Bennelong Among His People
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Arthur Phillip Esq Working Version
We thank the State Library of New South Wales Bricks from Arthur for permission to use the following images Phillip's Lyndhurst used in this leaflet. home are used in a Front Page: Capt. Arthur Phillip RN memorial wall and Francis Wheatley, 1786 ML 124 for the base of his Page 3: Founding of Australia. bronze bust in Algernon Talmage RA 1937. Sydney. ML 1222 His achievements are recorded there Portsmouth as a ‘Feat without parallel in history Canary Islands at that time.’ Cape Verde Islands Rio De Janeiro Cape Town Sydney The Route of the First Fleet May 1787 - January 1788 Capt. Arthur Phillip RN © 2014 Lyndhurst Parish Council Designed and Printed by TLC-Online Southampton: 023 8024 3044 Captains Arthur Phillip and James Cook are both him overcome the many challenges he faced. Captain Arthur Phillip RN celebrated in Australia as national heroes. The grape vines Phillip bought when restocking Australia Day on 26th January marks the at Cape Town began the Australian wine (1738 –1814) anniversary of Captain Phillip’s arrival in Sydney industry. Cove in 1788. Other local connections are with Richard Arthur Phillip, First Governor of New South Johnson, a Boldre curate, who also sailed with Wales and founder of Sydney, lived in Lyndhurst the First Fleet, and George Rose, owner of after his marriage to Margaret Denison, a rich Cuffnells Park in Lyndhurst. Rose Hill (now widow, in 1763. Arthur Phillip was an Overseer Parramatta) was named as a tribute to George of the Poor from 1766 to 1768. Rose, Senior Secretary to the Treasury and later Treasurer of the Navy. -
The Historical Archaeology of the First Government House Site, Sydney
The Historical Archaeology of the First Government House site, Sydney Further Research PENNY CROOK AND TIM MURRAY Volume 11 of the Archaeology of the Modern City Series A HISTORIC HOUSES TRUST OF NEW SOUTH WALES PUBLICATION Published by the Historic Houses Trust of New South Wales The Mint, 10 Macquarie Street, Sydney NSW 2000, Australia www.hht.net.au Published in Sydney 2006 © Archaeology of the Modern City Project Partners, 2006 ISBN 1 876991 14 3 The views expressed in this book may not be representative of the Historic Houses Trust of New South Wales or the other project partners and remain the responsibility of the authors. The Archaeology of the Modern City project incorporates two research ventures: ‘Exploring the Archaeology of the Modern City: Sydney 1788–1900’ and ‘Managing the Archaeology of Central Sydney and Melbourne 1788–1900’. Both projects are funded by the Australian Research Council Linkage Scheme and conducted by Project Partners: La Trobe University, the Historic Houses Trust of New South Wales, Godden Mackay Logan Pty Ltd, the Sydney Harbour Foreshore Authority, the NSW Heritage Office, Heritage Victoria and the City of Sydney. C ONTENTS Synopsis.......................................................................................................................................... 7 Introduction................................................................................................................................... 9 Acknowledgements..........................................................................................................................................................9 -
A History of the Lairds of Grant and Earls of Seafield
t5^ %• THE RULERS OF STRATHSPEY GAROWNE, COUNTESS OF SEAFIELD. THE RULERS OF STRATHSPEY A HISTORY OF THE LAIRDS OF GRANT AND EARLS OF SEAFIELD BY THE EARL OF CASSILLIS " seasamh gu damgean" Fnbemess THB NORTHERN COUNTIES NEWSPAPER AND PRINTING AND PUBLISHING COMPANY, LIMITED 1911 M csm nil TO CAROLINE, COUNTESS OF SEAFIELD, WHO HAS SO LONG AND SO ABLY RULED STRATHSPEY, AND WHO HAS SYMPATHISED SO MUCH IN THE PRODUCTION OP THIS HISTORY, THIS BOOK IS AFFECTIONATELY DEDICATED BY THE AUTHOR. PREFACE The material for " The Rulers of Strathspey" was originally collected by the Author for the article on Ogilvie-Grant, Earl of Seafield, in The Scots Peerage, edited by Sir James Balfour Paul, Lord Lyon King of Arms. A great deal of the information collected had to be omitted OAving to lack of space. It was thought desirable to publish it in book form, especially as the need of a Genealogical History of the Clan Grant had long been felt. It is true that a most valuable work, " The Chiefs of Grant," by Sir William Fraser, LL.D., was privately printed in 1883, on too large a scale, however, to be readily accessible. The impression, moreover, was limited to 150 copies. This book is therefore published at a moderate price, so that it may be within reach of all the members of the Clan Grant, and of all who are interested in the records of a race which has left its mark on Scottish history and the history of the Highlands. The Chiefs of the Clan, the Lairds of Grant, who succeeded to the Earldom of Seafield and to the extensive lands of the Ogilvies, Earls of Findlater and Seafield, form the main subject of this work. -
EORA Mapping Aboriginal Sydney 1770–1850 Exhibition Guide
Sponsored by It is customary for some Indigenous communities not to mention names or reproduce images associated with the recently deceased. Members of these communities are respectfully advised that a number of people mentioned in writing or depicted in images in the following pages have passed away. Users are warned that there may be words and descriptions that might be culturally sensitive and not normally used in certain public or community contexts. In some circumstances, terms and annotations of the period in which a text was written may be considered Many treasures from the State Library’s inappropriate today. Indigenous collections are now online for the first time at <www.atmitchell.com>. A note on the text The spelling of Aboriginal words in historical Made possible through a partnership with documents is inconsistent, depending on how they were heard, interpreted and recorded by Europeans. Original spelling has been retained in quoted texts, while names and placenames have been standardised, based on the most common contemporary usage. State Library of New South Wales Macquarie Street Sydney NSW 2000 Telephone (02) 9273 1414 Facsimile (02) 9273 1255 TTY (02) 9273 1541 Email [email protected] www.sl.nsw.gov.au www.atmitchell.com Exhibition opening hours: 9 am to 5 pm weekdays, 11 am to 5 pm weekends Eora: Mapping Aboriginal Sydney 1770–1850 was presented at the State Library of New South Wales from 5 June to 13 August 2006. Curators: Keith Vincent Smith, Anthony (Ace) Bourke and, in the conceptual stages, by the late Michael -
History of New South Wales from the Records
This is a digital copy of a book that was preserved for generations on library shelves before it was carefully scanned by Google as part of a project to make the world's books discoverable online. It has survived long enough for the copyright to expire and the book to enter the public domain. A public domain book is one that was never subject to copyright or whose legal copyright term has expired. Whether a book is in the public domain may vary country to country. Public domain books are our gateways to the past, representing a wealth of history, culture and knowledge that's often difficult to discover. Marks, notations and other marginalia present in the original volume will appear in this file - a reminder of this book's long journey from the publisher to a library and finally to you. Usage guidelines Google is proud to partner with libraries to digitize public domain materials and make them widely accessible. Public domain books belong to the public and we are merely their custodians. Nevertheless, this work is expensive, so in order to keep providing this resource, we have taken steps to prevent abuse by commercial parties, including placing technical restrictions on automated querying. We also ask that you: + Make non-commercial use of the files We designed Google Book Search for use by individuals, and we request that you use these files for personal, non-commercial purposes. + Refrain from automated querying Do not send automated queries of any sort to Google's system: If you are conducting research on machine translation, optical character recognition or other areas where access to a large amount of text is helpful, please contact us. -
The Concert in the Australian Bush Was Already Going Strong When
Three Days in While the acoustics of the bush may not be as fine-tuned as those of the Sydney Opera House, the outdoor chorus played up the interconnectivity of SYDNEY music and nature much like a performance of John Cage’s 1972 composition, ‘Bird Cage’. The avant- The concert in the Australian bush was garde composer pioneered indeterminacy in music already going strong when we arrived. and described the need for a space in which “people are free to move and birds to fly.” Easy to do when By Monica Frim there’s not a bad seat in the bush. All you have to do Visitors aboard the Photography by John and Monica Frim Skyway thrill to is show up. 360-degree views of Enter Blue Mountains Tours, a family–owned the Jamison Valley Magpies warbled and trilled, mynah birds whistled and wailed, white crested as they glide toward cockatoos screeched out a raucous chorus from their various perches—picnic tables, company headed by Graham Chapman that picks up Scenic World in the day-trippers from their hotels in Sydney and takes Blue Mountains of eucalyptus trees and even the patchy grass at our feet. Kookaburras joined in New South Wales. them on small-group tours to the Blue Mountains. with their laughter, while we, a motley troop of wayfarers from various parts of Only 40 miles west of Australia’s capital city, the world, tucked into an Aussie bush breakfast of fried eggs and ham in a bun. Blue Mountains National Park is part of the Blue Nature’s open air concert hall permitted food but it came with peril: thieving birds Graham Chapman of Blue Mountains Tours, poses with that brazenly swooped and swiped at the provisions in our hands, the sounds of a kangaroo in the background during a bush walk in the Blue Mountains. -
VAN DIEMEN's LAND COMPANY Records, 1824-1930 Reels M337
AUSTRALIAN JOINT COPYING PROJECT VAN DIEMEN’S LAND COMPANY Records, 1824-1930 Reels M337-64, M585-89 Van Diemen’s Land Company 35 Copthall Avenue London EC2 National Library of Australia State Library of New South Wales Filmed: 1960-61, 1964 CONTENTS Page 3 Historical note M337-64 4 Minutes of Court of Directors, 1824-1904 4 Outward letter books, 1825-1902 6 Inward letters and despatches, 1833-99 9 Letter books (Van Diemen’s Land), 1826-48 11 Miscellaneous papers, 1825-1915 14 Maps, plan and drawings, 1827-32 14 Annual reports, 1854-1922 M585-89 15 Legal documents, 1825-77 15 Accounts, 1833-55 16 Tasmanian letter books, 1848-59 17 Conveyances, 1851-1930 18 Miscellaneous papers 18 Index to despatches 2 HISTORICAL NOTE In 1824 a group of woollen mill owners, wool merchants, bankers and investors met in London to consider establishing a land company in Van Diemen’s Land similar to the Australian Agricultural Company in New South Wales. Encouraged by the support of William Sorell, the former Lieutenant- Governor, and Edward Curr, who had recently returned from the colony, they formed the Van Diemen’s Land Company and applied to Lord Bathurst for a grant of 500,000 acres. Bathurst agreed to a grant of 250,000 acres. The Van Diemen’s Land Company received a royal charter in 1825 giving it the right to cultivate land, build roads and bridges, lend money to colonists, execute public works, and build and buy houses, wharves and other buildings. Curr was appointed the chief agent of the Company in Van Diemen’s Land. -
Secret Selves: Representations of 'First Contact' and Australian
Secret Selves: Representations of ‘First Contact’ and Australian Cultural Narratives in Early Colonial Texts. Joanna Gardiner Joanna Gardiner is Head of English at Somerville House. between imagination and history, can be. Anouk Lang applies Linda Hutcheon’s concept of historical metafiction to describe Her paper formed part of her recent seminar presentation the discomfiting but powerful way in which readers of ‘The at the 2015 AATE/ALEA Conference in Canberra. Secret River’ are ‘lured into a world of imagination, only to His grief, however, soon diminished: he accepted and eat be confronted with the world of history’ (Hutcheon in Lang, of some broiled fish which was given to him, and sullenly 8). We found that the documentary texts we studied lured us submitted to his destiny… with ‘fact’ and observed ‘truth’, only to unsettle us with richly Watkin Tench, ‘The Indians’, 1789 allusive and figurative writing, complicating their classification as ‘historical’ accounts. The novel prompts us to question A 29 year-old officer of the marine corps, Watkin Tench what constitutes an authentic source of history; what to do embarked on a three-year tour of duty to New South Wales with troublingly different versions of historical truth; and how ‘for the protection of the settlement intended to be made there’ to distill truth from entrenched cultural myths about European (Tench, 1789). Recruited by a canny London publisher, prior settlement and national origin. to the departure of the First Fleet, to ‘satisfy present curiosity’ (Tench, 1789) about terra australis incognita, Tench produced Grenville’s narrative uncovers the ‘secret selves’ or identities two virtuosic accounts of the voyage to Botany Bay and life in beyond those of ‘white man’ and ‘native’ represented by Port Jackson. -
Bays West Draft Place Strategy
Draft Bays West Place Strategy NSW Department of Planning, Industry and Environment March 2021 Welcome to Country The stretch of Country now known as Bays West Welcome to Country provided by Shannon Foster, has been known for millennia as Gari Gurad/ D'harawal Sydney Traditional Owner and Knowledge Nura (Saltwater Country) and Nattai Gurad/ Keeper. Artwork titled 'Guriwal Dreaming' by Shannon Nura (Freshwater Country). This Country is Foster. celebrated for vast expanses of garaban (rock Within the Bays West Place Strategy, you will and sandstone) which in some places provides encounter stories of the Bays West location gibbaragunya (stone/cave shelters), and in other specifically. These are a small selection of the places creates yiningmah (steep cliffs) where D'harawal stories of this place. They are shared by a ceremony can be performed privately without contributor to this document, D'harawal Knowledge uninitiated onlookers. Keeper Shannon Foster, whose Ancestors kept these knowledges alive, and whose Elders and Knowledge For thousands of generations, local Aboriginal Keepers still celebrate, live by and share them today. people have lived an abundant and sustainable lifestyle within a complex kinship system of The cultural Intellectual Property (IP) of all Aboriginal numerous families and clans on this Country peoples, including the cultural IP of these stories, including the D’harawal, Dharug, Eora, Gai- remains with the people they belong to and can never maragal, Gundangara and Guringai peoples, be vested or assigned. In this case the stories belong among others. We pay our respects to their to the D'harawal people of the Sydney region who Ancestors and Elders past, present and know themselves as Iyora here, and these stories emerging and acknowledge that through may not be duplicated or used without the express honouring Country, we also honour their timeless permission of Sydney D'harawal Elders or Knowledge connections to Country. -
SYDNEY OPERA HOUSE TM Sydney, New South Wales, Australia
SYDNEY OPERA HOUSE TM Sydney, New South Wales, Australia Booklet available in English on Heft in deutscher Sprache erhältlich auf Livret disponible en français sur Folleto disponible en español en Folheto disponível em português em A füzet magyarul ezen a honlapon olvasható: Architecture.LEGO.com www.sydneyoperahouse.com 21012_BI.indd 1 13/10/2011 12:08 PM SYDNEy OpERa HOUSE™ Sydney Opera House is a masterpiece of late The massive concrete sculptural shells that form modern architecture and an iconic building of the 20th the roof of Sydney Opera House appear like billowing century. It is admired internationally and proudly treasured sails filled by the sea winds with the sunlight and cloud by the people of Australia. It was created by a young shadows playing across their shining white surfaces. Danish architect, Jørn Utzon (1918-2008), who understood Utzon envisaged it as being like to a Gothic cathedral the potential provided by the site against the stunning that people would never tire of and never be finished with. backdrop of Sydney Harbour. Today Sydney Opera House does not operate solely as a venue for opera or symphony, but also hosts a wide range of performing arts and community activities. These include classical and contemporary music, ballet, opera, theatre, dance, cabaret, talks and large scale public programs. Since its opening in 1973 over 45 million people have attended more than 100 000 performances, and it is estimated that well over 100 million people have visited the site. It is one of Australia's most visited tourist attractions, being the most internationally recognized symbol of the nation. -
A Study Guide by Robert Lewis
EPISODE 1 A STUDY GUIDE BY ROBERT LEWIS http://www.metromagazine.com.au http://www.theeducationshop.com.au OVERVIEW OF THE SERIES First Australians chronicles the birth of contemporary Australia as never told before, from the perspective of its first people. First Australians explores what unfolds when the oldest living culture in the world is overrun by the world’s greatest empire. Over seven episodes, First Australians depicts the true stories of individuals – both black and white – caught in an epic drama of friendship, revenge, loss and victory in Australia’s most transformative period of history. The story begins in 1788 in Sydney, with the friendship between an Englishmen (Governor Phillip) and a warrior (Bennelong) and ends in 1993 with Koiki Mabo’s legal challenge to the foundation of Australia. First Australians chronicles the collision of two worlds and the genesis of a new nation. © ATOM 2008 | SCREEN EDUCATION 2 The seven episodes in the series cover key events, people and places throughout all Australia: Episode 1: ‘They Have Come To Stay’ Sydney and New South Wales (1788– 1824) The first Australians and the British, the most powerful Empire in history, come face to face in Sydney on 26 January 1788. Their differences are immense but the homicidal police officer Constable Episode 7: ‘We are No Longer apprehension quickly turns to curiosity. Willshire, brings mayhem to the Shadows’ Queensland and the Torres Friendships form, some between Arrernte nation in Central Australia. Strait Islands (1967–1993) powerful men such as Governor Arthur With the authorities turning a blind eye, Phillip and the Aboriginal Bennelong. -
7 a Short Geological and Environmental History of the Sydney
View metadata,citationandsimilarpapersatcore.ac.uk effect on floods and droughts in Australia', Climatic change, vol. 25, pp. 289–317. 7 Wilby R L, 2005. 'Uncertainty in water resource model parameters used for climate change impact assessment', Hydrological Processes, vol. 19, pp. 3201–3219. Young P, 2003. 'Top-down and data-based mechanistic modelling of rainfall-flow dynamics at the catchment scale', Hydrological Processes, A short geological and environmental history vol. 17, pp. 2195–2217. of the Sydney estuary, Australia Young W, Brandis K & Kingsford R, 2006. 'Modelling monthly streamflows in two Australian dryland rivers: matching model complexity to spatial scale and data availability', Journal of Hydrology, Gavin Birch vol. 331, pp. 242–256. Zhang L, Dawes W R & Walker G R, 2001. 'Response of mean annual evapotranspiration to vegetation changes a catchment scale', Water Abstract Resources Research, vol. 37, pp. 701–708. Zhang L, Walker G R & Fleming M, 2002. 'Surface water balance for Sydney is blessed with one of the most beautiful harbours in the world. recharge estimation', CSIRO publishing, Collingwood, Victoria. However, like many large, capital ports world-wide, this environment has been exposed to relentless stress due to a rapidly increasing population density and extensive residential, commercial and industrial expansion. In this chapter, we explain why the coastal zone is such an important environment, especially for the people of Australia, and describe changes to the Sydney estuary as an example of environmental transformation due to anthropogenic pressure. The geologic development of the Sydney estuary is briefly traced, showing how the feature was eroded into the Hawkesbury Sandstone, mainly during low sea levels of the glacial periods.