EORA Mapping Aboriginal Sydney 1770–1850 Exhibition Captions
1 A View in Port Jackson, 1789 T. Prattent after Richard Cleveley (1747–1809) Engraving (reproduction) From Arthur Phillip, The Voyage of Governor Phillip to Botany Bay, London, printed for John Stockdale, 1789 Bequest of Sir William Dixson, 1952 Q78/26, plate 4 ‘Nowey — A Canoe’ Philip Gidley King, navy lieutenant, 1790 This saltwater scene in Port Jackson shows Aboriginal men, women and children in bark canoes. Women fished with handlines and ‘crescent shaped lures’ that were ground and chipped from shells. Fires burning in the canoes were used to cook fresh fish and mussels, which they spat into the water to attract fish. The English engraver seems to have freely adapted the subject matter from naive watercolour field sketches by the unidentified ‘Port Jackson Painter’. 2 Chart of Port Jackson New South Wales Survey’d by Capt.n Iohn [sic] Hunter Second Captain of His Majesties Ship the Sirius 1788. Drawn from the original by George Raper Midn’. George Raper (1769–1797) Manuscript chart, pen and ink, watercolour ZM2 811.15/1788/1 After the first survey of Port Jackson in February 1788, George Raper, a 19-year-old midshipman and watercolour painter, copied this chart from one drawn by his commanding officer, Captain John Hunter of HMS Sirius. Freshwater sources are marked and inlets given English placenames, some of which are still familiar: Farm Cove, Camp Cove, Rose Bay and Manly Cove. Other names are no longer used, such as Garden Cove (Woolloomooloo Bay); Keltie Cove (Double Bay), named for James Keltie, sailing master of HMS Supply; and Blackburn Cove (Rushcutters Bay), after David Blackburn, sailing master of HMS Sirius.
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