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CIHE Mfl"g PRODUCTION GUIDE by Del Mehes and Yves Gagnon make-upMichele Dion asst make-up Chantal Ethier hairdresser Constant he following is a list of films in production (actually before, MAURICE SMITH Natale asst hair. Martin Menard chief LES PRODUCTIONS the cameras) and in negotiation in Canada. Needless to say, PRODUCTIONS elec Don Caufield elec Marc Charle- PRISMA INC. T bois, Francois Vincelette key grip Marc the films which are still in the project stage are subject to de Ernsted asst key grip Jean-Maurice (514) 866-3568 changes. A third category. In Pre-production, will be used to (416) 968-1664 de Ernsted p. acct Gilles Leonard asst indicate films which are in active pre-production, having set a p. acct Mable Arial, Nathalie Laporte LES PAS POSSIBLES date for the beginning of principal photography and being CRAZY TIMES drivers Linda Ekdahl, Geoff Bowie, A six half-hours for TV made with and for engaged in casting and crewing). Films are hsted by the name of shooting began Oct. 16 for five weeks in Michael Tomasek. children. Five episodes have been shot Toronto, made in conjunction with between July 5 to Sept. 9,1982. The sixth the company which initiated the project, or with which the Roger Connan p.c. Maurice Smith Pro­ episode will be shot this Winter, p.& Les project is popularly associated. This is not necessarily the name ductions p. Maurice Smith p. co-ord. Productions Prisma Inc. with participa­ of the production company. Where the two companies are Debbie Cooke p. asst Stuart Shikitani, NATIONAL FILM BOARD tion of CFDC, IQC, Radio-Canada and Peter McGarvey, Marty Hannah, Patrick Wagner-Hallig GmbH (West Germany). different, the name of the production company, if known, is also p. Maria Cou&lte p. man. R6al Tremblay given. In instances where a producer has asked us not to list a Stepien sc Jim Wynorski d. Rafal Zie- OF CANADA linski2nd a.fL Camelia Frieberg, Peter (514) 333-4512 p. sec. Claude L6pine d. Andr6 M^lan- project, or to withhold certain credits due to ongoing negotiations, Wronski 3rd a.d. Michael Dolgy art d. 9on Lp. (all children) Eric Dubois, Veronique De Massy, Anny Steben, Steve we have respected his request. Sandra Kybartas asst art d. Derek WAR SERIES (no title) Howard, Shannon E. Griffiths sc sup. Dem ers, St^phane Leblanc, Isabelle .A seven-part series on the evolution of Joanne Harwood storyborad art Jim Lebrun, Jean-Frangois Leblanc, Solene war, shootingin the USSR, Israel, the UK, Please telephone additions and up-dates information to: MacDonald d.o.p. Miklos Lente c.s.c. Thouin. the US and Europe Filming for the Cinema Canada (416) 596-6829 or (5141 272-5354. cam. Fred Guthe asst cam. Christo­ series began in 1980 ; on October 10 an pher Rauchamp, Clark Johnson key NFB crew left for the Soviet Union to film grip Carlo Cainpana asst grip Ian Film credit abbreviations interviews with Red Army senior staff RICHARD 6AB0URIE Taylor gaffer Jock Brandis asst gaff. d. director assL d. assistant director Bc. script adapt adaptation dial dialogue and location shooting at major Russian Fred Luchilii sd. GaborVadnay boom ph./dop. photography sp. ph. efx. special photographic etfecls ed. editor sup. ed. battlefields. Series has been bought by PRODUCTIONS LTD./IA.D. Chaim Gilad best boy Jens Sturup supervising editor sd. sound sd. ed. sound editor sd. rec sound recording p. des. CBC-TV and is scheduled for completion production designer art. d. art director set dec. set decorator m. music cost props Gary SuUivav asst props Lucie PRODUCTIONS LTD. for Spring '83. No air date yet. exec. p. costumes l.p. leading players exec. p. executive producer p. producer assoc. p. Falconi spw efx. Score Works cost des. Barrie Howells series p. Bill Brind (416) 248-8934 associate producer line p. line producer p. sup. production supervisor p. niait Nany Kaye ward. Terrea Smith ward. sc./on cam. Gwynne Dyer p. Doug production manager p.c. production company dist distributorAnasterislct*) fol­ asst Patti Meade make-up Jane Meade Keiffer, Michael Bryans d./8C. Barbara TREASURES " lowing the film's title indicates financial participation by the Canadian Film make-up asst Zera Jordache hair. Sears d. Tina Vilfoen, Michael Bryans, A one-hour drama-docu high-lighting Development Corporation. Ronald Weiss film ed. Brian Ravok c.f e. Donna Dudinsky, Judith Merritt, Doug world treasures. (Pilot for PaJ^TV} Bud­ asst ed. Steve Sirjik stills Jack Rowand Keiffer p.r. Sally Bochner get $200,000. Began shooting June IS, cast Media Casting Ltd. Michael Dolgy 1982 in Vancouver and TDn>nto. exec p, dist New World Mutual Lp. Peter Kele- Richard Gabourie p. Norman Sedawie^ ghan, Alan Deveau, Jason Warren, Ken Gayle Sedawie ON LOCATION Duelers, Jim Coburn, Linda Shayne, J. J. PIERROT PRODUCTIONS MuTphy, Liz Roberts, Lyz Gree, Chris (416) 861-1222 Uram, Liana Shannon, Susan Bishop, THE WORLD'S Andre Brochu, Michel Brochu, J.-M, Val- Christin Ruzkuszka, Bonnie Lamb, Kim- LIONA BOYD GREAT MUSEUMS lerand, Gaston Brassard chief painter berly Brooks, Nancy Chambers, Francis ASTRAL FILM shooting began early October and will A one hour drama-docu about world Robert "Bobby" Breton, Rejean Paquin Humphreys, Paula Farmer, Helen Arthur, wrap mid-December 1982, Toronto shoot. museums. (Pilot for Pay-TV) Budget painter Guy Lalande, Gilles Desjar- Terrea Smith, Donnie Bowes, Joe Cro- PRODUCTIONS LTD. One hour concert/docu film on Liona $200,000. Began shooting August 25,1982 dins, Jean-Paul Monlreuil sp. efx. John ziers. in Los Angeles, Toronto and IstanbuL (514) 748-6541 Thomas asst sp. efx. Bill Orr, Ken Boyd. Pre-sold to C-Channel. p.c Pierrot Productions p. Wyndhain Paui Wise, exec. p. Richard Gabourie p. Norman Johnson sp. efx. man. Robbie Baylif &, Gayle Sedawie MARIA CHAPDELAINE cost design Michete Hainel asst MUTUAL Terrence Jacquesd. Alan Siinmondssc principal photography began Oct 18 for Christiane Tessier, John Stowe chief Alan Simmons, Candice O'Connor d.cp. nine weeks on this theatrical feature cost Blanche-Danielle Boileau asst PRODUCTIONS LTD. Barney Stewart p. man. Eleanor James SHOWBIZ BALLYHOO film and TV mini-series at l^cBaskatong, Pierre Perreault dresser Renee April (514) 526-3761 sd. Master's Workshop p. ser. Aldon A90 minute nostalgic look atthevintage 200 miles north of Montreal. Budget: chief make-up Micheline Foisy make­ Group Prod Hollywood film of Yesteryear (sequel to S4.5 million, exec p. Harold Greenberg up John [saacson hair. Andre Lafres- FOR THOSE I LOVED/ "Showbiz Goes To Wai"). Began shooting p. Murray Shostak line p. Robert Baylis niere p. asst Michel Veilietle, Andre AU NOM DE TOUS September 1,1982. exec. p. Hiohaiti Ga­ d. Gilles Carle l9t a,d. Jacques Wilbrod- Ouellet, Angele Bourgault messengers PRIMEDIA bourie p. Norman & Gayle Sedawie Benoit2nd a.d. Monique MarandaSrd Ellen Berube, Alain Belhumeur drivers LES MIENS a.d. Jacques Laberge cont Ginette Pierre Guillard, Sylvain Falardeau chief A six-hour TV series and two-hour fea­ PRODUCTIONS LTD. Senecal ed. Avde Chiheff sc Guy Four- cook Kitty Baylif cook Leo Evans best ture film shot both in French and in (416) 361-0306 RONGEFER FILMS nier and Gilles Carle Lp. Carole Laure, boy Richard Carroll unit pub. Mark English. The Canada/France co-produc­ Nick Mancuso, Pierre Curzi, Donald Lalonde p.r. David Novek Associates tion, based on the book by Martin Grey, AMATEUR NATURALIST (514) 844-8611 Lautrec, Yoland Guerard, Amulette Gar- Inc. (514) 284-2113. started shooting Aug. 9, 1982, in Hun­ gary ; also to shoot in France and the Shooting began July 25th in Europe and neau, Paul Berval, Claude Rich, Claude Canada, Will wrap June 1983. 13 half- MY FATHER'S HOUSE Euvrard, Dominique Briand, Marie Thifo, United States. In Canada shooting ended Shooting for this feature began in Mont­ Oct. 8. Estimated budget $10 M. p.c. La hour programs. Budget: $1.7 million. Jean-Paul Masson prod. man. Lorraine Pre-soid to CBC, Channel 4 (G.B.J South real, October 28, for 27 weeks, exec p. Richard unit man. Mario Nadeau man. ATLANTIS FILMS LTD Corporation du Film Au Nom de Tous I^enis Portier line p. Robein Menard p. Les Miens exec p. Pierre David (Cana­ African Broadcasting Corp., T.V. Ontario, Ginelte Guillard asst unit man. L.-P. (416) 960-1503 Radio-Canada. p.c. Amateur Naturalist man. Lise Abastados sc. Alvin Goldman Rochon controller Fred Shacler p. da!/Andre Djaou) (France) p. Claude d. R Menard 181 & and a.d. Michel Heroux (Canada)/Jacques Strauss (Fran­ Prod, Ltd. ex. p. Pat Ferns, Peter Kinder- accL Carole Lagace p. sec Micheline siey p. Paula Quigley d. Alastair Brown Gauthier, Claire Wojas d.o.p. Paul van Cadieux p. coord. Marie-Helene Roy A series of six 1/2 hour dramas based on ce) p. man. Roger Heroux asst p. man. Canadian short stories, tq be filmed in (Cda), Jonathan Harris (Europe) sc. Ge­ derLindensd. Serge Beaucheminarld. fLo.pL Pierre Mignol Is* asst. cam. Franyois Ouimet d. Robert Enrico 1st Vianney Gauthier Lp. Winston Reckerl, Alberia, Nova Scotia, Prince Edward a.d. John Fretz 2nd a-d. Frank Rusz- rald Durrell Lp. Gerald Durrell, Lee Jean Lepineand asst cam. Christiane Durretl KerriB Kane, Kate Trotter, August Schel- Guernon 3rd asst cam. Natalie Mo- Island and Toronto began July 18 in czynski p. sec. Patricia Cahill cont Banff, Alta. To finish this winter Budget: lenberg pub. rel David Novek Asso­ liavko-Visotzky and unit photog. Ri­ Monique Champagne cast Ginette ciates (5141 284-2113. chard Leiterman 2nd cam. asst cam. $600,000. p. Seaton McLean, Michaef d'Amico 3rd a.d.
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    xmn MAG TRADE NEWS Broadcasting only one aspect of new policies; film policy in April OTTAWA - It wasn't exactly tober national strategy has from second place. A consul­ become firm policies of the Canadian television pro­ the comprehensive strategy resulted in a far greater role for tative review, the strategy Broadcasting Stra(eg\' for grams ; the reinforcement of that had been expected, but at the private Canadian produc­ says, is underway on the role Canada.' These up-coming equalized broadcasting ser­ least it was a start when on tion sector ; "It is essential that of the CBC "and will conti­ eight thrusts are ; further en­ vices throughout the coun­ Mar. 1, Communications min­ Canadian entrepreneurs be nue over the coming months." couragement to the private try ; a response to the needs ister Francis Fox unveiled able to move quickly and de- The four policy measures sector, primarily the cable of native people , a more flex­ the cabinet-approved "Towards cisely to seize the opportunities announced in the March stra­ and related high-technology ible regulatory environment : a new national broadcasting created by the... new environ­ tegy "constitute the first cru­ industries : enhancement and revisions to the legislative policy," ment." cial steps." The next eight extension of French-language framework ; and strengthen­ The 20-page document draws As encouragement, the broad­ steps are "now at the cpnsul- broadcasting; the establish­ ing of the performance of the heavily upon the original casting strategy announces the tation stage and as modified ment of a framework for the public broadcasting system. broadcasting strategy leaked creation of the Canadian Broad­ through public debate, will..
  • Starlight TV Brochure

    Starlight TV Brochure

    What is Starlight: The ALA_Pdale_1sheet_M01.qxd:One_Sheet_Mech_Template 7/18/08 4:03 PM Page 1 Canadian Movie Channel? Starlight is a new specialty television channel that will be entirely devoted to Canadian movies, particularly feature films intended for theatrical release. The program schedule for the channel will be 100% Canadian, consisting of Canadian feature films, Canadian feature documentaries, Canadian made-for-TV movies, and programs with or about Canadian filmmakers. All feature films intended for theatrical distribution will be presented On June 1, 2012, an application was filed with the without commercial interruption. Canadian Radio-television and Telecommunications Commission (CRTC) for a new Canadian specialty channel to be called Starlight: The Canadian Movie Channel. How will Starlight Passchendaele be distributed? This brochure describes the channel and why it is so critically needed for the Canadian broadcasting system. The channel will be provided to every subscriber to digital television in English Canada. Cable companies like Rogers or Shaw would distribute the service to all digital subscribers outside Quebec as part of the digital basic service. The direct-to-home satellite providers – Bell TV and Shaw Direct – would distribute the service to all subscribers who subscribe to an English-language or bilingual basic service package. And the retail rate for the service for all subscribers will be no more than three cents a day. Incendies Academy Award Nominee Best Picture Genie SUPPORT FOR CANADIAN FEATURE FILMS FROM OUR BROADCASTING SYSTEM Why should our broadcasting system Is the situation any different in Canada? support Canadian feature films? No. A 2012 study by the Department of Canadian The Broadcasting Act states that the broadcasting system Heritage showed that 89% of Canadians watch films on should provide a wide range of programming that reflects regular television channels and this was the most common Canadian artistic creativity.