EORA Mapping Aboriginal Sydney 1770–1850 Exhibition Captions
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Response to Research Design
ARCHAEOLOGICAL INVESTIGATION CONSERVATORIUM SITE MACQUARIE STREET, SYDNEY VOLUME 2 : RESPONSE TO RESEARCH DESIGN for NSW DEPARTMENT OF PUBLIC WORKS & SERVICES JULY 2002 CASEY & LOWE Pty Ltd Archaeology & Heritage _________________________________________________________________ 420 Marrickville Road, Marrickville NSW 2204 Tel: (02) 9568 5375 • Fax: (02) 9572 8409 • E-mail: [email protected] 1 Chapter 11: Research Design 11.0 Research Design The Meaning of the Archaeological Evidence The detailed interpretation of the archaeological evidence is found in the following chapters 12 to 16. This is where the research significance of the archaeology is explored and revealed, giving its meaning within a theoretical and social context. The main research questions that the archaeological evidence allows us to address are:1 1. Pre-European environment (Chapter 12) Evidence pertaining to the topography, geomorphology, vegetation etc. of this site prior to colonisation may contribute to research in the environmental history of the Sydney region, Aboriginal land management practices, historical ecology etc. 2. Remaking the landscape (Chapter 13) The Conservatorium site is located within one of the most significant historic and symbolic landscapes created by European settlers in Australia. The area is located between the sites of the original and replacement Government Houses, on a prominent ridge. While the utility of this ridge was first exploited by a group of windmills, utilitarian purposes soon became secondary to the Macquaries’ grandiose vision for Sydney and the Governor’s Domain in particular. The later creations of the Botanic Gardens, The Garden Palace and the Conservatorium itself, re-used, re-interpreted and created new vistas, paths and plantings to reflect the growing urban and economic importance of Sydney within the context of the British empire. -
07 July 1980, No 3
AUSTRALIANA SOCIETY NEWSLETTER 1980/3 July 1980 •• • • • •• • •••: •.:• THE AUSTRALIANA SOCIETY NEWSLETTER ISSN 0156.8019 The Australiana Society P.O. Box A 378 Sydney South NSW 2000 1980/3, July 1980 SOCIETY INFORMATION p. k NOTES AND NEWS P-5 EXHIBITIONS P.7 ARTICLES - John Wade: James Cunningham, Sydney Woodcarver p.10 James Broadbent: The Mint and Hyde Park Barracks P.15 Kevin Fahy: Who was Australia's First Silversmith p.20 Ian Rumsey: A Guide to the Later Works of William Kerr and J. M. Wendt p.22 John Wade: Birds in a Basket p.24 NEW BOOKS P.25 LIST OF ILLUSTRATIONS p.14 OUR CONTRIBUTORS p.28 MEMBERSHIP FORM P.30 Registered for posting as a publication - category B Copyright C 1980 The Australiana Society. All material written or illustrative, credited to an author, is copyright. pfwdaction - aJLbmvt Kzmkaw (02) 816 U46 it Society information NEXT MEETING The next meeting of the Society will be at the Kirribilli Neighbourhood Centre, 16 Fitzroy Street, Kirribilli, at 7-30 pm on Thursday, 7th August, 1980. This will be the Annual General Meeting of the Society when all positions will be declared vacant and new office bearers elected. The positions are President, two Vice-Presidents, Secretary, Treasurer, Editor, and two Committee Members. Nominations will be accepted on the night. The Annual General Meeting will be followed by an AUCTION SALE. All vendors are asked to get there early to ensure that items can be catalogued and be available for inspection by all present. Refreshments will be available at a moderate cost. -
Harbour Bridge to South Head and Clovelly
To NEWCASTLE BARRENJOEY A Harbour and Coastal Walk Personal Care This magnificent walk follows the south-east shoreline of Sydney Harbour The walk requires average fitness. Take care as it includes a variety of before turning southwards along ocean beaches and cliffs. It is part of one pathway conditions and terrain including hills and steps. Use sunscreen, of the great urban coast walks of the world, connecting Broken Bay in carry water and wear a hat and good walking shoes. Please observe official SYDNEY HARBOUR Sydney's north to Port Hacking to its south (see Trunk Route diagram), safety and track signs at all times. traversing the rugged headlands and sweeping beaches, bush, lagoons, bays, and harbours of coastal Sydney. Public Transport The walk covered in this map begins at the Circular Quay connection with Public transport is readily available at regular points along the way Harbour Bridge the Harbour Circle Walk and runs to just past coastal Bronte where it joins (see map). This allows considerable flexibility in entering and exiting the Approximate Walking Times in Hours and Minutes another of the series of maps covering this great coastal and harbour route. routes. Note - not all services operate every day. to South Head e.g. 1 hour 45 minutes = 1hr 45 The main 29 km Harbour Bridge (B3) to South Head (H1) and to Clovelly Bus, train and ferry timetables. G8) walk (marked in red on the map) is mostly easy but fascinating walk- Infoline Tel: 131-500 www.131500.com.au 0 8 ing. Cutting a 7km diagonal across the route between Rushcutters Bay (C5) and Clovelly kilometres and Clovelly, is part of the Federation Track (also marked in red) which, in Short Walks using Public Transport Brochure 1 To Manly NARRABEEN full, runs from Queensland to South Australia. -
Lenten Program 2021
The Community of the Church of Broken Bay 1 Diocese of Broken Bay - Lenten Program 2021 Reflecting Together on Bishop Anthony’s Pastoral Letter “Jesus Christ, our Beginning and End” Jesus Christ, the Alpha and the Omega 2 Reflecting Together on Bishop Anthony’s Pastoral Letter The Community of the Church of Broken Bay 3 Jesus Christ, the Alpha and the Omega Diocese of Broken Bay - Lenten Program 2021 Jesus Christ, the Alpha and the Omega 4 Letten Program 2021 © 2021 Catholic Diocese of Broken Bay, Australia Reflecting TogetherTogether on on Bishop Bishop Anthony’s Anthony’swww.bbcatholic.org.au Pastoral Pastoral Letter Letter The Community of the Church of Broken Bay 5 Introduction - Bishop Anthony fter one year as your Bishop, it was a joy for me to be able to offer you my Pastoral Letter in November 2020, which presented the fruit of my A prayer and contemplation on the priorities that I would like us to embrace as the community of the Diocese of Broken Bay. Thank you for receiving these with an open heart, and in a particular way, thank you for gathering during this Lenten season to reflect further and consider how these priorities can be more intentionally lived in our own lives and within our communities. The beginning and the end of our contemplation is the person of Jesus Christ; our constant during change. Empowered and united by the Holy Spirit in our common faith, we are each called to continue to grow in holiness and be formed as disciples, discovering our own vocation arising from our baptism, and living an authentic Christian life that places justice and mercy at the heart. -
Parramatta's Archaeological Landscape
Parramatta’s archaeological landscape Mary Casey Settlement at Parramatta, the third British settlement in Australia after Sydney Cove and Norfolk Island, began with the remaking of the landscape from an Aboriginal place, to a military redoubt and agricultural settlement, and then a township. There has been limited analysis of the development of Parramatta’s landscape from an archaeological perspective and while there have been numerous excavations there has been little exploration of these sites within the context of this evolving landscape. This analysis is important as the beginnings and changes to Parramatta are complex. The layering of the archaeology presents a confusion of possible interpretations which need a firmer historical and landscape framework through which to interpret the findings of individual archaeological sites. It involves a review of the whole range of maps, plans and images, some previously unpublished and unanalysed, within the context of the remaking of Parramatta and its archaeological landscape. The maps and images are explored through the lense of government administration and its intentions and the need to grow crops successfully to sustain the purposes of British Imperialism in the Colony of New South Wales, with its associated needs for successful agriculture, convict accommodation and the eventual development of a free settlement occupied by emancipated convicts and settlers. Parramatta’s river terraces were covered by woodlands dominated by eucalypts, in particular grey box (Eucalyptus moluccana) and forest -
Re-Awakening Languages: Theory and Practice in the Revitalisation Of
RE-AWAKENING LANGUAGES Theory and practice in the revitalisation of Australia’s Indigenous languages Edited by John Hobson, Kevin Lowe, Susan Poetsch and Michael Walsh Copyright Published 2010 by Sydney University Press SYDNEY UNIVERSITY PRESS University of Sydney Library sydney.edu.au/sup © John Hobson, Kevin Lowe, Susan Poetsch & Michael Walsh 2010 © Individual contributors 2010 © Sydney University Press 2010 Reproduction and Communication for other purposes Except as permitted under the Act, no part of this edition may be reproduced, stored in a retrieval system, or communicated in any form or by any means without prior written permission. All requests for reproduction or communication should be made to Sydney University Press at the address below: Sydney University Press Fisher Library F03 University of Sydney NSW 2006 AUSTRALIA Email: [email protected] Readers are advised that protocols can exist in Indigenous Australian communities against speaking names and displaying images of the deceased. Please check with local Indigenous Elders before using this publication in their communities. National Library of Australia Cataloguing-in-Publication entry Title: Re-awakening languages: theory and practice in the revitalisation of Australia’s Indigenous languages / edited by John Hobson … [et al.] ISBN: 9781920899554 (pbk.) Notes: Includes bibliographical references and index. Subjects: Aboriginal Australians--Languages--Revival. Australian languages--Social aspects. Language obsolescence--Australia. Language revival--Australia. iv Copyright Language planning--Australia. Other Authors/Contributors: Hobson, John Robert, 1958- Lowe, Kevin Connolly, 1952- Poetsch, Susan Patricia, 1966- Walsh, Michael James, 1948- Dewey Number: 499.15 Cover image: ‘Wiradjuri Water Symbols 1’, drawing by Lynette Riley. Water symbols represent a foundation requirement for all to be sustainable in their environment. -
EORA Mapping Aboriginal Sydney 1770–1850 Exhibition Guide
Sponsored by It is customary for some Indigenous communities not to mention names or reproduce images associated with the recently deceased. Members of these communities are respectfully advised that a number of people mentioned in writing or depicted in images in the following pages have passed away. Users are warned that there may be words and descriptions that might be culturally sensitive and not normally used in certain public or community contexts. In some circumstances, terms and annotations of the period in which a text was written may be considered Many treasures from the State Library’s inappropriate today. Indigenous collections are now online for the first time at <www.atmitchell.com>. A note on the text The spelling of Aboriginal words in historical Made possible through a partnership with documents is inconsistent, depending on how they were heard, interpreted and recorded by Europeans. Original spelling has been retained in quoted texts, while names and placenames have been standardised, based on the most common contemporary usage. State Library of New South Wales Macquarie Street Sydney NSW 2000 Telephone (02) 9273 1414 Facsimile (02) 9273 1255 TTY (02) 9273 1541 Email [email protected] www.sl.nsw.gov.au www.atmitchell.com Exhibition opening hours: 9 am to 5 pm weekdays, 11 am to 5 pm weekends Eora: Mapping Aboriginal Sydney 1770–1850 was presented at the State Library of New South Wales from 5 June to 13 August 2006. Curators: Keith Vincent Smith, Anthony (Ace) Bourke and, in the conceptual stages, by the late Michael -
Musters of NSW & Norfolk Island 1805-1806
BDA Source Description Pages http://www.bda-online.org.au Musters of New South Wales and Norfolk Island 1805-1806 Edited by Carol J Baxter, Pub. by Australian Biographical and Genealogical Record, Sydney 1989. The following has been copied from the published volume, and whilst some of it is not relevant in terms of viewing the Database, it does give the reader a complete view of the data collected, the original records from which it came and other useful and interesting information. Some Appendix tables have not been reproduced here but can be viewed in a copy of the volume in major libraries. Contents Preface to the Published Volume Historical Background - General Musters - Land and Stock Musters - Marsden’s Female Muster 1806 - Norfolk Island Muster Method of Collection - General Muster and Land & Stock Muster 1806 - Marsden’s Female Muster 1806 - Norfolk Island Muster 1805 Statistics - Norfolk Island Muster 1805 - NSW General Muster 1806 - Land & Stock Muster 1806 - Marsden’s Female Muster 1806 Inconsistencies and Difficulties Research Value Unusual and Interesting Entries Explanatory Note - Editing parameters - Method of checking Abbreviations page 1 http://www.bda-online.org.au/files/MC1805_Muster.pdf BDA Source Description Pages http://www.bda-online.org.au Bibliography General Muster of NSW 1806 Land and Stock Muster NSW 1806 Marsden’s Female Muster 1806 Norfolk Island Muster 1805 Occupations - NSW 1806 - Norfolk Island 1805 One of Five Women by Bob Pauling Colonial Born Preface to the published volume The year 1806 saw the end of an era in New South Wales, with the departure of the third governor, Philip Gidley King, who had governed the colony of New South Wales from 1800 to 1806. -
Media Release
MEDIA RELEASE FOUNDATION DAY AND INTERESTING ITEMS FROM THE COLLECTION This week we celebrated the 231st anniversary of the landing of Lt Philip Gidley King and his party of 22 brave souls (seven freemen and 15 convicts) on Norfolk Island, establishing the first British settlement on the island in March 1788. Notwithstanding that Norfolk Island had been previously settled by Polynesians several centuries prior, Captain James Cook discovered Norfolk Island for the British in 1774. He was entranced by both the beauty of the island and the pine and flax, which showed promise for a lucrative industry for ship building. His reports to the British High Command provided solutions to the many social and economic problems faced by Britain at the time, which included overcrowding of jails; the inability to send convicts to America after the end of the War of Independence; and trade blocks on ship-building materials, such as masts, sails and ropes, which had been put in place by Russia. The British government was also aware of the strong French presence in the South Pacific, which was of great concern, and required a strong naval presence to support British interests in the region. A fleet of 11 ships left Portsmouth, England on 13 May 1787 with the mission to establish colonies in New Holland (now Australia) and Norfolk Island. They carried convicts, marines, seamen, civil officers and free settlers, and took just over eight months to complete their journey, arriving at Port Jackson on 26 January 1788. Philip Gidley King had been selected by Captain Arthur Phillip, Commander of the First Fleet, as his second-in-command for the voyage, and upon landing in Port Jackson was nominated ‘as an officer of merit … whose perseverance may be depended upon’ to establish a subordinate settlement on Norfolk Island. -
Secret Selves: Representations of 'First Contact' and Australian
Secret Selves: Representations of ‘First Contact’ and Australian Cultural Narratives in Early Colonial Texts. Joanna Gardiner Joanna Gardiner is Head of English at Somerville House. between imagination and history, can be. Anouk Lang applies Linda Hutcheon’s concept of historical metafiction to describe Her paper formed part of her recent seminar presentation the discomfiting but powerful way in which readers of ‘The at the 2015 AATE/ALEA Conference in Canberra. Secret River’ are ‘lured into a world of imagination, only to His grief, however, soon diminished: he accepted and eat be confronted with the world of history’ (Hutcheon in Lang, of some broiled fish which was given to him, and sullenly 8). We found that the documentary texts we studied lured us submitted to his destiny… with ‘fact’ and observed ‘truth’, only to unsettle us with richly Watkin Tench, ‘The Indians’, 1789 allusive and figurative writing, complicating their classification as ‘historical’ accounts. The novel prompts us to question A 29 year-old officer of the marine corps, Watkin Tench what constitutes an authentic source of history; what to do embarked on a three-year tour of duty to New South Wales with troublingly different versions of historical truth; and how ‘for the protection of the settlement intended to be made there’ to distill truth from entrenched cultural myths about European (Tench, 1789). Recruited by a canny London publisher, prior settlement and national origin. to the departure of the First Fleet, to ‘satisfy present curiosity’ (Tench, 1789) about terra australis incognita, Tench produced Grenville’s narrative uncovers the ‘secret selves’ or identities two virtuosic accounts of the voyage to Botany Bay and life in beyond those of ‘white man’ and ‘native’ represented by Port Jackson. -
A Study Guide by Robert Lewis
EPISODE 1 A STUDY GUIDE BY ROBERT LEWIS http://www.metromagazine.com.au http://www.theeducationshop.com.au OVERVIEW OF THE SERIES First Australians chronicles the birth of contemporary Australia as never told before, from the perspective of its first people. First Australians explores what unfolds when the oldest living culture in the world is overrun by the world’s greatest empire. Over seven episodes, First Australians depicts the true stories of individuals – both black and white – caught in an epic drama of friendship, revenge, loss and victory in Australia’s most transformative period of history. The story begins in 1788 in Sydney, with the friendship between an Englishmen (Governor Phillip) and a warrior (Bennelong) and ends in 1993 with Koiki Mabo’s legal challenge to the foundation of Australia. First Australians chronicles the collision of two worlds and the genesis of a new nation. © ATOM 2008 | SCREEN EDUCATION 2 The seven episodes in the series cover key events, people and places throughout all Australia: Episode 1: ‘They Have Come To Stay’ Sydney and New South Wales (1788– 1824) The first Australians and the British, the most powerful Empire in history, come face to face in Sydney on 26 January 1788. Their differences are immense but the homicidal police officer Constable Episode 7: ‘We are No Longer apprehension quickly turns to curiosity. Willshire, brings mayhem to the Shadows’ Queensland and the Torres Friendships form, some between Arrernte nation in Central Australia. Strait Islands (1967–1993) powerful men such as Governor Arthur With the authorities turning a blind eye, Phillip and the Aboriginal Bennelong. -
Developing the West Head of Sydney Cove
GUNS, MAPS, RATS AND SHIPS Developing the West Head of Sydney Cove Davina Jackson PhD Travellers Club, Geographical Society of NSW 9 September 2018 Eora coastal culture depicted by First Fleet artists. Top: Paintings by the Port Jackson Painter (perhaps Thomas Watling). Bottom: Paintings by Philip Gidley King c1790. Watercolour map of the First Fleet settlement around Sydney Cove, sketched by convict artist Francis Fowkes, 1788 (SLNSW). William Bradley’s map of Sydney Cove, 1788 (SLNSW). ‘Sydney Cove Port Jackson 1788’, watercolour by William Bradley (SLNSW). Sketch of Sydney Cove drawn by Lt. William Dawes (top) using water depth soundings by Capt. John Hunter, 1788. Left: Sketches of Sydney’s first observatory, from William Dawes’s notebooks at Cambridge University Library. Right: Retrospective sketch of the cottage, drawn by Rod Bashford for Robert J. McAfee’s book, Dawes’s Meteorological Journal, 1981. Sydney Cove looking south from Dawes Point, painted by Thomas Watling, published 1794-96 (SLNSW). Looking west across Sydney Cove, engraving by James Heath, 1798. Charles Alexandre Lesueur’s ‘Plan de la ville de Sydney’, and ‘Plan de Port Jackson’, 1802. ‘View of a part of Sydney’, two sketches by Charles Alexandre Lesueur, 1802. Sydney from the north shore (detail), painting by Joseph Lycett, 1817. ‘A view of the cove and part of Sydney, New South Wales, taken from Dawe’s Battery’, sketch by James Wallis, engraving by Walter Preston 1817-18 (SLM). ‘A view of the cove and part of Sydney’ (from Dawes Battery), attributed to Joseph Lycett, 1819-20. Watercolour sketch looking west from Farm Cove (Woolloomooloo) to Fort Macquarie (Opera House site) and Fort Phillip, early 1820s.