DOCSLIB.ORG

Reading Space and the Plantation in William Faulkner

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Reading Space and the Plantation in William Faulkner Building Yoknapatawpha: Reading Space and the Plantation in William Faulkner Edward Clough 0458406 Doctor of Philosophy University of East Anglia School of American Studies April 2014 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognize that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. i Abstract. This thesis is about the Southern plantation in Faulkner’s Yoknapatawpha fiction: how it is represented and constructed, how it is narratively articulated and experienced as both space and symbol. But as its full title suggests, Building Yoknapatawpha is equally about narrative structures and spaces too: about how Yoknapatawpha textually fits together; about how this spreading oeuvre was constructed by Faulkner and how it may equally be reconstructed by the reader. It is about both the reading of space and the space of reading – about how the architectural spaces and social order of the Southern plantation and the narrative structures of the novel inform, complement, and challenge one another, and how their affinity may ultimately be used to generate a new “spatialized” model of literary reading. Foregrounding tensions between narrative “details” and “design” and conceptions of “ruin” and “restoration”, this thesis explores how Faulkner’s Yoknapatawpha novels function simultaneously as “open” and “closed”. It considers how Absalom, Absalom! (1936) attempts to recuperate the repressed historical connections present in Flags in the Dust (1929), only to erase them once more through death, destruction, and narrative closure. It considers how Go Down, Moses (1942) offers models of black domesticity that resist the oppressions of segregation and lynching – but which are dispersed through black diaspora and narrative exclusion. It considers how The Mansion (1959) revises and integrates details from earlier Yoknapatawpha texts to create a richly layered textual space – but which is in constant tension with the process of the historical “whitening” of the Southern post-plantation landscape which it ultimately depicts. Building Yoknapatawpha concludes by attempting to resolve these tensions into a new model of literary reading: deconstructing Yoknapatawpha to reassemble it as a layered “mapping” of multiple parallel narrative paths and connective links, which resist the mastery – and erasure – imposed by linearity and closure. ii Contents. Abstract ii Contents iii Notes on Texts & Abbreviations vi List of Illustrations vii Acknowledgments viii Introduction. The Plantation & the Mansion i. [Reading Rowan Oak] 1 ii. Reading Space & the Birth of the Novel 7 iii. The Plantation: How the South was Built 12 iv. Rival Geographies & Resistant Reading 15 v. Passing: Darkened Plantation, Whitened Mansion 21 vi. Plotting & Reading: A Methodological Approach 25 vii. Details & Design: Chapter 1 27 viii. Faulkner & the Everyday: Chapter 2 30 ix. Ruin & Restoration: Chapter 3 34 x. Conclusions: Models for Spatialized Reading 36 Chapter 1. The Plantation System; or, Judith & Clytie’s Hundred I. Introduction: Maps & Thresholds 40 i. “We had ourselves a living map”: The Unvanquished 42 ii. Building Sutpen’s Hundred: Absalom, Absalom! 45 II. Mapping the Mansion: Repressed Connections in Flags in the Dust i. In Medias Res : A Structure of Returns 52 ii. Revenant Spaces: Old Bayard’s House-Tour 55 iii. The Doll’s House: The Benbow Mansion 62 iv. Lost Return: Caspey’s Failed Resistance 66 III. “So I went to the West Indies”: Recuperated Details & Reproduced Designs in Absalom, Absalom! i. Mapping Absalom, Absalom! 70 ii. Pettibone’s Shoes: Reading Sutpen’s Reproduction 76 iii IV. “…something that might make a mark on something that was once”: The Alternative Patterns of Judith’s Loom i. Eulalia’s Silence: The Space of Female Communities 82 ii. Caryatids: The Burden of Southern Womanhood 86 iii. “Aunt Judith”: Forming Judith & Clytie’s Hundred 93 iv. Weaving/Unraveling: Judith’s Ill-Fated Resistance 98 V. Resolving/Dissolving: Resistance & Autoeradication i. Ringo’s Sketchbook 102 ii. The Burning of Sutpen’s Hundred 105 iii. Ink Marks & Grave Markers: Writing & Self-Erasure 109 Chapter 2. The Plantation Site; or, White Maps, Black Routes I. Shadow of the Plantation: Black-White Division & the Everyday in Go Down, Moses i. The Bed, the Table: Marking Domestic Dynamics 114 ii. Legible & Illegible: the McCaslin Plantation Order 120 iii. The Failed Hearths of Mr. Hubert & Mr. Hubert 128 II. Violence & the Hearth: Lynching Practices & Black Domesticity in Light in August and Go Down, Moses i. Violent Suspension: Southern Lynching Culture 132 ii. In Lena’s Shoes: Everyday Identity in Light in August 137 iii. Sweeping the Yard, Lining the Grave 143 III. Passing Possibilities: Black-White Relations after Moses i. Intruder in the Dust and the Great Migration 156 ii. Building the Courthouse: Requiem for a Nun 161 Chapter 3. The Plantation Space; or, Loom of Her Father’s Dreams I. Ruin & Restoration: Passing & the Mansion i. The Many Mansions of The Mansion 169 ii. Post-structural Structures: Ruin &Restorative Violence 171 iii. Paths and Threads: Shaping Yoknapatawpha 179 II. The Vanishing Pear Tree: Ruin & Desire i. The Pear Tree & the Rainpipe: Cowley’s Dilemma 180 ii. Eula, White Trash Desire, & the Old Frenchman Place 185 iii. The Loss of the Pear Tree: “Appendix – Compson” 192 iv III. The Vanishing Plantation: Restorative Violence & the Rug i. Ruin & Passing: “Wash” & “Barn Burning” 194 ii. Picking the Anonymous Bones: Writing Pioneers 204 iii. The Rest is Silence: Flem, Linda, & Erasure 214 IV. Redemptive Sentences & the Ends of Yoknapatawpha i. Transported: The Othered Space of Parchman Farm 221 ii. Mink’s Return: Lost Paths & Derelict Structures 227 Conclusion. Deconstructing Yoknapatawpha, Expanding Yoknapatawpha i. Decentering & Difference: Resistant Readings 234 ii. Models for Reading: Maps, Cut-Ups, & Hypertext 238 iii. Yoknapatawpha & the View on Southern Spaces 244 Bibliography 248 v Note on Texts and Abbreviations. References to Faulkner’s fiction are made in parenthesis within the text, and use the abbreviated titles accepted by The Faulkner Journal and The Mississippi Quarterly . The abbreviations used in this thesis are listed below: AA Absalom, Absalom! CS Collected Stories of William Faulkner ESPL Essays, Speeches, and Public Letters (rev. ed.) FD Flags in the Dust GDM Go Down, Moses H The Hamlet ID Intruder in the Dust KG Knight’s Gambit LA Light in August M The Mansion PF The Portable Faulkner RN Requiem for a Nun S Sanctuary (1931 version) SF The Sound & the Fury T The Town US The Uncollected Stories U The Unvanquished vi List of Illustrations. Cover Photograph of Wakefield (1858), Holly Springs, Mississippi (Reproduced courtesy of the author ) * Fig. 1 Photograph of Rowan Oak, Oxford, Mississippi 2 (Reproduced courtesy of the author ) Fig. 2 Photograph of Rowan Oak, rear-view 5 (Reproduced courtesy of the author ) * Fig. 3 Graph of keywords in Yoknapatawpha novels (19 novels) 49 Fig. 4 Tom Gauld, untitled illustration of “Absalom, Absalom!” 71 (Reproduced courtesy of Tom Gauld ) Fig. 5 Tom Gauld, “Controls for ‘Rhett Butler; the Videogame’” 72 (Reproduced courtesy of Tom Gauld ) * Fig. 6 Table of mansion/plantation fates in Yoknapatawpha 175 Fig. 7 Approximate location of Yoknapatawpha mansions/plantations 176 Fig. 8 Map of mansions/plantations across Yoknapatawpha 177 vii Acknowledgments. Thanks, first and foremost, to Thomas Ruys Smith and Sarah Garland, who supervised this thesis, and its author’s progress, with such care and dedication. Thanks also to Sharon Monteith and Sarah Churchwell for examining this thesis with incisive thoroughness, and for offering such productive suggestions for both its immediate correction and its future development. Especial thanks are due to Sharon for her editorial comments above and beyond what might reasonably have been expected. Stephen Benson provided invaluable criticism of an earlier version of Chapter 2, and helped me gradually realize that it is in the details, above all else, that my love of Faulkner lies. A version of the discussion of lynching in Chapter 2 appears in the Mississippi Quarterly , issue 65.3 (Summer 2012); my thanks to the editors and anonymous readers for their highly productive comments and encouragement. Thanks are also due to Tom Gauld, who not only kindly gave permission to reproduce his cartoons but supplied high-definition versions. Last, but by no means least, I offer my gratitude to my parents for all their enduring support. viii Introduction. In the spring of 1930, William Faulkner purchased the Sheegog-Bailey place, a dilapidated plantation mansion on the outskirts of his hometown of Oxford, Mississippi. Faulkner was then 32, an author of four novels finally beginning to find his literary voice. In the two novels he had published the previous year – Sartoris and The Sound and the Fury – he had conceived and begun to develop his fictional county of Yoknapatawpha (at this point called “Yocona”), and made his first substantial venture into modernist experimentation. His novels had been critically well-received but without securing popular or financial success. His prospects as a professional author remained uncertain, but he had also recently acquired a family, marrying his childhood sweetheart, Estelle Oldham, and adopting her two children from her previous
Load more

Recommended publications
  • Tim Youd Retypes William Gass's the Tunnel
    Press contact: Eddie Silva 314.446.7496 [email protected] FOR IMMEDIATE RELEASE Artist Tim Youd retypes St. Louis author William Gass’s The Tunnel on live video stream Tim Youd at the Contemporary Art Museum St. Louis in 2018. April 27, 2020 (St. Louis, MO) - The Contemporary Art Museum St. Louis (CAM), with Cristin Tierney Gallery, announces a live-stream, remote durational performance by Tim Youd, who will retype William Gass’s epic novel, The Tunnel, from the artist’s garage in his Los Angeles home, beginning Friday, May 1, 2020, at 11:00 am CST. Youd expects to complete the 650-page novel in 31 days, ending on May 31, his longest retyping performance to date. Youd refers to Gass’s work as a “densely postmodern” novel about becoming increasingly trapped in one’s own circumstances and in one’s own mind.” For Youd, his performative act will be akin to “tunneling out of the quarantine.” Viewers may follow Tim Youd: The Tunnel Retyped by visiting tunnelretyped.com, where they may link to the live YouTube video stream, from 11:00 am to 4:00 pm CST each day. The artist will be visited by a guest close to the project on Instagram Live each Friday at 1:00 pm, beginning with Lisa Melandri, CAM Executive Director, on May 1. Each subsequent Friday Youd will speak with Misa Jeffereis, assistant curator at CAM; Allison Unruh, Brooklyn-based independent curator and former associate curator of the Mildred Lane Kemper Art Museum; and Cristin Tierney, director of her eponymously named New York City gallery, which represents Youd.
    [Show full text]
  • Oxford, Mississippi
    Pick up a copy of our Walking Tour Guide” and take a stroll through Oxford’s historic neighborhoods. xford, Mississippi was incorporated in May of 1837, the lives of Oxford residents, as well as University students, such Welcomeand was built on land that had onceto belonged Oxford, as Mississippi... the University Greys, a group of students decimated at the to the Chickasaw Indian Nation. The town was Battle of Gettysburg. established on fifty acres, which had been conveyed During the Civil Rights movement, Oxford again found itself in the Oto the county by three men, John Chisholm, John J. middle of turmoil. In 1962, James Meredith entered the University Craig and John D. Martin. The men had purchased the land from of Mississippi as the first African American student. two Chickasaw Indians, HoKa and E Ah Nah Yea. Since that time, Oxford has thrived. The city is now known as the Lafayette County was one of 13 counties that had been created home of Nobel Prize winning author William Faulkner and has in February of 1836 by the state legislature. Most of the counties been featured as a literary destination in publications such as were given Chickasaw names, but Lafayette was named for Conde Nast Traveler, Southern Living and Garden and Gun. Many Marquis de Lafayette, the young French aristocrat who fought writers have followed in Faulkner’s footsteps, making Oxford alongside the Americans during the Revolutionary War. their home over the years and adding to Oxford’s reputation as a The Mississippi Legislature voted in 1841 to make Oxford the literary destination.
    [Show full text]
  • The Blind Man, the Idiot, and the Prig: Faulkner's Disdain for the Reader
    THE BLIND MAN, THE IDIOT,AND THE PRIG: FAULKNER’S DISDAIN FOR THE READER1 GENE C. FANT, JR. William Faulkner’s disdain for the reader surfaces in his narrative approach in three novels: Sanctuary, The Sound and the Fury, and Absalom, Absalom! Frustrated with the failure of contemporary critics and general readers to wrestle with his style, he asserts authorial power over his audience. Three particular characters come to symbolize, in part, the general reader. In Sanctuary, Faulkner undermines the senses, leading the reader to identify with the blind-deaf-mute, Pap Goodwin. In The Sound and the Fury, the reader’s demands for narrative order find a parallel in the idiot Benjy Compson. In Absalom, Absalom!, Faulkner depicts the overactive reader in the priggish Shreve McCannon, who reshapes the story. Each character pro- vides insight into the total dependence of the audience upon the narrator and the overall epistemological ramifications of narrative itself. By 1928, William Faulkner was an experienced novelist, with Soldier’s Pay and Mosquitoes published and a third completed manuscript (which became Sartoris), under his authorial belt. His experiences as a novelist, however, frus- trated him as his sales lagged and his critical reception proved underwhelming. He felt underappreciated and misunderstood, as his own recollections give evidence.2 When Faulkner wrote The Sound and the Fury and Sanctuary, the two major works of 1928–29, he made a step in his approach to writing that ele- vated his prose: he stopped writing for the “ideal” reader, regardless of the con- sequences. Up until that time, Faulkner had taken a fairly traditional approach to relating a story with fairly ordered plots and narrative points of view.
    [Show full text]
  • Novels 1926-1929 PDF Book
    NOVELS 1926-1929 PDF, EPUB, EBOOK William Faulkner | 1170 pages | 16 Oct 2014 | The Library of America | 9781931082891 | English | New York, United States Novels 1926-1929 PDF Book Tuttle, Frank. Wikipedia: To ask other readers questions about Novels, , please sign up. The Blue Window Temple Bailey 1. Roper's Row Warwick Deeping 6. Welcome back. Sedgwick, Edward. Wood, Sam. Indeed, one of the most popular fashion stars of the early twenties was tennis star Suzanne Lenglen whose short sleeved, pleated tennis dress and bandeau were created for her by Patou Pel Made in plain, easily laundered fabrics, these were convenient for mothers and enabled much more freedom of movement for babies at the crawling stage and toddlers than traditional cumbersome petticoats. Product Details. Fashion since See all locations. Mosquitoes by William Faulkner 3. Timeline Entries. Jazz Age Stories. Frankie und Johnny. The Uncollected Stories of William Faulkner. Brenon, Herbert. Read it Forward Read it first. Barrington 5. The Rosary by William Faulkner it was amazing 5. While the designers mentioned above created and sold their styles, as did department stores and the like, the simplicity of the prevailing mode throughout the twenties made it easy for women of all means to recreate those styles at home. World of Art. Elynor rated it it was amazing Mar 28, Practical Hints on Acting for the Cinema. Hardcover —. About The Author. Use current location. Bayard the younger, Sartoris is the first novel Faulkner located in Yoknapatawpha County where he would go on to set fourteen more novels. Average Rating:. Just a moment while we sign you in to your Goodreads account.
    [Show full text]
  • An Annotated Bibliography of William Faulkner, 1967-1970
    Studies in English Volume 12 Article 3 1971 An Annotated Bibliography of William Faulkner, 1967-1970 James Barlow Lloyd University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/ms_studies_eng Part of the American Literature Commons Recommended Citation Lloyd, James Barlow (1971) "An Annotated Bibliography of William Faulkner, 1967-1970," Studies in English: Vol. 12 , Article 3. Available at: https://egrove.olemiss.edu/ms_studies_eng/vol12/iss1/3 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Studies in English by an authorized editor of eGrove. For more information, please contact [email protected]. Lloyd: Faulkner Bibliography An Annotated Bibliography of William Faulkner, 1967—1970 by James Barlow Lloyd This annotated bibliography of books and articles published about William Faulkner and his works between January, 1967, and the summer of 1970 supplements such existing secondary bibliog­ raphies as Maurice Beebe’s checklists in the Autumn 1956 and Spring 1967 issues of Modern Fiction Studies; Linton R. Massey’s William Faulkner: “Man Working” 1919-1962: A Catalogue of the William Faulkner Collection of the University of Virginia (Charlottesville: Bibliographic Society of the University of Virginia, 1968); and O. B. Emerson’s unpublished doctoral dissertation, “William Faulkner’s Literary Reputation in America” (Vanderbilt University, 1962). The present bibliography begins where Beebe’s latest checklist leaves off, but no precise termination date can be established since publica­ tion dates for periodicals vary widely, and it has seemed more useful to cover all possible material than to set an arbitrary cutoff date.
    [Show full text]
  • William Faulkner I 89 7-19 62
    WILLIAM FAULKNER I 89 7-19 62 Faulkner was born in New Albany, Mississippi, to a family that had once included wealthy and pow- erful people ruined by the Civil Var. His great- grandfather was a popular novelist, and this ancestor served, like other family members, as a model from whom Faulkner drew traits used in composing the characters in his fiction. He attended the Universiry of Mississippi in Oxford before and after his service in the Royal Canadian Air Force in World Var I. Thereafter, he lived in Oxford for most of his life, though he spent much time in Hollywood as a screenwriter. It was in New Orleans, though, that his literary career began' There he met Sherwood Anderson, who encour- aged him ro rurn from poetry to fiction and helped him get his first novel published. His lifetime's work, which eventually won Faulkner a Nobel Ptize in 1950, is largely a depiction of life in his fictional Yoknapatawpha County, an imaginative reconstruction of the area adlacent to Oxford. Faulkner was a Pas- sionately devoted hunter, and his love of the disappearing wilderness is expressed in many of his tales. He soughr our rhe honor and courage of people thwarted by circumstance, and the sum of his writing testifies to his faith that these virtues will prevail despite the corruptions of modern life. His major novels *ere irostly the product of a prodigious decade of creative effort. They include The Sound and the Furl (1929), As I Lajt DYing (1930), sanctuaryr (1931), Light in Augwst (1932), Absalom, Absalom! (1,936),Wild Palms (1939), and The Ham- tet (Ig40).
    [Show full text]
  • Guide to the Falkner/Faulkner Family Collection, 1770S-1980S
    Guide to the Falkner/Faulkner Family Collection, 1770s-1980s Archives & Special Collections - Cheng Library William Paterson University By: Trudi Van Dyke Ed. by Robert Wolk September, 2006 Descriptive Summary: Creator: Dr. Donald Philip Duclos Donated by: Dr. Stephen Hahn, Associate Provost & Professor of English Title: Guide to the Falkner/Faulkner Family Collection Dates: 1770s- 1980s Quantity: Research-Related/Scholarly Materials: 1 Box Microfilm, Slides, Books, Framed Items: 1 Box Abstract: Collection contains items on the Falkner/Faulkner families, and scholarly materials created by Prof. Donald Duclos related to his doctoral dissertation (1961) at the University of Michigan on Colonel William C. Falkner, an author, politician, lawyer, businessman and soldier, who resided in Mississippi during the 1800s. Duclos’ dissertation, Son of Sorrow: The Life, Works and Influence of Colonel William C. Falkner, 1825-1889, was published by International Scholars Publications in 1998. The collection also contains items relating to various other members of the Falkner family, including the Colonel’s great-grandson, the Nobel Prize-winning author, William Faulkner. ________________________________________________ Biographical Sketches Falkner, William Clark, July 6, 1825-November 6, 1889 William Clark Falkner was born in Knox County, Tennessee on July 6, 1825, but lived most of his life in Mississippi, eventually becoming a long-term resident of the town of Ripley. Falkner was a prominent lawyer, politician, businessman and soldier, serving in both the Mexican War and the American Civil War, and ultimately rising to the rank of Colonel in the Confederate Army. He was also a prolific author, composing several poems, plays and novels, including The White Rose of Memphis, Rapid Ramblings in Europe and The Siege of Monterey.
    [Show full text]
  • Finding Aid for the Rowan Oak Papers (MUM00172)
    University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Rowan Oak Papers (MUM00172) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Rowan Oak Papers, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. Finding Aid for the Rowan Oak Papers (MUM00172) Questions? Contact us! The Rowan Oak Papers are open for research. Visiting scholars, graduate students, and qualified researchers are requested to complete a form (.pdf) governing the use of the Rowan Oak Papers before their visit to the University of Mississippi. Finding Aid for the Rowan Oak Papers Table of Contents Descriptive Summary Administrative Information Subject Terms Historical Note Scope and Content Note User Information Related Material Arrangement Container List Descriptive Summary Title: Rowan Oak Papers Dates: 1927-1938 Collector: Faulkner, William, 1897-1962 Physical Extent: 4 boxes (1.668 linear feet) Repository: University of Mississippi. Department of Archives and Special Collections. University, MS 38677, USA Identification: MUM00172 Language of Material: English Abstract: Several thousand sheets of autograph and typescript drafts of poems, short stories, film scripts and novels written by Faulkner in some of his most creative years, between 1925 and 1939. Administrative Information Acquisition Information Manuscripts acquired by the University of Mississippi from Mrs. Estelle Oldham Faulkner. Processing Information Collection processed by Archives and Special Collections staff.
    [Show full text]
  • My Life with Faulkner and Brodsky
    A Tribute to L. D. Brodsky: Excerpts from My Life with Faulkner and Brodsky Robert W. Hamblin On a Saturday morning in March 1978, I drove down a hallway to a conference room where we took to Farmington, Missouri, a little more than an hour’s seats at a long table. We talked for a while about our drive northwest of Cape Girardeau, to meet with Louis mutual interest in Faulkner; then he excused himself and Daniel Brodsky. L. D. had instructed me to meet him in left the room. When he returned he held a large safe- the lobby of the Mercantile Bank on the town square. I deposit box. He placed it on the table, opened it, reached arrived a little early and took a seat that offered a good inside, and lifted an object delicately wrapped in soft, view of the front door. I wondered what this Faulkner white tissue paper. I was quite impressed when he collector would look like, how old he was, whether I removed the wrapping and laid the book before me on could guess his identity when he entered the bank. the table. It was a first edition of The Sound and the I didn’t have to wait long, and I knew it was he Fury. L. D. opened the book to the title page, on which I as soon as he stepped inside the door. He was of medium saw, in small, meticulous handwriting, Faulkner’s height, muscularly built, with alert, friendly eyes and personal signature. I had never seen a first edition of long, curly brown hair.
    [Show full text]
  • Finding Aid for the Faulkner Periodicals Collection (MUM00161)
    University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Faulkner Periodicals Collection (MUM00161) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Faulkner Periodicals Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. Finding Aid for the Faulkner Periodicals Collection (MUM00161) Questions? Contact us! The Faulkner Periodicals Collection is open for research. Finding Aid for the Faulkner Periodicals Collection Table of Contents Descriptive Summary Administrative Information Subject Terms Collection History Scope and Content Note User Information Related Material Arrangement Container List Descriptive Summary Title: Faulkner Periodicals Collection Dates: 1930-1997 Collector: Wynn, Douglas C. ; Wynn, Leila Clark ; University of Mississippi. Dept. of Archives and Special Collections Physical Extent: 27 full Hollinger boxes ; 6 half boxes ; 1 oversize box ; 22 cartons (35.85 linear feet) Repository: University of Mississippi. Department of Archives and Special Collections. University, MS 38677, USA Identification: MUM00161 Language of Material: English Abstract: Collection of magazine and newspaper articles written by or concerning William Faulkner and University of Mississippi Yearbooks referencing Faulkner. Administrative Information Processing Information Collections processed by Archives and Special Collections staff. Series III-IV, Periodicals by Faulkner and Periodicals about Faulkner, originally processed by Jill Applebee and Amanda Strickland, August-September 1999. Multiple collections combined into single finding aid and encoded by Jason Kovari, August 2009.
    [Show full text]
  • WILLIAM FAULKNER, Collected Stories
    WILLIAM FAULKNER Collected Stories Contents I. THE COUNTRY Barn Burning Shingles for the Lord The Tall Men A Bear Hunt Two Soldiers Shall Not Perish II. THE VILLAGE A Rose for Emily Hair Centaur in Brass Dry September Death Drag Elly Uncle Willy Mule in the Yard That Will Be Fine That Evening Sun III. THE WILDERNESS Red Leaves A Justice A Courtship Lo! IV. THE WASTELAND Ad Astra Victory Crevasse Turnabout All the Dead Pilots V. THE MIDDLE GROUND Wash Honor Dr. Martin Fox Hunt Pennsylvania Station Artist at Home The Brooch Grandmother Millard Golden Land There Was a Queen Mountain Victory VI. BEYOND Beyond Black Music The Leg Mistral Divorce in Naples Carcassonne I THE COUNTRY Barn Burning Shingles for the Lord The Tall Men A Bear Hunt Two Soldiers Shall Not Perish Barn Burning THE STORE in which the Justice of the Peace's court was sitting smelled of cheese. The boy, crouched on his nail keg at the back of the crowded room, knew he smelled cheese, and more: from where he sat he could see the ranked shelves close-packed with the solid, squat, dynamic shapes of tin cans whose labels his stomach read, not from the lettering which meant nothing to his mind but from the scarlet devils amid the silver curve of fish this, the cheese which he knew he smelled and the hermetic meat which his intestines believed he smelled coming in intermittent gusts momentary and brief between the other constant one, the smell and sense just a little of fear because mostly of despair and grief, the old fierce pull of blood.
    [Show full text]
  • Gay Faulkner: Uncovering a Homosexual Presence in Yoknapatawpha and Beyond
    University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 1-1-2013 Gay Faulkner: Uncovering a Homosexual Presence in Yoknapatawpha and Beyond Phillip Andrew Gordon University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the American Literature Commons Recommended Citation Gordon, Phillip Andrew, "Gay Faulkner: Uncovering a Homosexual Presence in Yoknapatawpha and Beyond" (2013). Electronic Theses and Dissertations. 1391. https://egrove.olemiss.edu/etd/1391 This Dissertation is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. GAY FAULKNER: UNCOVERING A HOMOSEXUAL PRESENCE IN YOKNAPATAWPHA AND BEYOND A dissertation presented in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English The University of Mississippi by PHILLIP ANDREW GORDON June 2013 Copyright Phillip Andrew Gordon 2013 ALL RIGHTS RESERVED ABSTRACT This dissertation is a biographical study of William Faulkner (1897-1962) as his life coincided with a particular moment in LGBT history when the words homosexual and queer were undergoing profound changes and when our contemporary understanding of gay identity was becoming a widespread and recognizable epistemology. The connections forged in this study--based on archival research from Joseph Blotner’s extensive biographical notes--reveal a version of Faulkner distinctly not anxious about homosexuality and, in fact, often quite comfortable with gay men and living in gay environments (New Orleans, New York). From these connections, I reassess Faulkner’s pre-marriage writings (1918-1929) for their prolific reference to homosexual themes.
    [Show full text]