, Cyd Charisse, Roland Petit, Moira Shearer, 162 mins (U) or How I Flew from London to Paris in 25 hours 11 minutes Omar Sharif, Catherine Deneuve, James Mason, Ava Gardner, Maurice Chevalier Debbie Reynolds, Henry Fonda, James Stewart, Gregory Peck, (70mm) James Robertson Justice, Geneviève Page Carroll Baker, John Wayne, Richard Widmark, George Peppard Sunday 18 March A very rare screening of this 70mm title from 1960. Before Pictureville Cinema It is the last days of the Austro-Hungarian Empire. The world is going on to direct Bond films (see our UK premiere of the There are westerns and then there are WESTERNS. How the Dir. Ken Annakin GB 1965 133 mins (U) changing, and Archduke Rudolph (Sharif), the young son of new digital print of From Russia with Love), Terence Young West was Won is something very special on the deep curved Stuart Whitman, Sarah Miles, James Fox, Alberto Sordi, Robert Emperor Franz-Josef (Mason) finds himself desperately looking delivered this French ballet film.
    [Show full text]
  • REYNOLDS, Brian
    BRIAN J. REYNOLDS DIRECTOR OF PHOTOGRAPHY https://vimeopro.com/user5249916/brian-j-reynolds-director-of-photography TELEVISION DOLLY PARTON’S HEARTSTRINGS: Netflix Prod: Patrick Sean Smith, Sam Haskell, Dir: Joe Lazarov THESE OLD BONES (Anthology Feature) Dolly Parton, Hudson Hickman DO UNTO OTHERS (MOW) Lifetime Prod: Julie Jarrett-Insogna, Stefanie Ziev Dir: Seth Jarret DOLLY PARTON’S (MOW) NBC/Warner Bros. Prod: Sam Haskell, Hudson Hickman Dir: Stephen Herek CIRCLE OF LOVE COAT OF MANY COLORS (MOW) NBC/Warner Bros. Prod: Sam Haskell, Hudson Hickman Dir: Stephen Herek MANHATTAN LOVE STORY (Season 1) ABC Prod: Jeff Lowell, Peter Traugott, Robin Schwartz Dir: Michael Fresco 90210 (Seasons 4 & 5) CBS/The CW Prod: Michael Pendell, Patricia Carr, Lara Olsen Dir: Various UNITED STATES OF TARA (Eps. 305-308) DreamWorks/Showtime Prod: Darryl Frank, Dan Kaplow Dir: Various THE GOOD GUYS (Pilot & Series) Fox TV Studios/FOX Prod: Matt Nix Dir: Tim Matheson BETTER OFF TED (Season 2) 20th Century Fox/ABC Prod: Marc Solakian, Michael Shipley Dir: Michael Fresco LIMELIGHT (Pilot) Warner Bros./ABC Prod: K.J. Steinberg, McG Dir: David Semel THE CLOSER (Seasons 1-4) Warner Bros./TNT Prod: Michael Robin, Greer Shephard Dir: Michael Robin CLEANER (Pilot) CBS Paramount/A&E Prod: Jonathan Prince, Robert Paul Munic Dir: David Semel TRUST ME (Pilot) Warner Horizon/TNT Prod: Hunt Baldwin, John Coveny Dir: Michael Robin THE VIRGIN OF AKRON OHIO (Pilot) Fox TV Studios/Lifetime Prod: Cary Brokaw, Jordan Budde Dir: Randall Zisk IMPERFECT UNION (Pilot) TNT Prod:
    [Show full text]
  • International Casting Directors Network Index
    International Casting Directors Network Index 01 Welcome 02 About the ICDN 04 Index of Profiles 06 Profiles of Casting Directors 76 About European Film Promotion 78 Imprint 79 ICDN Membership Application form Gut instinct and hours of research “A great film can feel a lot like a fantastic dinner party. Actors mingle and clash in the best possible lighting, and conversation is fraught with wit and emotion. The director usually gets the bulk of the credit. But before he or she can play the consummate host, someone must carefully select the right guests, send out the invites, and keep track of the RSVPs”. ‘OSCARS: The Role Of Casting Director’ by Monica Corcoran Harel, The Deadline Team, December 6, 2012 Playing one of the key roles in creating that successful “dinner” is the Casting Director, but someone who is often over-looked in the recognition department. Everyone sees the actor at work, but very few people see the hours of research, the intrinsic skills, the gut instinct that the Casting Director puts into finding just the right person for just the right role. It’s a mix of routine and inspiration which brings the characters we come to love, and sometimes to hate, to the big screen. The Casting Director’s delicate work as liaison between director, actors, their agent/manager and the studio/network figures prominently in decisions which can make or break a project. It’s a job that can't garner an Oscar, but its mighty importance is always felt behind the scenes. In July 2013, the Academy of Motion Pictures of Arts and Sciences (AMPAS) created a new branch for Casting Directors, and we are thrilled that a number of members of the International Casting Directors Network are amongst the first Casting Directors invited into the Academy.
    [Show full text]
  • 7.Castrillo-Echart
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Dadun, University of Navarra Pablo Castrillo Towards a narrative definition of [email protected] PhD Candidate and Lecturer. the American political thriller film University of Navarra. Spain. Pablo Echart Abstract [email protected] Senior Lecturer in The Hollywood political thriller is a film genre of unique Screenwriting. University of relevance in the United States, often acting as a reflection of the Navarra. Spain. fears and anxieties of its historical times. At the same time, however, the definition of its identity and boundaries still leaves Submitted room for further specification, perhaps due to the frequent June 4, 2015 consideration of the political thriller as part of the broader Approved September 30, 2015 categories of either thriller narratives or political films. By revising the available literature and filmography and analyzing the narrative features of the classical political thriller, this © 2015 Communication & Society article proposes a deeper definition of the genre that takes into ISSN 0214-0039 account the nature of the broader ‘thriller’ category of films E ISSN 2386-7876 springing from a specific mode of crime fiction that focuses on a doi: 10.15581/003.28.4. 109-123 www.communication-society.com victim or threatened individual as its protagonist, depicts and conveys intense emotional states, portrays an unbalanced and highly existentialist worldview, and travels into the 2015 – Vol. 28(4), pp. 109-123 extraordinary while at the same time holding on to very concrete expectations of verisimilitude. The political thriller How to cite this article: specifies this broader form of narration and links it to dramatic Castrillo, P.
    [Show full text]
  • Examining Television Narrative Structure
    Butler University Digital Commons @ Butler University Scholarship and Professional Work - Communication College of Communication 2002 Re(de)fining Narrative Events: Examining Television Narrative Structure M. J. Porter D. L. Larson Allison Harthcock Butler University, [email protected] K. B. Nellis Follow this and additional works at: https://digitalcommons.butler.edu/ccom_papers Part of the Communication Commons Recommended Citation Porter, M.J., Larson, D.L., Harthcock, A., & Nellis, K.B. (2002). Re(de)fining narrative events: Examining television narrative structure, Journal of Popular Film and Television, 30, 23-30. Available from: digitalcommons.butler.edu/ccom_papers/9/ This Article is brought to you for free and open access by the College of Communication at Digital Commons @ Butler University. It has been accepted for inclusion in Scholarship and Professional Work - Communication by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. Re(de)fining Narrative Events: Examining Television Narrative Structure. This is an electronic version of an article published in Porter, M.J., Larson, D.L., Harthcock, A., & Nellis, K.B. (2002). Re(de)fining narrative events: Examining television narrative structure, Journal of Popular Film and Television, 30, 23-30. The print edition of Journal of Popular Film and Television is available online at: http://www.tandf.co.uk/journals/VJPF Television's narratives serve as our society's major storyteller, reflecting our values and defining our assumptions about the nature of reality (Fiske and Hartley 85). On a daily basis, television viewers are presented with stories of heroes and villains caught in the recurring turmoil of interrelationships or in the extraordinary circumstances of epic situations.
    [Show full text]
  • Pizzas $ 99 5Each (Additional Toppings $1.40 Each)
    AJW Landscaping • 910-271-3777 June 30 - July 6, 2018 Mowing – Edging – Pruning – Mulching FREE Estimates – Licensed – Insured – Local References MANAGEr’s SPECIAL 2 MEDIUM 2-TOPPING Pizzas $ 99 5EACH (Additional toppings $1.40 each) Joy Nash and Julianna Margulies 1352 E Broad Ave. 1227 S Main St. Girl power star in “Dietland” Rockingham, NC 28379 Laurinburg, NC 28352 (910) 997-5696 (910) 276-6565 *Not valid with any other offers Joy Jacobs, Store Manager 234 E. Church Street Laurinburg, NC 910-277-8588 www.kimbrells.com Page 2 — Saturday, June 30, 2018 — Laurinburg Exchange Feminist television: AMC’s biting satire ‘Dietland’ tackles big issues By Kyla Brewer called “perfect” body, she’s torn be- Filmed in New York City, the series TV Media tween old ideas and new extremes tackles important issues and is likely when she’s approached by an un- to spark heated conversations revolution is brewing — a tele- derground organization determined among viewers. In fact, AMC is Avision revolution, that is. While to challenge the status quo. She also counting on it. The network has there’s no shortage of lighthearted learns of a group of feminists bent paired the series with an aftershow fare in prime time, socially conscious on getting revenge against sexual in the vein of “Talking Dead,” the TV shows have been trending as of predators. companion series to its mega-hit late, and AMC’s latest hit packs a The role requires an actress capa- “The Walking Dead.” “Unapologetic powerful punch with its feminist ble of being both conflicted and fun- With Aisha Tyler” airs immediately slant.
    [Show full text]
  • Embargoed Until 12:00PM ET / 9:00AM PT on Tuesday, April 23Rd, 2019
    Embargoed Until 12:00PM ET / 9:00AM PT on Tuesday, April 23rd, 2019 FOR IMMEDIATE RELEASE 24th ANNUAL NANTUCKET FILM FESTIVAL ANNOUNCES FEATURE FILM LINEUP DANNY BOYLE’S YESTERDAY TO OPEN FESTIVAL ALEX HOLMES’ MAIDEN TO CLOSE FESTIVAL LULU WANG’S THE FAREWELL TO SCREEN AS CENTERPIECE DISNEY•PIXAR’S TOY STORY 4 PRESENTED AS OPENING FAMILY FILM IMAGES AVAILABLE HERE New York, NY (April 23, 2019) – The Nantucket Film Festival (NFF) proudly announced its feature film lineup today. The opening night selection for its 2019 festival is Universal Pictures’ YESTERDAY, a Working Title production written by Oscar nominee Richard Curtis (Four Weddings and a Funeral, Love Actually, and Notting Hill) from a story by Jack Barth and Richard Curtis, and directed by Academy Award® winner Danny Boyle (Slumdog Millionaire, Trainspotting, 28 Days Later). The film tells the story of Jack Malik (Himesh Patel), a struggling singer-songwriter in a tiny English seaside town who wakes up after a freak accident to discover that The Beatles have never existed, and only he remembers their songs. Sony Pictures Classics’ MAIDEN, directed by Alex Holmes, will close the festival. This immersive documentary recounts the thrilling story of Tracy Edwards, a 24-year-old charter boat cook who became the skipper of the first ever all-female crew to enter the Whitbread Round the World Yacht Race. The 24th Nantucket Film Festival runs June 19-24, 2019, and celebrates the art of screenwriting and storytelling in cinema. A24’s THE FAREWELL, written and directed by Lulu Wang, will screen as the festival’s Centerpiece film.
    [Show full text]
  • 1 Small Wonder Philip Horne DOWNSIZING
    1 Small Wonder Philip Horne DOWNSIZING [February 2018, Sight & Sound] There has been a long and somewhat anxious wait among admirers of Alexander Payne’s films since Nebraska in 2013 – a bleak, beautiful, drily funny picture of the post-industrial Midwest and sad, haunted lives. Four years later Payne, who still lives in his native Omaha, has come out with a grand, astonishingly daring movie – a satirical fable, or blackly comic science fiction epic, or unexpected love story. As it goes on, there’s a serious, even tragic side to the film, but its main premise is treated with such inventiveness both visual and verbal that we get constant jolts of pleasure at the imaginative scope of its makers’ conceptions. The absurd technology that scientists concerned with ‘Human Scale and Sustainability’ and climate change develop for reducing the size of the human population – by making them five inches high – is in effect like a giant microwave: it even pings when the transformation is complete. It’s deliberately low-tech. The process, invented by idealistic Norwegians to produce a ‘self- sustainable community of the small’, is imagined being then commercialised and normalised in familiar ways by global/American capitalism, sold to punters as a time-share-like ‘heaven’ called ‘Leisureland’, which is ‘like winning the lottery every day’. This because a modest nest-egg of $152,000 when transferred (unshrunk) to its newly-tiny owner’s account in a ‘small city’ translates as the equivalent of $22,5000,000: it’s an American dream. The script is full of delicious size jokes, as downsizing becomes absorbed into idiom and things get re-scaled, so that we see ‘the first small baby ever born’.
    [Show full text]
  • 159 Minutes Directed & Produced by Robert Altman Written by Joan
    APRIL 17, 2007 (XIV:13) (1975) 159 minutes Directed & produced by Robert Altman Written by Joan Tewkesbury Original music by Arlene Barnett, Jonnie Barnett, Karen Black, Ronee Blakley, Gary Busey, Keith Carradine, Juan Grizzle, Allan F.Nicholls, Dave Peel, Joe Raposo Cinematography by Paul Lohmann Film Editiors Dennis M. Hill and Sidney Levin Sound recorded by Chris McLaughlin Sound editor William A. Sawyer Original lyrics Robert Altman, Henry Gibson, Ben Raleigh, Richard Reicheg, Lily Tomlin Political campaign designer....Thomas HalPhillips David Arkin...Norman Barbara Baxley...Lady Pearl Ned Beatty...Delbert Reese Karen Black...Connie White Ronee Blakley...Barbara Jean Timothy Brown ...Tommy Brown Patti Bryant...Smokey Mountain Laurel Keith Carradine...Tom Frank Richard Baskin...Frog Geraldine Chaplin...Opal Jonnie Barnett...Himself Robert DoQui...Wade Cooley Vassar Clements...Himself Shelley Duvall...L. A. Joan Sue Barton...Herself Allen Garfield...Barnett Elliott Gould...Himself Henry Gibson...Haven Hamilton Julie Christie...Herself Scott Glenn...Private First Class Glenn Kelly Robert L. DeWeese Jr....Mr. Green Jeff Goldblum...Tricycle Man Gailard Sartain...Man at Lunch Counter Barbara Harris...Albuquerque Howard K. Smith...Himself David Hayward ...Kenny Fraiser Academy Award for Best Song: Keith Carradine, “I’m Easy” Michael Murphy...John Triplette Selected for the National Film Registry by the National Film Allan F. Nicholls...Bill Preservation Board Dave Peel...Bud Hamilton Cristina Raines...Mary ROBERT ALTMAN (20 February 1925, Kansas City, Bert Remsen...Star Missouri—20 November 2006, Los Angeles), has developed Lily Tomlin...Linnea Reese the form of interlocked narrative to a level that is frequently Gwen Welles ... Sueleen Gay copied (e.g.
    [Show full text]
  • Teaching Social Studies Through Film
    Teaching Social Studies Through Film Written, Produced, and Directed by John Burkowski Jr. Xose Manuel Alvarino Social Studies Teacher Social Studies Teacher Miami-Dade County Miami-Dade County Academy for Advanced Academics at Hialeah Gardens Middle School Florida International University 11690 NW 92 Ave 11200 SW 8 St. Hialeah Gardens, FL 33018 VH130 Telephone: 305-817-0017 Miami, FL 33199 E-mail: [email protected] Telephone: 305-348-7043 E-mail: [email protected] For information concerning IMPACT II opportunities, Adapter and Disseminator grants, please contact: The Education Fund 305-892-5099, Ext. 18 E-mail: [email protected] Web site: www.educationfund.org - 1 - INTRODUCTION Students are entertained and acquire knowledge through images; Internet, television, and films are examples. Though the printed word is essential in learning, educators have been taking notice of the new visual and oratory stimuli and incorporated them into classroom teaching. The purpose of this idea packet is to further introduce teacher colleagues to this methodology and share a compilation of films which may be easily implemented in secondary social studies instruction. Though this project focuses in grades 6-12 social studies we believe that media should be infused into all K-12 subject areas, from language arts, math, and foreign languages, to science, the arts, physical education, and more. In this day and age, students have become accustomed to acquiring knowledge through mediums such as television and movies. Though books and text are essential in learning, teachers should take notice of the new visual stimuli. Films are familiar in the everyday lives of students.
    [Show full text]
  • Actress Maura Tierney and Amgen Launch the Chemotherapy: Myths Or Facts (TM) Campaign
    Actress Maura Tierney And Amgen Launch The Chemotherapy: Myths or Facts (TM) Campaign June 25, 2012 Tierney Shares Her Personal Cancer Experience to Help Patients Debunk Common Misconceptions Associated with Chemotherapy THOUSAND OAKS, Calif., June 25, 2012 /PRNewswire/ -- Amgen (NASDAQ:AMGN) today launched Chemotherapy: Myths or Facts(TM), an awareness campaign for cancer patients and their caregivers featuring Emmy®-nominated actress and breast cancer survivor Maura Tierney. In 2009, Tierney was diagnosed with and treated for an aggressive form of breast cancer. Almost three years after successfully completing treatment, she is reflecting back on her cancer journey and its impact on her life with the hope of helping others. "When I was going through my cancer treatment, I learned that you can never ask a stupid question. I asked every single question that came to my mind, and I believe that helped to calm my own anxiety," said Tierney. "The Chemotherapy: Myths or Facts campaign encourages patients and caregivers to ask a lot of questions, arming themselves with as much information as possible to take charge of their journey." With approximately 650,000 patients undergoing chemotherapy in the United States each year, many people feel as though they already know how the disease and treatment will impact them or their loved one.[i] However, chemotherapy can affect each patient's body differently, so it is important for patients to speak openly with their doctor to fully understand their treatment and what to expect. The Chemotherapy: Myths or Facts campaign aims to address some of the misconceptions cancer patients and their caregivers may have.
    [Show full text]