DOCSLIB.ORG

SHOOT Magazine March/April 2019 Issue

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
SHOOT Magazine March/April 2019 Issue March/April 2019 March/April Chat Room 4 The Road To Emmy Preview Hot Locations 10 4 Spring 2019 DIR Adam McKay Lauren Greenfield Chat Room 18 ECT online.com Series SHOOT ORS Matthew Heineman 8 Ramaa Mosley www. Up-and-Coming Directors 19 Floyd Russ Ridley Scott Spike Jonze Cinematographers & Cameras 22 Top Ten VFX & Animation Chart 26 Top Ten Music Tracks Chart 28 TO GET CONNECTED THE FURTHEST REACHES OF YOUR IMAGINATION ARE CLOSER THAN YOU THINK. With versatile landscapes, experienced film crews and incentivized tax breaks, the only limit to filming in the U.S. Virgin Islands is your imagination. Enjoy up to a 29% tax rebate and up to a 17% transferable tax credit when you film in the USVI. For more opportunities in St.Croix, St. John and St. Thomas, call 340.774.8784 ext. 2243. filmusvi.com DOWNLOAD THE FILM USVI APP: © 2019 U.S. Virgin Islands Department of Tourism USVI19037_9x10.875_SHOOT.indd 1 3/22/19 4:09 PM AGENCY: JWT/Atlanta SPECS: 4C Page Bleed PUB: SHOOT Magazine CLIENT: USVI TRIM: 9” x 10.875” DATE: March/April, 2019 AD#: USVI19037 BLEED: 9.25” x 11.125” HEAD: “The Furthest Reaches of LIVE: 8.5” x 10.375” your Imagination...” Perspectives The Leading Publication For Film, TV & Commercial Production and Post March/April 2019 spot.com.mentary By Robert Goldrich Volume 60 • Number 2 www.SHOOTonline.com EDITORIAL Publisher & Editorial Director Serious Comedy Roberta Griefer 203.227.1699 ext. 701 [email protected] Editor Robert Goldrich Our Up-and-Coming known for its humorous chops, and hope- her feature film, Late Night. 203.227.1699 ext 702 [email protected] Directors feature has fully serving as a catalyst for other women Penned by Mindy Kaling and co-star- ADVERTISING always been about to join the fray. ring Kaling and Emma Thompson, Late Digital & Print Rates & Information [email protected] helping new talent gain Coulter brings to her quest comedy Night premiered to rave reviews and a 203.227.1699 ext. 701 much deserved exposure, but occasional- work she directed at BBDO, agency cre- standing ovation in Park City this Janu- THE FURTHEST REACHES OF YOUR IMAGINATION www.shootonline.com/go/advertise Advertising Production ly that takes on a greater sense of purpose. ative sensibilities, and a honing of her ary. The film was immediately acquired Gerald Giannone Such is the case in this issue of SHOOT humorous chops in improv and sketch by Amazon for a record-breaking $13 ARE CLOSER THAN YOU THINK. [email protected] 203.227.1699 ext. 700 with director Jess Coulter who recently writing/acting/directing with NYC’s Up- million--the festival’s highest ever for a OFFICES joined O Positive after coming over from right Citizens Brigade, and then The Pit film by a female director--and is set to hit Main Office 606 Post Road East #650 the agency side Westport, CT 06880 USA 203.227.1699 Fax: 203.571.3355 where she had most A woman director in comedy has been a relative rarity, some- West recently served as a 203.227.1699 ext 702 thing she hopes to change by gaining a foothold at O Positive. creative director at Print Production BBDO New York. ensemble. She's already made her de- theaters this summer. Jim Theodorou [email protected] Focused on developing her directing but as a staff director at O Positive with Last month it was announced that Ga- Circulation career, Coulter also has an eye on the big- the “Morningmorphosis” campaign for natra joined production house Chelsea 203.227.1699 ext 4 [email protected] ger implications of establishing herself IKEA out of Ogilvy NY. for her first commercial and branded SHOOT Publicity Wire 203.227.1699 ext 700 [email protected] in the comedy marketplace. She recalled Coulter’s emergence is not the only content representation. © 2019 DCA Business Media LLC. All rights reserved. on the agency side having the privilege cause for optimism when it comes to Lisa Mehling, president of Chelsea, SHOOT and SHOOTonline are registered U.S. trademarks. of working with adept comedy directors- women directors gaining a foothold in said, “Nisha is an extraordinary talent and No part of this publication may be reproduced, stored in any retrieval system, or transmitted, in any form or by any means, -none of whom was a woman. A woman comedy. In our Sundance Film Festival I believe she’s going to become a major electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. director in comedy has been a relative coverage earlier this year, Golden Globe- influence in the advertising and brand Print Issues Subscription Service [email protected] rarity, something she hopes to change by winning and Emmy-nominated director space, with a new perspective to bring to Find PDF Versions gaining a foothold at O Positive, a shop Nisha Ganatra made a major splash with the comedy performance arena.” and order issues backissues.SHOOTonline.com SHOOT (ISSN# 1055-9825) printed edition is published bimonthly for members by DCA Business Media LLC, 606 POV By Michael Scantlebury Post Road East, #650, Westport, CT 06880. Printed periodicals postage paid at Westport, CT and at additional mailing offices. POSTMASTER: Send address changes to SHOOT, P.O. Box 184, Lowell, MA 01853 USPS (06-234) How To Win Over Generation Z SHOOT ePubs The SHOOT >e.dition weekly ePub is published on Friday. The SHOOT Dailies are published daily Mon.-Fri. When it comes to Gen- lationship with them? Well, first off, Gen- to succeed with Gen Z are: (1) Be visual. Brand New[s] weekly ePub is published Wednesdays. SHOOT Screenwork published Mondays. eration Z, and how im- eration Z are the world’s first 100% digital Be brave. Get weird. Don’t rely too heavily www.shootonline.com/subscribe portant they are for the natives. They’ve never known a world on brand guidelines; and don’t be afraid SHOOTmobile future of your brand, I without the internet; they’ve never not to embrace “internet culture.” It can be a Get the SHOOTonline Mobile app App Store: iPhone.SHOOTonline.com like to think in terms of the leaky bucket had a smartphone fused to their hand. remarkably liberating place; (2) Be ambi- Google Play: Android.SHOOTonline.com concept. Every brand is a leaky bucket: Second off, Gen Z think fast. Research tious. Be fast, and be new. Consider mov- Mobile Web Version: m.SHOOTonline.com over time, consumers will fall out. They shows it takes them just eight seconds to ing to a “news, not content” strategy. In SHOOT is printed in the U.S.A. find someone else they love more, their decide whether or not they want to en- the mobile-first world of Gen Z, brands focus shifts, they get bored, whatever. If gage with your brand and, if you don’t that make headlines succeed faster and brands want to be smart with their mar- capture their attention in that timespan, last longer than brands that make beau- keting dollars, it’s actually far more you’ve lost them. tiful film; and (3) Be relatable--and be SHOOT is a member of: expensive to convince someone who’s Thirdly, in contrast with millennials, authentically so.77% of young consumers about to leave your brand to come back, one of the most exciting things about Gen want brands to be authentically relatable, With versatile landscapes, experienced film crews and incentivized tax breaks, the only limit to filming in the because they’ve already decided. Z is that they care about brands. Even cra- according to research from Impero--so U.S. Virgin Islands is your imagination. Enjoy up to a 29% tax rebate and up to a 17% transferable tax credit when As Byron Sharp of the Ehrenberg- zier – they like brands. know who you are as a brand, and stick to Follow SHOOT via hashtag #SHOOTONLINE at: Bass Institute famously said, marketers Generation Z adopt brands as social it. So, for brands looking to up their game you film in the USVI. For more opportunities in St.Croix, St. John and St. Thomas, call 340.774.8784 ext. 2243. ought to be focused on filling the bucket currency--expressing themselves through and future-proof, set your eyes on the with new customers at a faster rate than brands that speak to their interests and next generation of consumers--and make filmusvi.com Cover photo credits: Emmy Preview (l-r) The Marvelous it leaks. This means finding a constant lifestyle; that say something about who your competitors look like the tired ones. Mrs. Maisel, photo by Nicole Rivelli/courtesy of Amazon; stream of new consumers – which is they are. But they want brands to be Start getting weird. Generation Z--and DOWNLOAD THE FILM USVI APP: Maniac, photo by Michele K. Short/courtesy of Netflix; Free Solo, photo by Samuel Crossley/courtesy of National where Generation Z comes in. brave--to do new things that inspire them, your leaky bucket--will thank you for it. Geographic. Directors Series pic of Spike Jonze, photo by Shane Karns/courtesy of DGA. Chat Room pic from The But what really defines this audience, not reflect them. They want brands to set --Michael Scantlebury is creative director/ Highwaymen, photo by Hilary B. Gayle/courtesy of Netflix. and how can we go about building a re- the agenda. So, top tips for brands looking founder of London agency Impero. © 2019 U.S. Virgin Islands Department of Tourism March/April 2019 SHOOT 3 USVI19037_9x10.875_SHOOT.indd 1 3/22/19 4:09 PM AGENCY: JWT/Atlanta SPECS: 4C Page Bleed PUB: SHOOT Magazine CLIENT: USVI TRIM: 9” x 10.875” DATE: March/April, 2019 AD#: USVI19037 BLEED: 9.25” x 11.125” HEAD: “The Furthest Reaches of LIVE: 8.5” x 10.375” your Imagination...” EMMY AWARDS PREVIEW Turning 71, Emmys Have Plenty Of New Wrinkles Awards season thus far may hold clues as to what will catch the Shane Karns/courtesy by Photo of DGA fancy of TV Chin/courtesy Jimmy by of National Geographic Photo Academy voters Craig Blankenhorn/courtesy by Photo of HBO A SHOOT Staff Report Photo by Michele by K.Photo Short/courtesy of Netflix Photo by Jan Thijs/courtesy of Amazon Jan by Photo Photo by Lacy Terrell/courtesy of HBO Terrell/courtesy Lacy by Photo Hilary by Photo Gayle/courtesy B.
Load more

Recommended publications
  • Grant Resume
    AFTON GRANT, SOC STEADICAM / CAMERA OPERATOR - STEADICAM OWNER FEATURES DIRECTOR • D.P. PRODUCERS CHAPPAQUIDDICK (A-Cam/Steadi) John Curran • Maryse Alberti Apex Entertainment THE CATCHER WAS A SPY (Steadicam-Boston Photog) Ben Lewin • Andrij Parekh PalmStar Media MANCHESTER BY THE SEA (Steadicam) Kenneth Lonergran • Jody Lee Lipes B Story URGE (A-Cam/Steadi) Aaron Kaufman • Darren Lew Urge Productions AND SO IT GOES (A-Cam/Steadi) Rob Reiner • Reed Morano ASC Castle Rock Entertainment THE SKELETON TWINS (A-Cam) Craig Johnson • Reed Morano ASC Duplass Brothers Prods. THE HARVEST (Steadicam) John McNaughton • Rachel Morrison Living Out Loud Films AFTER THE FALL - Day Play (B-Cam/Steadi) Anthony Fabian • Elliot Davis Brenwood Films THE INEVITABLE DEFEAT OF MISTER & PETE (A-Cam/Steadi) George Tillman Jr. • Reed Morano ASC State Street Films KILL YOUR DARLINGS (A-Cam/Steadi) John Krokidas • Reed Morano ASC Killer Films THE ENGLISH TEACHER (Steadicam) Craig Zisk • Vanja Cernjul ASC Artina Films INFINITELY POLAR BEAR (Steadicam) Maya Forbes • Bobby Bukowsk Paper Street Films THE MAGIC OF BELLE ISLE (A-Cam/Steadi) Rob Reiner • Reed Morano ASC Castle Rock Entertainment MOONRISE KINGDOM (Steadicam) Wes Anderson • Robert Yeoman, ASC Scott Rudin Productions FUGLY! (Steadicam) Alfredo De Villa • Nancy Schreiber, ASC Rebel Films THE OTHER GUYS (2nd Unit B-Cam) Adam McKay • Oliver Wood, BSC Columbia Pictures THE WACKNESS (Steadicam) Jonathan Levine • Petra Korner Shapiro Levine Productions PLEASE GIVE (Addtl Steadicam) Nicole Holofcener • Yaron Orbach Feelin’ Guilty THE WOMAN (Steadicam) Lucky McKee • Alex Vendler Moderncine PETUNIA (Steadicam) Ash Christian • Austin Schmidt Cranium Entertainment THE NORMALS (Steadicam) Kevin Patrick Connors • Andre Lascaris Gigantic Pictures TELEVISION DIRECTOR • D.P.
    [Show full text]
  • Submitted By: Laurence Thrush Comment Of
    Submitted by: Laurence Thrush Comment of:! Film Independent, Chicago Filmmakers, Kindling Group, Kirby Dick, Jeffrey Kusama-Hinte, J S Mayank, David Novack, Laurence Thrush IN RE: Docket No. RM 2011-07 RESPONSE TO PROPOSED CLASS 7D We, the undersigned organizations and individuals, write in support of the Comment of International Documentary Association, Kartemquin Educational Films, Inc., National Alliance for Media, Arts, and Culture, and Independent Film Project, petitioning for an exemption to the DMCA’s anti-circumvention measures for DVD, Blu-Ray, and digitally transmitted video for the purpose of documentary and fictional filmmaking (“Proposed Class 7D”).1 The undersigned organizations work to support and defend filmmakers nationwide through educational outreach, financial support, and advocacy. Through seminars, written resources, workshops, festivals, grants, and other means, we support filmmakers at every stage of the filmmaking process. The undersigned individuals are award-winning filmmakers with decades of experience who have spent their careers contributing to American culture and journalism through film and who deeply understand the increasing value of filmmaking to our civic discourse, educational system, and American society as a whole. As filmmakers and filmmaker organizations, we know that the doctrine of fair use is integral to the filmmaking process. Without it we could not tell our stories, comment on society and culture, or illustrate our themes and arguments effectively. We write in support of Proposed Class 7D because we are concerned that the DMCA is prohibiting access to source material we depend on in order to make fair use. The Librarian of Congress must renew the 2010 exemption for DVDs for documentary filmmaking in order to prevent substantial harm to our ability to make fair use.
    [Show full text]
  • Pr-Dvd-Holdings-As-Of-September-18
    CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
    [Show full text]
  • Steven Stern Matt Naylor
    Music by America's Veterans We are proud to announce the release of Unsung Heroes, a collaboration between America’s combat veterans and APM songwriters. Unsung Heroes was born out of the experiences of veteran Richard Casper whose moving story led him to dedicate his life to helping other wounded veterans through the healing power of music through an organization he co-founded, (www.creativets.org). Working together, an American veteran and an APM songwriter write a song inspired by the veteran’s wartime experience and they share songwriting credit and reve- nues from licensing of their music by APM. This first release includes nine powerful songs with both vocal and non-vocal versions. We hope you will be inspired to find a place for these songs in your productions. A percentage of APM’s profits are donated to CreatiVets. Learn more at: www.apmmusic.com/unsungheroes. the writers steven stern The late Steven Stern developed a passion for music at an early age studying music theory and classical guitar at the Peabody Conservatory of Music and earning a degree in Film Music Composition from Berklee College of Music in Boston. Steven began his career with Academy Award-winning composer, Hans Zimmer working on the production of The Lion King, I’ll Do Anything, Renaissance Man, Speed and others. Steven then moved on to score countless film, TV, commercial, and trailer projects and founded his own music library. Steven joined APM in 2011 overseeing our custom music studio in Los Angeles and worked with us until his passing in 2015.
    [Show full text]
  • Rambo: Last Blood Production Notes
    RAMBO: LAST BLOOD PRODUCTION NOTES RAMBO: LAST BLOOD LIONSGATE Official Site: Rambo.movie Publicity Materials: https://www.lionsgatepublicity.com/theatrical/rambo-last-blood Facebook: https://www.facebook.com/Rambo/ Twitter: https://twitter.com/RamboMovie Instagram: https://www.instagram.com/rambomovie/ Hashtag: #Rambo Genre: Action Rating: R for strong graphic violence, grisly images, drug use and language U.S. Release Date: September 20, 2019 Running Time: 89 minutes Cast: Sylvester Stallone, Paz Vega, Sergio Peris-Mencheta, Adriana Barraza, Yvette Monreal, Genie Kim aka Yenah Han, Joaquin Cosio, and Oscar Jaenada Directed by: Adrian Grunberg Screenplay by: Matthew Cirulnick & Sylvester Stallone Story by: Dan Gordon and Sylvester Stallone Based on: The Character created by David Morrell Produced by: Avi Lerner, Kevin King Templeton, Yariv Lerner, Les Weldon SYNOPSIS: Almost four decades after he drew first blood, Sylvester Stallone is back as one of the greatest action heroes of all time, John Rambo. Now, Rambo must confront his past and unearth his ruthless combat skills to exact revenge in a final mission. A deadly journey of vengeance, RAMBO: LAST BLOOD marks the last chapter of the legendary series. Lionsgate presents, in association with Balboa Productions, Dadi Film (HK) Ltd. and Millennium Media, a Millennium Media, Balboa Productions and Templeton Media production, in association with Campbell Grobman Films. FRANCHISE SYNOPSIS: Since its debut nearly four decades ago, the Rambo series starring Sylvester Stallone has become one of the most iconic action-movie franchises of all time. An ex-Green Beret haunted by memories of Vietnam, the legendary fighting machine known as Rambo has freed POWs, rescued his commanding officer from the Soviets, and liberated missionaries in Myanmar.
    [Show full text]
  • The Ledger and Times, August 20, 1955
    Murray State's Digital Commons The Ledger & Times Newspapers 8-20-1955 The Ledger and Times, August 20, 1955 The Ledger and Times Follow this and additional works at: https://digitalcommons.murraystate.edu/tlt Recommended Citation The Ledger and Times, "The Ledger and Times, August 20, 1955" (1955). The Ledger & Times. 2438. https://digitalcommons.murraystate.edu/tlt/2438 This Newspaper is brought to you for free and open access by the Newspapers at Murray State's Digital Commons. It has been accepted for inclusion in The Ledger & Times by an authorized administrator of Murray State's Digital Commons. For more information, please contact [email protected]. er• amt.!la— 16114 "I‘ss (JGUST 19,, 1955 ited by the stress of Selected As 'A Best All Round Kentucky Co unity Newspaper. slants and vitamins! oxis with "a deficient et" which doesn't lip- id it has no bacteria Carr* Largest Toning." Therefore, the Circulation In The t Make vitamin K on circulation In Tlit thermore its immature City; Largest City; Largest n unable Co transform Circulation In vitamin A. Since thi- Circulation In ster-soluble it can be The County, The County " during the frequent irrheo that affect in- digestive disturbances \ - ionsible far deficienc. s 198 niacin, and ascor United Press IN OUR WKIL YEAR Murray, Ky., Saturday Afternoon, August 20, 1955 MURRAY POPULATION 8,000 Vol. LXRVI No. 40 LBS. FLOODS LEAVE HAVOC IN SIX STATE AREA Capt. Erwin Sea Captain Stays Red China Uneasy Death Toll Nears 100 Mark As On Damaged Ship Over Statements By Freed Airmen WICK, Scotland, Aug.
    [Show full text]
  • Executive Producer)
    PRODUCTION BIOGRAPHIES STEVEN SODERBERGH (Executive Producer) Steven Soderbergh has produced or executive-produced a wide range of projects, most recently Gregory Jacobs' Magic Mike XXL, as well as his own series "The Knick" on Cinemax, and the current Amazon Studios series "Red Oaks." Previously, he produced or executive-produced Jacobs' films Wind Chill and Criminal; Laura Poitras' Citizenfour; Marina Zenovich's Roman Polanski: Odd Man Out, Roman Polanski: Wanted and Desired, and Who Is Bernard Tapie?; Lynne Ramsay's We Need to Talk About Kevin; the HBO documentary His Way, directed by Douglas McGrath; Lodge Kerrigan's Rebecca H. (Return to the Dogs) and Keane; Brian Koppelman and David Levien's Solitary Man; Todd Haynes' I'm Not There and Far From Heaven; Tony Gilroy's Michael Clayton; George Clooney's Good Night and Good Luck and Confessions of a Dangerous Mind; Scott Z. Burns' Pu-239; Richard Linklater's A Scanner Darkly; Rob Reiner's Rumor Has It...; Stephen Gaghan'sSyriana; John Maybury's The Jacket; Christopher Nolan's Insomnia; Godfrey Reggio's Naqoyqatsi; Anthony and Joseph Russo's Welcome to Collinwood; Gary Ross' Pleasantville; and Greg Mottola's The Daytrippers. LODGE KERRIGAN (Co-Creator, Executive Producer, Writer, Director) Co-Creators and Executive Producers Lodge Kerrigan and Amy Seimetz wrote and directed all 13 episodes of “The Girlfriend Experience.” Prior to “The Girlfriend Experience,” Kerrigan wrote and directed the features Rebecca H. (Return to the Dogs), Keane, Claire Dolan and Clean, Shaven. His directorial credits also include episodes of “The Killing” (AMC / Netflix), “The Americans” (FX), “Bates Motel” (A&E) and “Homeland” (Showtime).
    [Show full text]
  • Movie Catalog Movie
    AVENGERS BY THE NUMBERS On-Board Inside front cover EVERYTHING GAME OF THRONES MOVIE CATALOG Pages 36-38 © 2019 Marvel © 2019 Universal City Studios Productions LLLP. All Rights Reserved. © 2019 Paramount Pictures © 2019 Warner Bros. Ent. All rights reserved. © 2019 RJD Filmworks, Inc. All Rights Reserved. © Lions Gate Entertainment, Inc. STX Entertainment 2019 © © Amazon Studios © 2019 Disney Enterprises, inc. © 2019 STX Entertainment 2019 © © Lions Gate Entertainment, Inc. © 2019 Warner Bros. Ent. All rights reserved. July/August 2019 | 1.877.660.7245 | swank.com/on-board-movies H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H ExperienceH H H H H H H H H H H H H H H H HTHE H ADVENTURESH H H H H H H H of the AVENGERS H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Universal City Studios Productions LLLP. All Rights Reserved. © 2019 Marvel H HH H H H H H HH HH H HH HH H 2008H H H H H H HH H H H H 2008H H H H H H H H H H2010 H H H H H H H H H2011 H H H H H H H H H2011 H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Marvel H H H H H2012 H H H H H H H H H2013 H H H H H H H H H2013 H H H H H H H H H2014 H H H H H H H H H 2014H H H H H H H H H 2015H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Columbia Pictures Industries, Inc.
    [Show full text]
  • SKYPANEL New Accessories for the Family of LED Soft Lights
    NEWS IBC ISSUE 2015 SKYPANEL New accessories for the family of LED soft lights ELECTRONIC ALEXA MINI CONTROL SYSTEM AMIRA Karl Walter Lindenlaub ASC, BVK Expanded options for lens and New application areas for tries the Mini on Nine Lives camera remote control the highly versatile AMIRA EDITORIAL DEAR FRIENDS AND COLLEAGUES We hope you can join postproduction through ARRI Media, illustrating us here at IBC, where we the uniquely broad range of products and services are showcasing our latest we offer. 18 camera systems and lighting technologies. For the ARRI Rental has also been busy supplying the first time in ARRI News we are also introducing our ALEXA 65 system to top DPs on major feature films newest business unit: ARRI Medical. Harnessing – many are testing the large-format camera for the core imaging technology and reliability of selected sequences and then opting to use it on ALEXA, our ARRISCOPE digital surgical microscope main unit throughout production. In April IMAX is already at work in operating theaters, delivering announced that it had chosen ALEXA 65 as the unsurpassed 3D images of surgical procedures. digital platform for 2D IMAX productions. In this issue we share news of how AMIRA is Our new SkyPanel LED soft lights, announced 12 being put to use on productions so diverse and earlier this year and shipping now as promised, are wide-ranging that it has taken even us by surprise. proving extremely popular and at IBC we are The same is true of the ALEXA Mini, which was unveiling a full selection of accessories that will introduced at NAB and has been enthusiastically make them even more flexible.
    [Show full text]
  • Full Beacher
    THE TM 911 Franklin Street Weekly Newspaper Michigan City, IN 46360 Volume 36, Number 51 Thursday, December 17, 2020 “A Christmas Story” Comes Home By William Halliar The Christmas to Jean Shepard’s “A season has fi nally Christmas Story.” arrived in North- Seven animated di- west Indiana. For oramas illustrating children, it is often scenes from the now about the anticipa- classic movie, which tion: expectations has been delight- of wondrous, shiny ing audiences since new toys found un- it fi rst hit the big der the tree Christ- screen in 1983, have mas morning. been carefully and For parents, it is skillfully installed a hectic time search- in anticipation of ing for the right guests young and presents to fulfi ll old who will visit these expectations. the Welcome Center I am sure many this season. have memories of Since its debut, times before eBay the movie has be- and Amazon: hours come a staple of the shopping for that holiday season, air- doll or toy car that ing many times in were all the rage, the weeks before going from store to the big day. Several store, celebrating cable stations (TNT when, after many and TBS) have host- hours of searching, ed “24 hours of A you fi nally found the Christmas Story” in last one in town. which the movie is For grandpar- aired 12 times back ents like me, it is a to back: Christmas time to remember Eve till Christmas what those long-ago Day. Christmases were Jean Shepherd like for our own was an extraor- families.
    [Show full text]
  • Blue Valentine
    Un film de DEREK CIANFRANCE BLUE VALENTINE Avec RYAN GOSLING MICHELLE WILLIAMS Festival de Cannes 2010 – Un Certain Regard Festival de Sundance 2010 – Compétition films dramatiques Durée : 1H54 Sortie aux Etats-Unis: 31 Décembre 2010 Filmé en Super 16mm, sur caméra RED, en format numérique haute définition Relations Presse France LE PUBLIC SYSTEME CINEMA Céline PETIT & Alexis DELAGE-TORIEL 13, rue d’Antibes, 4 ème étage 06400 Cannes Tel: 04 93 39 82 48/80 97 Fax: 04 93 39 82 48 [email protected] [email protected] www.lepublicsystemecinema.fr BLUE VALENTINE Synopsis A travers une galerie d’instants volés, passés ou présents, BLUE VALENTINE raconte l’histoire d’un amour que l’on pensait avoir trouvé, et qui pourtant s’échappe… Dean et Cindy se remémorent les bons moments de leur histoire et se donnent encore une chance, le temps d’une nuit, pour sauver leur mariage vacillant. Ryan Gosling et Michelle Williams sont les interprètes de ce portrait honnête d’un couple sur la brèche. 2 BLUE VALENTINE Entretien avec DEREK CIANFRANCE, réalisateur et co-scénariste du film Comment vous est venue l’idée du film ? Lorsque j’étais enfant, deux choses me terrifiaient plus que tout : la guerre nucléaire et le divorce de mes parents. A travers ce film, j’affronte cette seconde peur. Comment s’est monté le film ? Comment le projet s’est-il concrétisé ? Après onze ans de faux départs. Je me souviens clairement d’avoir imprimé le premier brouillon du scénario durant l’été 1998, persuadé que l’on tournerait le film dès l’automne.
    [Show full text]
  • The Joker: Gotham’S Phoenix’S Gritty ‘Joker’ Drives Critics Crazy Clown Prince of Crime
    Established 1961 21 Lifestyle Movies Monday, September 2, 2019 (From left) German US actress Zazie Beetz, US actor Joaquin Phoenix, US director Todd Phillips and US producer Emma Tillinger (From fifth left) German US actress Zazie Beetz, US actor Joaquin Phoenix and US director Todd Phillips and guests attend a photocall for the film ‘Joker’ presented in competition during the 76th Venice Film Festival at Venice Lido. — AFP photos arrive for the screening of the film “Joker”. The Joker: Gotham’s Phoenix’s gritty ‘Joker’ drives critics crazy clown prince of crime oaquin Phoenix’s visceral performance as the down- trodden street clown who transforms into the “Joker” rom playing-card caricature to diabolical super- Jwas hailed by critics as “sensational” and “unnerving” villain, the Joker has been reincarnated by a rosta on Saturday, as his pitch-black supervillain origin story Fof Hollywood stars in his near eight decades on premiered at the Venice film festival. Phoenix reimagines the mean streets of Gotham, with each era painting its one of cinema’s most recognizable villains in the film, with own mark on the grinning Batman nemesis. The chaos- the story of Arthur Fleck, a vulnerable loner struggling to loving prankster, with his clown make-up and rictus survive in the rage-scorched streets of Gotham. Todd grin, first appeared in comic books in 1940 and has Phillips, known for frat house comedies including the made regular appearances on screen since the 1960s. “Hangover” trilogy and “Road Trip”, set the film in the Most famously played by Jack Nicholson and Heath 1970s as a nod to the brooding cinematic character studies Ledger, the character has had countless cameos in of the time, like “Taxi Driver” and “The King of Comedy”.
    [Show full text]