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The Roots of Middle-Earth: William Morris's Influence Upon J. R. R. Tolkien
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2007 The Roots of Middle-Earth: William Morris's Influence upon J. R. R. Tolkien Kelvin Lee Massey University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Literature in English, British Isles Commons Recommended Citation Massey, Kelvin Lee, "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " PhD diss., University of Tennessee, 2007. https://trace.tennessee.edu/utk_graddiss/238 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. David F. Goslee, Major Professor We have read this dissertation and recommend its acceptance: Thomas Heffernan, Michael Lofaro, Robert Bast Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled “The Roots of Middle-earth: William Morris’s Influence upon J. -
Japanese Native Speakers' Attitudes Towards
JAPANESE NATIVE SPEAKERS’ ATTITUDES TOWARDS ATTENTION-GETTING NE OF INTIMACY IN RELATION TO JAPANESE FEMININITIES THESIS Presented in Partial Fulfillment of the Requirements for The Degree Master of Arts in the Graduate School of The Ohio State University By Atsuko Oyama, M.E. * * * * * The Ohio State University 2008 Master’s Examination Committee: Approved by Professor Mari Noda, Advisor Professor Mineharu Nakayama Advisor Professor Kathryn Campbell-Kibler Graduate Program in East Asian Languages and Literatures ABSTRACT This thesis investigates Japanese people’s perceptions of the speakers who use “attention-getting ne of intimacy” in discourse in relation to femininity. The attention- getting ne of intimacy is the particle ne that is used within utterances with a flat or a rising intonation. It is commonly assumed that this attention-getting ne is frequently used by children as well as women. Feminine connotations attached to this attention-getting ne when used by men are also noted. The attention-getting ne of intimacy is also said to connote both intimate and over-friendly impressions. On the other hand, recent studies on Japanese femininity have proposed new images that portrays figures of immature and feminine women. Assuming the similarity between the attention-getting ne and new images of Japanese femininity, this thesis aims to reveal the relationship between them. In order to investigate listeners’ perceptions of women who use the attention- getting ne of intimacy with respect to femininity, this thesis employs the matched-guise technique as its primary methodological choice using the presence of attention-getting ne of intimacy as its variable. In addition to the implicit reactions obtained in the matched- guise technique, people’s explicit thoughts regarding being onnarashii ‘womanly’ and kawairashii ‘endearing’ were also collected in the experiment. -
Bleach: V. 2 Free Download
BLEACH: V. 2 FREE DOWNLOAD Tite Kubo | 200 pages | 03 Sep 2007 | Viz Media, Subs. of Shogakukan Inc | 9781591164425 | English | San Francisco, United States bleach opening v2 Bleach: v. 2 : Features a versus mode between players [38] [n 2] Released under The Best label Bleach: v. 2 July 3, in Japan [39]. Episode - Episode Namespaces Article Talk. Bleach - Opening 2 D-tecnoLife. Porno Graffitti. Bleach Beat Collection - Kaien - Nimorebi. Bleach Ending 2 - Thank You. Bleach: v. 2 first two were fighting Bleach: v. 2 developed by Treasure Co. Bleach - Opening 6 Alones. Bleach live-action film : Mosquito Bite by Alexandros. It was used as the seventh opening for the Bleach animeand it was featured from Episode through The Bleach discography primarily consists of Bleach: v. 2 original soundtrack produced for the Bleachan anime adaptation of the manga. Start a Wiki. Sign In Don't have an account? Bleach - Hikari no Rock. JP : December 18, Bleach - Sen no Yoru wo Koete. Categories : Bleach manga video games Bleach: v. 2 franchises Video game lists by franchise. Bleach - Bleach: v. 2 10 Sakura Biyori. Bleach Opening 7 Movie Version 1. Release years by system : —PlayStation Portable [38]. EU : February 12, A sweet scent from far, far away drifts across the street corner. Archived from the original on March 18, Aqua Timez in particular was used for numerous theme songs throughout the course of the production. Release years by system : —Nintendo DS [68] [69]. Senaka no kage ga nobikiru sono aima ni nigeru Hagare ochita hane ni mo kizukazu ni tobu Machikado amai nioi ryuusenn touku mukou kara Dokoka de kita you na nakigoe Yokaze ga hakobu awai kibou wo nosete Dokomade yukeru ka Sore wo kobamuyou ni sekai wa yurete Subete wo ubaisaru Yume nara sameta Dakedo bokura wa mada nanimo shiteinai susumu Makiru no taida wo Tachikira you na soburi de ukabu Umare ochita kumo made miorosu you ni tobou Machikado chi no nioi yuusen Bleach: v. -
Penggemar Arashi Sebagai Pop Kosmopolitan
ADLN-PERPUSTAKAAN UNIVERSITAS AIRLANGGA DAFTAR PUSTAKA Buku: Hills, Matt. 2002. Fan Cultures. New York: Routledge Jenkins, H. 2006. Pop Cosmopolitanism: Mapping Cultural Flows in an Age of Media Convergence. In Fans, Bloggers, and Gamers: Exploring Participatory Culture. New York, NY: New York University Press. Kelly, William W. 2004. Fanning The Flames: Fans and Contemporary Culture. New York: State University of New York Lewis, Lisa A. 1992. The Adoring Audience: fanculture and popular media. New York: Routledge, Chapman and Hall Inc. Moleong, Lexy J. (2007) Metodologi Penelitan Kualitatif. Bandung: PT Remaja Rosdakarya Ofset. Nagaike, Kazumi. 2012. Johnny‟s Idols as Icons: Female Desires to Fantasize and Consume Male Idol Images. In Patrick Galbraith (Ed.), Idols and Celebrities in Japanese Media Culture. New York: Palgrave Macmillan. Ruslan, Rosady. 2008. Metodologi Penelitian Public Relations dan Komunikasi. Jakarta: PT. Raja Grafindo Persada Stevens, C. S. 2004. Buying Intimacy: Proximity and Exchange at a Japanese Rock Concert. In William W. Kelly (Ed.), Fanning the Flames: Fans and Consumer Culture in Contemporary Japan. New York: State University of New York Press. Stevens, C. S. (2008). Japanese Popular Music: Culture, Authenticity, and Power. London: Routledge Sugiyono. 2010. Metode Penelitian Kuantitatif Kualitatif dan R & D. Bandung : Alfabeta Yano, C. R. 2004. Letters From The Heart: Negotiating Fan-Star Relationship in Japanese Popular Music. In William W. Kelly (Ed.), Fanning the Flames: Fans and Consumer Culture in Contemporary Japan. New York: State University of New York Press 87 SKRIPSI PENGGEMAR ARASHI SEBAGAI POP KOSMOPOLITAN.... RATU ADDINA YU'MINA ADLN-PERPUSTAKAAN UNIVERSITAS AIRLANGGA Penelitian: 龐 惠潔 (2011) ：「ファンコミュニティにおけるヒエラルキーの考察―台湾のジャ ニーズファンを例に―」 東京 東京大学 Anuar, R., Redzuan R. -
Kotimaiset Kappaleen Mukaan
• RELAX • DRINK • SING • DANCE • KARAOKE Kotimaiset kappaleen mukaan www.esongbook.net/lista/677 Voit varata lauluvuorosi myös kännykällä! KOTIMAISET KAPPALEEN MUKAAN 1 / 55 0010 Apulanta 008 (Hallaa) Apulanta 2080-luvulla Sanni Aallokko kutsuu Georg Malmstén Aamu Anssi Kela Aamu Pepe Willberg Aamu airistolla Olavi Virta Aamu toi, ilta vei Jamppa Tuominen Aamukuuteen Jenna Aamun kuiskaus Stella Aamuun on hetki aikaa Charles Plogman Aaveratsastajat Danny Addicted to you Laura Voutilainen Adios amigo Lea Laven Afrikan tähti Annika Eklund Ai Carino Jari Sillanpää Aiemmin Anna Eriksson Aika näyttää Jukka Kuoppamäki Aikaan sinikellojen Paula Koivuniemi Aikanaan Tommi Soidinmäki Aikuinen nainen Paula Koivuniemi Aila Reijo Taipale Aina kun sä meet Taikapeili Aina mun pitää Pertti Kurikan Nimipäivät Aina yksin Anna Eriksson Aito rakkaus Juha Tapio Aja hiljaa isi Mari Laurila Ajan päivin, ajan öin Pate Mustajärvi Ajetaan tandemilla Freeman Ajoin koko yön Kaija Koo Ajomies Olavi Virta Ake, Make, Pera ja mä Hector Akselin ja Elinan häävalssi Tapani Kansa Alanyan kuningas Bablo Alaska Teijo Joutsela www.esongbook.net/lista/677 Voit varata lauluvuorosi myös kännykällä! KOTIMAISET KAPPALEEN MUKAAN 2 / 55 Albatrossi Juha Vainio Albumi Jari Sillanpää Alkaa rakkaus Charles Plogman Alku kaiken kauniin Kirka Alla onnellisten tähtien Antti Huovila Alle mun sateenvarjon SINITAIVAS Almaz, onnen lapsi Katri Helena Amado Mio Tapani Kansa Amarillo Johnny Amerika Apulanta Amor, amor, amor Olavi Virta André Marita Taavitsainen Angelique Olavi Virta Angels are calling -
Aya Hirano Bouken Desho Desho? Mp3, Flac, Wma
Aya Hirano Bouken Desho Desho? mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop / Stage & Screen Album: Bouken Desho Desho? Country: US Released: 2007 Style: J-pop, Karaoke, Theme MP3 version RAR size: 1330 mb FLAC version RAR size: 1975 mb WMA version RAR size: 1606 mb Rating: 4.5 Votes: 251 Other Formats: MIDI WAV MMF FLAC APE DXD VQF Tracklist 1 Bouken Desho Desho? 4:18 2 Kazeyomi Ribbon 3:47 3 Bouken Desho Desho? (Karaoke Version) 4:18 4 Kazeyomi Ribbon (Karaoke Version) 3:43 Companies, etc. Recorded At – Studio Magic Garden Credits Arranged By – Junpei Fujita (tracks: 1, 3), Takahiro Ando (tracks: 2, 4) Art Direction – Junya Imai Composed By – Akiko Tomita (tracks: 1, 3), Morihiro Suzuki (tracks: 2, 4) Directed By – Shigeru Saito Engineer – Atsushi Kobayashi , Haruhiko Shimokawa, Katsumi Moriya Executive-Producer – Kazuoki Ohnishi, Shunji Inoue Illustration – Shoko Ikeda Lyrics By – Aki Hata Mastered By – Yoshihiko Ando Painting – Naomi Ishida Photography By – Takahiro Yoshimoto Producer – Shigeru Saito Strings – Gen Ittetsu Strings* Tenor Saxophone – Kazuki Katsuta Trombone – Hiroki Sato Trumpet – Shirou Sasaki* Notes Tracks 1 and 3 are opening theme of TV anime "The Melancholy of Haruhi Suumiya". Tracks 2 and 4 are opening theme of radio drama "The Melancholy of Haruhi Suzumiya SOS Brigade Radio Division". Other versions Category Artist Title (Format) Label Category Country Year LACM-4255 Aya Hirano 冒険でしょでしょ? (CD, Maxi) Lantis LACM-4255 Japan 2006 Related Music albums to Bouken Desho Desho? by Aya Hirano Masayoshi Takanaka - T-Wave 山瀬まみ - 親指姫 Koda Kumi - Eternity ~Love & Songs~ Ai Otsuka - Love Is Best Taeko Ohnuki, Shigeru Suzuki, Haruomi Hosono, Kaze , Yuko Tomita, Ryohei Yamanashi, Haruomi Hosono - On The Beach Ayumi Hamasaki - A Ballads Takahiro Saito - Mandom-Lovers Of The World / 25 Minutes To Go Ayumi Hamasaki - Ayu-mi-x 7 -Version Acoustic Orchestra- Ai Otsuka - Love Fantastic Various - Carol Tribute Sam Morgan's Jazz Band / The Get-Happy Band / The Blue Ribbon Syncopators - Sam Morgan Etc. -
Anime/Games/J-Pop/J-Rock/Vocaloid
Anime/Games/J-Pop/J-Rock/Vocaloid Deutsch Alice Im Wunderland Opening Anne mit den roten Haaren Opening Attack On Titans So Ist Es Immer Beyblade Opening Biene Maja Opening Catpain Harlock Opening Card Captor Sakura Ending Chibi Maruko-Chan Opening Cutie Honey Opening Detektiv Conan OP 7 - Die Zeit steht still Detektiv Conan OP 8 - Ich Kann Nichts Dagegen Tun Detektiv Conan Opening 1 - 100 Jahre Geh'n Vorbei Detektiv Conan Opening 2 - Laufe Durch Die Zeit Detektiv Conan Opening 3 - Mit Aller Kraft Detektiv Conan Opening 4 - Mein Geheimnis Detektiv Conan Opening 5 - Die Liebe Kann Nicht Warten Die Tollen Fussball-Stars (Tsubasa) Opening Digimon Adventure Opening - Leb' Deinen Traum Digimon Adventure Opening - Leb' Deinen Traum (Instrumental) Digimon Adventure Wir Werden Siegen (Instrumental) Digimon Adventure 02 Opening - Ich Werde Da Sein Digimon Adventure 02 Opening - Ich Werde Da Sein (Insttrumental) Digimon Frontier Die Hyper Spirit Digitation (Instrumental) Digimon Frontier Opening - Wenn das Feuer In Dir Brennt Digimon Frontier Opening - Wenn das Feuer In Dir Brennt (Instrumental) (Lange Version) Digimon Frontier Wenn Du Willst (Instrumental) Digimon Tamers Eine Vision (Instrumental) Digimon Tamers Ending - Neuer Morgen Digimon Tamers Neuer Morgen (Instrumental) Digimon Tamers Opening - Der Grösste Träumer Digimon Tamers Opening - Der Grösste Träumer (Instrumental) Digimon Tamers Regenbogen Digimon Tamers Regenbogen (Instrumental) Digimon Tamers Sei Frei (Instrumental) Digimon Tamers Spiel Dein Spiel (Instrumental) DoReMi Ending Doremi -
Choi Waru Devil W Download
Choi waru devil w download Continue Posted on March 26, 2019 - 11:07AM So they are releasing W's 7th single According to the website upfront (link: to coincide with the W reunion at Hina Fest 2019, their 7th single 'Choi Waru Devil/Dou ni mo Tomaranai', along with three tracklists from the canceled 'W3: Faithful' will be available for purchase digitally on March 30 via Mora, iTunes and Recochoku Tracklist from Solarblade: 1. Choi Waru Devil (ちょい悪デビ) 2. Du no mo Tomaranai (どうにもとまらない) 3. Harusaki Cobeni (春咲⼩紅) 4. Cojin Jugyo (個授業) 5. Uchi ni Kagitte Sonna Koto wa nai Hazu (うちにかぎってそんなことはないはず) Published: 26 Mar 2019 - 11:12AM I can't believe it. (I'd like to see how well it would do as a physical release though.) Published March 26, 2019 - 1:38PM Published March 26, 2019 - 1:40PM Too if they would never do that for EE JUMP though... Published March 26, 2019 - 02:47PM It's so freaking COOL. Published March 26, 2019 - 03:10 PM (Tracklist) 1. Choi Varu Devil (ちょい悪デビ) 2. Du no mo Tomaranai (どうにもとまらない) 3. Harusaki Cobeni (春咲⼩紅) 4. Cojin Jugyo (個授業) 5. Uchi ni Kagitte Sonna Koto wa nai Hazu (うちにかぎってそんなことはないはず) Published March 26, 2019 - 3:21PM I never thought I'd see it! Published march 26, 2019 - 03:57 26 March 2019 - 4:19PM I live as a 16-year-old. Published 26 March 2019 - 04:27 PM I was kind of hoping there would be a chance for release due to a hinafest reunion, but I still never thought it would actually happen published 26 March 2019 - 06:32 PM Holy Shit published 26 March 2019 - 08:22 PM This way more, I expected this reunion. -
Report-On-Japan.Pdf
Contents 1. Executive Summary p. 4 2. An Introduction to the Music Market p. 6 3. The Entertainment Environment p. 7 (I)TV p. 8 (II) Radio p. 9 (III) Mobile p. 10 (IV) Online p. 12 (V) Print p. 13 (VI) Record Labels p. 14 (VII) Music Publishing p. 15 (VIII) Local Talent p. 16 (IX) Clubs and Dance p. 17 (X) Live Performance p. 18 4. The Digital Landscape p. 21 Mobile Music p. 22 Internet Music Downloads p. 24 Digital Music Services p. 26 5. Market Entry Recommendations p. 26 6. Appendices p. 28 Top 10 Selling Domestic Albums in 2011 p. 28 Top 10 Selling International Albums in 2011 p. 28 Market Statistics p. 28 Music-related Trade Bodies and Associations p. 29 2 CONFIDENTIALITY NOTICE & DISCLAIMER This document was prepared for internal use by Canadian Government and CAAMA members plus Canadian Music Week attendees only and is not for forwarding or distribution to any third party. It may not be posted on any website. All details referenced are the latest available to us at the time of writing, and all information utilized is believed to be accurate and reliable at the time of submission. However, Swat Enterprises Pte. Ltd. accepts no liability whatsoever for any loss or damage resulting from errors, inaccuracies or omissions 3 1. Executive Summary Japan, an archipelago of 6,852 islands with 47 prefectures, has the world’s tenth largest population with over 127 million people. Its area of 377,873 km2 is close to that of Germany and Switzerland. The greater Tokyo area is the largest metropolis in the world with a population of around 36 million, more than the entire population of Canada. -
A Multi-Dimensional Study of the Emotion in Current Japanese Popular Music
Acoust. Sci. & Tech. 34, 3 (2013) #2013 The Acoustical Society of Japan PAPER A multi-dimensional study of the emotion in current Japanese popular music Ryo Yonedaà and Masashi Yamada Graduate School of Engineering, Kanazawa Institute of Technology, 7–1 Ohgigaoka, Nonoich, 921–8501 Japan ( Received 22 March 2012, Accepted for publication 5 September 2012 ) Abstract: Musical psychologists illustrated musical emotion with various numbers of dimensions ranging from two to eight. Most of them concentrated on classical music. Only a few researchers studied emotion in popular music, but the number of pieces they used was very small. In the present study, perceptual experiments were conducted using large sets of popular pieces. In Experiment 1, ten listeners rated musical emotion for 50 J-POP pieces using 17 SD scales. The results of factor analysis showed that the emotional space was constructed by three factors, ‘‘evaluation,’’ ‘‘potency’’ and ‘‘activity.’’ In Experiment 2, three musicians and eight non-musicians rated musical emotion for 169 popular pieces. The set of pieces included not only J-POP tunes but also Enka and western popular tunes. The listeners also rated the suitability for several listening situations. The results of factor analysis showed that the emotional space for the 169 pieces was spanned by the three factors, ‘‘evaluation,’’ ‘‘potency’’ and ‘‘activity,’’ again. The results of multiple-regression analyses suggested that the listeners like to listen to a ‘‘beautiful’’ tune with their lovers and a ‘‘powerful’’ and ‘‘active’’ tune in a situation where people were around them. Keywords: Musical emotion, Popular music, J-POP, Semantic differential method, Factor analysis PACS number: 43.75.Cd [doi:10.1250/ast.34.166] ‘‘activity’’ [3]. -
Soul Eater: V. 11 Free
FREE SOUL EATER: V. 11 PDF Atsushi Ohkubo | 192 pages | 27 Nov 2012 | Little, Brown & Company | 9780316071154 | English | New York, United States Soul Eater (manga) - Wikipedia Set at the "Death Weapon Meister Academy", the series revolves around three teams, Soul Eater: v. 11 consisting of a weapon meister and at least one weapon that can transform into a humanoid. Trying to make the latter a "death scythe" and thus fit for use by the academy's headmaster Shinigamithe personification of deaththey must collect the souls of 99 evil humans and one witch, in that order; otherwise, they will have to start all over again. The manga was published by Square Enixand was first released in as three separate one-shots ; the first two published in two Gangan Powered special editions and the last one in Gangan Wing. The Soul Eater: v. 11 has also spawned a drama CDan art Soul Eater: v. 11and three video games. A manga series Soul Eater: v. 11titled Soul Eater Not! The manga has been licensed for distribution in North America by Yen Press. The English translation of Soul Eater was serialized in Yen Press' Yen Plus manga anthology magazine starting in Julyand the first manga Soul Eater: v. 11 was released in October The anime has been licensed by Funimation. The Soul Eater manga had Both the manga and anime series have been overall well received, specially for its art style and Gothic setting, often compared by critics to Tim Burton 's works like The Nightmare Before Christmas. The goal of the school's meister students is to have their weapons absorb the souls of 99 evil humans and one witch, which dramatically increases the weapon's power and turns them into "death scythes" used by Shinigami. -
Karaoke Catalog Updated On: 11/01/2019 Sing Online on in English Karaoke Songs
Karaoke catalog Updated on: 11/01/2019 Sing online on www.karafun.com In English Karaoke Songs 'Til Tuesday What Can I Say After I Say I'm Sorry The Old Lamplighter Voices Carry When You're Smiling (The Whole World Smiles With Someday You'll Want Me To Want You (H?D) Planet Earth 1930s Standards That Old Black Magic (Woman Voice) Blackout Heartaches That Old Black Magic (Man Voice) Other Side Cheek to Cheek I Know Why (And So Do You) DUET 10 Years My Romance Aren't You Glad You're You Through The Iris It's Time To Say Aloha (I've Got A Gal In) Kalamazoo 10,000 Maniacs We Gather Together No Love No Nothin' Because The Night Kumbaya Personality 10CC The Last Time I Saw Paris Sunday, Monday Or Always Dreadlock Holiday All The Things You Are This Heart Of Mine I'm Not In Love Smoke Gets In Your Eyes Mister Meadowlark The Things We Do For Love Begin The Beguine 1950s Standards Rubber Bullets I Love A Parade Get Me To The Church On Time Life Is A Minestrone I Love A Parade (short version) Fly Me To The Moon 112 I'm Gonna Sit Right Down And Write Myself A Letter It's Beginning To Look A Lot Like Christmas Cupid Body And Soul Crawdad Song Peaches And Cream Man On The Flying Trapeze Christmas In Killarney 12 Gauge Pennies From Heaven That's Amore Dunkie Butt When My Ship Comes In My Own True Love (Tara's Theme) 12 Stones Yes Sir, That's My Baby Organ Grinder's Swing Far Away About A Quarter To Nine Lullaby Of Birdland Crash Did You Ever See A Dream Walking? Rags To Riches 1800s Standards I Thought About You Something's Gotta Give Home Sweet Home