William Faulkner
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A Rose for Emily”1
English Language & Literature Teaching, Vol. 17, No. 4 Winter 2011 Narrator as Collective ‘We’: The Narrative Structure of “A Rose for Emily”1 Ji-won Kim (Sejong University) Kim, Ji-won. (2011). Narrator as collective ‘we’: The narrative structure of “A Rose for Emily.” English Language & Literature Teaching, 17(4), 141-156. This study purposes to explore the narrative of fictional events complicated by a specific narrator, taking notice of his/her role as an internal focalizer as well as an external participant. In William Faulkner's "A Rose for Emily," the story of an eccentric spinster, Emily Grierson, is focalized and narrated by a townsperson, apparently an individual, but one who always speaks as 'we.' This tale-teller, as a first-hand witness of the events in the story, details the strange circumstances of Emily’s life and her odd relationships with her father, her lover, the community, and even the horrible secret hidden to the climactic moment at the end. The narrative 'we' has surely watched Emily for many years with a considerable interest but also with a respectful distance. Being left unidentified on purpose, this narrative agent, in spite of his/her vagueness, definitely knows more than others do and acts undoubtedly as a pivotal role in this tale of grotesque love. Seamlessly juxtaposing the present and the past, the collective ‘we’ suggests an important subject that the distinction between the past and the present is blurred out for Emily, for whom the indiscernibleness of time flow proves to be her hamartia. The focalizer-narrator describes Miss Emily in the same manner as he/she describes the South whose old ways have passed on by time. -
Finding Aid for the Faulkner Periodicals Collection (MUM00161)
University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Faulkner Periodicals Collection (MUM00161) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Faulkner Periodicals Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. Finding Aid for the Faulkner Periodicals Collection (MUM00161) Questions? Contact us! The Faulkner Periodicals Collection is open for research. Finding Aid for the Faulkner Periodicals Collection Table of Contents Descriptive Summary Administrative Information Subject Terms Collection History Scope and Content Note User Information Related Material Arrangement Container List Descriptive Summary Title: Faulkner Periodicals Collection Dates: 1930-1997 Collector: Wynn, Douglas C. ; Wynn, Leila Clark ; University of Mississippi. Dept. of Archives and Special Collections Physical Extent: 27 full Hollinger boxes ; 6 half boxes ; 1 oversize box ; 22 cartons (35.85 linear feet) Repository: University of Mississippi. Department of Archives and Special Collections. University, MS 38677, USA Identification: MUM00161 Language of Material: English Abstract: Collection of magazine and newspaper articles written by or concerning William Faulkner and University of Mississippi Yearbooks referencing Faulkner. Administrative Information Processing Information Collections processed by Archives and Special Collections staff. Series III-IV, Periodicals by Faulkner and Periodicals about Faulkner, originally processed by Jill Applebee and Amanda Strickland, August-September 1999. Multiple collections combined into single finding aid and encoded by Jason Kovari, August 2009. -
Gay Faulkner: Uncovering a Homosexual Presence in Yoknapatawpha and Beyond
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 1-1-2013 Gay Faulkner: Uncovering a Homosexual Presence in Yoknapatawpha and Beyond Phillip Andrew Gordon University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the American Literature Commons Recommended Citation Gordon, Phillip Andrew, "Gay Faulkner: Uncovering a Homosexual Presence in Yoknapatawpha and Beyond" (2013). Electronic Theses and Dissertations. 1391. https://egrove.olemiss.edu/etd/1391 This Dissertation is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. GAY FAULKNER: UNCOVERING A HOMOSEXUAL PRESENCE IN YOKNAPATAWPHA AND BEYOND A dissertation presented in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English The University of Mississippi by PHILLIP ANDREW GORDON June 2013 Copyright Phillip Andrew Gordon 2013 ALL RIGHTS RESERVED ABSTRACT This dissertation is a biographical study of William Faulkner (1897-1962) as his life coincided with a particular moment in LGBT history when the words homosexual and queer were undergoing profound changes and when our contemporary understanding of gay identity was becoming a widespread and recognizable epistemology. The connections forged in this study--based on archival research from Joseph Blotner’s extensive biographical notes--reveal a version of Faulkner distinctly not anxious about homosexuality and, in fact, often quite comfortable with gay men and living in gay environments (New Orleans, New York). From these connections, I reassess Faulkner’s pre-marriage writings (1918-1929) for their prolific reference to homosexual themes. -
Read Ebook {PDF EPUB} Requiem for a Nun by William Faulkner Requiem for a Nun by William Faulkner
Read Ebook {PDF EPUB} Requiem for a Nun by William Faulkner Requiem for a Nun by William Faulkner. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 6559efaf79e9f152 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Requiem for a Nun by William Faulkner. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. -
Faulkner S People (1963) U.Pdf
F26zk 63-24t;97 reference to collection ^""' book Kansas ''"'^ city ic library city, misuri faulkner's people UNIVERSITY OF CALIFORNIA PRESS Berkeley and Los Angeles, faulkner's %/ A COMPLETE GUIDE AND INDEX TO CHARACTERS IN THE FICTION OF WILLIAM FAULKNER BY ROBERT W. KIRK with MARVIN KLOTZ VLttMYY |' f!AUtrmMlA I'fttx* Bl'.ttKf.U<Y AW* I Oft A*t<l,tt'4 *<)C3 v THE t,r,<;;i';M'r8 v Tim LtHRARY Ol NC;i*,SS C IN run To Bruce R* McElderryf Jr. f mi wCJfoitutk&tain C HICK AS AW Mi tow* mt wklck imw few ft> x" -t H I L L S &rd*r tit reac PINE V 'i,i eo*lti\n9t ttotttt wttk\ ^^fk>^r5>?*t * * 1 - , /^^^CT'Ci , .v J> Md tttfan wpyt kilkd 7wwy J E F F E RS OH YOKNAPATAWPHA co, SfuzwJHil<&~fypufati0nWfa$t Nejproes, % ' FAUIKNER> The map of Jefferson, Yoknapauwpha Clqunty, rcprtluce4 in the 19 H Modem Library edition of Afemhm t INTRODUCTION TUB GUIDE includes approximately 1,200 named persons found in 19 novels and 94 short stories and sketches (21 o which, often in an extensively revised form, have been incorporated in the novels). About 175 of these persons are participants, or are mentioned, in more than one of Faulkner's fictional works. In addition to setting forth a brief description, chiefly as to function, of every named character in each story in which he (or she) is found, the Guide lists every page on which each character's name appears, whether the character is there taking part in the action or is merely referred to. -
William Faulkner and Sherwood Anderson
WILLIAM FAULKNER AND SHERWOOD ANDERSON: A STUDY OF A LITERARY RELATIONSHIP by GARY ANDREW FRAME B.A., University of British Columbia, 1963 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA September, 1968 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and Study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department The University of British Columbia Vancouver 8, Canada ii WILLIAM FAULKNER AND SHERWOOD ANDERSON: A STUDY OF A LITERARY RELATIONSHIP ABSTRACT This study explores the nature and extent of Sherwood Anderson's influence upon William Faulkner. It demonstrates, through the use of the comparative method, that Anderson's influence is a major and continuous one. The early New Orlean Sketches strongly echo and, at times, imitate Anderson's work. Faulkner's first novel, Soldiers' Pay, was not only written at Anderson's suggestion but also published through his influence. In Mosquitoes, Faulkner closely modeled his main character after Anderson. Anderson helped Faulkner to organize some of the "folk" material in that novel. Faulkner's early use of negro characters to embody a kind of sane, healthy alternative to the world of the whites may well have been encouraged by Anderson's example. -
Rondel De L'adieu Do Thi Hào Edmond Haraucourt Sáng Tác Năm 1890 Đã Partir, C’Est Mourir Un Peu, Được Nhạc Sĩ Paulo Tosti Phổ Nhạc Năm 1902 Theo Điệu Rondo
RONDEL DE L’ADIEU Bài thơ Rondel de l'Adieu do thi hào Edmond Haraucourt sáng tác năm 1890 đã Partir, c’est mourir un peu, được nhạc sĩ Paulo Tosti phổ nhạc năm 1902 theo điệu Rondo. Bài thơ danh tiếng này đã C’est mourir à ce qu’on aime : được khắc trên tấm bảng trước nhà tác giả ở On laisse un peu de soi-même số 5, Quai aux Fleurs, Paris. En toute heure et dans tout lieu. Sau đây là những câu thơ của vài thi sĩ C’est toujours le deuil d’un vœu, diễn tả cùng một cảm xúc: Le dernier vers d’un poème ; Nhớ nước đau lòng con quốc quốc Partir, c’est mourir un peu, Thương nhà mỏi miệng cái gia gia C’est mourir à ce qu’on aime. (Qua Đèo Ngang - Bà Huyện Thanh Quan) Et l’on part, et c’est un jeu, Đêm khuya khắc lậu canh tàn Et jusqu’à l’adieu suprême Gió cây trút lá, trăng ngàn ngậm gương C’est son âme que l’on sème, Lối mòn cỏ lạt màu sương Que l’on sème à chaque adieu : Lòng quê đi một bước đường một đau Partir, c’est mourir un peu… (Kim Vân Kiều - Nguyễn Du) Edmond Haraucourt (1856-1941) Nhật mộ hương quan hà xứ thị Yên ba giang thượng sử nhân sầu CA KHÚC BIỆT LY (Hoàng Hạc Lầu - Thôi Hộ) Kẻ ở người đi Ra đi, chết ở cõi lòng, Bối rối thay lúc phân kỳ Chết dần từng khúc nhớ nhung khôn lường: Gánh tương tư riêng nặng bề bề Ra đi lưu chút tình thương Thương thay người ở đôi quê Quanh năm ngày tháng, khắp phương gian trần. -
Hans H. Skei, William Faulkner: the Short Story Career. Oslo: Universitets- Forlaget, 1981
into literary works that were rich because of their ambiguities; into plots, characters, scenes, tone, and structure, novelists invested the paradoxes which their social mores and creative mission forced upon them. Witness the continuous emphasis on doubles, oppositions, contraries, and paradoxes in Twain, Howells, James, and lesser writers. Writers also found a shell of a so- cial role which they occupied in order to be mediators. This was the role of the gentry, not really vital in America since the Revolution. Writers tended to adopt the moral and behavioral codes of the gentry precisely because the gen- try class had become completely marginal by the end of the century, and thus provided writers with the semblance of a fixed position by which they could stand outside society yet criticize it from a superior position. (This analysis should help us to understand why, when the code of gentility finally crumb- led at the century's end, writers looked for another role that was socially criti- cal yet marginal - and adopted the point of view of radical revisionists. Writ- ers of the last quarter of the nineteenth century justified their marginal posi- tion by their adherence to the past; writers of the early twentieth-century ac- complished the same defensive claim by adherence to the future.) So much of Men, Women, and the Novel& is interesting and illuminating that I would have liked to see other lines of development followed. Certainly the roles of male and female novelists were ambiguous in very different ways; and the differences I believe, could be drawn. -
Arthur F. Kinney CRITICAL ESSAYS on WILLIAM FAULKNER: the SARTORIS FAMILY Boston: G
major work" but not "an unqualified success" p. 22) reveals Joyce's "realization that emotional, intellectual, and spiritual exile can be embodied in the domestic relation of the husband and wife ... crucial to his analysis of the artist's alienation from the community ..." (p. 24). Ulysses reveals "the possibility that the sympathy and compassion an ideal love would promote would enable man to escape the prison of self, to merge with the community"; but it also emphasizes "the enormous difficulty of realizing this ideal love" in the modern world (p. 28). Finally, in Finnegans Wake die theme extends to the audience "because comedy and complexity demand similar and corresponding abilities in the reader to participate emotionally and intellectually in the author's vision. Joyce views the individual's capacity for laughter as yet another index of his capacity for love; both love and laughter take the individual out of himself... and foster a communion of minds between the artist and his audience" (p. 31 ). The book "becomes the model for Joyce's theme of the transcendence of the ego, to commune with humanity through the celebration of die common connections within the community" (p. 33). From this bald summary, Rice's approach may seem reductive, but he does not claim to offer the key to an interpretation of his subject. Instead, it enables him to focus his account and view die corpus steadily, die parts in a coherent relationship to the whole. The approach does lead Rice to neglect Joyce's fictional strategies. He does not analyze die limited point of view and its relation to style in A Portrait of the Artist as a Young Man. -
Full Screen View
WILLIAM FAULKNER AND AVIATION: THE MAN AND THE MYTH by Walter I. Bostwick A Thesis Submitted to the Faculty of the College of Humanities in Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, Florida August 1981 WILLIAM FAULKNER AND AVIATION : THE MAN AND THE MYTH by Walter I. Bostwick This thesis was prepared under the direction of the candidate's thesis advisor, Dr. William T. Coyle, Department of English. It was submitted to the faculty of the College of Humanities and was accepted in partial fulfillment of the requirements for the degree of Master of Arts. SUPERVISORY COMMITTEE: of English So. /9?:1 anced Studies ii ABSTRACT Author: Walter I. Bostwick Title: William Faulkner and Aviation: The Man and the Myth Institution: Florida Atlantic University Degree: Master of Arts Year: 1981 In the years following World War I, William Faulkner implied to his family and acquaintances that he had been a pilot in the RAF. Some people even thought that he had flown combat missions in France and had been wounded. He maintained this fictitious persona throughout his life, and it was accepted by most scholars and biographers. Several of Faulkner's early works featured aviators as central charac- ters, and he treated them as romanticized, tragic heroes as he did Confederate cavalry officers. Pylon, which was written after he had actually started flying, reflects an awareness of the psychology of flying not seen in his earlier works. Faulkner's "wounded pilot" persona was only one facet of his imaginative and creative personality, but knowledge of this persona is necessary to the understanding of the man and thus . -
Provincialism, Duplicity, and Veneration: William Faulkner's S
Order Number 9417553 Provincialism, duplicity, and veneration: William Faulkner’s S nop es family Brown, Kenneth Mac, D.A. Middle Tennessee State University, 1993 UMI 300 N. Zeeb Rd. Ann Arbor, MI 48106 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Provincialism, Duplicity, and Veneration: William Faulkner's Snopes Family Kenneth Mac Brown A dissertation presented to the Graduate Faculty of Middle Tennessee State University in partial fulfillment of the requirements for the degree of Doctor of Arts December 1993 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Provincialism, Duplicity, and Veneration: William Faulkner's Snopes Family APPROVED : Graduate Committee: Major Professor Reader' ___________ Ouun^ CLiJ-'Q-.fLcA_______ Head of” the^nglish Department Dean of tljCfe Graduate School Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Abstract Provincialism, Duplicity, and Veneration: William Faulkner's Snopes Family by Kenneth Mac Brown Although since his death in 19 62, William Faulkner has received an enormous amount of critical attention most of these studies deal with what critics call his major works. However, inadequate critical focus is given to the Snopeses and Faulkner's Snopes trilogy. This is unfortunate since the Snopes family represents a significant segment of the Yoknapatawpha society. The development of the Snopes family spans a major portion of Faulkner's literary career, and thus their depiction is certainly not, as many critics suggest, an example of Faulkner's failing literary powers. Since first publication of the Snopes material, critics have tended either to ignore the Snopeses, to take a harsh view of them, or to dismiss them as rehashed Southwest humor. -
A Thematic Juxtaposition in the Fiction of William Faulkner
THE RATIONAL AND THE INTUITIVE: A THEMATIC JUXTAPOSITION IN THE FICTION OF WILLIAM FAULKNER A Thesis Presented to The School of Graduate Studies Drake University In Partial Fulf'illment of the Requirements for the Degree Master of Arts in English by Harriet Howell Custer December 1974 THE RATIONAL AND THE INTUITIVE: A THEMATIC JUXTAPOSITION IN THE FICTION OF WILLIAM FAULKNER by Harriet Howell CU9ter Approved by Committee: Cha.irman School of r ", «1 r-" • '; '\' r ..J., ,,)<LI';.) THE RATIONAL AND THE INTUITIVE: A THEMATIC JUXTAPOSITION IN THE FICTION OF WILLIAM FAULKNER An abstract of a Thesis by Harriet Howell Custer December 1974 Drake University Throughout the broad scope of William Faulkner's fiction a thematic pattern emerges which has hitherto been little dealt with by his critics. This pattern presents, initially, an exploration of the principles of rationality and intuition as opposing faculties of the human mind. For Faulkner, however, rationality and intuition could not be divorced from man's mental and sensual awareness. Through an examination of the manners in which various characters shape and react to experience, I hope to demonstrate the force and magnitude with which the rational/intuitive theme permeates Faulkner's fiction. Faulkner's characters range from those who are almost purely intuitive to those who rejeCt intuition and attempt to construct elaborate systems of thought without it. This is a metaphysical pattern which is evident throughout Faulkner's work; it becomes, however, far more prominent in his later novels. In the Snopes trilogy he sets up the rational/intuitive juxtaposition in terms of a conflict, between certain characters and within others, which must be resolved if modern man is to survive his propensity for self-destruction.