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Per Questa Pagina Non Estrarre Pdf PER QUESTA PAGINA NON ESTRARRE PDF ISSUE 14 PER QUESTA PAGINA NON ESTRARRE PDF 6 68 Editor’s letter collections The Pop Smash 8 artwork and photography Bodha D’Erasmo & Gilda news The Duchess of Feria 84 collections 10 V as in Vanity news photography Thomas Straub The Talented Mr. J 12 92 around the world news Moscow Art Scene Legendary Iconic 14 100 news news A Tribute to Warhol Harrods Forever 16 106 collections news At Full Blast High Jewelry Craftsmanship photography Michele Gastl photography Antonio Barrella 28 collections 110 A Very Bright Day news photography Nicola Galli Chater House illustrations Georges Greaves 114 44 news collections Tribeca Film Festival Club Dance photography Bela Borsodi 116 60 Events around the world Some Pop Words 120 illustrations Daniele Tozzi Product Summary LIFE IN BVLGARI edited by MEMORIA PUBLISHING GROUP in collaboration with BVLGARI EDITORIAL AND CREATIVE DIRECTION Carlo Mazzoni ART DIRECTION Giulio Vescovi/itsallgood TEXTS Cesare Cunaccia GRAPHIC DESIGN Susanna Mollica MANAGING DIRECTION Marta Mazzacano COORDINATION ON SET Carolina Fusi PRODUCER Annalaura Masciavè ILLUSTRATIONS Babeth Lafon TRANSLATIONS Tdr Translation Company photography Michele Gastl Editor’s letter “I think your jewelry is the ’80s. Everybody’s trying to copy this look,” said Pop icon Andy Warhol during an interview with Nicola Bulgari. In a tribute to the roaring 1980s, a period of extravagance which Bvlgari captured to perfection in jewelry, Bvlgari has just launched in Rome the irreverent and bold new Wild Pop High Jewelry collection. With creations that were pure opulence and impeccable reflections of modern roman glamor, the 1980s marked that very moment when Bvlgari established a new language in High Jewelry that still lives on today. Larger-than-life jewels that truly exemplified the innovative and provocative spirit of the era as much as the rising and irresistible power of women. An aesthetic revolution that also involved the innovation of extraordinary jewelry making techniques: the bravado of post-industrial style Tubogas ribbed gold elements, which Bvlgari had been working into sen- sational jewels since the mid-1940s, became wildly popular in those years. Poised between Bvlgari’s creative heritage and an ultra-contemporary feel, the Wild Pop collec- tion pulsates with the energy of an inimitable era, heralding a new, glamorous, and totally un- expected art form and rediscovering audacity in fashion and design, the free spirit of disco music, the rebel touch of glam rock, and an exciting new world order on the horizon. This summer the spotlight will be on more than just our new High Jewelry Collection. With a fresh statement of unconventional elegance, new jewels will expand the fun-loving spirit of the BVLGARI BVLGARI collection. BVLGARI BVLGARI is perhaps the most iconic and cov- eted luxury symbol worldwide, its contemporary style paying tribute to Imperial Roman coins featuring the ruler on their faces and his name around the edge. Contemporary and cool, from single stud earrings, to mouth-watering Gelati ice-creams, these new colorful creations are de- signed for women who love to create a look of their very own. Furthermore, inspired by the de- sirable yet feared nature of the viper, Bvlgari will also be introducing its new Serpenti jewels, which combine the compelling beauty of the snake’s scales with the sinuosity of its body: elegance with a hint of danger! In the fashionable yet timeless world of Bvlgari Leather Goods, the 2018 Fall Winter Collection will soon reach our worldwide boutiques. With a combination of vibrant gemstone colors, geo- metric shapes, luxuriant leathers and touches of pop, the collection plays according to Bvlgari’s own rules. This season sees two stars: the Serpenti Diamond Blast bag, a glamorous classic reimagined with sharper, edgier shapes and contrasting textures, and the Pop Corn motif, a playful pattern that gives a pop update to Bvlgari’s most precious exotic skins. To celebrate the never-ending bond between Bvlgari and Hollywood, in April we announced a long term partnership with the famous Tribeca Film festival. Bvlgari was named Official Jew- eler of the Festival and to mark this special occasion released two original short movies portray- ing contemporary Italian women who define their own paths and inspire others to do the same. A new chapter to celebrate female icons of our time, built on the powerful legacy of Bvlgari and cinema, and a celebration of gender diversity and women in power. Get ready to welcome this extraordinarily creative and exciting Bvlgari-Summer season! Jean-Christophe Babin CEO of BVLGARI GROUP 6 Life in BVLGARI Issue 14 News THE DUCHESS OF FERIA Naty Abascal, an Andalusian socialite and model from Seville, today is a stylist and a writer. In New York, in the late sixties, she become Andy Warhol’s muse on Interview Natividad Abascal y Romero-Toro, du- finii dritta sul set de Il dittatore dello reer in New York City. “For me,” she says, chessa di Feria, nota come Naty Aba- stato libero di Bananas di Woody Allen, “Pop is first of all Pop Art and Andy scal. Andalusa di Siviglia, socialite e nel ruolo di una guerrigliera centro-ame- Warhol, a dear friend as well as an art- modella, oggi è giornalista, stylist e ricana. Adoro i gioielli, sono affascinata ist and cultural agitprop. The two of us scrittrice. Dal 1984 è una stella fissa dal gioco dei riflessi sul metallo, dai colori would even go out on our own, in the del Best Dressed List. A New York, nel delle pietre preziose. Bvlgari è un must – late sixties. I used to hang out at the Factory and I got to know that strange, “Bvlgari reminds me of Liz Taylor and Richard Burton, ambiguous, and brilliant universe of its an epic love story, a fatal liaison, linked by a chain of jewels” main players, from Ultra Violet to Nico, with the Velvet Underground and Joe Dallesandro. I even featured on a cover 1964, Naty attira l’attenzione di Ri- proprio a New York conobbi Nicola Bul- of Interview, Andy’s magazine. There chard Avedon, mentre quattro anni gari, che allora si occupava del mercato was great energy then, perhaps we dopo diviene musa, amica intima e in- americano. Porto sempre orologi Tubo- didn’t even realize it. We were com- terprete del segno di couturier di Va- gas o Serpenti, li considero un po’ come pletely submerged in a wild, really lentino. Naty ha vissuto della sua car- dei feticci, sono pezzi dalla caratura ma- wild, fever of life and creativity. From riera iniziale nella Grande Mela. «Per gica di porta-fortuna. Bvlgari mi ricorda the glossy magazines and fashion run- me – racconta Naty Abascal – Pop signi- Liz Taylor e Richard Burton, un amore ways—I was under contract to the Ei- fica prima di tutto Pop Art e Andy Warhol, che diventa epopea, una liason fatale, le- leen Ford Agency—in 1971 I ended up un amico caro, al di là della sua persona- gata da una catena di gioielli, scandita on the set of Woody Allen’s Bananas, in lità di artista e di agit prop culturale. da una scia di magnifiche gemme». the role of a Central American guerril- Uscivamo anche noi due soli, nei tardi la. I adore jewelry, I’m fascinated by the anni Sessanta. Ho frequentato la Factory way light reflects on metal, by the col- e ho conosciuto quell’universo strano, am- ors of the precious stones. Bvlgari is a biguo e geniale nei suoi protagonisti, da Natividad Abascal y Romero-Toro, the must—I met Nicola Bulgari right there Ultra Violet a Nico, con i Velvet Under- duchess of Feria, known as Naty Abascal. in New York. At the time he was re- ground e Joe Dallesandro. Ebbi perfino An Andalusian socialite and model from sponsible for the American market. I una cover su Interview, il magazine di Seville, today she is a journalist, stylist, and always wear Tubogas or Serpenti watch- Andy. Erano anni di grande energia, for- writer. Since 1984 she has been a perma- es; I see them as something of a fetish, se non ne eravamo nemmeno consapevoli. nent fixture on the International Best they are pieces with the magical caliber Wild, davvero selvaggia, era la tempera- Dressed List. Naty was noticed by Richard of a lucky charm. Bvlgari reminds me tura di vita e di creatività in cui eravamo Avedon in New York in 1964, and four of Liz Taylor and Richard Burton, an immersi totalmente. Dalle riviste patinate years later became Valentino’s muse and epic love story, a fatal liaison, linked by e dalle passerelle di moda – ero sotto con- close friend, an interpreter of his couturier a chain of jewels, marked by a series of tratto all’agenzia Eileen Ford –, nel 1971 style. Naty spent the early part of her ca- magnificent gems.” 8 Life in BVLGARI Issue 14 News THE TALENTED MR J. Julien Landais is a French actor, film producer and director. Versatile and charismatic, he describes himself as an introvert-extrovert Julien Landais è attore, produttore ci- a un anello. Quello che portava il poeta tive producer and cameos by Jon Korta- nematografico e regista francese. Ver- inglese Percy B. Shelley, che incastonava jarena, Poppy Delevingne, Morgane Po- satile, carisma e occhi di zaffiro, studi una moneta romana che doveva essere ca- lanski, and Daphne Guinness. “What di pianoforte, si definisce un introver- pace di evocare l’Italia e l’antica Roma. does Pop and Wild Pop in particular so-estroverso. «Il cinema è la mia psica- Mi sono rivolto alla casa Bvlgari, con la mean to me? First of all, when I was a nalisi – afferma Julien – mi piace poter sua collezione Monete.
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