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6 68 Editor’s letter collections The Pop Smash 8 artwork and photography Bodha D’Erasmo & Gilda news The Duchess of Feria 84 collections 10 V as in Vanity news photography Thomas Straub The Talented Mr. J

12 92 around the world news Moscow Art Scene Legendary Iconic

14 100 news news A Tribute to Warhol Harrods Forever

16 106 collections news At Full Blast High Jewelry Craftsmanship photography Michele Gastl photography Antonio Barrella 28 collections 110 A Very Bright Day news photography Nicola Galli Chater House illustrations Georges Greaves 114 44 news collections Tribeca Film Festival Club Dance photography Bela Borsodi 116 60 Events around the world Some Pop Words 120 illustrations Daniele Tozzi Product Summary

LIFE IN BVLGARI edited by MEMORIA PUBLISHING GROUP in collaboration with BVLGARI

EDITORIAL AND CREATIVE DIRECTION Carlo Mazzoni ART DIRECTION Giulio Vescovi/itsallgood TEXTS Cesare Cunaccia GRAPHIC DESIGN Susanna Mollica MANAGING DIRECTION Marta Mazzacano COORDINATION ON SET Carolina Fusi PRODUCER Annalaura Masciavè ILLUSTRATIONS Babeth Lafon

TRANSLATIONS Tdr Translation Company photography Michele Gastl Editor’s letter

“I think your jewelry is the ’80s. Everybody’s trying to copy this look,” said Pop icon Andy Warhol during an interview with Nicola Bulgari. In a tribute to the roaring 1980s, a period of extravagance which Bvlgari captured to perfection in jewelry, Bvlgari has just launched in Rome the irreverent and bold new Wild Pop High Jewelry collection.

With creations that were pure opulence and impeccable reflections of modern roman glamor, the 1980s marked that very moment when Bvlgari established a new language in High Jewelry that still lives on today. Larger-than-life jewels that truly exemplified the innovative and provocative spirit of the era as much as the rising and irresistible power of women. An aesthetic revolution that also involved the innovation of extraordinary jewelry making techniques: the bravado of post-industrial style Tubogas ribbed gold elements, which Bvlgari had been working into sen- sational jewels since the mid-1940s, became wildly popular in those years.

Poised between Bvlgari’s creative heritage and an ultra-contemporary feel, the Wild Pop collection pulsates with the energy of an inimitable era, heralding a new, glamorous, and totally un- expected art form and rediscovering audacity in fashion and design, the free spirit of disco music, the rebel touch of glam rock, and an exciting new world order on the horizon.

This summer the spotlight will be on more than just our new High Jewelry Collection. With a fresh statement of unconventional elegance, new jewels will expand the fun-loving spirit of the BVLGARI BVLGARI collection. BVLGARI BVLGARI is perhaps the most iconic and cov- eted luxury symbol worldwide, its contemporary style paying tribute to Imperial Roman coins featuring the ruler on their faces and his name around the edge. Contemporary and cool, from single stud earrings, to mouth-watering Gelati ice-creams, these new colorful creations are designed for women who love to create a look of their very own. Furthermore, inspired by the de- sirable yet feared nature of the viper, Bvlgari will also be introducing its new Serpenti jewels, which combine the compelling beauty of the snake’s scales with the sinuosity of its body: elegance with a hint of danger!

In the fashionable yet timeless world of Bvlgari Leather Goods, the 2018 Fall Winter Collection will soon reach our worldwide boutiques. With a combination of vibrant gemstone colors, geo- metric shapes, luxuriant leathers and touches of pop, the collection plays according to Bvlgari’s own rules. This season sees two stars: the Serpenti Diamond Blast bag, a glamorous classic reimagined with sharper, edgier shapes and contrasting textures, and the Pop Corn motif, a playful pattern that gives a pop update to Bvlgari’s most precious exotic skins.

To celebrate the never-ending bond between Bvlgari and Hollywood, in April we announced a long term partnership with the famous Tribeca Film festival. Bvlgari was named Official Jew- eler of the Festival and to mark this special occasion released two original short movies portray- ing contemporary Italian women who define their own paths and inspire others to do the same. A new chapter to celebrate female icons of our time, built on the powerful legacy of Bvlgari and cinema, and a celebration of gender diversity and women in power.

Get ready to welcome this extraordinarily creative and exciting Bvlgari-Summer season!

Jean-Christophe Babin CEO of BVLGARI GROUP

6 Life in BVLGARI Issue 14 News THE DUCHESS OF FERIA

Naty Abascal, an Andalusian socialite and model from Seville, today is a stylist and a writer. In New York, in the late sixties, she become Andy Warhol’s muse on Interview

Natividad Abascal y Romero-Toro, du- finii dritta sul set de Il dittatore dello reer in New York City. “For me,” she says, chessa di Feria, nota come Naty Aba- stato libero di Bananas di Woody Allen, “Pop is first of all Pop Art and Andy scal. Andalusa di Siviglia, socialite e nel ruolo di una guerrigliera centro-ame- Warhol, a dear friend as well as an art- modella, oggi è giornalista, stylist e ricana. Adoro i gioielli, sono affascinata ist and cultural agitprop. The two of us scrittrice. Dal 1984 è una stella fissa dal gioco dei riflessi sul metallo, dai colori would even go out on our own, in the del Best Dressed List. A New York, nel delle pietre preziose. Bvlgari è un must – late sixties. I used to hang out at the Factory and I got to know that strange, “Bvlgari reminds me of Liz Taylor and Richard Burton, ambiguous, and brilliant universe of its an epic love story, a fatal liaison, linked by a chain of jewels” main players, from Ultra Violet to Nico, with the Velvet Underground and Joe Dallesandro. I even featured on a cover 1964, Naty attira l’attenzione di Ri- proprio a New York conobbi Nicola Bul- of Interview, Andy’s magazine. There chard Avedon, mentre quattro anni gari, che allora si occupava del mercato was great energy then, perhaps we dopo diviene musa, amica intima e in- americano. Porto sempre orologi Tubo- didn’t even realize it. We were com- terprete del segno di couturier di Va- gas o Serpenti, li considero un po’ come pletely submerged in a wild, really lentino. Naty ha vissuto della sua car- dei feticci, sono pezzi dalla caratura ma- wild, fever of life and creativity. From riera iniziale nella Grande Mela. «Per gica di porta-fortuna. Bvlgari mi ricorda the glossy magazines and fashion run- me – racconta Naty Abascal – Pop signi- Liz Taylor e Richard Burton, un amore ways—I was under contract to the Ei- fica prima di tutto Pop Art e Andy Warhol, che diventa epopea, una liason fatale, le- leen Ford Agency—in 1971 I ended up un amico caro, al di là della sua persona- gata da una catena di gioielli, scandita on the set of Woody Allen’s Bananas, in lità di artista e di agit prop culturale. da una scia di magnifiche gemme». the role of a Central American guerril- Uscivamo anche noi due soli, nei tardi la. I adore jewelry, I’m fascinated by the anni Sessanta. Ho frequentato la Factory way light reflects on metal, by the col- e ho conosciuto quell’universo strano, am- ors of the precious stones. Bvlgari is a biguo e geniale nei suoi protagonisti, da Natividad Abascal y Romero-Toro, the must—I met Nicola Bulgari right there Ultra Violet a Nico, con i Velvet Under- duchess of Feria, known as Naty Abascal. in New York. At the time he was re- ground e Joe Dallesandro. Ebbi perfino An Andalusian socialite and model from sponsible for the American market. I una cover su Interview, il magazine di Seville, today she is a journalist, stylist, and always wear Tubogas or Serpenti watch- Andy. Erano anni di grande energia, for- writer. Since 1984 she has been a perma- es; I see them as something of a fetish, se non ne eravamo nemmeno consapevoli. nent fixture on the International Best they are pieces with the magical caliber Wild, davvero selvaggia, era la tempera- Dressed List. Naty was noticed by Richard of a lucky charm. Bvlgari reminds me tura di vita e di creatività in cui eravamo Avedon in New York in 1964, and four of Liz Taylor and Richard Burton, an immersi totalmente. Dalle riviste patinate years later became Valentino’s muse and epic love story, a fatal liaison, linked by e dalle passerelle di moda – ero sotto con- close friend, an interpreter of his couturier a chain of jewels, marked by a series of tratto all’agenzia Eileen Ford –, nel 1971 style. Naty spent the early part of her ca- magnificent gems.”

8 Life in BVLGARI Issue 14 News THE TALENTED MR J.

Julien Landais is a French actor, film producer and director. Versatile and charismatic, he describes himself as an introvert-extrovert

Julien Landais è attore, produttore ci- a un anello. Quello che portava il poeta tive producer and cameos by Jon Korta- nematografico e regista francese. Ver- inglese Percy B. Shelley, che incastonava jarena, Poppy Delevingne, Morgane Po- satile, carisma e occhi di zaffiro, studi una moneta romana che doveva essere ca- lanski, and Daphne Guinness. “What di pianoforte, si definisce un introver- pace di evocare l’Italia e l’antica Roma. does Pop and Wild Pop in particular so-estroverso. «Il cinema è la mia psica- Mi sono rivolto alla casa Bvlgari, con la mean to me? First of all, when I was a nalisi – afferma Julien – mi piace poter sua collezione Monete. L’anello è indos- teenager, the cover of an art magazine dimenticare me stesso e, da attore, imper- sato dal poeta defunto, poi dalla sua gio- with Jeff Koons in paradise. Pop Art sonare qualcun altro in una specie di ca- vane amante che in vecchiaia lo custodirà means wild fun for all. It's rock’n’roll tarsi». Sta per uscire sugli schermi il come reliquia e talismano. Da lei infine and cult. What could be more em- suo film di debuttoThe Aspern Papers, passa alla nipote, cui lo dona poco prima blematic than a Marilyn by Warhol or dal romanzo di Henry James, ambien- di morire quale simbolo di consapevolez- a flag by Jasper Johns? Pop Art is vi- tato in una cupa e lirica Venezia otto- za e di crescita del potere femminile». brant color, powerful bright colors. A centesca. Una pellicola interpretata da climate that I wanted to give my film, Vanessa Redgrave, Jonathan Rhys based on The Aspern Papers. Despite it Meyers e Joely Richardson, che vede taking place in the nineteenth centu- in veste di produttore esecutivo il pre- Julien Landais is a French actor, film pro- ry, I wanted it to be real, as if happen- mio Oscar James Ivory e cameos di ducer and director. Versatile and charis- ing right now. Jon Kortajarena, Poppy Delevingne, matic, with bright blue eyes, he has stud- On the set in Venice, I also worked Morgane Polanski e Daphne Guin- ied piano and describes himself as an with Bvlgari. In the plot there is a sto- ness. «Che cosa significa Pop e in parti- introvert-extrovert. “Films are my psy- ry about a ring. The one worn by the colare Wild Pop per me? Innanzitutto, choanalysis,” he says, “I like being able English poet Percy B. Shelley, set with quando ero adolescente, la copertina di una rivista d’arte con Jeff Koons in para- “What does Pop mean for me? When I was a teenager, diso. La Pop Art vuol dire wild fun per tutti. È rock’n’roll e culto. Cosa può esser- the cover of an art magazine with Jeff Koons in paradise” ci di più emblematico di una Marilyn di Warhol o di una bandiera di Jasper to forget myself and, as an actor, im- a Roman coin that had to evoke Italy Johns? Pop Art è colore vibrante, colori personate somebody else in a kind of and ancient Rome. I turned to Bvlgari, vividi e potenti. Una temperatura che ho catharsis.” Soon to be released, his debut with its Monete collection. The ring is voluto dare al mio film tratto da The film The Aspern Papers is based on the worn by the dead poet, then by his Aspern Papers. Malgrado la narrazione novel by Henry James and set in a gloomy, young lover, who as an old woman will si svolga nel XIX secolo, volevo fosse reale, lyrical nineteenth-century Venice. Star- treasure it as a relic and talisman. Just come ai giorni nostri. ring Vanessa Redgrave, Jonathan Rhys before she dies, she gives it to her Sul set a Venezia ho lavorato anche con Meyers and Joely Richardson, the film has niece as a symbol of awareness and Bvlgari. Nel plot c’è una storia riguardo Oscar-winning James Ivory as its execu- growth of female power.”

10 Life in BVLGARI Issue 14 News MOSCOW ART SCENE

Since 2009 Teresa Iarocci Mavica has been Director of the V-A-C Foundation in Moscow and she worked on the first exhibition that brought the genius of Warhol in Russia

Teresa Iarocci Mavica è un’italiana le del Paese intero». Passando all’ambito a series of dialogues and exchanges che dopo gli studi universitari all’O- specifico della gioielleria, Teresa con- that never happened. Until the first rientale di Napoli, vive a Mosca. Dal fida: «in realtà non amo i gioielli. Intendo exhibition of the original works by 2009 è Direttore della V-A-C Founda- quelli tradizionali, d’oro e pietre preziose. Andy Warhol in 2004, this was a tion, fondata con Leonid Mikhelson, Indosso quasi sempre bijoux d’autore, sphere that could only be accessed via un organismo espositivo di ricerca e forme astratte, gemme naturali e resine. foreign magazines, which could be produzione artistica moscovita che ha Gli unici ‘veri’ gioielli che porto, dono di consulted in the State Library for For- un distaccamento a Venezia, sulle Zat- mio marito, sono quelli di Bvlgari. Possie- eign Literature. I worked on the first tere. «C’è una reazione istintiva ed emoti- do già un mio piccolo tesoro, con pezzi exhibition that brought the genius of va alla parola Pop, che rimanda a un della Collezioni DIVAS’ DREAM, Warhol, Tom Wassermann and Bas- senso di libertà. Come un’esplosione bene- MVSA e altro. Mi viene in mente anche quiat to Russia, an event that had a fica che ti libera da tutti i lacci, una boc- un profumo femminile della Maison, Bvl- major impact. I remember the joy of cata d’aria fresca e una finestra aperta gari Pour Femme. Quale donna, in fon- the younger men and women and the sulla vita. La storia dei rapporti tra Unio- do, non vuole sentirsi un po’ diva?». inability to understand and bewilder- ne Sovietica e arte moderna e contempo- ment of the older people. Today the ranea americana è fatta di mancati dia- V-A-C Foundation is working on con- loghi, di scambi inesistenti. Fino alla verting a former power plant in Mos- prima mostra con opere originali di Andy After completing her studies at the L’Ori- cow, just a stone’s throw from the Warhol nel 2004, era un ambito accessibi- entale University in Naples, Italian-born Kremlin. Thanks to Renzo Piano’s le tramite le riviste estere, che si potevano Teresa Iarocci Mavica went to live in firm, this project intends not only to consultare presso la Biblioteca di lettera- Moscow. Since 2009 she has been Director change the architectural landscape in tura straniera. Ho lavorato alla prima of the V-A-C Foundation, founded with the center of the Russian capital, but esposizione che ha portato in Russia il Leonid Mikhelson, an exhibition body for also the cultural role of the entire segno di Warhol, di Tom Wassermann e research and artistic production in Mos- country.” Moving on to the specific sector of jewelry, Teresa confides: “I don’t actu- “I don’t actually like jewels. Traditional ones, I mean. The only ally like jewelry. The traditional kind, I mean. In gold and precious stones. I ‘real’ jewels I wear are gifts from my husband, Bvlgari pieces.” nearly always wear designer costume jewelry, abstract shapes, natural gems Basquiat, un evento di impatto. Ricordo la cow, which has a branch in Venice, on the and resins. The only ‘real’ jewelry I gioia dei giovani e l’incapacità di com- Zattere promenade. “People have an in- wear are gifts from my husband, Bvl- prendere, lo sconcerto dei meno giovani. stinctive, emotional reaction to the gari pieces. I already have my own La V-A-C Foundation oggi è impegnata word Pop, which conjures up a sense personal little hoard of treasure, with nella riconversione di una ex-centrale of freedom. Like a benevolent explo- items from the DIVAS’ DREAM, elettrica a Mosca a pochi passi dal Crem- sion that frees you from all your MVSA, and other collections. There’s lino. Un progetto che, grazie allo studio di bonds, a breath of fresh air and a win- also a women’s fragrance of theirs that Renzo Piano, non solo intende cambiare il dow open on life. The history of the comes to mind, Bvlgari Pour Femme. panorama architettonico del centro della Soviet Union’s relationship with mod- What woman, deep down, doesn’t capitale russa, ma anche il ruolo cultura- ern and contemporary American art is want to feel a bit like a diva?”

12 Life in BVLGARI Issue 14 News A TRIBUTE TO WARHOL

The High Jewelry collection finds inspiration in the best artistic expression from the Pop culture, mixing it with a wild exuberance

In conversation with Mrs. Lucia Silvestri and Mr. Nicola Bulgari

La collezione di Alta Gioielleria Bvlgari Lucia Silvestri racconta il lavoro che è new Wild Pop collection is, on the other 2018, dal titolo Wild Pop, è la sintesi di stato fatto. «Con il mio team – sottolinea hand, inspired by the seventies and eight- due visioni e ha come terreno di ispira- – abbiamo intrecciato un gioco di rimandi ies, when Bvlgari was influenced by the zione Andy Warhol. Il legame di conta- e di suggestioni che si riflette lungo vari effects of pop culture. A mood embraced by minazioni tra l’artista americano e la aspetti degli anni Ottanta, dal mondo mu- Nicola Bulgari, at the time a visionary Maison romana è tutt’oggi vivo, in un sicale a quello della moda, gli abiti e i co- young artist, with first-hand experience approccio materico e cromatico, come lori di quel tempo, fino al futuro come lo si and knowledge of the turmoil of that peri- ricorda Lucia Silvestri, Direttore crea- vedeva e immaginava allora. Un mix di od, in a New York that was more Big Apple tivo del marchio. «Nella collezione ci sono rottura con le convenzioni, di stravaganza, and meltingpot than ever. “The Bvlgari molti elementi che riportano a un concetto libertà cromatica ed energia. D’altronde style of the eighties”, recals Nicola Bul- Wild Pop – afferma Lucia Silvestri – Larger than Life è il mantra che compone gari, “became a strong influence. Our per esempio, il bracciale bianco e nero, in gran parte del nostro DNA». family’s inner spirit allowed us to de- onice, platino e diamanti. Un tema che ap- code and capture that particular mo- partiene in toto a quell’epoca, agli anni ment in history. It was Andy Warhol Ottanta in special modo. È rock, classico, himself, a big fan of our company, who magico e senza tempo». Il miscelare pie- Wild Pop, the Bvlgari 2018 High End understood this and declared, in Inter- tre preziose e semi-preziose viene dagli Jewelry collection, brings together two vi- view: ’I believe that your idea of jewelry is anni Sessanta, mentre il design della sions and draws inspiration from Andy the eighties. Everyone attempts to copy nuova collezione Wild Pop è piuttosto Warhol. The cross-contaminations that you. Bvlgari jewels manage to perfectly ispirato agli anni Settanta e Ottanta, link the American artist and the Roman capture the moment.’” Lucia Silvestri talks quando Bvlgari si lascia influenzare da- jewelry company are still very much alive about the work accomplished. “With my gli esiti della pop culture. Un mood today, in an approach to matter and color, team,” she stresses, “I have created inter- abbracciato da Nicola Bulgari, allora as Lucia Silvestri , the brand’s Creative play between references and ideas that giovane e visionario creativo, che fre- Director reminds us. “There are many reflect a whole series from aspects of quenta e conosce in prima persona il fermento di quel periodo, in una New York più che mai Grande Mela e mel- “It was Andy Warhol himself, a big fan of our company, who ting pot. «Lo stile di Bvlgari degli anni declared: I believe that your idea of jewelry is the eighties” Ottanta – ricorda Nicola Bulgari – di- venne molto influente. Lo spirito interiore della nostra famiglia ci permise di decifra- elements in the collection that can be the eighties, from the world of music to re e catturare quel particolare momento traced back to a Wild Pop concept,” she that of fashion, the clothing and colors storico. Fu proprio Andy Warhol, grande says. “The black and white bracelet for from that period, all the way to the fu- fan della Maison, a comprenderlo e a di- example, in onyx, platinum and dia- ture as we saw and imagined it then. A chiarare, su Interview: ‘Credo che la vo- monds. A theme that totally belongs to mix of breaking away from conven- stra idea di gioielleria sia gli anni Ot- that period, to the eighties especially. It tions, of extravagance, freedom with tanta. Tutti tentano di copiarvi. Sono is rock, classic, magical and timeless.” color and energy. Besides, Larger than gioielli, quelli di Bvlgari, capaci di cat- Mixing precious and semi-precious stones Life is the mantra that makes up most turare perfettamente il momento’». is taken from the sixties, while design of the of our DNA.”

14 Life in BVLGARI Issue 14 Collections

AT FULL BLAST photography Michele Gastl

WILD POP High Jewelry Collection June 2018 Rome

Wild Pop High Jewelry Collection bracelet

16 Life in BVLGARI Issue 14 Wild Pop High Jewelry Collection necklace Wild Pop High Jewelry Collection bracelet Wild Pop High Jewelry Collection necklace Wild Pop High Jewelry Collection necklace Wild Pop High Jewelry Collection necklace

Photographer’s assistant Adamo Moses; Location Studio Baobab, Rome Collections

A VERY BRIGHT DAY

photography Nicola Galli illustrations George Greaves

BVLGARI BVLGARI earrings

28 Life in BVLGARI Issue 14 BVLGARI BVLGARI rings and necklaces opposite page: Pool, 2017 BVLGARI BVLGARI Gelati ring and brooch opposite page: Courtyard, 2017 BVLGARI BVLGARI earrings opposite page: A Nice Day, 2017 BVLGARI BVLGARI necklace, ring and BVLGARI BVLGARI Gelati bracelet opposite page: Afternoon Sun, 2017 BVLGARI BVLGARI rings and bracelets opposite page: Exit, 2017 BVLGARI BVLGARI rings and bracelets opposite page: Afternoon Sun, 2017 BVLGARI BVLGARI bracelets opposite page: Rose, 2016 Collections

CLUB DANCE photography Bela Borsodi

Celebrating 70 years of Tubogas

Monete Tubogas choker, 1980; Monete bracelet, 1975

44 Life in BVLGARI Issue 14 Serpenti Tubogas watch, 2016 opposite page: Monete Tubogas necklace, 1978; Serpenti Tubogas bracelet, 1960 Monete Tubogas choker, 1974; LVCEA Tubogas watch, 2018; BVLGARI BVLGARI Tubogas bracelet, 1978 Roy Lichtenstein, Sunrise, 1965 Tubogas choker, 1980; Serpenti Tubogas watch, 2018 Serpenti Tubogas bracelet-watch, 1972 opposite page: Monete Tubogas necklace, 1983; Naturalia Farfalla Tubogas bracelet-watch, 1992 Tubogas bracelet, 1972; Serpenti Tubogas bracelet, 1960 LVCEA Tubogas watch, 2018

p. 45 - Maria Lucia Hohan dress, Oscar Tiye shoes, Sylvio Giardina black dress, Lodovico Zordanazzo shoes, Alpo gloves; p. 46 - Marco Proietti shoe; p. 47 - Valenti top, Gia Couture shoes, Alpo gloves; p. 49 - Manuel Facchini black dress, Lodovico Zordanazzo shoes; Annakiki jacket and trousers, Oscar Tiye shoes; p. 52 - Avaro Figlio top and red dress; p. 54 - Giuseppe Di Morabito top and trousers, Damiano Marini shoes, Emilio Pucci blue trousers, Alpo golves; p. 57 - Madame Pauline jacket, Oscar Tiye shoes, Albino Teodoro dress, Gia Couture shoes; p. 59 - Ermanno Scervino suit, stylist own glove

Photographer’s assistants Ignazio Nano and Luca Filoni; Digital operator Elio Rosato; Groomer Kassandra Frua De Angeli; Hair stylist Ilham Mestour; Stylist Ellen Mirck; Stylist assistant Corinna Fusco; Location Studio Allucinazione, Rome

Model Lidia Comini @ Brave Models; Arianna @ Bea Models Around the world

SOME POP WORDS

illustrations Daniele Tozzi

Don Giovanni, 2017

60 Life in BVLGARI Issue 14 Taurus, 2017 opposite page: Words into shapes, 2017 Red Girl, 2016 Hand of masters, 2015 opposite page: Pink Flamingo, 2017 Collections

THE POP SMASH artwork and photography Bodha D'Erasmo & Gilda

“Serpenti Forever” flap cover bag and wallet

68 Life in BVLGARI Issue 14 Serpenti Hypnotic top handle bag “Serpenti Forever” top handle bag and shoulder bags “Serpenti Forever” flap cover bag “Serpenti Forever” wallet and shoulder bags “Serpenti Forever” flap cover bag “Serpenti Forever” flap cover bag and “Serpenteyes Power-up” sunglasses opposite page: “Serpenti Forever” flap cover bag and Serpenti sunglasses “Serpenti Forever” flap cover bag and Canyon amber “Tie Me Zip” shelley

Photographer’s assistant Giorgia Misani; Digital operator Tea Dragano; Location Capture Image Studio Collections

V AS IN VANITY photography Thomas Straub

on this and following pages: Serpenti rings and bracelets

84 Life in BVLGARI Issue 14

Around the world

LEGENDARY ICONIC

on this and following pages: Bvlgari jewelry in Casinò movie (1995) directed by Martin Scorsese with Sharon Stone and Robert De Niro

92 Life in BVLGARI Issue 14

News

HARRODS FOREVER

To mark the opening of its new Harrods London boutique, Bvlgari has created an exclusive line of jewelry featuring malachite

In occasione dell’apertura della nuova boutique presso il Department Store londinese Harrods, Bvlgari ha creato una linea di gioielleria in esclusiva recuperando una pietra sacra per gli antichi romani: la malachite. La pietra verde era considerata magica, fonte di felicità e di gioia. La collezione Forever Green la reinterpreta in chiave moderna, in onore del verde Harrods. La collezione esclusiva comprende elementi Serpenti, simbolo della seduzione, DIVAS’ DREAM, epitome del glamour e Parentesi, il Bvlgari heritage. Per l’occasione, Lucia Silvestri, Direttore Creativo Bvlgari, ha disegnato un anello di alta gioielleria con smeraldo. Oltre alla gioielleria, è stata disegnata una edizione limitata di dieci pezzi di orologeria Octo Finissimo Automatic. Questo orologio è uno tra i più sottili disponibili nel mondo e, per questa edizione speciale dedicata a Harrods, i pezzi della collezione saranno riconoscibili da originali elementi in malachite verde.

To mark the opening of its new Harrods London boutique, Bvlgari has created an exclusive line of jewelry featuring malachite, which the ancient Romans considered a sacred stone. The green stone was thought to have magic powers, a source of happiness and joy. The Forever Green collection reinterprets it with a modern twist, an homage to Harrods’ green. The exclusive collection comprises elements of Ser- penti, a symbol of seduction, DIVAS’ DREAM, the epitome of glam- or and Parentesi, Bvlgari’s heritage. For the occasion, Lucia Silvestri, Bvlgari Jewelry’s Creative Director, has also designed a luxury emer- ald ring. In addition to the jewelry, a limited edition set of ten Octo Finissimo Automatic watches has also been produced. This watch is one of the slimmest currently available in the world and, for this special edition dedicated to Harrods, the pieces in the collection will be Photographer characterized by original elements in green malachite. Chantelle Dosser; Stylist Sophie Goodwin; Model Lady Kitty Spencer

100 Life in BVLGARI Issue 14

BVLGARI AT HARRODS

Bvlgari ha spostato e più che triplicato gli spazi della sua boutique all’interno di Harrods, ora dislocati su due piani collegati da un ascensore. La matrice stilistica proviene dal concept del flagshipstore di New Bond Street, firmato da Peter Marino nel 2016. Il tema del nuovo spazio si risolve in un viaggio attraverso duemila settecento anni di storia e di suggestioni romane, sulla griglia di ispirazioni mediterranee e del DNA del brand. Un mosaico di marmi policromi delinea la stella a otto punte traslata dal pavimento del Pantheon. Capitolino l’uso del travertino Navona, accanto al parquet in noce e al bronzo e marmo modellati nel segno del famoso architetto italiano degli anni Sessanta, Carlo Scarpa. Le nicchie e le vetrine sono unificate da un ulteriore elemento storico di Bvlgari: il rivestimento in shantung di seta Zafferano Imperiale. La Very Important Client (VIC) area è protetta da uno schermo che riproduce la Maglia Pantheon, motivo della Maison e ricalca il Salottino Taylor, l’ambiente dove l’attrice trascorreva il tempo al sicuro dai paparazzi, durante il suo soggiorno romano dei primi anni Sessanta.

Bvlgari’s Harrods boutique has moved and more than tripled in size. It is now spread over two floors connected by an elevator. The stylistic matrix comes from the concept behind the flagship store on New Bond Street, designed by Peter Marino in 2016. The theme of the new space centers upon a journey across two thousand and seven hundred years of history, featuring Roman and Mediterranean inspirations, and a celebration of the brand’s DNA. A polychrome marble mosaic marks out the eight-pointed star transported from the Pantheon’s floor. Navo- na travertine meets walnut parquet and bronze and marble are sculpted with a nod to the famous Italian architect of the 1960’s, Carlo Scar- pa. The niches and shop windows are unified by a further historic Bvlgari element: Imperial Saffron Shantung silk. The Very Important Client (VIC) area is protected by a screen that reproduces the Panthe- on Mash, the Maison’s motif, reminiscent of the Taylor Room, the lounge where the actress spent time away from the paparazzi during her stay in Rome in the early sixties. News

HIGH JEWELRY CRAFTSMANSHIP

The ’80s were all about exaggerated, stiff silhouettes. Ruffles were dramatic. But ruffles were also, and still are, a great way to call attention to your captivating shoulders and neckline. These precious creations mounting 65.74 ct emeralds on the necklace and 8.22 ct on the earrings, will help the precious turquoise and diamond ruffles do the trick!

photography Antonio Barrella

106 Life in BVLGARI Issue 14

News

CHATER HOUSE

The new Bvlgari flagship store in Landmark, Hong Kong’s central business district

delle colonne che ne scandiscono lo spazio, tema ricorrente dell’architettura barocca a Roma. Otto colonne che vi impri- mono un ritmo di pieno e di vuoto, alternato e avvolgente come una composizione musicale senza tempo.

An Italian piazza under a dome that looks like the one on the Pantheon in the Eternal City: this is the new Bvlgari flagship store in Landmark, Hong Kong’s central business district. The brand’s Roman matrix, with its wealth of details borrowed from various eras in history, entwines with the futuristic vision offered by this oriental metropolis. Once again, Peter Marino’s design dimension has played an imaginary game of style, teaming tradition with the rapidly metamorphosing modernity of Hong Kong. The facades Una piazza italiana sotto una cupola che ricorda quella del combine features borrowed from the headquarters in Via Condot- Pantheon: è il nuovo flagship store Bvlgari al Landmark, il ti and references to Borromini, with a contemporary feel given by distretto centrale del business di Hong Kong. La matrice ro- quotes taken directly from Bvlgari’s creative background, such as mana del brand, ricca di riferimenti tratti da varie epoche, si the Tubogas link. Inside, it all revolves symbolically around light: intreccia alla visione di futuro offerta da una metropoli the sun of Rome symbolically filtering in from the ceiling and orientale. Ancora una volta, la dimensione progettuale di Pe- changing depending on the time of day, marking time and setting ter Marino ha saputo giocare una partita immaginaria e di the pace of a typical Italian day, which culminates in a real Italian stile, accostando la tradizione con la modernità in rapida me- tamorfosi di Hong Kong. Le facciate esterne combinano me- A new concept is the High Jewelry morie della sede di via Condotti e citazioni borrominiane, con un tracciato contemporaneo nutrito da quotes diretti section, designed specially by della vicenda creativa di Bvlgari, come la maglia Tubogas. Peter Marino for this boutique All’interno tutto ruota intorno alla luce: simbolicamente il sole di Roma filtra dalla volta e cambia nelle diverse ore del- aperitif in one of the boutique’s lounges. The eight-point star is also la giornata, scandendo i tempi e i ritmi di una giornata tipica featured. A Venini glass chandelier seals the maison’s link with the italiana, da concludersi con un vero Aperitivo Italiano in una golden age of Italian design, here represented by Carlo Scarpa, delle lounge della boutique. Non manca la stella a otto punte. Angelo Mangiarotti, and Osvaldo Borsani. A new concept is the Un lampadario in vetro Venini sancisce il legame della Mai- High Jewelry section, designed specially by Peter Marino for this son con l’età aurea del design italiano, qui rappresentata da boutique. It differs from all those realised previously around the Carlo Scarpa, Angelo Mangiarotti e Osvaldo Borsani. Nuovo world thanks to eight majestic columns that divide and separate il concetto dell’area High Jewellery, disegnata da Peter Mari- the interiors, a recurrent feature from baroque architecture in no apposta per questa boutique. Differisce da tutte quelle Rome. These columns create space and solidity, alternating and realizzate in precedenza nel mondo grazie alla maestosità welcoming like a timeless musical composition.

110 Life in BVLGARI Issue 14 “Inside, everything revolves around a central focus, tracing a journey that takes in one hundred and thirty years of history.”

“The leitmotif of Rome, fine marble, is everywhere and the eight-point star is also featured. A Venini glass chandelier seals the maison’s link with the golden age of Italian design” News

TRIBECA FILM FESTIVAL

On 26 April 2018, the presentation of the two tociclismo. Le protagoniste fanno parte di The Litas, un’orga- short filmsConducting a Revolution and The nizzazione globale di motocicliste agoniste basata su valori Litas, made by Bvlgari with the Tribeca Studios comuni come individualità e fiducia nell’abbracciare un campo d’azione legato alla matrice maschile.

Maison Bvlgari and the film industry have always enjoyed a close relationship and, spanning one hundred and thirty-five years and over forty films, have woven a tapestry of elective affinity and won- der. This ideal marriage goes from Cleopatra with Liz Taylor, via the legend of the sixties that was Dolce Vita, through to Sharon Stone in Casinò. It is a relationship now confirmed by a three- year partnership agreement that sees Bvlgari as the Official Jew- La Maison Bvlgari e il mondo del cinema intrattengono da eler for the Tribeca Film Festival in New York City, founded in 2001 Conducting a Revolution, a documentary about Conductor Speranza Scappucci, directed by Bella Monticelli sempre una stretta relazione e hanno intessuto, lungo una by Robert De Niro, Jane Rosenthal, and Craig Hatkoff to revive parabola di centotrentacinque anni e di oltre quaranta film, Lower Manhattan, culturally and in every other aspect. The debut un mosaico di affinità elettive e di suggestioni. Un filo ideale took place on April 26, 2018, with the presentation of the two short che va da Cleopatra di Liz Taylor, attraversando la mitologia films:Conducting a Revolution and The Litas, made by Bvlgari anni Sessanta della Dolce Vita, fino alla Sharon Stone diCa - with the Tribeca Studios. They tell the stories of Italian women sinò. Un rapporto che si rinsalda grazie alla partnership who, with courage and dedication, have achieved fame in profes- triennale in qualità di Official Jeweler della Manifestazione, che il brand inaugura con il Tribeca Film festival di New York “Bvlgari is very proud of this opportunity City, fondato nel 2001 da Robert De Niro, Jane Rosenthal e Craig Hatkoff per rivitalizzare culturalmente e sotto ogni to celebrate Italian women, who, are strong, aspetto la zona di lower Manhattan. Ha debuttato il 26 aprile determined and larger than life” 2018, con la presentazione dei due cortometraggi Conducting a Revolution e The Litas, realizzati da Bvlgari con i Tribeca sional sectors or businesses traditionally dominated by men. “Bvl- Studios, che raccontano storie di donne italiane che con co- gari is very proud of this opportunity to celebrate Italian raggio e dedizione si sono affermate in settori professionali women,” says the CEO of Bvlgari, Jean-Christophe Babin, “who, o attività tradizionalmente appannaggio dell’universo ma- just like our brand, are strong, determined, and larger than schile. «Bvlgari è molto fiero di avere quest’opportunità per cele- life”. This powerful concept is reiterated by Paula Weinstein, Ex- brare le donne italiane – afferma il CEO di Bvlgari, Jean-Chri- ecutive Vice President of Tribeca Enterprises. What’s more, both stophe Babin –, che, proprio come il nostro marchio, sono forti, short films are also directed by women. Award-winning Bella determinate e larger than life». Un concetto potente, ribadito Monticelli directed Conducting a Revolution, which focuses on da Paula Weinstein, Executive Vice President di Tribeca En- the career of the orchestra conductor Speranza Scappucci. The terprises. Ambedue gli short film inoltre sono diretti da don- other was directed by Nina Meredith and follows the work and ne. La pluripremiata Bella Monticelli è regista di Conducting personal lives of three very different Italian women: a police offi- a Revolution, imperniato sulla carriera di direttore d’orche- cer, a filmmaker, and a passionate motorcyclist. They are all mem- stra di Speranza Scappucci. Il secondo cortometraggio, sotto bers of The Litas, a worldwide all-female motorcycle collective la direzione di Nina Meredith, segue le vite lavorative e per- that is based on shared values such as individuality and the confi- sonali di tre figure femminili italiane molto diverse tra loro, dence to embrace a sphere of action typically associated with the un’ufficiale di polizia, una filmaker e un’appassionata di -mo male persona.

The Litas, a documentary directed by Nina Meredith

114 Life in BVLGARI Issue 14 Events LOS ANGELES MILAN DESIGN WEEK

Sebastian Stan Lindsey Vonn Vanity Fair Oscar Party – Beverly Hills 90th Annual Academy Awards – Hollywood

The Mirror Cube at Bvlgari Hotel – Milan Design Week The Mirror Cube at Bvlgari Hotel – Milan Design Week

Asia Chow Naomi Campbell Jasmine Sanders 26th Annual Academy Awards Viewing Vanity Fair Oscar Party – Beverly Hills 90th Annual Academy Awards – Hollywood Party at EJAF – West Hollywood Park

Installation Brera Site – Milan Design Week Installation Brera Site – Milan Design Week

Montenapoleone Gallery & Windows Lily Aldridge Matthew McConaughey and Lee Smith Milan Design Week Montenapoleone Gallery & Windows – Milan Design Week Vanity Fair Oscar Party – Beverly Hills 90th Annual Academy Awards – Hollywood

116 Life in BVLGARI Issue 14 Issue 14 Life in BVLGARI 117 Events BASEL MILAN FASHION WEEK

Accessories F/W 2018 Event at Bvlgari Hotel – Milan Fashion Week

Jean-Christophe Babin, Laura Harrier and Jon Kortajarena Bvlgari Press Party – Basel 2018 Simi and Haze Khadra Kris Wu Yun Yun Sun Accessories F/W 2018 Event at Accessories F/W 2018 Event at Accessories F/W 2018 Event at Bvlgari Hotel – Milan Fashion Week Bvlgari Hotel – Milan Fashion Week Bvlgari Hotel – Milan Fashion Week Matteo Bocelli Bvlgari Press Party – Basel 2018 HAPPY B.DAY ROMA

Bvlgari Baselworld Booth

Natale di Roma Celebration, China

Giorgia Surina Natale di Roma Celebration, Spain Natale di Roma Celebration, Germany Bvlgari Press Party – Basel 2018 Bvlgari Press Conference – Basel 2018

118 Life in BVLGARI Issue 14 Issue 14 Life in BVLGARI 119 16 WILD POP High Jewelry bracelet in 24 WILD POP High Jewelry necklace in platinum with onyx elements, a marquise white gold with pavé emeralds (5.60 ct), brilliant diamond (11.40 ct) and fancy step round brilliant cut diamonds and pavé cut diamonds. diamonds.

18 WILD POP High Jewelry necklace in 26 WILD POP High Jewelry necklace in rose gold with mother of pearl, coral, rose gold with carnelian, yellow and turquoise elements and round mixed brown chalcedony, an orange mandarin rubellites (15.66 ct), a round cabochon garnet spessartite (2.43 ct), round brilliant cut emeralds, round brilliant cut cut diamonds and pavé diamonds. diamonds and pavé diamonds.

20 WILD POP High Jewelry bracelet in 28 BVLGARI BVLGARI rose gold single rose gold with coral and turquoise stud earring with carnelian. elements and pavé diamonds. BVLGARI BVLGARI rose gold single stud earring with pavé diamonds.

BVLGARI BVLGARI rose gold single stud earring with onyx.

22 WILD POP High Jewelry necklace 30 BVLGARI BVLGARI rose gold flip ring in rose gold with round and mixed with jade and pavé diamonds. rubellites (26.67 ct), bead and mixed emeralds, a round brilliant cut diamond BVLGARI BVLGARI rose gold pendant and pavé diamonds. with carnelian, mother of pearl and pavé diamonds.

120 Life in BVLGARI Issue 14 Issue 14 Life in BVLGARI 121 32 BVLGARI BVLGARI Gelati rose gold 40 BVLGARI BVLGARI rose gold flip ring ring with mother of pearl and pavé with mother of pearl and carnelian. diamonds. BVLGARI BVLGARI rose gold flip ring BVLGARI BVLGARI Gelati rose gold with jade and pavé diamonds. brooch with mother of pearl and pavé diamonds. BVLGARI BVLGARI rose gold bracelet with mother of pearl and onyx.

BVLGARI BVLGARI rose gold bracelet with mother of pearl, onyx and malachite.

BVLGARI BVLGARI rose gold bracelet with mother of pearl and carnelian.

34 BVLGARI BVLGARI rose gold single 42 BVLGARI BVLGARI rose gold bracelet stud earring with mother of pearl. with mother of pearl, onyx and malachite.

BVLGARI BVLGARI rose gold single BVLGARI BVLGARI rose gold bracelet stud earring with pavé diamonds. with mother of pearl and carnelian.

BVLGARI BVLGARI rose gold single stud earring with malachite.

36 BVLGARI BVLGARI necklace in rose 44 Monete Tubogas choker in gold with gold with jade and pavé diamonds. Hellenistic silver coin of Alexander the Great (326-323 BC), ca. 1980. Bvlgari BVLGARI BVLGARI Gelati rose gold Heritage Collection. bracelet with mother of pearl and pavé diamonds. Monete Tubogas bracelet in two-color gold with Roman lmperial bronze coins BVLGARI BVLGARI rose gold flip ring from 3rd century AD, ca. 1975. Bvlgari with mother of pearl and carnelian. Heritage Collection.

38 BVLGARI BVLGARI rose gold flip ring BVLGARI BVLGARI rose gold flip ring 46 left page: right page: with jade and pavé diamonds. with mother of pearl and pavé diamonds. Serpenti Tubogas watch. Quartz Monete Tubogas necklace in gold with movement. 35 mm steel curved case with gold coin of the Kingdom of England BVLGARI BVLGARI rose gold flip ring 18 kt rose gold bezel set with brilliant-cut from 17th century, lapis lazuli and with onyx and mother of pearl. diamonds. 18 kt rose gold crown set diamonds, ca. 1978. Bvlgari Heritage with a cabochon-cut pink rubellite. Collection. BVLGARI BVLGARI rose gold bracelet Black opaline dial with guilloché soleil with mother of pearl and onyx. treatment. 5-twirl 18 kt rose gold and Serpenti Tubogas bracelet watch steel bracelet, 2016. in gold, ca. 1960. Bvlgari Heritage BVLGARI BVLGARI rose gold bracelet Collection. with mother of pearl, carnelian, lapis and malachite.

BVLGARI BVLGARI rose gold bracelet with carnelian and mother of pearl.

122 Life in BVLGARI Issue 14 Issue 14 Life in BVLGARI 123 48 Monete Tubogas choker in two-color 58 LVCEA Tubogas watch. Mechanical gold with Greek silver coins from movement with automatic winding. 4th century BC, 1974. Bvlgari Heritage 33 mm steel case with 18 kt rose gold Collection. bezel. 18 kt rose gold crown set with a pink cabochon-cut stone and diamond. LVCEA Tubogas watch. Quartz White mother of pearl dial set with movement. 28 mm steel case. diamond indexes. 18 kt rose gold and Steel crown set with a pink cabochon- steel tubogas bracelet, 2018. cut stone and diamond. Black lacquered dial set with diamond indexes. Steel tubogas bracelet, 2018.

BVLGARI BVLGARI Tubogas bracelet watch in gold, 1978. Bvlgari Heritage Collection.

52 Tubogas choker in two-color gold with 68 “Serpenti Forever” flap cover bag in cornelian intaglio from 19th century, “Full Striped” silver and antique bronze emeralds, rubies, sapphires and brushed metallic calf leather and black diamonds, 1980. Bvlgari Heritage calf leather. Brass light gold plated Collection. hardware and snake head closure in black and white enamel, with eyes in Serpenti Tubogas watch. Quartz black onyx. movement. 35 mm 18 kt rose gold curved case set with brilliant-cut diamonds. “Serpenti Forever” wallet pouch in 18 kt rose gold crown set with a pink “Striped” silver brushed metalllic calf cabochon-cut rubellite. Black opaline leather and black calf leather. Brass light dial with guilloché soleil treatment. gold plated Serpenti head stud closure Double-spiral 18 kt rose, yellow and in black and white enamel, with black white gold bracelet, 2018. onyx eyes.

54 left page: right page: 70 Serpenti Hypnotic top handle bag in Monete Tubogas necklace in gold and Serpenti Tubogas bracelet-watch black and roman garnet “Mosaic” smooth steel with sapphire and topaz, 1983. in gold, ca. 1972. Bvlgari Heritage calf leather. Brass light gold plated metal Bvlgari Heritage Collection. Collection. closure with soft button push.

Naturalia Farfalla Tubogas bracelet- watch in gold with onyx and diamonds, 1992. Bvlgari Heritage Collection.

56 Tubogas bracelet watch in gold, steel 72 “Serpenti Forever” top handle bag “Serpenti Forever” shoulder bag and blackened steel, 1972. Bvlgari featuring a “Framed Quilted” motif in featuring a “Framed Quilted” motif in Heritage Collection. roman garnet nappa and black smooth white agate nappa and black smooth calf calf leather. Brass light gold plated leather. Brass light gold plated tempting Serpenti Tubogas bracelet-watch in tempting snake head closure in black snake head closure in black and roman white gold, ca. 1960. Bvlgari Heritage and white enamel, with eyes in black garnet enamel, with eyes in black onyx. Collection. onyx. “Serpenti Forever” shoulder bag featuring a “Framed Quilted” motif in canyon amber nappa and black smooth calf leather. Brass light gold plated tempting snake head closure in black and white enamel, with eyes in black onyx.

124 Life in BVLGARI Issue 14 Issue 14 Life in BVLGARI 125 74 “Serpenti Forever” flap cover bag in 82 “Serpenti Forever” flap cover bag in heather amethyst “Factory” elaphe skin ruby red shiny croco skin. Brass light and black smooth calf leather frames. gold plated hardware and tempting snake Brass light gold plated snake head head closure in shiny black and ruby red closure in shiny black and heather enamel, with eyes in black onyx. amethyst enamel, with eyes in black onyx. Canyon amber “Tie Me Zip” shelley in fine saglione silk.

76 “Serpenti Forever” l-shaped zipped “Serpenti Forever” shoulder bag in 84 Serpenti white gold ring with pavé Serpenti rose gold bracelet with pavé wallet in silver metallic karung skin and silver metallic karung skin. Brass light diamonds. Width 6 mm. diamonds. Width 4 mm. black calf leather with brass light gold gold plated tempting snake head closure plated hardware. Iconic shiny black and in shiny black and glitter silver enamel, Serpenti white gold ring with pavé Serpenti rose gold bracelet with mother glitter silver enamel Serpenti head zip with eyes in black onyx. diamonds. Width 4 mm. of pearl. Width 6 mm. puller, with black enamel eyes. Serpenti rose gold ring with pavé Serpenti rose gold bracelet with pavé “Serpenti Forever” shoulder bag royal diamonds.Width 6 mm. diamonds. Width 4 mm. sapphire “Mermaid” python skin. Brass light gold plated tempting head closure Serpenti rose gold ring with pavé in black and silver glitter enamel, with diamonds.Width 4 mm. eyes in black onyx. Serpenti rose gold bracelet with carnelian. Width 6 mm.

Serpenti white gold bracelet with grey mother of pearl and pavé diamonds. Width 4 mm. 78 “Serpenti Forever” flap cover bag in ruby red and black “Luxe” python skin. Serpenti white gold bracelet with pavé Brass light gold plated tempting snake diamonds. Width 4 mm. head closure in shiny black and ruby red enamel, with eyes in black onyx.

80 left page: right page: 86 Serpenti rose gold bracelet with Serpenti white gold ring with pavé “Serpenti Forever” flap cover bag in “Serpenti Forever” flap cover bag in carnelian. Width 6 mm. diamonds. Width 6 mm. black and white “Pop-Corn” matte black and gold “Shaded” galuchat skin. python skin. Brass light gold plated Brass light gold plated tempting snake Serpenti white gold bracelet with pavé Serpenti rose gold bracelet with mother hardware and tempting snake head head closure in black enamel, with eyes diamonds. Width 4 mm. of pearl. Width 6 mm. closure in matte black and white enamel, in black onyx. with eyes in black onyx. Serpenti rose gold bracelet with pavé Serpenti sunglasses black/shading pink diamonds. Width 4 mm. “Serpenteyes Power-up” sculpted frame squared angular acetate frame featuring sunglasses in black and grey multifaceted the iconic snake head in a pink gold Serpenti white gold ring with pavé acetate. The double hexagonal profile color hue with red enamelled eyes and diamonds. Width 6 mm. is enriched with a scale motif on flat, crystals. round, grey lenses. Geometrical see- through temples unveil a metal soul that ends up with a hexagonal temple tip.

126 Life in BVLGARI Issue 14 Issue 14 Life in BVLGARI 127 88 Serpenti rose gold bracelet with pavé diamonds. Width 4 mm.

Serpenti rose gold bracelet with mother of pearl. Width 6 mm.

Serpenti rose gold bracelet with pavé diamonds. Width 4 mm.

Serpenti rose gold bracelet with carnelian. Width 6 mm.

Serpenti white gold bracelet with pavé diamonds. Width 4 mm. PER QUESTA 90 left page: right page: Serpenti white gold ring with pavé Serpenti rose gold bracelet with diamonds. Width 6 mm. carnelian. Width 6 mm.

Serpenti white gold ring with pavé Serpenti white gold bracelet with pavé diamonds. Width 4 mm. diamonds. Width 4 mm. PAGINA Serpenti white gold ring with pavé Serpenti rose gold bracelet with pavé diamonds. Width 6 mm. diamonds. Width 4 mm.

Serpenti rose gold bracelet with Serpenti rose gold bracelet with mother carnelian. Width 6 mm. of pearl. Width 6 mm.

Serpenti rose gold bracelet with pavé Serpenti rose gold ring with pavé diamonds. Width 4 mm. diamonds.Width 4 mm. NON Serpenti rose gold bracelet with mother Serpenti rose gold ring with pavé of pearl. Width 6 mm. diamonds .Width 6 mm.

Serpenti white gold ring with pavé diamonds. Width 4 mm. ESTRARRE PDF

128 Life in BVLGARI Issue 14 PER QUESTA PAGINA NON ESTRARRE PDF