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Resistance Álvaro Siza Amanda Levete Bijoy Jain Carrilho Da Graça Elemental Mia Hägg Paulo David Souto De Moura Stud

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Resistance Álvaro Siza Amanda Levete Bijoy Jain Carrilho Da Graça Elemental Mia Hägg Paulo David Souto De Moura Stud Primeira Pedra First Stone RESISTANCE ÁLVARO SIZA AMANDA LEVETE BIJOY JAIN CARRILHO DA GRAÇA ELEMENTAL MIA HÄGG PAULO DAVID SOUTO DE MOURA STUDIO MK27 VLADIMIR DJUROVIC Curated by Guta Moura Guedes www.primeirapedra.com Vitra Campus Opens 13 June 2017 Mon—Sun 10am—6pm FIRST STONE RESISTANCE COFINANCED BY First Stone (Primeira Pedra) is an international experimental Stone belongs to the matrix of materials that have followed research programme exploring the potential of Portuguese Stone, Humanity’s development since the dawn of time. Ranging from focussing on its uses, material properties and distinctive the smallest of objects to intricate and extraordinary architectural WITH THE COLLABORATION OF characteristics. The programme draws together industry structures, stone has accompanied the ways in which we have and design through the development of new uses for this material, appropriated and redefined the world. raising awareness about its specificities and the industry it encapsulates. There are stones that can be moulded with bare hands, SUPPORT IN PARTNERSHIP At the core of this programme are various architects and product with fingers even. Others require complex technologies to be manipulated. or graphic designers, as well as other international protagonists All of them were formed millions of years ago, and are themselves within the field of cultural creation. They have been invited an example of resistance. to develop work that emphasizes this material in both its raw and processed form, as well as the places from where Ten international architects have been invited to explore WITH THE HIGH PATRONAGE OF HIS EXCELLENCY it has been extracted: the stone quarries, their socio-cultural the potential of Portuguese marble and limestone under THE PRESIDENT OF THE PORTUGUESE REPUBLIC, surroundings and their role in the landscape and the environment. a specific briefing, challenging them to take on the idea of resistance. MARCELO REBELO DE SOUSA Spanning 18 months, this programme is at the base of an international One of the main properties of the stones selected for this undertaking communication campaign that will highlight the specificities is their specific high level of mechanical resistance, which represents of Portuguese Stone, its industry and the various projects created. one of the starting points and differentiating factors of the project. First Stone has 3 main projects—RESISTANCE, STILL MOTION On the other hand, there is also the idea that expanding and COMMON SENSE—which will be internationally presented architecture’s territories of action through creativity, and adopting in Venice, Milan, Weil am Rhein, São Paulo, New York and London. new perspectives from different fields, can be a way of resisting The programme will also be complemented by a comprehensive the banality and decrease in quality that has become evident website about the theme, a documentary about the fruition in so many fronts of contemporary architecture. of the project and the creation of 2 Apps for mobile digital platforms. Both central dimensions of this on-going project call for a strong This series of projects is curated and produced by experimentadesign. emphasis on creativity and the ability to innovate and create different proposals. Either because the projects bring a new added value to society, or because they explore the material in an innovative way. Guta Moura Guedes, curator Ve nice 2016 Weil am Rhein 2017 The first phase of RESISTANCE was presented in Venice, during the 2016 Architecture Biennale. It converged the contributions of 5 international architects/studios—Amanda Levete, Álvaro Siza, Bijoy Jain, ELEMENTAL and Mia Hägg—along with a specially created digital light installation. The conceptual designs of each 5 projects were presented, along with 3 already produced pieces. RESISTANCE now presents its second phase, which continues to explore the resistance and performance of Portuguese stone. Another group of architects and new projects have been added to the previously devised pieces, as well as the use of other types of Portuguese stone with similar degrees of technical resistance, increasing the range of possibilities. These creators have taken on new research, designing and producing new projects that enrich the potential of uses for this material, adding 8 new projects to the first 3 presented in Venice. Bijoy Jain Bijoy Mia Hägg © Matt Holyoaks Marcio Kogan © Romulo FIaldini Álvaro Siza Álvaro ÁLVARO SIZA PT BIJOY JAIN IN MIA HÄGG SE STUDIO MK27 BR Studio Habiter Autrement Álvaro Siza’s career has been internationally recognized with several Bijoy Jain received his M. Arch from Washington University in St Louis, A studio founded in São Paulo by architect Marcio Kogan. prizes, including the Mies van der Rohe European Architecture USA in 1990. He worked in Los Angeles and London and returned Today it integrates 21 architects as well as several international Architect and founder of studio Habiter Autrement, she worked Award (1988), the prestigious Pritzker Prize (1992), the Royal to India in 1995 to found his practice, Studio Mumbai, which works collaborators. The architects of the team, admirers of Brazilian at Ateliers Jean Nouvel and Herzog & de Meuron, where she was Project Gold Medal from the Royal Institute of British Architects (2009), with skilled artisans, technicians and craftsmen who design and build modernism, seek to fulfill the task of rethinking and giving continuity Manager for the National Stadium of the 2008 Olympics in Beijing. the Golden Lion for Lifetime Achievement of the 13th International their work directly. This group shares an environment created from to this architectural movement. Their projects are valued In the 2008 Architecture Venice Biennale, along with Jean Nouvel Architecture Exhibition of the Venice Biennale (2012), an iterative process, where ideas are explored through the production for their formal simplicity, always working with special attention she was invited to show their urban project for Slussen in Stockholm. as well as several honoris causa doctorates from leading universities. of large-scale mock-ups, models, material studies, sketches and drawings. to detail and finishing. Since 2001 studio MK27 has won more In the context of Habiter Autrement, she built three award-winning public He has also been committed to teaching, working as a Professor www.studiomumbai.com than 200 national and international awards. Kogan is an honorary housing projects as well as a 100 metre long office building in Bordeaux. at the Porto School of Architecture since 1976, and as visiting member of the AIA, professor at Escola da Cidade, and guest professor www.habiterautrement.net Professor at several other universities. at the Politecnico di Milano. www.sizavieira.pt ‘In pursuing the relationship between the creator www.studiomk27.com.br and the created, limestone is an ideal material to ‘X is where all the forces converge in one point. ‘Estremoz marble is the best in the world’ metamorphosize formless stones into timeless gargoyles.’ The point of balance. As a tectonic principle, ‘Stone walls evoke medieval Portugal and its castles. X is the most important bracing geometry.’ They are the first human constructions, delineating Banco de Jardim, 1990 Water, 2017 territories, their occupation and symbolism.’ A chaise-long-type chair composed of two pieces with purified forms, Gargoyles are symbols that channel the current, instead of resisting X, 2016 reflecting the clarity of the stone selected—the whitest marble in Portugal. it, facilitating a transition and pushing water outward to the ground Mia Hägg presents an X-shaped piece, a bicycle rack, which has been This chair is ideal for use in public spaces, as its mechanical Muros de Luz, 2016 below where it continues its path back to its source. Like all materials, designed for everyday urban use. X presents itself as the sign resistance enables an optimal response to intensive use. It also stresses For this piece, Portuguese stone has been applied to an architectural both organic and not, these six pieces breathe, absorb and release of resistance both tectonically and symbolically, but the project the importance of architecture as a stimulus for the enjoyment element typical of Brazilian modernism: cobogó walls. other materials in order to endure beyond their own temporality. is also a political statement: encouraging a more ecological lifestyle of exterior spaces, both urban and rural. Under the effect of light, two perpendicular walls are multiplied They are a statement of this fundamental truth of nature, through the use of a sustainable form of transportation. and extended through effects created by shadow. Dimensions 770 x 590 x 565 mm, 780 x 335 x 565 mm metaphorically reflecting on the interaction between being and time. Dimensions 467 (600 flat) x 300 mm Permeable to the elements, they relate to the landscape Stone Dimensions Stone Stone in a more dynamic and direct way. Using two types of stone, Branco sem Veios Marble 1—420 x 170 x 200 mm Lioz Abancado Limestone Compression breaking load (kg/cm2) 970 Pele de Tigre Marble Ruivina Escuro Marble the thickness of the exterior of the walls reveals a second colour 2—390 x 170 x 200 mm Compression breaking load (kg/cm2) 1070 Compression breaking load (kg/cm2) 1020 Compression breaking load (kg/cm2) 930 Bending strength (kg/cm2) 208 3—440 x 190 x 200 mm Bending strength (kg/cm2) 133 and texture. Impact test minimum fall height (cm) 50 Bending strength (kg/cm2) 312 Bending strength (kg/cm2)
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