Orality and Tee Short Story: Jamaica and the West Indies

Total Page:16

File Type:pdf, Size:1020Kb

Orality and Tee Short Story: Jamaica and the West Indies ORALITY AND TEE SHORT STORY: JAMAICA AND THE WEST INDIES HYACINTH MAVERNIE SIMPSON A thesis submitted to the Faculty of Graduate Studies in partial fulfilment of the requirements for the degree of Doctor of Philosophy Graduate Programme in English York University North York, Ontario June 2000 Bibliothèque nationale du Canada Acquisitions and Acquisitions et 8ibliographic Services services bibliographiques 395 Wellington Street 395. rue Wellington Ottawa ON K1A ON4 Ottawa ON KI A ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence dowing the exclusive permettant à la National Lhrary of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microfonn, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fkom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. ORALITY AND THE SHORT STORY: JAMAICA AND THE WEST INDIES by Hyacinth Mavernie Simpson a dissertation subrnitted to the Fâculty of Graduate Studies of York University in partial fulfillment of the requirements for the degree of OOCTOR OF PHILOSOPHY @ 2000 Permission has been granted to the LIBRARY OF YORK UNIVERSITY to lend orsell copies of this dissertation, to the NATIONAL LIBRARY OF CANADA to microfilm this dissertation and to lend or seIl copies of the film, and to UNIVERSITY MICROFILMS to publish an abstract of this dissertation. The author reserves other publication rights, and neither the dissertation nor extensive extracts from it may be printed or otherwise reproduced without the author's written permission. Abstract - Oraiity and the Short Story: Jamaica and the West Indies This thesis argues that the distinctiveness of modem short stones from Jamaica and the West Indies is evident in the writers' reconfiguration of the aesthetics oftheir art so that the oral imagination becomes the basis of their literaxy output. Critical analysis is primarily concemed with identïfjmg traditional and contemporary uses of language within the Afio-Jamaican cormunity and tracing ways in which this oral context has impacted on narrative voice, structure, genre, characterization and themes. Close reading of selected texte reveals that the connetion between modem short stories and theu oral context is demonstrable in a number of ways including: 1. The use of dialect as both the language of narration and dialogue in ways that extend the meanïng of the story; 2. Experiments in genre which allow for the '%oicing"of the text, that is, the recreation of the dynamics of speech events in the written text; 3. The use of myths, rituals, tropes and plot structures fiom the oral tradition as the basis for creating socially relevant texts. The study Iocates the close connection between orality and short story writing in the historicd and social circumstances which shaped literary tradition in Jamaica and the West Indies. Examples fiom the growing body of Jamaican short stories are offered as representative of the shaping innuence of historical and social conditions on the deveIoprnent of an oral aesthetic. In tracing ways in which the oral context has proposed methods of narration and rnodels of characterisation in modem short stones, the study repeatedly underlines the cornplementarÏty (in comrast to cornmon claims of their relationship of opposition) of oral and denforms. This complementarity, it is argued, proceeds from the writers' acknowledgment of, and active participation in, the creolisation process which has shaped West Indian expenence and iiterary imagination. One of the first fidi length accounts of the impact of orality on literary aesthetics, this thesis outhes the temof an oral theoretical approach in the analysis of short Stones fiom Jarnaica and the West Indies. Acknowledgernents 1 am gratefùl for financial assistance fiom the Canadian Commonwealth Scholars' Trust and for a gant in the form of an Ontario Graduate Scholarship, both of which made research for this study possible. 1 am especially gratefùl to Frank Birbalsingh whose UllStinting weand generoçity as an academic supe~sorspeeded the cornpletion of this study. Without his guidance, the process of conducthg research and wnting the dissertation would have been far less enjoyable and productive. I am also very much indebted to Susan Warwick and Paîrick Taylor. Parrick's eye for detail helped me produce a better paper and Susan's comments were invaluable in helping me clare my arguments. Jan Pearson's support in diEicult times encowaged me to keep working even when the odds seemed too great. Finally, but by no means least, special thanks to Sergei Shipilov for cornputer assistance, help with proof-reading, and for convincing me that 1 could finish what 1 started. Chronology of the Jamaican Short Story including major regional anthologies and movements 18% Selections From the Misceiianeous Posthumous Works of Philip Cohen Labatt, in prose and verse. PMp Labatt. Kingston, Jarnaica: RJ. Decordova. 1880 Ananci Stories. Folkway Records 3: Part 1, 53 54. W.A. Musgrave. London. 1 890 Marna's Biack Nurse Stories. Mary Parnela MilneHomes. Edinburg and London: Wiam Blackxvood and Sons. 1 896 "AReluctant Evangelist" and Other Stories. Nice Spinner. London. 1898-1 899 The Jamaica Times Weekiy Short Story Com~etition. A Selection of Anancy Stories. Una Jeffiey-Smith. Kingston, Aston W. Gardner. Anancy Stories. Pamela Colman-Smith. New York: RH- Russeii. Newo humour, beiq sketches in the market. on the road and at mv back door. Graham Cruickshank. Chirn-Chim: Folk Stories From Jamaica. Pamela Colman-Smith. New York: RH- Russeil. Maroon Medicine. E.A. Dodd. Kingston: Times Printery. Jamaica Song and Story. Walter Jecbll. London. Rpt. New York: Dover, 1966. Pe~-rpot:a maeazine depicha the personal and liahter side of Jarnaican He. Ed. C. Thornley Stewart and R.M. Murray. Kingston: Jamaica Times P~tery. Plummer 's Magazine. Ed. Oscar Plummer . Short Stories of Jamaica and "The War". Elspeth Fielding. Kingston: P.A. Benjamin Mfg. Co. Press. 1916 Jamaica tales for big and little folks. Walter M. N. Henry. Kingston: Times Printery. 1920 The Cacique's Treasure (And Other Tales). Alexander MacGregor James. Kingston: The Gleaner Company. 1920-1945 Planter's Punch. Ed. H.G. DeLisser. Kingston: The Gleaner Company. 1921 Four Stories and a Drama of Old Jamaica. Alexander MacGregor James. Kingston: The Gleaner Company. De mericle at Mona- a story of Alexander Bedward and some Jamaican sketches. M. Lopez. Kingston: Mutual Printing Company. 1924 Jamaica Anancv Srories. Martha Warren Beckwik. New York: G.E. Stechert and Co. 1927 Pimento. with a dram of common sense. Ed. Pat Beckett. Kingston:Mortimer DeSouza. 1928 A West Indian Pep~emot:or Thirteen "Ouashie" Stones. Thomas Reginald St. Johnston. 1929 Black Roadways. Rpt. New York: Negro University Press, 1969. 1929 and 1930 The Trinidad Magazine. Trinididad and Tobago. 1931-1933, 1939 The Beacon. Port of Spain, Trinididad. Ginaertown. Claude McKay. New York: Harper and Brothers. West Indian Review. Ed. Esther Chapman, Kingston. The Public Ovinion. Kingston: City Printers. Face and Other Stones. Roger Mais. Kingston: Universal Printers. Anancy Stories and Poerns in Dialect. Louise Bennett. Kingston: The Gleaner Company Ltd. And Most of Aü Man. Roger Mais. Kingston: City Printery. vi Sheets in the Wmd. A-E-T.Henry. Kingston: The Gleaner Company. 1942 BM.Barbados. 1943 First Issue of FOCUS These Mv People. Claude Thompson. Kingston: The Herald Printery. ''Rain For The Piains" and Other Stories. Cicily Waite-Smith. Kingston: The Gleaner Company. 1944 Bats in the Be&. AE.T. Henry. Kingston: City Printery. "The Cow That Laughed" and Other Stones. RL.C. Aarons. Kingston: Printers Ltd. Blue Mountain Peak (vrose and poetrv). John Figueroa. 1945 Bronze: Short Stories, Articles. A Poem and A Play Archie Lindo. Mandeville, Jamaica: Coilege Press. 2 945-present Kvk-Over- Al. Georgetown, Guyana. 1945-1958 The Caribbean Voices Propramme. 1946 My Heart Was Singinn: Poems and Short Stones. Archie Lindo. Mandeville, Jamaica: The College Press. 1948 Second Issue of FOCUS Pickapema. A.E.T. Henry. Kingston: The Gleaner Company. Two special issues of New Letters on Jamaican and West Indian Literature. Ed. Robert Herrïng. 1950 The founding of The Pioneer Press. Anancv Stories and Dialect Verse. Louise Bennett, Dorothy Clarke, Una Wilson and Others. Kingston: The Pioneer Press. 14 Jamaican Short Stories. Kingston: The Pioneer Press. vii "Scattered Petals7': A Collection of Verses and Short Stories. G.O.B. Wailace. Kingston: The Author. "Slumberina Ernbers": A Collection of Verses and Short Stories. G. O.B. Wallace. Kingston: The Author. Tales of Old Jarnaica- Clinton V. Black. Stones and verses to read and share. Eiia Washington GdEn. Kingston: The Pioneer Press. Caribbean Antholow of Short Stories. Kingston, Jamaica. Third Issue of FOCUS Anancy Stories and Diaiect Verse. Louise Bennett- Kingston: The Pioneer Press- West Indian Stones. Ed. Andrew Saikey. London: Faber and Faber. The Inde~endenceAntholoav of Jamaican Literature. Selected by AL. Hcndriks and Cednc Lindo with an Introduction by Peter Abrahams. Kingston: Ministry of Development and Welfare, The Arts Celebration Cornmittee. Lau& With Louise Bennett: a pot- DO^ of Jarnaican folkiore. stories. songs and verses. Louise Bennett. Kingston: The Author. The Caribbean Artists Movement began in London with Edward Brathwaite, Andrew Salkey and John LaRose. 1967-present Jamaica Journal. Kingston: Institute of Jamaica. 1970 SAVACOU'S fkst issue appears. 1973 Anancv' s Score. Andrew Salkey. London: Bogle L'Ouverture. Now. Ed. Stewart Brown. St. Ann's Bay, Jamaica. 1977 SAVACOU'S Women's Issue. 1978 "The Raa Doll" and Other Stories.
Recommended publications
  • Negotiating Gender and Spirituality in Literary Representations of Rastafari
    Negotiating Gender and Spirituality in Literary Representations of Rastafari Annika McPherson Abstract: While the male focus of early literary representations of Rastafari tends to emphasize the movement’s emergence, goals or specific religious practices, more recent depictions of Rasta women in narrative fiction raise important questions not only regarding the discussion of gender relations in Rastafari, but also regarding the functions of literary representations of the movement. This article outlines a dialogical ‘reasoning’ between the different negotiations of gender in novels with Rastafarian protagonists and suggests that the characters’ individual spiritual journeys are key to understanding these negotiations within the gender framework of Rastafarian decolonial practices. Male-centred Literary Representations of Rastafari Since the 1970s, especially, ‘roots’ reggae and ‘dub’ or performance poetry have frequently been discussed as to their relations to the Rastafari movement – not only based on their lyrical content, but often by reference to the artists or poets themselves. Compared to these genres, the representation of Rastafari in narrative fiction has received less attention to date. Furthermore, such references often appear to serve rather descriptive functions, e.g. as to the movement’s philosophy or linguistic practices. The early depiction of Rastafari in Roger Mais’s “morality play” Brother Man (1954), for example, has been noted for its favourable representation of the movement in comparison to the press coverage of
    [Show full text]
  • Island Ecologies and Caribbean Literatures1
    ISLAND ECOLOGIES AND CARIBBEAN LITERATURES1 ELIZABETH DELOUGHREY Department of English, Cornell University, Ithaca, NY 14850, USA. E-mail: [email protected] Received: August 2003 ABSTRACT This paper examines the ways in which European colonialism positioned tropical island landscapes outside the trajectories of modernity and history by segregating nature from culture, and it explores how contemporary Caribbean authors have complicated this opposition. By tracing the ways in which island colonisation transplanted and hybridised both peoples and plants, I demonstrate how mainstream scholarship in disciplines as diverse as biogeography, anthropology, history, and literature have neglected to engage with the deep history of island landscapes. I draw upon the literary works of Caribbean writers such as Édouard Glissant, Wilson Harris, Jamaica Kincaid and Olive Senior to explore the relationship between landscape and power. Key words: Islands, literature, Caribbean, ecology, colonialism, environment THE LANGUAGE OF LANDSCAPE the relationship between colonisation and ecology is rendered most visible in island spaces. Perhaps there is no other region in the world This has much to do with the ways in which that has been more radically altered in terms European colonialism travelled from one island of flora and fauna than the Caribbean islands. group to the next. Tracing this movement across Although Alfred Russel Wallace and Charles the Atlantic from the Canaries and Azores to Darwin had been the first to suggest that islands the Caribbean, we see that these archipelagoes are particularly susceptible to biotic arrivants, became the first spaces of colonial experimen- and David Quammen’s more recent The Song tation in terms of sugar production, deforestation, of the Dodo has popularised island ecology, other the importation of indentured and enslaved scholars have made more significant connec- labour, and the establishment of the plantoc- tions between European colonisation and racy system.
    [Show full text]
  • The Development of Baptist Thought in the Jamaican Context
    THE DEVELOPMENT OF BAPTIST THOUGHT IN THE JAMAICAN CONTEXT A Case Study by MICHAEL OLIVER FISHER Thesis submitted in partial fulfillment of the requirements for the Degree of Master of Arts (Theology) Acadia University Spring Convocation 2010 © by MICHAEL OLIVER FISHER, 2010. CONTENTS ACKNOWLEDGMENTS………………………………………………...................................…………… vi LIST OF ABBREVIATIONS…………………………………………………………….………………..…. vii ABSTRACT……………………………………………………………………………………………….…...… viii INTRODUCTION……………………………………………………………………………....……………..... 1 CHAPTERS: 1. BAPTIST LIFE AND THOUGHT AS CONTEXT…………………………………………... 5 1.1 The Polygenetic Nature of Baptist Origins……………….…………… 7 1.2 A Genetic History of Baptist Thought…………………………………… 13 1.3 General Patterns in Baptist Thought…………………………….…….... 25 1.4 Relevant Themes in Baptist Life and Thought……......………...…... 34 2. THE HISTORY OF BAPTISTS IN JAMAICA………………….…………………………....... 41 2.1 A Chronological History of Jamaica………………..…………..………… 42 2.2 An Introduction to the Baptist Mission……....……………….………… 51 2.2.1 American Influences…………………..…………………………….. 53 2.2.2 British Influences……………………...……………………………… 59 2.3 The Development of the Baptist Mission in Jamaica...………….…. 72 3. FOUNDATIONS OF AFRO‐CHRISTIAN THOUGHT IN JAMAICA……………….… 91 3.1 Bases of Jamaican Religious Thought………………………...………..... 93 3.1.1 African Religious Traditions……………………………...….…… 94 3.1.2 Missiological Religious Thought…………………………….…... 101 3.2 The Great Revival and the Rise of Afro‐Christian Theology......... 118 3.3 Features of Jamaica Religious
    [Show full text]
  • Gender, Ethnicity and Literary Represenation
    • 96 • Feminist Africa 7 Fashioning women for a brave new world: gender, ethnicity and literary representation Paula Morgan This essay adds to the ongoing dialogue on the literary representation of Caribbean women. It grapples with a range of issues: how has iconic literary representation of the Caribbean woman altered from the inception of Caribbean women’s writing to the present? Given that literary representation was a tool for inscribing otherness and a counter-discursive device for recuperating the self from the imprisoning gaze, how do the politics of identity, ethnicity and representation play out over time? How does representation shift when one considers the gender and ethnicity of the protagonist in relation to that of the writer? Can we assume that self-representation is necessarily the most “authentic”? And how has the configuration of the representative West Indian writer changed since the 1970s to the present? The problematics of literary representation have been with us since Plato and Aristotle wrestled with the purpose of fiction and the role of the artist in the ideal republic. Its problematics were foregrounded in feminist dialogues on the power of the male gaze to objectify and subordinate women. These problematics were also central to so-called third-world and post-colonial critics concerned with the correlation between imperialism and the projection/ internalisation of the gaze which represented the subaltern as sub-human. Representation has always been a pivotal issue in female-authored Caribbean literature, with its nagging preoccupation with identity formation, which must be read through myriad shifting filters of gender and ethnicity. Under any circumstance, representation remains a vexing theoretical issue.
    [Show full text]
  • Media Release Radio Jamaica and the Gleaner to Combine
    MEDIA RELEASE RADIO JAMAICA AND THE GLEANER TO COMBINE MEDIA OPERATIONS The boards of Radio Jamaica Limited, (RJR) and The Gleaner Company Limited, (Gleaner) today announced that their directors have signed an agreement which will see the combination of their respective media businesses. The transaction, which is to be pursued through a court approved scheme of amalgamation, will be a stock for stock deal where Radio Jamaica Limited will issue and exchange 1.2 billion shares on a one for one basis to shareholders of The Gleaner Company Limited for 100 percent of a newly formed subsidiary Gleaner Company (Media) Limited (GCML) which will hold the assets of the media entities of the Gleaner Company. Simultaneous with the transaction, the remaining publicly traded Gleaner Company Limited, with non-media assets comprising mainly real estate and other investments will be renamed. This will result in the shareholders of the Gleaner Company Limited owning 50 percent of Radio Jamaica Limited’s common stock and existing RJR shareholders owning the remaining 50-percent of the combined business. The coming together will create the country’s leading Media Company, providing, print, online, radio, television, cable television and new media products and services. "This is the most exciting development for media in over 50 years. The combination of RJR’s and the Gleaner’s leadership in print and electronic media, our track record of credibility, our commitment to high journalistic standards and excellent customer service are outstanding positives for stakeholders in both companies," said Gary Allen, Managing Director, Radio Jamaica Limited, "The companies have been the leaders in all of the industry’s most important innovations in media over the last 180 years and this merger will accelerate the pace of that innovation to deliver superior products and services within the highly competitive and dynamic marketplace in which we operate”, Allen said.
    [Show full text]
  • Autumn 2003 JSSE Twentieth Anniversary
    Journal of the Short Story in English Les Cahiers de la nouvelle 41 | Autumn 2003 JSSE twentieth anniversary Olive Senior - b. 1941 Dominique Dubois and Jeanne Devoize Electronic version URL: http://journals.openedition.org/jsse/337 ISSN: 1969-6108 Publisher Presses universitaires de Rennes Printed version Date of publication: 1 September 2003 Number of pages: 287-298 ISSN: 0294-04442 Electronic reference Dominique Dubois and Jeanne Devoize, « Olive Senior - b. 1941 », Journal of the Short Story in English [Online], 41 | Autumn 2003, Online since 31 July 2008, connection on 03 December 2020. URL : http:// journals.openedition.org/jsse/337 This text was automatically generated on 3 December 2020. © All rights reserved Olive Senior - b. 1941 1 Olive Senior - b. 1941 Dominique Dubois and Jeanne Devoize EDITOR'S NOTE Interviewed by Dominique Dubois, and Jeanne Devoize., Caribbean Short Story Conference, January 19, 1996.First published in JSSE n°26, 1996. Dominique DUBOIS: Would you regard yourself as a feminist writer? Olive SENIOR: When I started to write, I wasn't conscious about feminism and those issues. I think basically my writing reflects my society and how it functions. Obviously, one of my concerns is gender. I tend to avoid labels. Jeanne DEVOIZE: How can you explain that there are so many women writers in Jamaica, particularly as far as the short story is concerned. O.S.: I think there are a number of reasons. One is that it reflects what happened historically in terms of education: that a lot more women were, at a particular point in time, being educated through high school, through university and so on.
    [Show full text]
  • Roger Mais and George William Gordon
    KARINA WILLIAMSON Karina Williamson is retired. She was university lecturer in English Literature at Oxford and Edinburgh, has researched, taught and published on 20th century Caribbean literature, and has just edited the Jamaican novel Marly (1828) for the Caribbean Classics series. She is now preparing an anthology of poems on slavery and abolition, 1700-1834. ______________________________________________________________________ The Society For Caribbean Studies Annual Conference Papers edited by Sandra Courtman Vol.3 2002 ISSN 1471-2024 http://www.scsonline.freeserve.co.uk/olvol3.html _____________________________________________________________________ RE-INVENTING JAMAICAN HISTORY: ROGER MAIS AND GEORGE WILLIAM GORDON Karina Williamson Abstract This paper represents the convergence of two lines of interest and research: (1) in concepts and uses of history in Caribbean literature; (2) in the Jamaican writer Roger Mais. George William Gordon comes into the picture both as a notable figure in Jamaican history and as a literary subject. Gordon, a coloured man, was Justice of the Peace and representative of St Thomas in the East in the House of Assembly in the 1860s. Although he was a prosperous landowner himself, he fought vigorously on behalf of black peasants and smallholders against members of the white plantocracy, and was an outspoken critic of Governor Eyre in the Assembly. After the Morant Bay rebellion in 1865 he was arrested on Eyre’s orders and executed for his alleged implication in the rebellion. In 1965 he was named as a National Hero of Jamaica, alongside Paul Bogle, 1 leader of the rebellion. In a now almost forgotten play George William Gordon, written in the 1940s, Roger Mais dramatised Gordon’s involvement in the events of 1865.[1] Mais was not the first or last writer to turn Gordon into a literary hero or to recast the rebellion in fictional terms, but his reinvention of this historic episode is of peculiar interest because it is connected with events which earned Mais himself a small but unforgotten niche in modern Jamaican history.
    [Show full text]
  • Jamaican Women Poets and Writers' Approaches to Spirituality and God By
    RE-CONNECTING THE SPIRIT: Jamaican Women Poets and Writers' Approaches to Spirituality and God by SARAH ELIZABETH MARY COOPER A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Centre of West African Studies School of Historical Studies The University of Birmingham October 2004 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract Chapter One asks whether Christianity and religion have been re-defined in the Jamaican context. The definitions of spirituality and mysticism, particularly as defined by Lartey are given and reasons for using these definitions. Chapter Two examines history and the Caribbean religious experience. It analyses theory and reflects on the Caribbean difference. The role that literary forefathers and foremothers have played in defining the writers about whom my research is concerned is examined in Chapter Three, as are some of their selected works. Chapter Four reflects on the work of Lorna Goodison, asks how she has defined God whether within a Christian or African framework. In contrast Olive Senior appears to view Christianity as oppressive and this is examined in Chapter Five.
    [Show full text]
  • The Public Sphere and Jamaican Anticolonial Politics: Public Opinion, Focus, and the Place of the Literary
    The Public Sphere and Jamaican Anticolonial Politics: Public Opinion, Focus, and the Place of the Literary Raphael Dalleo Small Axe, Number 32 (Volume 14, Number 2), June 2010, pp. 56-82 (Article) Published by Duke University Press For additional information about this article http://muse.jhu.edu/journals/smx/summary/v014/14.2.dalleo.html Access Provided by Florida Atlantic University at 07/19/10 5:34PM GMT The Public Sphere and Jamaican Anticolonial Politics: Public Opinion, Focus, and the Place of the Literary Raphael Dalleo The 1930s and 1940s are pivotal to accounts of the history of anticolonial nationalism through- out the Caribbean, and especially in Jamaica. It has become commonplace to acknowledge that alongside the development of a powerful labor movement and the nation’s two major political parties, Jamaica’s literature also came into its own during this period. An image from Drumblair, the memoir of Norman and Edna Manley’s granddaughter Rachel, captures the most idealized sense of the complementarity between literature and politics within the antico- lonial movement: “In addition to the party executive, the Focus group was meeting from time to time to work on the third edition. It seemed quite natural to me that the progress towards nationhood should be made culturally in one room and politically in another.”1 Norman, the lawyer turned nationalist politician, and Edna, the sculptor and literary intellectual, are shown working in different rooms, although Rachel notes that in 1955, on the eve of Norman’s elec- tion, the “groups had merged, and they were all coming and going in each other’s times and voicing opinions on each other’s subjects.
    [Show full text]
  • The Ignatieff Enigma
    THE IGNATIEFF ENIGMA $6.00 LRCLiterary Review of Canada Vol. 14, No. 5 • June 2006 Lowell Murray Born-again bilingualism Peter Desbarats Suzuki under his own microscope Suanne Kelman Death and diamonds in Sierra Leone Arthur Kroeger Gomery vs. Harper on accountability David Laidler Why monetary union with the U.S. won’t work Elspeth Cameron Atwood as scientist + David Biette on Canada in the world+ Dennis Duffy on building Canada + Ingeborg Boyens on genetically modified wheat + Paul Wells on jazz writing + Lawrence Hill on Joe Fiorito’s Toronto + Poetry by Olive Senior, Karen McElrea and Joe Cummings + Fiction reviews by Graham Harley and Tomasz Mrozewski + Responses from Marcel Côté, Gordon Gibson and David Chernushenko ADDRESS Literary Review of Canada 581 Markham Street, Suite 3A Toronto, Ontario m6g 2l7 e-mail: [email protected] LRCLiterary Review of Canada reviewcanada.ca T: 416 531-1483 Vol. 14, No. 5 • June 2006 F: 416 531-1612 EDITOR Bronwyn Drainie 3 Beyond Shame and Outrage 18 Astronomical Talent [email protected] An essay A review of Fabrizio’s Return, by Mark Frutkin ASSISTANT EDITOR Timothy Brennan Graham Harley Alastair Cheng 6 Death and Diamonds 19 A Dystopic Debut CONTRIBUTING EDITOR Anthony Westell A review of A Dirty War in West Africa: The RUF and A review of Zed, by Elizabeth McClung the Destruction of Sierra Leone, by Lansana Gberie Tomasz Mrozewski ASSOCIATE EDITOR Robin Roger Suanne Kelman 20 Scientist, Activist or TV Star? POETRY EDITOR 8 Making Connections A review of David Suzuki: The Autobiography Molly
    [Show full text]
  • Victor Stafford Reid Was Born on May 1, 1913, in Kingston, Jamaica, to Alexander and Margaret Reid
    Biography Victor Stafford Reid was born on May 1, 1913, in Kingston, Jamaica, to Alexander and Margaret Reid. Victor, his two brothers and one sister grew up in Kingston where they attended school. He was educated at Central Branch Primary and the Kingston Technical High School. During his early life, Reid was employed in various positions. He also traveled to several countries. He worked as a farm overseer, a news- paper reporter, advertising executive, and journalist and at different times edited the weekly newspaper Public Opinion and the news magazine Spotlight. In addition, he held several posts in the Jamaican Government. These included serving as Chair- man of the Jamaica National Trust Commission (1974- 1981) and a trustee of the Historic Foundation Research Centre (1980). In 1935, he married Victoria Monica Jacobs. The marriage produced four children, Shirley, Vic Jr., Sonia and Peter. His extensive travels helped to shape his passion of writing. One of his greatest influences was his exposure to Anancy stories and other folk tales of Jamaica which he heard from several story-tellers, but particularly from his mother. Most of his fiction is set in rural Jamaica with which Reid identified and to which he returned frequently, for reinvigora- tion and inspiration. He made Jamaica, its history and its peo- ple the focus of his works; several, of which have become standard text books for studies in Jamaica and the Caribbean. He died on August 25, 1987,at the age of 74. Who was Victor Stafford Reid Victor Stafford Reid (Vic Reid) was one of a handful of writers to emerge from the new literary and nationalist movement that seized Jamaican sentiment in the period of the late 1930s.
    [Show full text]
  • The Engagement Between Past and Present in African American And
    Ghent University Faculty of Arts and Philosophy The Engagement between Past and Present in African American and Caribbean Literature: Orality in the Fiction of Toni Morrison, Gayl Jones, Edwidge Danticat, and Olive Senior by Jacoba Bruneel Paper submitted in partial fulfilment of the requirements for the degree of “Master in de Taal- Prof. Ilka Saal en Letterkunde: Engels” May, 2010 The Engagement between Past and Present in African American and Caribbean Literature: Orality in the Fiction of Toni Morrison, Gayl Jones, Edwidge Danticat, and Olive Senior by Jacoba Bruneel Prof. Ilka Saal Ghent University Acknowledgements I would like to express my gratitude to my supervisor Prof. Ilka Saal, for her advice and guidance which helped me to gain new insights into my topic, and for her enthusiasm which encouraged me to delve deeper. Special thanks to Dr. James Procter of the University of Newcastle-upon-Tyne, whose fascinating lectures on the Caribbean short story sparked my interest in the literature of the Caribbean, and to Prof. Susan Griffin who stimulated my interest in scholarly research in her “Scenes of Reading” seminars. I would also like to thank my family for their warm support and encouragements, and my friends for standing by me during these stressful times and for being there when I most needed them. Table of Contents Introduction .......................................................................................................................... 1 1. Similarities in the Use of Orality in African American and Caribbean Fiction ............. 10 1.1. Vernacular in Dialogue and Narrative .................................................................... 11 1.2. Written Performance ............................................................................................... 16 1.3. Call-and-Response: Seeking Engagement .............................................................. 20 1.4. Orality and the Written Text: a Fertile Hybridity ..................................................
    [Show full text]