The Motive Power of the Human System," an Account of the Proceedings of This Meeting, from " the Magnet," in Which the Names of Dr
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Media Industry Approaches to Comic-To-Live-Action Adaptations and Race
From Serials to Blockbusters: Media Industry Approaches to Comic-to-Live-Action Adaptations and Race by Kathryn M. Frank A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in the University of Michigan 2015 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Lisa A. Nakamura Associate Professor Aswin Punathambekar © Kathryn M. Frank 2015 “I don't remember when exactly I read my first comic book, but I do remember exactly how liberated and subversive I felt as a result.” ― Edward W. Said, Palestine For Mom and Dad, who taught me to be my own hero ii Acknowledgements There are so many people without whom this project would never have been possible. First and foremost, my parents, Paul and MaryAnn Frank, who never blinked when I told them I wanted to move half way across the country to read comic books for a living. Their unending support has taken many forms, from late-night pep talks and airport pick-ups to rides to Comic-Con at 3 am and listening to a comics nerd blather on for hours about why Man of Steel was so terrible. I could never hope to repay the patience, love, and trust they have given me throughout the years, but hopefully fewer midnight conversations about my dissertation will be a good start. Amanda Lotz has shown unwavering interest and support for me and for my work since before we were formally advisor and advisee, and her insight, feedback, and attention to detail kept me invested in my own work, even in times when my resolve to continue writing was flagging. -
The Wild Child: Children Are Freaks in Antebellum Novels
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2013 The Wild Child: Children are Freaks in Antebellum Novels Heathe Bernadette Heim Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1711 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] The Wild Child: Children are Freaks in Antebellum Novels by Heather Bernadette Heim A dissertation submitted to the Graduate Faculty in English in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2013 Heim ii Heim © 2013 HEATHER BERNADETTE HEIM All Rights Reserved iii Heim This manuscript has been read and accepted for the Graduate Faculty in English in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy Hildegard Hoeller_______________________ __________ ______________________________________ Date Chair of Examining Committee Mario DiGangi__________________________ ___________ ______________________________________ Date Executive Officer Hildegard Hoeller______________________________ William P. Kelly_______________________________ Marc Dolan___________________________________ Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iv Heim Abstract The Wild Child: Children are Freaks in Antebellum Novels by Heather Bernadette Heim Advisor: Professor Hildegard Hoeller This dissertation investigates the spectacle of antebellum freak shows and focuses on how Phineas Taylor Barnum’s influence permeates five antebellum novels. The study concerns itself with wild children staged as freaks in Margaret by Sylvester Judd, City Crimes by George Thompson, The Scarlet Letter by Nathaniel Hawthorne, Uncle Tom’s Cabin by Harriet Beecher Stowe and Our Nig by Harriet Wilson. -
My Utopia Reviewers
My Utopia Reviewers Alireza Anushiravani Shiraz University, Iran Edward H. Friedman Vanderbilt University, USA Jane Stafford University of Wellington, New Zealand Justine M. Pas Lindenwood University, USA Kristiine Kikas Tallinn University, Estonia Leslie Epstein Boston University, USA Marco Sonzogni University of Wellington, New Zealand Mark Bond Auckland University, New Zealand Mark Williams University of Wellington, New Zealand Mehmet Cem Odacioğlu Bartin University, Turkey Peter G. Stillman Vassar College, USA Siamak Babaee University of Kashan, Iran Thomas Bertonneau State University of New York, USA Alen Maley Retired Literary Scholar My Utopia: A Collection of Creative Writing Edited by Ruzbeh Babaee My Utopia: A Collection of Creative Writing Edited by Ruzbeh Babaee This book first published 2018 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2018 by Ruzbeh Babaee and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-1317-3 ISBN (13): 978-1-5275-1317-4 TABLE OF CONTENTS Preface ....................................................................................................... vii Short Fiction Excerpt from Murmur -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
Cinjb $Mtmx |Mtrnal Jewmon
cinjb $mtmx |mtrnal Jewmon. THE MIND OR BODY OF MAN. €jn 11 ETERNAL HOSTILITY TO EVERY FORM OF OPPRESSION OVER * ' VOLUME III.—NUMBER MAINE, FRIDAY, JUNE 20, 1 856. 25. LOUIS 0. COWAN, Editor and Proprietor. BIDDEFORD, for our we new behevetl thai AMEBIC AH LIBERTY IN KANSAS. wfienc b the course of allowed it* Now, part, hu» ox and hastened in the direction from debate, l»jr presid- with a stick and turn ova It was a new in ministerial hurl to it ne- com* on the coast of Nei r go phase not Sumner was make cnU that J plant, along came. officer to be and excrtding sufficiently The condition of American cit liens UNION AND EASTERN JOURNAL. king ■ under who* they ing spoken, actual the haulm if it is in the and bo Old Dr. Dow, to at into manure. are •ometiuie i way, plant pcrionce. line truth or cessary him take to his bed all.— Junej, (The» a how Housewives with uncovered head* an 1 one hatr's breadth any of duty. for whoso misfortune is to havg been born north Tfca Cnloo and limn Jowoal la rw? row As th< he was converted, drove pabUabail " t tween each other or we believe that the well- at !<•■ CVutral called bone foot The ax linen potatoes. preaching am the climax of thi* *o- Least of »U do Toiif, 1, Muck, ufpualM lk« BMJtfcni craU.") per of her station, bared anna darted from every house, I Thi* is the fifth and of Mason's and Dixon'• line, and whoss lot Mn—. -
The Summer I Became a Nerd
The Summer I Became a Nerd Leah Rae Miller Table of Contents Praise for The Summer I Became a Nerd Prologue #1 #2 #3 #4 #5 #6 #7 #8 #9 #10 #11 #12 #13 #14 #15 #16 #17 #18 #19 #20 #21 #22 #23 #24 #25 #26 #27 #28 #29 #30 #31 Acknowledgments About the Author Praise for THE SUMMER I BECAME A NERD “Between the laugh out loud dialogue and Maddie and Logan’s pulse-skipping romance, I longed for the Flash’s speed so I could read the book over again and again!” - Cole Gibsen, author of the KATANA series (Flux) “Leah Rae Miller’s debut is charming, funny, clever and utterly geek-tastic! But beyond that, I appreciated the book’s message that the road to happiness is to be true to yourself first.” - The FlyLeaf Review “An extremely adorkable read about being comfortable in your own skin. Get ready to bring out your inner nerd!” - Sara Book Nerd “THE SUMMER I BECAME A NERD is everything you want in an ideal summer; it’s fun and bright, with the perfect mix of romance and nerdiness. You’ll devour this book with as much enthusiasm as the main character devours the latest comic book.” - Alice in Readerland “A total feel good romance with plenty of laughs and smiles, and just the right amount of emotion.” - A Good Addiction “A sweet and fun summer read that turns the tables on the popular guy/nerdy girl scenario and refreshingly features a popular girl who wants to let her nerd flag fly. -
University Microfilms. Inc., Ann Arbor, Michigan
7 0 -m -,1 1 9 WILLIS, Craig Dean, 1935- THE TUDORS AND THEIR TUTORS: A STUDY OF SIXTEENTH CENTURY ROYAL EDUCATION IN BRITAIN. The Ohio State University, Ph.D., 1969 Education, history University Microfilms. Inc., Ann Arbor, Michigan © Copyright by Craig Dean W illis 1970 THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED THE TUDORS AND THEIR- TUTORS: A STUDY OF SIXTEENTH CENTURY ROYAL EDUCATION IN BRITAIN DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University SY Craig Dean W illis, B.A., M.A. IHt- -tttt -H-H- The Ohio State U niversity 1969 Adviser t School of Education ACKNOWLEDGMENTS To Dr. Robert B. Sutton, my major adviser, I owe a major debt of gratitude for his guidance, encouragement, and scholarly qualifies* I also wish to thank the members of the reading committee for their contribution; and in particular, I want to express appreciation to Dr. Richard J. Frankie and the late Dr. Earl Anderson for their professional and meaningful assistance. It is appropriate to thank the administrative officers at Ohio Wesleyan University for their encouragement and willingness to let me arrange my work around my graduate studies. Persons of particular help were Dr, Allan C. Ingraham, Dr. Elden T. Smith, Dr. Emerson C. Shuck, and Dr. Robert P. Lisensky. My family has been of invaluable assistance to me, and it is to them that I dedicate the study of the education of the Tudor family. My parents, J. Russell and Glenna A. W illis, have helped in many ways, both overt and subtle. -
I and Leeds General Advertiser
1 AGRICULTURAL EDITOR OF THE ^^^^^^^ m— 10 THE ADDRESS FROM THE CHARTIST COUN- - LIEDS MERCURY." CILLORS OF MARYLEBONE TO TrIE c^ —It is really too hard that yon Bhonld baild CHARTISTci OF GREAT-BRITAIN. ' and call npon me to blow them ^jes ia ibe air Brothers ix the Cause,—It gires us heartfelt fZT in your last the following amount ^f traeh concern to think of the present disorganised state of »pe»red :- our association; we find all our energies wasted in fru itless labour for want of a straightforward plan, » AXhffBghof Mr- O'Connor hason bertoired upon our Ifagg animadversion this hopeful scheme of action ; we have been led to investigate the canee consider it to con- ^ Qiarfcsti and carrying the Charter, a of our present situation, and we JTsHJebing tbe chieftV in the want of steady and oonsis-toat tfce fonr mortal columns whichbear his sist \Jd£are «f council. We,therefore, earnestly entreatlour brother 2itoT8 in tbe Korthera Star of Saturday week, we of a new ourselres -with little more than the state- Chartists to proceed at onc« to the eleotion ^_n¦^ «artBnt , (the Executive) be called upoa of one &ct, in reply, bnt that will go 3 good way AND LEEDS GENERAL ADVERTISER. Executive and lot it I necessary in the pemidoos delation that he ' "~ " to suggest such amendments as may be Zgote dispelling ia ! T0L- YL KQ. 290 plan of organisation, which is all that we iccnlcate. It ia this—Mr. O'Connor and . SATURDAY, JUNE 3, 1843. th* old ^optiBg to ^SZ .Sr " think it needs, and then instead of keeping our body ^^^conespsndest, Mi. -
Mcwilliams Ku 0099D 16650
‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry © 2019 By Ora Charles McWilliams Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Henry Bial Germaine Halegoua Joo Ok Kim Date Defended: 10 May, 2019 ii The dissertation committee for Ora Charles McWilliams certifies that this is the approved version of the following dissertation: ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Date Approved: 24 May 2019 iii Abstract The comic book industry has significant challenges with intellectual property rights. Comic books have rarely been treated as a serious art form or cultural phenomenon. It used to be that creating a comic book would be considered shameful or something done only as side work. Beginning in the 1990s, some comic creators were able to leverage enough cultural capital to influence more media. In the post-9/11 world, generic elements of superheroes began to resonate with audiences; superheroes fight against injustices and are able to confront the evils in today’s America. This has created a billion dollar, Oscar-award-winning industry of superhero movies, as well as allowed created comic book careers for artists and writers. -
Presentations Charism and Spirituality
Marlette Black pbvm September 2009 Introduction I was asked by the Presentation Sisters in the Philippines to provide them with some input and reflections to assist them in making a Retreat on Presentation Charism and Spirituality. These are the copies of the notes I prepared for the Retreat and of the Reflection Sheets to be handed out after each presentation. The fourth presentation was to be a PowerPoint presentation on Global Presentation Charism: Engagement in the Mission of God. I have not included that session in this booklet as, since I was going to speak to the slides, there were no written notes to go with the PowerPoint presentation. Unfortunately, I was unable in the end to go to the Philippines for the Retreat. I did, however, share these notes with the Sisters there. It was thought that perhaps these notes would also be of use to others in reflecting on Presentation Charism and Spirituality. These are notes only, written to prepare myself to give the presentations. I would not have read these notes as lectures, but would have used them as a basis for each presentation. The retreat itself would have involved group interaction, PowerPoint presentations and prayers/rituals. The spirit of the group and their interactions with each other and with the material would have brought this material to life. I am grateful to our Sisters in the Philippines for the invitation to present material on Presentation Charism and Spirituality. It challenged me to further reflect on our Presentation tradition which remains relevant and transformative after 225 years. -
Superhuman, Transhuman, Post/Human: Mapping the Production and Reception of the Posthuman Body
Superhuman, Transhuman, Post/Human: Mapping the Production and Reception of the Posthuman Body Scott Jeffery Thesis submitted for the Degree of Doctor of Philosophy School of Applied Social Science, University of Stirling, Scotland, UK September 2013 Declaration I declare that none of the work contained within this thesis has been submitted for any other degree at any other university. The contents found within this thesis have been composed by the candidate Scott Jeffery. ACKNOWLEDGEMENTS Thank you, first of all, to my supervisors Dr Ian McIntosh and Dr Sharon Wright for their support and patience. To my brother, for allowing to me to turn several of his kitchens into offices. And to R and R. For everything. ABSTRACT The figure of the cyborg, or more latterly, the posthuman body has been an increasingly familiar presence in a number of academic disciplines. The majority of such studies have focused on popular culture, particularly the depiction of the posthuman in science-fiction, fantasy and horror. To date however, few studies have focused on the posthuman and the comic book superhero, despite their evident corporeality, and none have questioned comics’ readers about their responses to the posthuman body. This thesis presents a cultural history of the posthuman body in superhero comics along with the findings from twenty-five, two-hour interviews with readers. By way of literature reviews this thesis first provides a new typography of the posthuman, presenting it not as a stable bounded subject but as what Deleuze and Guattari (1987) describe as a ‘rhizome’. Within the rhizome of the posthuman body are several discursive plateaus that this thesis names Superhumanism (the representation of posthuman bodies in popular culture), Post/Humanism (a critical-theoretical stance that questions the assumptions of Humanism) and Transhumanism (the philosophy and practice of human enhancement with technology). -
Aristotle -- Parts of Animals. Movement of Animals. Progression of Animals
THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES THE LOEB CLASSICAL LIBRARY FOUNDED BY JAMES LOEB, LL.D. EDITED BY fT. E. PAGE, O.H., LITT.D. t E. CAPPS, PH.D., LL.D. t W. H. D. ROUSE, litt.d. L. A, POST, L.H.D. E. H. WARMINGTON, m.a., f.b.hist.soo. ARISTOTLE PARTS OF ANIMALS MOVEMENT OF ANIMALS PROGRESSION OF ANIMALS ARISTOTLE PARTS OF ANIMALS WITH AN ENGLISH TRANSLATION BY A. L. PECK, M.A., Ph.D. FELLOW OF Christ's college, cambriook AND DNIVERSITY LECTURER IN CLASSICS AND A FOREWORD BY F. H. A. MARSHALL, C.B.E., Sc.D., F.R.S. MOVEMENT OF ANIMALS PROGRESSION OF ANIMALS WITH AN ENGLISH TRANSLATION BY E. S. FORSTER, M.A. PROFESSOR OF GREEK IN THE I'NIVERSITV OF SHEFFIKLD CAMBRIDGE, MASSACHUSETTS HAR\^ARD UNIVERSITY PRESS LONDON WILLIAM HEINEMANN LTD MCMLXI First printed 1937 Revised and reprinted 1945, 1955 Revised and reprinted 1961 Printed in Chreat BrUain CONTENTS PAQB PARTS OF ANIMALS Foreword ....... 3 Introduction ...... 8 Text and Translation .... 52 MOVEMENT OF ANIMALS PROGRESSION OF ANIMALS Introduction ...... 43 Text and Translation .... 440 Index to Parts of Animals . 543 Index to Movement and Progression of Animals. ...... 552 From quotations which I had seen, I had a high notion of Aristotle's merits, but I had not the most remote notion what a wonderful man he was. Linnaeus and Cuvier have been my two gods, though in very diiferent ways, but they were mere schoolboys to old Aristotle. Charles Darwin to William Ogle, on the publication of his translation of The Parts of Ani- mals, 1882.