The Value and Heritage of Jain Religion
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Mable Ringling Museum of Art
INDIAN SCULPTURE IN THE MABLE RINGLING MUSEUM OF ART by R oy C. Cra ven, Jr. INDIAN SCULPTURE IN THE J OHN AND MABL E RINGLING MUSEUM OF ART by R oy C. Craven , J r. Un iversity o f Flo rida Mo n o graph s HUMANITIES i NO . 6, W n ter 1961 DA UNIVERS ITY OF FLORIDA PRESS GAIN SVILLE , FLORI E ’ EDITORIAL COMMITTEE Huma nities Monog raphs T . W TE HE B E T Chairman AL R R R , Profes sor of English CLIN T ON ADAM S Professor of Art H M C ARLES W . ORRIS Professor of Philosophy C A. R BE T . O R SON Profe ssor of Engli sh Associate Professor of German PY GH T 1961 BY THE B D OF CO RI , , OAR COM M ISSIONERS OF ST ATE INSTI T U TI ONS OF FLORIDA L IBRARY OF CONGRESS D 61-63517 CATALOGU E CAR NO . PRINTED BY THE BU LKLEY -NEWM AN PRINTING COM PANY PREFACE In 1956 a group of Indian sculptures was placed on display in the loggia of the John e e sev and M able Ringling Mus eum of Art . Th s o n n enteen works were purchas ed by Mr. J h Ri g ling in the thirties at the clos e of his collecting ’ areer and t en la en in the e c , h y hidd mus um s r r ecor basem ent for some thi ty yea s . R ds which could tell of how and where these sculptures ere o ta ne a e een o t but the fa t t at w b i d h v b l s , c h they constitute a rich gift to the people of Flori a da is apparent in the works thems elves . -
Jain Values, Worship and the Tirthankara Image
JAIN VALUES, WORSHIP AND THE TIRTHANKARA IMAGE B.A., University of Washington, 1974 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE DEPARTMENT OF ANTHROPOLOGY AND SOCIOLOGY We accept this thesis as conforming to the required standard / THE UNIVERSITY OF BRITISH COLUMBIA May, 1980 (c)Roy L. Leavitt In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of Anthropology & Sociology The University of British Columbia 2075 Wesbrook Place Vancouver, Canada V6T 1W5 Date 14 October 1980 The main purpose of the thesis is to examine Jain worship and the role of the Jains1 Tirthankara images in worship. The thesis argues that the worshipper emulates the Tirthankara image which embodies Jain values and that these values define and, in part, dictate proper behavior. In becoming like the image, the worshipper's actions ex• press the common concerns of the Jains and follow a pattern that is prized because it is believed to be especially Jain. The basic orientation or line of thought is that culture is a system of symbols. These symbols are implicit agreements among the community's members, agreements which entail values and which permit the Jains to meaningfully interpret their experiences and guide their actions. -
Reconnecting Through Cultural Translations of Time and Motion
The perception of time has shifted for many people due to COVID-19 pandemic. The concept seems paradoxical where time eludes or stagnates even though it is not a material object that we can physically grasp, and yet, we commonly say Finding Rhythm Amidst Disruption: that ‘time is slipping past our fingers.’ Additionally, this pandemic has brought challenges with an unexpected translation of time: how soon or late our town Reconnecting through Cultural is infected, how many days we haven’t seen a friend, or how many minutes we have “zoom”ed throughout the day. While the context and consequences are Translations of Time and Motion radically different, we refer to this analogy to discuss the diverse translations and cultural shifts of time. Living in the United States as bicultural individuals —Indian, Iranian, Thai— Ladan Bahmani we perceive time in conjunction with an additional calendrical system and time Illinois State University, United States difference. Archana Shekara is a first-generation Indian American who has been in the United States for three decades and considers it her second home. Archana Shekara Ladan Bahmani is a first-generation Iranian American. She immigrated to Illinois State University, United States United States from Iran and has lived in the country for over a decade. Annie Sungkajun is a second-generation American, whose parents immigrated to the Annie Sungkajun United States from Thailand. When she began her college education, her family Illinois State University, United States moved back to Thailand. We have become conscious of time and its shift as we constantly compare and move between different calendrical systems. -
Story of King Vikramadhithya Contents
Story of king Vikramadhithya There are two versions to this great story. The north Indian version was called “Simhasan Bhatheesi(throne with 32 steps) and the south Indian version was called “Periya ezhuthu Vikramadhithan kadhai(The story of Vikramadhithya in big letters).I have followed the south Indian version, I have summarized the stories in to a very short form as the original stories are very lengthy , with very many descriptions. This is possibly the greatest gift to the Indian lads and lasses that I can give Contents Story of king Vikramadhithya ................................................................... 1 1. Bhoja Raja gets Vikramadithya’s throne .................................. 3 2. Who was Vikramadithya? ........................................................ 5 3. Vikramadhithya and Vetala –I ................................................ 12 4. Vikramadhithya and Vetala –IRetold by ................................ 14 5. Vikramadhithya and Vetala Stories 2-6 ................................. 17 6. Vikramadhithya and Vetala Stories 7-10 ............................... 24 7. Vikramadhithya and Vetala Stories 11-16 ............................. 33 8. Vikramadhithya and Vetala stories 17-24 and story of Vetala ............................................................................................... 42 9. The story of Elalaramba told by the third doll -Komalavalli .. 56 10. The story of Chamapakavalli as told by fourth doll Mangala Kalyana Valli. ......................................................................... -
Era Abberations by Kalhan in Rajatarangini
ERA ABBERATIONS BY KALHAN IN RAJATARANGINI Brigadier Rattan Kaul {A gift to my dearest toddler Grandson; TRISHAY} Rajatarangini – Style, Sources and General Contents From an early date ancient historical themes, whether in Bharatvarsha or in Kashmir, were mainly a framework for the display of all subtle poetic art and rhetoric’s, which constituted the characteristic object of ancient Kavya’s {Sanskrit Poetry}. Almost all the historical Kavya’s {Caritas} which have been found deal with the exploits of the poet’s princely patrons or latter’s immediate predecessors, the contents and style depended on courtly patronage. Kalhan’s Rajatarangini, for history of Bharatvarsha in general and of Kashmir in particular, represents a class of Sanskrit composition, Kavya, in form but with a scope and aim widely different from that of the Caritas. It offers a connected narrative of various Kings, dynasties, which ruled or presumed to have ruled Kashmir from the earliest possible period down to his own time. The narrative begins with invoking of Hara {Shiva} in the form of Ardhanarisvara, representing Shiva’s union with Parvati {Verse 1 and 2 Book {Taranga} 1}, legends representing earliest popular traditions, history and beliefs of Aryan Saraswat Brahmins of Kashmir, followed by narrative of later Kings, in chronological order, taken from old records, manuscripts, treatises and details recorded with personal experience as living witnesses of his own time. Many events, details, anecdotes before composition of Rajatarangini would have definitely come from relations, word of mouth and as Kalhan himself accepts from {Translated}; “ Eleven works of former scholars containing the chronicles of Kings, I have inspected, as well as the opinions of the Sage Nila {Verse 14 Taranga 1}”. -
Courses in Jaina Studies
Jaina Studies NEWSLETTER OF THE CENTRE OF JAINA STUDIES March 2013 Issue 8 CoJS Newsletter • March 2013 • Issue 8 Jaina Studies NEWSLETTER OF THE CENTRE OF JAINA STUDIES Contents: 4 Letter from the Chair Conferences and News 5 Jaina Logic: Programme 7 Jaina Logic: Abstracts 10 Biodiversity Conservation and Animal Rights: SOAS Jaina Studies Workshop 2012 12 SOAS Workshop 2014: Jaina Hagiography and Biography 13 Jaina Studies at the AAR 2012 16 The Intersections of Religion, Society, Polity, and Economy in Rajasthan 18 DANAM 2012 19 Debate, Argumentation and Theory of Knowledge in Classical India: The Import of Jainism 21 The Buddhist and Jaina Studies Conference in Lumbini, Nepal Research 24 A Rare Jaina-Image of Balarāma at Mt. Māṅgī-Tuṅgī 29 The Ackland Art Museum’s Image of Śāntinātha 31 Jaina Theories of Inference in the Light of Modern Logics 32 Religious Individualisation in Historical Perspective: Sociology of Jaina Biography 33 Daulatrām Plays Holī: Digambar Bhakti Songs of Springtime 36 Prekṣā Meditation: History and Methods Jaina Art 38 A Unique Seven-Faced Tīrthaṅkara Sculpture at the Victoria and Albert Museum 40 Aspects of Kalpasūtra Paintings 42 A Digambar Icon of the Goddess Jvālāmālinī 44 Introducing Jain Art to Australian Audiences 47 Saṃgrahaṇī-Sūtra Illustrations 50 Victoria & Albert Museum Jaina Art Fund Publications 51 Johannes Klatt’s Jaina-Onomasticon: The Leverhulme Trust 52 The Pianarosa Jaina Library 54 Jaina Studies Series 56 International Journal of Jaina Studies 57 International Journal of Jaina Studies (Online) 57 Digital Resources in Jaina Studies at SOAS Jaina Studies at the University of London 58 Postgraduate Courses in Jainism at SOAS 58 PhD/MPhil in Jainism at SOAS 59 Jaina Studies at the University of London On the Cover Gautama Svāmī, Śvetāmbara Jaina Mandir, Amṛtsar 2009 Photo: Ingrid Schoon 2 CoJS Newsletter • March 2013 • Issue 8 Centre of Jaina Studies Members SOAS MEMBERS Honorary President Professor Christopher Key Chapple Dr Hawon Ku Professor J. -
Government of India Ministry of Culture Lok Sabha Unstarred Question No
1 GOVERNMENT OF INDIA MINISTRY OF CULTURE LOK SABHA UNSTARRED QUESTION NO. 97 TO BE ANSWERED ON 25.4.2016 VAISAKHA 5, 1938 (SAKA) NATIONAL HERITAGE STATUS 97. SHRI B.V.NAIK; SHRI ARJUN LAL MEENA; SHRI P. KUMAR: Will the Minister of CULTURE be pleased to state: (a) whether the Government has finalized its proposal for sending its entry for world heritage status long with the criteria to select entry for world heritage site status; (b) if so, the details thereof along with the names of temples, churches, mosques and monuments 2Iected and declared as national heritage in various States of the country, State-wise; (c) whether the Government has ignored Delhi as its official entry to UNESCO and if so, the details thereof and the reasons therefor; (d) whether, some sites selected for UNESCO entry are under repair and renovation; (e) if so, the details thereof and the funds sanctioned by the Government in this regard so far, ate-wise; and (f) the action plan of the Government to attract more tourists to these sites. ANSWER MINISTER OF STATE, CULTURE AND TOURISM (INDEPENDENT CHARGE) AND MINISTER OF STATE, CIVIL AVIATION (DR. MAHESH SHARMA) (a) Yes madam. Government has finalized and submitted the proposal for “Historic City of Ahmedabad” as the entry in the cultural category of the World Heritage List for calendar year 2016-17. The proposal was submitted under cultural category under criteria II, V and VI (list of criteria in Annexure I) (b) For the proposal submitted related to Historic City of Ahmedabad submitted this year, list of nationally important monuments and those listed by Ahmedabad Municipal Corporation are given in Annexure II. -
Newsletter of the Centre of Jaina Studies
Jaina Studies NEWSLETTER OF THE CENTRE OF JAINA STUDIES March 2008 Issue 3 CoJS Newsletter • March 2008 • Issue 3 Centre for Jaina Studies' Members _____________________________________________________________________ SOAS MEMBERS EXTERNAL MEMBERS Honorary President Paul Dundas Professor J Clifford Wright (University of Edinburgh) Vedic, Classical Sanskrit, Pali, and Prakrit Senior Lecturer in Sanskrit language and literature; comparative philology Dr William Johnson (University of Cardiff) Chair/Director of the Centre Jainism; Indian religion; Sanskrit Indian Dr Peter Flügel Epic; Classical Indian religions; Sanskrit drama. Jainism; Religion and society in South Asia; Anthropology of religion; Religion and law; South Asian diaspora. ASSOCIATE MEMBERS Professor Lawrence A. Babb John Guy Dr Daud Ali (Amherst College) (Metropolitan Mueum of Art) History of medieval South India; Chola courtly culture in early medieval India Professor Nalini Balbir Professor Phyllis Granoff (Sorbonne Nouvelle) (Yale University) Professor Ian Brown The modern economic and political Dr Piotr Balcerowicz Dr Julia Hegewald history of South East Asia; the economic (University of Warsaw) (University of Heidelberg) impact of the inter-war depression in South East Asia Nick Barnard Professor Rishabh Chandra Jain (Victoria and Albert Museum) (Muzaffarpur University) Dr Whitney Cox Sanskrit literature and literary theory, Professor Satya Ranjan Banerjee Professor Padmanabh S. Jaini Tamil literature, intellectual (University of Kolkata) (UC Berkeley) and cultural history of South India, History of Saivism Dr Rohit Barot Dr Whitney M. Kelting (University of Bristol) (Northeastern University Boston) Professor Rachel Dwyer Indian film; Indian popular culture; Professor Bhansidar Bhatt Dr Kornelius Krümpelmann Gujarati language and literature; Gujarati (University of Münster) (University of Münster) Vaishnavism; Gujarati diaspora; compara- tive Indian literature. -
Monumental Head of a Jina (P652)
Monumental head of a Jina (P652) What do we like in this sculpture? - A very rare colossal head belonging to one of the three most revered Jina (or Tīrthaṅkara) of the Jain tradition. - Idealized facial features and harmonious curves reminiscent of the great classical aesthetics of the Gupta Empire. - A finesse of sandstone with warm colors reflected in a variety of red and brown tones. I. Detailed description Monumental head of a Jina (P652) Sandstone India Circa 9th-10th century H. 35 cm or 13 ¾ in Jainism, an Indian religion predating Buddhism Jain sanctuaries have countless depictions of the Tirthaṅkara, also called Jina, omniscient beings who have broken free from the cycle of reincarnation. These extraordinary characters, twenty-four in number, of which there are twenty-four, existed down through the ages and are responsible for transmitting the foundations of Jain doctrine through the centuries. This doctrine predates Buddhism and one of its fundamental principles is non-violence (ahiṃsā), which applies to all creatures. This superb head could represent Mahāvīra (the "great hero") because its halo is a blooming lotus flower that was originally part of the throne upon which the deity seated. The figure shows a skillful blend of expressive vigor and delicacy. The Jina's moral virtue The "Conqueror" or “Victor” (jina) was surely figured naked, as tradition dictates, sitting in the lotus position, hands in the lap, with a halo and protected by two parasols on top of each other. At the age of thirty, the prince Vardhamāna became a sādhanā (ascetic), gave up after a few months all clothing judging that detachment from the world required the nudity, practiced by the community Digambarā and some Sādhu, he devoted himself for twelve and a half years to meditation and long periods of fasting. -
Annexure 1B 18416
Annexure 1 B List of taxpayers allotted to State having turnover of more than or equal to 1.5 Crore Sl.No Taxpayers Name GSTIN 1 BROTHERS OF ST.GABRIEL EDUCATION SOCIETY 36AAAAB0175C1ZE 2 BALAJI BEEDI PRODUCERS PRODUCTIVE INDUSTRIAL COOPERATIVE SOCIETY LIMITED 36AAAAB7475M1ZC 3 CENTRAL POWER RESEARCH INSTITUTE 36AAAAC0268P1ZK 4 CO OPERATIVE ELECTRIC SUPPLY SOCIETY LTD 36AAAAC0346G1Z8 5 CENTRE FOR MATERIALS FOR ELECTRONIC TECHNOLOGY 36AAAAC0801E1ZK 6 CYBER SPAZIO OWNERS WELFARE ASSOCIATION 36AAAAC5706G1Z2 7 DHANALAXMI DHANYA VITHANA RAITHU PARASPARA SAHAKARA PARIMITHA SANGHAM 36AAAAD2220N1ZZ 8 DSRB ASSOCIATES 36AAAAD7272Q1Z7 9 D S R EDUCATIONAL SOCIETY 36AAAAD7497D1ZN 10 DIRECTOR SAINIK WELFARE 36AAAAD9115E1Z2 11 GIRIJAN PRIMARY COOPE MARKETING SOCIETY LIMITED ADILABAD 36AAAAG4299E1ZO 12 GIRIJAN PRIMARY CO OP MARKETING SOCIETY LTD UTNOOR 36AAAAG4426D1Z5 13 GIRIJANA PRIMARY CO-OPERATIVE MARKETING SOCIETY LIMITED VENKATAPURAM 36AAAAG5461E1ZY 14 GANGA HITECH CITY 2 SOCIETY 36AAAAG6290R1Z2 15 GSK - VISHWA (JV) 36AAAAG8669E1ZI 16 HASSAN CO OPERATIVE MILK PRODUCERS SOCIETIES UNION LTD 36AAAAH0229B1ZF 17 HCC SEW MEIL JOINT VENTURE 36AAAAH3286Q1Z5 18 INDIAN FARMERS FERTILISER COOPERATIVE LIMITED 36AAAAI0050M1ZW 19 INDU FORTUNE FIELDS GARDENIA APARTMENT OWNERS ASSOCIATION 36AAAAI4338L1ZJ 20 INDUR INTIDEEPAM MUTUAL AIDED CO-OP THRIFT/CREDIT SOC FEDERATION LIMITED 36AAAAI5080P1ZA 21 INSURANCE INFORMATION BUREAU OF INDIA 36AAAAI6771M1Z8 22 INSTITUTE OF DEFENCE SCIENTISTS AND TECHNOLOGISTS 36AAAAI7233A1Z6 23 KARNATAKA CO-OPERATIVE MILK PRODUCER\S FEDERATION -
The Rise, Decline and Renewals of Sramanic Religious Traditions Within
.DE Edition 2 online magazine THE RISE, DECLINE AND RENEWALS OF SRAMANIC RELIGIOUS TRADITIONS WITHIN INDIC CIVILISATION WITH PARTICULAR REFERENCE TO THE EVOLUTION OF JAIN SRAMANIC CULTURE AND ITS IMPACT ON THE INDIC CIVILIZATION by BAL PATIL, Member, Maharashtra State Minorities Commission, Government of Maharashtra, Mumbai PAPER READ IN Conference on Religions in Indic Civilisation New Delhi December 18 -21, 2003 Organised by Centre for the Study of Developing Societies in collaboration with International Association for the History of Religions and India International Centre, New Delhi .DE Edition 2 online magazine content PRE-ARYAN ROOTS........................................................................................................... 4 MISLEADING STEREOTYPES ABOUT JAINISM........................................................ 5 CHANDRAGUPTA MAURYA AND JAINISM ................................................................ 6 RADHA KUMUD MOOKERJI AND CHANDRAGUPTA MAURYA........................... 7 ASHOKA & JAINISM.......................................................................................................... 9 R. THAPAR , AND HISTORICAL SOURCES IN PURANAS AND VEDAS................. 9 E. H. CARR: WHAT IS HISTORY?................................................................................. 10 PROF. M. WITZEL & VEDIC AND ITIHASA-PURANA TRADITION...................... 12 RIGVEDIC TEXTS LIKE TAPE RECORDED RECITATION? .................................. 13 FALSITY OF WITZEL’S VEDIC HISTORIOGRAPHY.............................................. -
Epigraphy 02
STUDY MATERIAL FOR B.A HISTORY EPIGARPHY SEMESTER - VI, ACADEMIC YEAR 2020 - 21 UNIT CONTENTS PAGE Nr I INTRODUCTION TO EPIGRAPHY 02 II EVOLUTION OF SCRIPTS 09 III DATING SYSTEM 20 IV EMINENT EPIGRAPHISTS 22 V INSCRIPTIONS AND COPPER PLATES 28 Page 1 of 32 STUDY MATERIAL FOR B.A HISTORY EPIGARPHY SEMESTER - VI, ACADEMIC YEAR 2020 - 21 UNIT - I INDIAN EPIGRAPHY Epigraphy is a sine qua non for constructing the political and cultural history of ancient India. Generally, historical information is acknowledged as true when it is substantiated by an epigraphical record. In the study of the history of literature and language, epigraphy has a vital role to play. What is an inscription? The word epigraphy is derived from two Greek words viz., ‘epi’ which means ‘ upon’ and ‘graphie’ meaning ‘to write’. Epigraphy may be defined as any descriptive and analytical study of the inscriptions. The word ‘Inscription’ is most commonly used as a synonymous with epigraph. This word has been derived from a Latin word Inscribere, which also gives the meaning ‘to write upon.’ According to Dr. D. C. Sircar, “Inscription literally means only writing engraved on some object.” The Encyclopedia Britanica states that “Inscriptions are the documents, incised on some hard permanent material in the form of letters or other conventional signs, for the purpose of conveying some information or preserving a record. J. F. Fleet has tried to present a summed up description of inscription, like this: “The inscription are notifications, very frequently of an official character and generally more or less of a public nature, which recite facts, simple or complex, with or without dates and were intended to be lasting records of the matters to which they refer.” In India, rocks as well as lithic, metallic, earthen or wooden pillars, tablets, plates and pots and also bricks, sheets, ivory plaques and other objects were generally used for incising inscriptions.