Torah Lesson 1 Tanach: Getting to Know You
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JEWS and JAZZ (Lorry Black and Jeff Janeczko)
UNIT 8 JEWS, JAZZ, AND JEWISH JAZZ PART 1: JEWS AND JAZZ (Lorry Black and Jeff Janeczko) A PROGRAM OF THE LOWELL MILKEN FUND FOR AMERICAN JEWISH MUSIC AT THE UCLA HERB ALPERT SCHOOL OF MUSIC UNIT 8: JEWS, JAZZ, AND JEWISH JAZZ, PART 1 1 Since the emergence of jazz in the late 19th century, Jews have helped shape the art form as musicians, bandleaders, songwriters, promoters, record label managers and more. Working alongside African Americans but often with fewer barriers to success, Jews helped jazz gain recognition as a uniquely American art form, symbolic of the melting pot’s potential and a pluralistic society. At the same time that Jews helped establish jazz as America’s art form, they also used it to shape the contours of American Jewish identity. Elements of jazz infiltrated some of America’s earliest secular Jewish music, formed the basis of numerous sacred works, and continue to influence the soundtrack of American Jewish life. As such, jazz has been an important site in which Jews have helped define what it means to be American, as well as Jewish. Enduring Understandings • Jazz has been an important platform through which Jews have helped shape the pluralistic nature of American society, as well as one that has shaped understandings of American Jewish identity. • Jews have played many different roles in the development of jazz, from composers to club owners. • Though Jews have been involved in jazz through virtually all phases of its development, they have only used it to express Jewishness in a relatively small number of circumstances. -
The Hebrew-Jewish Disconnection
Bridgewater State University Virtual Commons - Bridgewater State University Master’s Theses and Projects College of Graduate Studies 5-2016 The eH brew-Jewish Disconnection Jacey Peers Follow this and additional works at: http://vc.bridgew.edu/theses Part of the Reading and Language Commons Recommended Citation Peers, Jacey. (2016). The eH brew-Jewish Disconnection. In BSU Master’s Theses and Projects. Item 32. Available at http://vc.bridgew.edu/theses/32 Copyright © 2016 Jacey Peers This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. THE HEBREW-JEWISH DISCONNECTION Submitted by Jacey Peers Department of Graduate Studies In partial fulfillment of the requirements For the Degree of Master of Arts in Teaching English to Speakers of Other Languages Bridgewater State University Spring 2016 Content and Style Approved By: ___________________________________________ _______________ Dr. Joyce Rain Anderson, Chair of Thesis Committee Date ___________________________________________ _______________ Dr. Anne Doyle, Committee Member Date ___________________________________________ _______________ Dr. Julia (Yulia) Stakhnevich, Committee Member Date 1 Acknowledgements I would like to thank my mom for her support throughout all of my academic endeavors; even when she was only half listening, she was always there for me. I truly could not have done any of this without you. To my dad, who converted to Judaism at 56, thank you for showing me that being Jewish is more than having a certain blood that runs through your veins, and that there is hope for me to feel like I belong in the community I was born into, but have always felt next to. -
Antisemitism 2.0”—The Spreading of Jew-Hatredonthe World Wide Web
MonikaSchwarz-Friesel “Antisemitism 2.0”—The Spreading of Jew-hatredonthe World Wide Web This article focuses on the rising problem of internet antisemitism and online ha- tred against Israel. Antisemitism 2.0isfound on all webplatforms, not justin right-wing social media but alsoonthe online commentary sections of quality media and on everydayweb pages. The internet shows Jew‐hatred in all its var- ious contemporary forms, from overt death threats to more subtle manifestations articulated as indirect speech acts. The spreading of antisemitic texts and pic- tures on all accessibleaswell as seemingly non-radical platforms, their rapid and multiple distribution on the World Wide Web, adiscourse domain less con- trolled than other media, is by now acommon phenomenon within the spaceof public online communication. As aresult,the increasingimportance of Web2.0 communication makes antisemitism generallymore acceptable in mainstream discourse and leadstoanormalization of anti-Jewishutterances. Empirical results from alongitudinalcorpus studyare presented and dis- cussed in this article. They show how centuries old anti-Jewish stereotypes are persistentlyreproducedacross different social strata. The data confirm that hate speech against Jews on online platforms follows the pattern of classical an- tisemitism. Although manyofthem are camouflaged as “criticism of Israel,” they are rooted in the ancient and medieval stereotypes and mental models of Jew hostility.Thus, the “Israelization of antisemitism,”¹ the most dominant manifes- tation of Judeophobia today, proves to be merelyanew garb for the age-old Jew hatred. However,the easy accessibility and the omnipresenceofantisemitism on the web 2.0enhancesand intensifies the spreadingofJew-hatred, and its prop- agation on social media leads to anormalization of antisemitic communication, thinking,and feeling. -
The Relationship Between Targum Song of Songs and Midrash Rabbah Song of Songs
THE RELATIONSHIP BETWEEN TARGUM SONG OF SONGS AND MIDRASH RABBAH SONG OF SONGS Volume I of II A thesis submitted to The University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2010 PENELOPE ROBIN JUNKERMANN SCHOOL OF ARTS, HISTORIES, AND CULTURES TABLE OF CONTENTS VOLUME ONE TITLE PAGE ............................................................................................................ 1 TABLE OF CONTENTS ............................................................................................. 2 ABSTRACT .............................................................................................................. 6 DECLARATION ........................................................................................................ 7 COPYRIGHT STATEMENT ....................................................................................... 8 ACKNOWLEDGMENTS AND DEDICATION ............................................................... 9 CHAPTER ONE : INTRODUCTION ........................................................................... 11 1.1 The Research Question: Targum Song and Song Rabbah ......................... 11 1.2 The Traditional View of the Relationship of Targum and Midrash ........... 11 1.2.1 Targum Depends on Midrash .............................................................. 11 1.2.2 Reasons for Postulating Dependency .................................................. 14 1.2.2.1 Ambivalence of Rabbinic Sources Towards Bible Translation .... 14 1.2.2.2 The Traditional -
The King Who Will Rule the World the Writings (Ketuvim) Mako A
David’s Heir – The King Who Will Rule the World The Writings (Ketuvim) Mako A. Nagasawa Last modified: September 24, 2009 Introduction: The Hero Among ‘the gifts of the Jews’ given to the rest of the world is a hope: A hope for a King who will rule the world with justice, mercy, and peace. Stories and legends from long ago seem to suggest that we are waiting for a special hero. However, it is the larger Jewish story that gives very specific meaning and shape to that hope. The theme of the Writings is the Heir of David, the King who will rule the world. This section of Scripture is very significant, especially taken all together as a whole. For example, not only is the Book of Psalms a personal favorite of many people for its emotional expression, it is a prophetic favorite of the New Testament. The Psalms, written long before Jesus, point to a King. The NT quotes Psalms 2, 16, and 110 (Psalm 110 is the most quoted chapter of the OT by the NT, more frequently cited than Isaiah 53) in very important places to assert that Jesus is the King of Israel and King of the world. The Book of Chronicles – the last book of the Writings – points to a King. He will come from the line of David, and he will rule the world. Who will that King be? What will his life be like? Will he usher in the life promised by God to Israel and the world? If so, how? And, what will he accomplish? How worldwide will his reign be? How will he defeat evil on God’s behalf? Those are the major questions and themes found in the Writings. -
Jewish Giants of Music
AMERICAN JEWISH HISTORICAL SOCIETY Fall 2004/Winter 2005 Jewish Giants of Music Also: George Washington and the Jews Yiddish “Haven to Home” at the Theatre Library of Congress Posters Milken Archive of American Jewish Music th Anniversary of Jewish 350 Settlement in America AMERICAN JEWISH HISTORICAL SOCIETY Fall 2004/Winter 2005 ~ OFFICERS ~ CONTENTS SIDNEY LAPIDUS President KENNETH J. BIALKIN 3 Message from Sidney Lapidus, 18 Allan Sherman Chairman President AJHS IRA A. LIPMAN LESLIE POLLACK JUSTIN L. WYNER Vice Presidents 8 From the Archives SHELDON S. COHEN Secretary and Counsel LOUISE P. ROSENFELD 12 Assistant Treasurer The History of PROF. DEBORAH DASH MOORE American Jewish Music Chair, Academic Council MARSHA LOTSTEIN Chair, Council of Jewish 19 The First American Historical Organizations Glamour Girl GEORGE BLUMENTHAL LESLIE POLLACK Co-Chairs, Sports Archive DAVID P. SOLOMON, Treasurer and Acting Executive Director BERNARD WAX Director Emeritus MICHAEL FELDBERG, PH.D. Director of Research LYN SLOME Director of Library and Archives CATHY KRUGMAN Director of Development 20 HERBERT KLEIN Library of Congress Director of Marketing 22 Thanksgiving and the Jews ~ BOARD OF TRUSTEES ~ of Pennsylvania, 1868 M. BERNARD AIDINOFF KENNETH J. BIALKIN GEORGE BLUMENTHAL SHELDON S. COHEN RONALD CURHAN ALAN M. EDELSTEIN 23 George Washington RUTH FEIN writes to the Savannah DAVID M. GORDIS DAVID S. GOTTESMAN 15 Leonard Bernstein’s Community – 1789 ROBERT D. GRIES DAVID HERSHBERG Musical Embrace MICHAEL JESSELSON DANIEL KAPLAN HARVEY M. KRUEGER SAMUEL KARETSKY 25 Jews and Baseball SIDNEY LAPIDUS PHILIP LAX in the Limelight IRA A. LIPMAN NORMAN LISS MARSHA LOTSTEIN KENNETH D. MALAMED DEBORAH DASH MOORE EDGAR J. -
The New Reform Temple of Berlin: Christian Music and Jewish Identity During the Haskalah
THE NEW REFORM TEMPLE OF BERLIN: CHRISTIAN MUSIC AND JEWISH IDENTITY DURING THE HASKALAH Samuel Teeple A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2018 Committee: Arne Spohr, Advisor Eftychia Papanikolaou © 2018 Samuel Teeple All Rights Reserved iii ABSTRACT Arne Spohr, Advisor During the first decades of the nineteenth century, Israel Jacobson (1768-1828) created a radically new service that drew upon forms of worship most commonly associated with the Protestant faith. After finding inspiration as a student in the ideas of the Haskalah, or Jewish Enlightenment, Jacobson became committed to revitalizing and modernizing Judaism. Musically, Jacobson’s service was characterized by its use of songs modeled after Lutheran chorales that were sung by the congregation, organ accompaniment, choral singing, and the elimination of the traditional music of the synagogue, a custom that had developed over more than a millennium. The music of the service worked in conjunction with Protestant-style sermons, the use of both German and Hebrew, and the church- and salon-like environments in which Jacobson’s services were held. The music, liturgy, and ceremonial of this new mode of worship demonstrated an affinity with German Protestantism and bourgeois cultural values while also maintaining Judaism’s core beliefs and morals. In this thesis, I argue that Jacobson’s musical agenda enabled a new realization of German-Jewish identity among wealthy, acculturated Jews. Drawing upon contemporary reports, letters, musical collections, and similar sources, I place the music of Reform within its wider historical, political, and social context within the well-documented services at the Jacobstempel in Seesen and the New Reform Temple in Berlin. -
Works of Bach Include Allusions Revealing Anti- Jewish Attitudes Professor Will Discuss Composer’S ‘Contempt’ in Rutgers Program
2/6/2019 Works of Bach include allusions revealing anti-Jewish attitudes | New Jersey Jewish News Works of Bach include allusions revealing anti- Jewish attitudes Professor will discuss composer’s ‘contempt’ in Rutgers program By DEBRA RUBIN February 4, 2019, 11:05 am Johann Sebastian Bach — Marissen says performance of his works should be an “educational opportunity.” Johann Sebastian Bach, the 18th-century German musician, is considered one of the greatest classical music composers — by many, the greatest — of all time. But unknown to many of his modern listeners, a number of his cantatas and librettos are lled with blatant expressions of the religious anti-Semitism of his time. The choral accompaniments are based on the anti-Semitism inherent in the Lutheran Church of the period as proclaimed by Martin Luther, a seminal gure in the Protestant Reformation and a staunch anti-Semite. “In some cases, it is explicit and people sometimes don’t know it because it’s in German,” said Michael Marissen, the Daniel Underhill Professor Emeritus of Music at Swarthmore College in Pennsylvania. “Some people say it’s the music that counts, but I think that’s ethically lazy.” Marissen is a scholar of medieval, Renaissance, Baroque, and classical European music, and he has written several books on Bach and Handel, including: “Bach & God,” “Lutheranism, Anti-Judaism, and Bach’s St. John Passion,” and “Tainted Glory in Handel’s Messiah.” On Wednesday, Feb. 20, Marissen will present “Religious Contempt in the Music of Bach” at Rutgers University’s Mason Gross Performing Arts Center in New Brunswick; he will focus on the composer’s attitudes toward Jews and https://njjewishnews.timesofisrael.com/works-of-bach-include-allusions-revealing-anti-jewish-attitudes/ 1/3 2/6/2019 Works of Bach include allusions revealing anti-Jewish attitudes | New Jersey Jewish News Judaism. -
Antisemitism
Antisemitism Hatred of Jews as a people or of "the Jew" as a concept. The term “antisemitism” was first coined in the late 1870s, subsequently it is used with reference to all types of Jew-hatred - both historical and contemporary. The word itself comes from the idea that Hebrew belongs to the Semitic language family, and thus Jews must be "Semites." Many other languages also belong to the Semitic language family, such as Arabic and Amharic, and therefore other cultures could also be called "Semites." However, there is no such thing as "Semitism" and no other groups have ever been included in the hatred and prejudice denoted by antisemitism. The word itself is a good example of how, during the late nineteenth century, Jew-haters pretended that their hatred had its basis in scholarly and scientific ideas. Jew-hatred is not a modern phenomenon—it may be traced back to ancient times. Traditional antisemitism is based on religious discrimination against Jews by Christians. Christian doctrine was ingrained with the idea that Jews were responsible for the death of Jesus, and thus deserved to be punished (this is known as the Deicide, or Killing of God, Myth). Another concept that provoked hatred of Jews amongst Christians was the Supercession Myth, claiming that Christianity had replaced Judaism, due to the Jewish People’s failure in their role as the Chosen People of God—and thus deserving punishment, specifically by the Christian world. Over the centuries various stereotypes about Jews developed. Individual Jews were not judged based on their personal achievements or merits, but rather were seen on the whole as greedy, devilish, standoffish, lazy, money-grubbing, and over-sexed. -
What Sugyot Should an Educated Jew Know?
What Sugyot Should An Educated Jew Know? Jon A. Levisohn Updated: May, 2009 What are the Talmudic sugyot (topics or discussions) that every educated Jew ought to know, the most famous or significant Talmudic discussions? Beginning in the fall of 2008, about 25 responses to this question were collected: some formal Top Ten lists, many informal nominations, and some recommendations for further reading. Setting aside the recommendations for further reading, 82 sugyot were mentioned, with (only!) 16 of them duplicates, leaving 66 distinct nominated sugyot. This is hardly a Top Ten list; while twelve sugyot received multiple nominations, the methodology does not generate any confidence in a differentiation between these and the others. And the criteria clearly range widely, with the result that the nominees include both aggadic and halakhic sugyot, and sugyot chosen for their theological and ideological significance, their contemporary practical significance, or their centrality in discussions among commentators. Or in some cases, perhaps simply their idiosyncrasy. Presumably because of the way the question was framed, they are all sugyot in the Babylonian Talmud (although one response did point to texts in Sefer ha-Aggadah). Furthermore, the framing of the question tended to generate sugyot in the sense of specific texts, rather than sugyot in the sense of centrally important rabbinic concepts; in cases of the latter, the cited text is sometimes the locus classicus but sometimes just one of many. Consider, for example, mitzvot aseh she-ha-zeman gerama (time-bound positive mitzvoth, no. 38). The resulting list is quite obviously the product of a committee, via a process of addition without subtraction or prioritization. -
Guide to Reading Nevi'im and Ketuvim" Serves a Dual Purpose: (1) It Gives You an Overall Picture, a Sort of Textual Snapshot, of the Book You Are Reading
A Guide to Reading Nevi’im and Ketuvim By Seth (Avi) Kadish Contents (All materials are in Hebrew only unless otherwise noted.) Midrash Introduction (English) How to Use the Guide Sheets (English) Month 1: Yehoshua & Shofetim (1 page each) Month 2: Shemuel Month 3: Melakhim Month 4: Yeshayahu Month 5: Yirmiyahu (2 pages) Month 6: Yehezkel Month 7: Trei Asar (2 pages) Month 8: Iyyov Month 9: Mishlei & Kohelet Month 10: Megillot (except Kohelet) & Daniel Months 11-12: Divrei HaYamim & Ezra-Nehemiah (3 pages) Chart for Reading Sefer Tehillim (six-month cycle) Chart for Reading Sefer Tehillim (leap year) Guide to Reading the Five Megillot in the Synagogue Sources and Notes (English) A Guide to Reading Nevi’im and Ketuvim Introduction What purpose did the divisions serve? They let Moses pause to reflect between sections and between topics. The matter may be inferred: If a person who heard the Torah directly from the Holy One, Blessed be He, who spoke with the Holy Spirit, must pause to reflect between sections and between topics, then this is true all the more so for an ordinary person who hears it from another ordinary person. (On the parashiyot petuhot and setumot. From Dibbura de-Nedava at the beginning of Sifra.) A Basic Problem with Reading Tanakh Knowing where to stop to pause and reflect is not a trivial detail when it comes to reading Tanakh. In my own study, simply not knowing where to start reading and where to stop kept me, for many years, from picking up a Tanakh and reading the books I was unfamiliar with. -
59 Putting Ruth in Her Place: Some Observations on Canonical
59 Putting Ruth in Her Place: on Some Observations Canonical Ordering and the History of the Book's Interpretation J. Andrew Dearman & Sabelyn A. Pussman Austin Presbyterian Theological Seminary adearman@austinseminary. edu [email protected] ' As is well known, an early definition of the term canon applied to Jewish and Christian Scripture is that of an authorized list.' From that perspective, the place of the book of Ruth in Jewish and Christian canons of Scripture has seldom been doubted. In the long history of transmis- sion and sequence of scriptural texts, however, the exact .. placement of Ruth within a canon has varied widely until , the development of the printing press and the fixed orders known today. Modern Hebrew Bibles, where Ruth is a part . of the Ketubim, preserve an order of books inherited from the medieval period. That order was only one of several in use during the period. Most modern Christian Bibles fol- low the order of the Vulgate, where Ruth is placed after the book of Judges. Jerome noted that this placement of Ruth among the Old Covenant books was followed by both Jews in Palestine and Christians (using Greek and Old Latin texts). .. In the and medieval of Judaism the book early periods ' of Ruth moved within canonical orders as much as, if not more than, any other book in the Bible. In what follows ----- ' E. Ulrich, "The Notion and Definition of Canon," in L. M. McDonald ' and J. A. Sanders, ed., The Canon Debate (Peabody,NiA: Hendrickson, 2001), 22-35. 2 For a comprehensive study of the various orders of Israel's Scriptures among biblical canons, see P Brandt, Endgestalten des Kanons.