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Audio OTT Economy in India – Inflection Point February 2019 for Private Circulation Only
Audio OTT economy in India – Inflection point February 2019 For Private circulation only Audio OTT Economy in India – Inflection Point Contents Foreword by IMI 4 Foreword by Deloitte 5 Overview - Global recorded music industry 6 Overview - Indian recorded music industry 8 Flow of rights and revenue within the value chain 10 Overview of the audio OTT industry 16 Drivers of the audio OTT industry in India 20 Business models within the audio OTT industry 22 Audio OTT pie within digital revenues in India 26 Key trends emerging from the global recorded music market and their implications for the Indian recorded music market 28 US case study: Transition from physical to downloading to streaming 29 Latin America case study: Local artists going global 32 Diminishing boundaries of language and region 33 Parallels with K-pop 33 China case study: Curbing piracy to create large audio OTT entities 36 Investments & Valuations in audio OTT 40 Way forward for the Indian recorded music industry 42 Restricting Piracy 42 Audio OTT boosts the regional industry 43 Audio OTT audience moves towards paid streaming 44 Unlocking social media and blogs for music 45 Challenges faced by the Indian recorded music industry 46 Curbing piracy 46 Creating a free market 47 Glossary 48 Special Thanks 49 Acknowledgements 49 03 Audio OTT Economy in India – Inflection Point Foreword by IMI “All the world's a stage”– Shakespeare, • Global practices via free market also referenced in a song by Elvis Presley, economics, revenue distribution, then sounded like a utopian dream monitoring, and reducing the value gap until 'Despacito' took the world by with owners of content getting a fair storm. -
Barbara Allen
120 Charles Seeger Versions and Variants of the Tunes of "Barbara Allen" As sung in traditional singing styles in the United States and recorded by field collectors who have deposited their discs and tapes in the Archive of American Folk Song in the Library of Congress, Washington, D.C. AFS L 54 Edited by Charles Seeger PROBABLY IT IS safe to say that most English-speaking people in the United States know at least one ballad-tune or a derivative of one. If it is not "The Two Sisters, " it will surely be "When Johnny Comes Marching Home"; or if not "The Derby Ram, " then the old Broadway hit "Oh Didn't He Ramble." If. the title is given or the song sung to them, they will say "Oh yes, I know tllat tune." And probably that tune, more or less as they know it, is to them, the tune of the song. If they hear it sung differently, as may be the case, they are as likely to protest as to ignore or even not notice the difference. Afterward, in their recognition or singing of it, they are as likely to incor porate some of the differences as not to do so. If they do, they are as likely to be aware as to be entirely unconscious of having done ·so. But if they ad mit the difference yet grant that both singings are of "that" tune, they have taken the first step toward the study of the ballad-tune. They have acknow ledged that there are enough resemblances between the two to allow both to be called by the same name. -
Korean Dance and Pansori in D.C.: Interactions with Others, the Body, and Collective Memory at a Korean Performing Arts Studio
ABSTRACT Title of Document: KOREAN DANCE AND PANSORI IN D.C.: INTERACTIONS WITH OTHERS, THE BODY, AND COLLECTIVE MEMORY AT A KOREAN PERFORMING ARTS STUDIO Lauren Rebecca Ash-Morgan, M.A., 2009 Directed By: Professor Robert C. Provine School of Music This thesis is the result of seventeen months’ field work as a dance and pansori student at the Washington Korean Dance Company studio. It examines the studio experience, focusing on three levels of interaction. First, I describe participants’ interactions with each other, which create a strong studio community and a women’s “Korean space” at the intersection of culturally hybrid lives. Second, I examine interactions with the physical challenges presented by these arts and explain the satisfaction that these challenges can generate using Csikszentmihalyi’s theory of “optimal experience” or “flow.” Third, I examine interactions with discourse on the meanings and histories of these arts. I suggest that participants can find deeper significance in performing these arts as a result of this discourse, forming intellectual and emotional bonds to imagined people of the past and present. Finally, I explain how all these levels of interaction can foster in the participant an increasingly rich and complex identity. KOREAN DANCE AND PANSORI IN D.C.: INTERACTIONS WITH OTHERS, THE BODY, AND COLLECTIVE MEMORY AT A KOREAN PERFORMING ARTS STUDIO By Lauren Rebecca Ash-Morgan Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2009 Advisory Committee: Dr. Robert C. Provine, Chair Dr. -
September 4, 2019 Hearing Transcript
HEARING ON U.S.-CHINA RELATIONS IN 2019: A YEAR IN REVIEW HEARING BEFORE THE U.S.-CHINA ECONOMIC AND SECURITY REVIEW COMMISSION ONE HUNDRED SIXTEENTH CONGRESS FIRST SESSION WEDNESDAY, SEPTEMBER 4, 2019 Printed for use of the United States-China Economic and Security Review Commission Available via the World Wide Web: www.uscc.gov UNITED STATES-CHINA ECONOMIC AND SECURITY REVIEW COMMISSION WASHINGTON: 2019 U.S.-CHINA ECONOMIC AND SECURITY REVIEW COMMISSION CAROLYN BARTHOLOMEW, CHAIRMAN ROBIN CLEVELAND, VICE CHAIRMAN Commissioners: ANDREAS A. BORGEAS KENNETH LEWIS JEFFREY L. FIEDLER MICHAEL A. MCDEVITT HON. CARTE P. GOODWIN HON. JAMES M. TALENT ROY D. KAMPHAUSEN MICHAEL R. WESSEL THEA MEI LEE LARRY M. WORTZEL The Commission was created on October 30, 2000 by the Floyd D. Spence National Defense Authorization Act for 2001 § 1238, Public Law No. 106-398, 114 STAT. 1654A-334 (2000) (codified at 22 U.S.C. § 7002 (2001), as amended by the Treasury and General Government Appropriations Act for 2002 § 645 (regarding employment status of staff) & § 648 (regarding changing annual report due date from March to June), Public Law No. 107-67, 115 STAT. 514 (Nov. 12, 2001); as amended by Division P of the “Consolidated Appropriations Resolution, 2003,” Pub L. No. 108-7 (Feb. 20, 2003) (regarding Commission name change, terms of Commissioners, and responsibilities of the Commission); as amended by Public Law No. 109- 108 (H.R. 2862) (Nov. 22, 2005) (regarding responsibilities of Commission and applicability of FACA); as amended by Division J of the “Consolidated Appropriations Act, 2008,” Public Law Nol. 110-161 (December 26, 2007) (regarding responsibilities of the Commission, and changing the Annual Report due date from June to December); as amended by the Carl Levin and Howard P. -
Song from Pi: a Musically Plausible Network for Pop
Under review as a conference paper at ICLR 2017 SONG FROM PI: A MUSICALLY PLAUSIBLE NETWORK FOR POP MUSIC GENERATION Hang Chu, Raquel Urtasun, Sanja Fidler Department of Computer Science University of Toronto Ontario, ON M5S 3G4, Canada fchuhang1122,urtasun,[email protected] ABSTRACT We present a novel framework for generating pop music. Our model is a hierarchi- cal Recurrent Neural Network, where the layers and the structure of the hierarchy encode our prior knowledge about how pop music is composed. In particular, the bottom layers generate the melody, while the higher levels produce the drums and chords. We conduct several human studies that show strong preference of our gen- erated music over that produced by the recent method by Google. We additionally show two applications of our framework: neural dancing and karaoke, as well as neural story singing. 1 INTRODUCTION Neural networks have revolutionized many fields. They have not only proven to be powerful in performing perception tasks such as image classification and language understanding, but have also shown to be surprisingly good “artists”. In Gatys et al. (2015), photos were turned into paintings by exploiting particular drawing styles such as Van Gogh’s, Kiros et al. (2015) produced stories about images biased by writing style (e.g., romance books), Karpathy et al. (2016) wrote Shakespeare inspired novels, and Simo-Serra et al. (2015) gave fashion advice. Music composition is another artistic domain where neural based approaches have been proposed. Early approaches exploiting Recurrent Neural Networks (Bharucha & Todd (1989); Mozer (1996); Chen & Miikkulainen (2001); Eck & Schmidhuber (2002)) date back to the 80’s. -
Comprehensive Conservation Plan for the Lee Metcalf National Wildlife
Glossary accessible—Pertaining to physical access to areas and canopy—A layer of foliage, generally the uppermost activities for people of different abilities, especially layer, in a vegetative stand; midlevel or understory those with physical impairments. vegetation in multilayered stands. Canopy closure adaptive resource management—The rigorous appli (also canopy cover) is an estimate of the amount of cation of management, research, and monitoring overhead vegetative cover. to gain information and experience necessary to CCP—See comprehensive conservation plan. assess and modify management activities. It is a CFR—See Code of Federal Regulations. process that uses feedback from research, moni cfs—Cubic feet per second. toring, and evaluation of management actions to Code of Federal Regulations (CFR)—The codification of support or modify objectives and strategies at all the general and permanent rules published in the planning levels. It is also a process in which policy Federal Register by the executive departments and decisions are implemented within a framework of agencies of the Federal Government. Each volume scientifically driven experiments to test predictions of the CFR is updated once each calendar year. and assumptions inherent in management plans. compatibility determination—See compatible use. Analysis of results helps managers determine compatible use—A wildlife-dependent recreational use whether current management should continue as or any other use of a refuge that, in the sound pro is or whether it should be modified to achieve de fessional judgment of the director of the U.S. Fish sired conditions. and Wildlife Service, will not materially interfere Administration Act—National Wildlife Refuge System with or detract from the fulfillment of the mission Administration Act of 1966. -
Stockbridge Coup~E Fall Before Hammer Ol Escaped Convict
Kiw11111ans Are Pickin\g up Rummage Attend American Log) Open Hou5o for Annual Si!lll Soplombor 23-24 The In ham ~County News thb Sunday Afternoon In Mason Ninclv·Sixth Year, No. 36 Mason, Michigan, Thursday. September 8, 1955 4 Sections - 26 Pages News Index Subdivider Will Build Wnnt nels, Pnges •!, 5 nnd ll, Court Calendar Part I. ' Social news, Pages 3 and ll, Stockbridge Coup~e Part 1; Page 6, Part 2. For Septembelr 25 Homes on West Side l~dltorlnls, Pnge 1, Part <1. F'arm news, Pages 2, a ancl J{css!Pr CmJsfrllf'lion C'o, of Tlw tii'P.II I~ going In rh•vclop any· I, Purl •1. Hits New Hig~ Holt will hnllrl 2:i :l·hl'dr·mnn way and it mlglll Just as w<•ll hi' Lt~gul notkcs, PagC! ll, Pnrl Fall Before Hammer holiSCH In MaiiOII this wlnll't', In 1111 orrll'rly fnslrlon wltl1 Kr.!h· I; Pngc a, Part 2; Page 5, Purl On Tnghnm'~; clt•cult court ·c~l· Crlllofnlf!llnn will hr> In SnyrlPr I' II' rlolng I h1• hullrli ng. If .I ust n 1. rmrlnr fur Septemhcl' term suhdlvlslnn WI'S I of ll!i· 127 hY· fl'w JwltPr·slwltl'r shad<s urr• Business rill ectory, Pngc G, 711 <·nscs, a new high. The puss dllll onuth of C'olumhJ,, h11llt In tlw suhrllvlslon, the dtv Part <1. vlous high was In Btl'l'l'i. woulrl hP oiJJigall'd In bulle! lhl' lnsl ycur when 64!1 e!ISC!S Ol Escaped Convict 'l'hP l'rllllfliiii,Y's dl'l'islon In street trnyw<ty," listed, hull! I In Mason, < '111! 1\Psslr>t' lo'rl ('JHIJH'il rn11n Walmtt agr'ct!tl On 1he print eel calcndm· are 92 I!ammel·ed to death, Mto, and Mt·~. -
Adapting the MGA for Negotiating with Malaysian & Singaporean
Adapting the MGA for Negotiating with Malaysian & Singaporean Counterparts Background1 Although they are currently neighboring countries, Malaysia and Singapore briefly existed as the same country from 1963–1965. Singapore became one of the 14 states of Malaysia after Malaysia’s independence from the British in 1957. However, ideological and cultural differences between the leaders of the state of Singapore and the federal government in Malaysia culminated in Singapore splitting from Malaysia in 1965 to become its own nation. From then on, Malaysia and Singapore both made different economic and nation-building choices that led to the divergence in the economic success of both countries today. As a result, these two countries share some cultural similarities, but also have some striking differences in their negotiation cultures. Since independence, Malaysia has transformed its economy over time and positioned itself for growth. From 1971 through the late 1990s, Malaysia shifted away from its primary reliance on the production and export of raw materials, and became one of the world’s leading exporters of electronics and information technology. In recent years, Malaysia has risen steadily in the World Bank’s global Doing Business report, from 18th in 2011 to 6th in 2014.2 In 2015, Malaysia had a population of 30 million people and a GNI (Gross National Income) per capita estimated at USD$10,660.003. Malaysia was Australia’s 9th largest trading partner in 2012, with AUD$17.7 billion in trade, and entered a Free Trade Agreement with Australia in January 2013.4 Singapore, on the other hand, is Southeast Asia’s most dynamic economy. -
STT700 Series HART/DE Option User's Manual
STT700 Series HART/DE Option User’s Manual 34-TT-25-18 Revision 2 June 2019 Honeywell Process Solutions Copyrights, Notices and Trademarks © Copyright 2019 by Honeywell, Inc. Revision 2, June 2019 While the information in this document is presented in good faith and believed to be accurate, Honeywell disclaims any implied warranties of merchantability and fitness for a particular purpose and makes no express warranties except as may be stated in the written agreement with and for its customers. In no event is Honeywell liable to anyone for any indirect, special, or consequential damages. The information and specifications in this document are subject to change without notice. Honeywell, TDC 3000, SFC, SmartLine, PlantScape, Experion PKS, and TotalPlant are registered trademarks of Honeywell International Inc. Other brand or product names and service marks are the property of their respective owners. Honeywell Process Solutions 1250 W Sam Houston Pkwy S Houston, TX 77042 Page ii STT700 Series HART/DE Option User’s Manual Revision 2 About This Manual This manual provides the details of programming Honeywell STT700 SmartLine Temperature Transmitters for applications involving HART versions 5, 6, and 7 and Honeywell’s Digitally Enhanced (DE) communication protocols. For installation, wiring, and maintenance information refer to the STT700 SmartLine Temperature Transmitter User Manual, document number #34-TT-25-17. The configuration of your transmitter depends on the mode of operation and the options selected for it with respect to operating controls, displays and mechanical installation. Details for operations involving the Honeywell Multi-Communication MC Toolkit (MCT404) are provided only to the extent necessary to accomplish the tasks-at-hand. -
Revisionists Are Revisionists and Must Not Be Supported, Revolutionaries Are Revolutionaries and Must Be Supported
Revisionists Are Revisionists And Must Not Be Supported, Revolutionaries Are Revolutionaries and Must Be Supported Report on China by Bob Avakian, Chairman of the Central Committee of the Revolutionary Communist Party, USA, Adopted by the 3rd Plenary of the 1st Central Committee of the RCP, USA (1977), Affirmed and Adopted by the 2nd Congress of the RCP, USA (1978) Introduction The question of the developments in China since the death of Mao Tsetung and what direction China is taking, what class the present leadership as opposed to the so-called "Gang of Four" (or rather the Four) represent—this is the most important question of line now confronting the international communist movement, in• cluding our Party. There is no way we can, or should want, to ig• nore this question or fail to make a scientific analysis of it. Nor is there any lack of objective possibility of making a basic analysis of this question. Further, as the Bulletin, Vol. 2, No. 3 stressed, ". how our Party deals with the situation in China will have a very profound effect on the entire development of our Party. The struggle in China is a life and death question for the proletariat and has tremendous implications for the working class and its Party in 1 2 Revisionists/Revolutionaries Revisionists/Revolutionaries 3 every country. And the attitude and approach every Party takes in "Some people are of the opinion that it is not easy to understanding and evaluating the events in China will have much discern the capitalist roaders inside the Party because they to do with determining whether or not that Party remains a not only have the title of 'Communist Party members' but Marxist-Leninist Party or degenerates into one kind of oppor• are leading persons and some of them have very high posts. -
Stephen Foster and American Song a Guide for Singers
STEPHEN FOSTER AND AMERICAN SONG A Guide for Singers A Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Samantha Mowery, B.A., M.M. ***** The Ohio State University 2008 Doctoral Examination Committee: Dr. Robin Rice, Advisor Approved By Professor Peter Kozma ____________________ Dr. Wayne Redenbarger Advisor Professor Loretta Robinson Graduate Program in Music Copyright Samantha Mowery 2009 ABSTRACT While America has earned a reputation as a world-wide powerhouse in area such as industry and business, its reputation in music has often been questioned. Tracing the history of American folk song evokes questions about the existence of truly American song. These questions are legitimate because our country was founded by people from other countries who brought their own folk song, but the history of our country alone proves the existence of American song. As Americans formed lives for themselves in a new country, the music and subjects of their songs were directly related to the events and life of their newly formed culture. The existence of American song is seen in the vocal works of Stephen Collins Foster. His songs were quickly transmitted orally all over America because of their simple melodies and American subjects. This classifies his music as true American folk-song. While his songs are simple enough to be easily remembered and distributed, they are also lyrical with the classical influence found in art song. These characteristics have attracted singers in a variety of genres to perform his works. ii Foster wrote over 200 songs, yet few of those are known. -
1St World Conference on Music and Censorship, Copenhagen, 20 - 22 November 1998
1st World Conference on Music and Censorship, Copenhagen, 20 - 22 November 1998 1 2 1st World Conference on Music and Censorship, Copenhagen, 20 - 22 November 1998 Compiled and edited by Freemuse 3 Title: 1st World Conference on Music and Censorship, Copenhagen, November 20 - 22 1998 ISBN 87-988163-0-6 ISSN 1600-7719 Published by Freemuse Freemuse Nørre Søgade 35, 5th floor 1370 Copenhagen K. Denmark tel: +45 33 30 89 20 fax: +45 33 30 89 01 e-mail: [email protected] web: www.freemuse.org Edited by Marie Korpe, executive director of Freemuse Cover lay out: Jesper Kongsted and Birgitte Theresia Henriksen Book lay out, transcription and editing: Birgitte Theresia Henriksen and the Freemuse secretariat Logos made by Raw / Torben Ulrik Sørensen MDD. ©Freemuse Printed in Denmark 2001, by IKON Tekst og Tryk A/S 4 Table of contents Table of contents ..................................................................... 5 Preface...................................................................................... 7 1 Opening session ............................................................. 10 1.1 Welcome speech by Ms. Elsebeth Gerner Nielsen Danish Minister of Culture..................................... 10 1.2 Welcome speech by Mr. Morten Kjærum, Director, The Danish Centre for Human Rights. .... 12 1.3 Presentation of the project on music and censorship13 2 The Censored meet their Censor – Music and Censorship during Apartheid in South Africa. 14 3 Music Censorship and Fundamentalism, Part 1 – Music and Islam...................................................... 25 3.1 The Situation of Musicians in the Arab World ........ 25 3.2 The Talibans have Banned all Music in Afghanistan 27 3.3 Sudan: Can't Dance/Won't Dance?......................... 31 4 Music Censorship andFundamentalism, part 2 – USA 40 4.1 Hip Hop, Black Islamic Nationalism and the Quest of Afro-American Empowerment...........