LAWRAS.ON Season Wa on April 13, the Double Bill, Her Program Included Bach's E Major "L'oracolo" and "Hansel and Gretel," Concerto and Brahms's D Minor Sonata

Total Page:16

File Type:pdf, Size:1020Kb

LAWRAS.ON Season Wa on April 13, the Double Bill, Her Program Included Bach's E Major May 1, 1915 M USICAL AMERICA 9 witch was taken by Reiss and that of lfOW JOHN POWELL OVERCAME PARENTAL Peter by Goritz. Lila Robeson, Sophie Braslau and Mabel Garrison were, re­ spectively, the Mothe1·, the Sandman and OBJECTION TO ENTER/NO MUSICAL CAREER tne Dewman. Richard Hageman con- ducted. G. C. T. Young Virginia Composer and Pianist Tells of Unique Masquerades Caroline Hudson-Alexander Honored by that Convinced P rotesting Father that His Natural Gifts Entitled Fellow Artist in Boston BOSTON, April 17.-Bertha Barnes, the Him to a P rofessional Life- Fresh Air Needed in the Artistic Boston mezzo-soprano, was hostess on World Wednesday afternoon at a "tea with music" in her studio at the Pierce Build­ "Y OU surely aren't going to make . "Hearing my praises sung as I had ing, in honor of Caroline Hudson-Alex­ a musician of th:,1t boy?" set my mind to work. I would be a ander, the New York soprano. Mr. and Mrs. Alexander were in town attending "Sir, God has done that already." professional musician. But how to con­ quer my parents? I thought of every the centennial celebration of the Handel The speakers were a citizen of Rich­ possible way, and finally decided upon and Haydn Society, in which Mrs. Alex­ mond, Virginia, and the mother of John an extreme means. My :rather ran a ander participated as soloist in Horatio Powell, the Southern pianist. The time boarding-school for girls. All the little Parker's "Morven and the Grail," com­ posed specially for the centennial. At was almost twenty years ago. In the girls of my acquaintance were among his pupils with the exception of one. He the tea on Wednesday a short musical South, at that period, however, no gen­ could not quite understand this, and program was furnished by Ethel tleman born remained at that elevation sometimes mentioned the fact. The Franck, soprano; Edna Seidhoff, pianist, if he became a professional musician. little girl's mother was a young widow. and the hostess. A distinguished list of Bostonian musicians was in attendance, There were only two vocations of Satan­ "With my plans well laid, I forced the little daughter to enter my con­ including Grace Bonner Williams, Har­ istic quality beyond this: life upon the spiracy; I 'dressed up' in her parent's riot Eudora Barrows, sopranos; Helen stage, or that of keeping a bar. To 'weeds' and called upon my unsuspecting Allen Hunt, mezzo-contralto; Willard overcome all parental objections, also father. He received me kindly, and we Flint, William Gustafson, bassos; Theo­ this greatest of publicly agreed mortal made arrangements for 'my daughter's' dore Schroeder, baritone; Arthur Foote education. As I was being ushered out and Benjamin Whelpley, composers. sins, this same John Powell had to resort by him, I pulled up my skirts, showing to extreme means." my short trousers, and threw my arms John Powell, a Virginian Who Has Car­ Jenny Dufau to Sing for Benefit of "Besides having been already created about his neck! He was stunned, and ried the Gospel of Music to the Lead­ Countrymen a musician (according to my mother), acknowledged that I had talent for act­ ing Music Centers Abroad by God, I had ·been given an equally ing. The Alliance Franr,;aise, of Chicago, strong gift for acting," said Mr. Powell. "Then I became serious, and told him has arranged a special benefit concert "From my earliest years, I took the that I had greater possibilities, I was and Joseph Conrad helped to promote with Jenny· Dufau as the leading fea­ greatest delight in donning costumes or sure, as a pianist, and that he might the first meeting in Queens Hall. It ture. The concert will be given May 2 disguises fooling my relatives and choose the lesser of the two evils. Well, speaks peculiarly for the English press at the Blackstone Theater. Miss Dufau friends or playing mischievous tricks. of course it ended in my being placed to say that they were all excitement will sing an aria from "Hamlet" and a As I grew older this imitative instinct under the best master in Richmond, at over the project until they found that group of French songs not heretofore took hold of me to what my mother and that time F . C. Hahr. And I had to its aim was to promote and inspire a heard in America. A long list of pa­ father, especially my father, considered promise that I would go for at least cleaner existence in all fields of art. tronesses is announced, and, while there an alarming degree. The climax to all two years to college, which I did, re­ Then they lost interest! The Fresh Air have been benefits arranged in Chicago my 'monkey shines' came about in this ceiving my B. A. in that time. Art Society has a branch in Paris, and for the Belgians and other war victims, way. The culmination was t he begin­ "J. suspect my father hoped I would one in Berlin. We are hoping to soon tliis is the first charity concert to be ning of my musical career. lose all my 'nonsensical' musical establish another section here in New given in Chicago since the opening of "There lived in Richmond a maiden ideas at college! Later the barrier of York." the European war, to aid the needy in lady who kept a boarding h-ouse. One precedent and tradition was so mu" Mr. Powell's reputation abroad is one war-ridden France. night there called upon her a foreign tilated that I was sent abroad to Berlin. of distinction. He has appeared in the gentleman, in quiet attire, be-whiskered One fact I will ever be grateful for­ leading music-centers both as pianist and and mustached. He inquired, much that is, that my father insisted upon composer. Among his important works York Male Chorus in Annual Concert hampered by a foreign accent, for suit­ a thorough college co urse for me. If are a Violin Concerto, dedicated to his friend Efrem Zimbalist, which Mr. Zim­ YORK, PA. , April 19.-The seventh an­ able apartmentlil. The accent attracted many of the beginners would remember nual concert of the Y. M. C. A. Male the attention of the boarders and they that music alone does not spell success, balist introduced to New York music­ lovers at a special orchestral recital at Chorus last Thursday evening proved lingered behind doors and portieres to there would be less failure. The mind to be one of the important local musical know his message. He also inquired into must be developed along many lines! Carnegie Hall seve~:al winters ago, a Piano Sonata, which Mr. Powell has events of the season. A large and enthu­ the musical atmosphere of the commun­ How can a man expect to be a really siastic audience was in attendance. A ity. Miss Nannie quite overcome by the fine musician without being a fine man? played abroad with no little success and a "Sonata Virginiaesque" for violin and pleasing program was given under the eloquent presence before her, told of one The Fresh Air Art Society · direction of Urban H. Hershey, conduc­ John Powell. I learned from her lips piano, which David and Clara Mannes have played in their sonata programs tor of the chorus. Charles F. Henry, what a musical genius this boy was con­ "This leads me to tell you of the tenor soloist of Baltimore, assisted the sidered by the natives: It was a de­ Fresh Air Art Society which, though in this country. A VERY STRAKOSCH. chorus. The soloists included A. T. lightful surprise, and I returned the still in its infancy, I believe, with many Scarborough, tenor; John H. Eyster and compliment by announcing the presence others, will do a great deal of needed William H. Huntsman, Jr., bass. of this young Mozart, removing the good in the artistic world, the world of G. A. Q. mou tache and whiskers. Through the allied arts. Life in all its phases is of Herbert Fryer Charms His Brooklyn kindness of the inmates of Miss Nannie's fundamental importance. Now, until Hearers in Recital Fryer Recital for Barnard Club e tablishment, she became quite the joke the last few years the artistic atmos­ The English pianist, Herbert Fryer, of the town. She really had been taken phere has resembled a room with the was heard at the music hall of t he The Barnard Club of ew York City, in! The news reached my father's e,ars, windows closed, the air malodorous. Academy of Music, Brooklyn in a recital Walter L. Bogert, chairman of the music and I completed a session with him, Now, the windows are being opened, the on April 12, assisted by Robert Maitland, committee, presented Herbert Fryer, receiving the ultimatum which forbade fresh air, full of health and reason, baritone. As a first appearance for the ' pianist,. in the following program at Car­ any more 'acting'. · In despair, as I was is circulating rapidly in the world of pianist it is to be chronicled that he jus­ negie Hall on the evenjng of April 15: leavin~r the room I said, 'Well, father, allied arts, music, painting and litera­ tified the intetest of a large attendance "Moonlight" Sonata, Adagio sostenuto, if I could fool even you, then might I ture. This Society had its birth in Lon­ of Brooklyn Institute subscribers. Schu­ Allegretto, Presto agitate, Beethoven; act'? don. Such people as Warrington Dorson mann's "Etudes Symphoniques," Op. 17, Prelude, Chorale and Fugue, Cesar displayed the artist's technic, as to a still Franck; Three Preludes, Op.
Recommended publications
  • March 1921) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 3-1-1921 Volume 39, Number 03 (March 1921) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 39, Number 03 (March 1921)." , (1921). https://digitalcommons.gardner-webb.edu/etude/677 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. MARCH J921 The World of Music The Baton Range Philharmonic Or¬ chestra is the first organization of this na¬ ture, of symphony size, to be formed in the State of Louisiana. It gave its first program SSsS®®*' SEEK K'S Sissas8®' Page U6 MARCH 1921 THE ETUDE MARCH 1921 Page U THE ETUDE Schools anb Colleges-cbtcago SUMMER MASTER COURSES FOR PROFESSIONALS AND ADVANCED STUDENTS June 2Tth=July joth=ig2i DAVID Summer master School The American Conservatory announces the return LHEVINNE engagement of these world-famous BISPHAM June 27 to August 6 [Six Weeks] artists to conduct SPECIAL ENGAGEMENT OF MAST3EE CLASSES specially designed for professional pianists and PROF.
    [Show full text]
  • 1 Filmmuziekmagazine Ennio Morricone
    FILMMUZIEKMAGAZINE ENNIO MORRICONE - Eindelijk NUMMER 186 – 45ste JAARGANG – MAART 2016 1 Score 186 Maart 2016 45ste jaargang ISSN-nummer: 0921- 2612 Het e-zine Score is een uitgave van de stichting FILMMUZIEKMAGAZINE Cinemusica, het Nederlands Centrum voor Filmmuziek REDACTIONEEL Informatienummer: ste +31 050-5251991 Vorige week werden voor de 88 keer de Oscars uitgereikt. Het werd een gedenkwaardige editie omdat onder de vijf kan- E-mail: didaten twee oudgedienden uit de rijke wereld van de filmmu- [email protected] ziek tegen elkaar in het strijdperk traden: John Williams ver- sus Ennio Morricone. De laatste won en kan zich nu ook scharen onder een lange reeks winnaars van deze volgens Kernredactie: Paul velen nog steeds belangrijkste filmprijs ter wereld. Over de Stevelmans en Sijbold score waarmee de Maestro dan eindelijk een Oscar won, leest Tonkens u helemaal aan het einde van deze nieuwe editie van Score. Aan Score 186 werkten Een Oscar winnende score van Morricone is een gebeurtenis mee: Paul Stevelmans, waarbij flink wordt uitgepakt. Sijbold Tonkens en Julius Wolthuis Wat velen in Nederland niet weten is dat ooit, in een grijs verleden - om precies te zijn vlak vóór de donkere bezet- tingsjaren - een van oorsprong Nederlandse filmcomponist Eindredactie: Paul een Oscar won als beste filmcomponist van het jaar. Score Stevelmans was aanwezig bij de onthulling van een plaquette voor deze vergeten componist in zijn geboorteplaats Leeuwarden. In een portret over deze Richard Hageman komt u meer te weten Vormgeving: Paul over een componist die een rijk leven heeft geleid. Stevelmans Met dank aan: AMPAS, Alex Simu INHOUDSOPGAVE 3 Oscar 2016: Dat oude mannetje 9 Richard Hageman - Portret 13 Interview met Alex Simu 16 Georges Delerue versus Disney 18 Boekbespreking 19 Recensies 2 OSCAR 2016 DAT OUDE MANNETJE En daar zaten ze weer in die zijloge van het Dolby Theatre in Hollywood: de genomineerde filmcomponisten en hun entourage.
    [Show full text]
  • THTR 363 Syl-Fall
    THTR 363: Introduction to Sound Design INSTRUCTOR: Richard K. Thomas, 494-8050 [email protected] OFFICE HOURS: Tuesday: 2:30 – 3:30 p.m., Thursday, 1:30 – 2:30 p.m. PAO 2184 CLASS SCHEDULE: Fall 2011 August 23 Intro to Course (Music As a Foundation, pp. 1 - 6) 25 Lecture: Music Language and Theatre (Music As a Foundation, pp. 6 - 25) 30 Music as a Foundation of Theatre: Origins September 1 Lecture: Primal Elements of Music (Music As a Foundation, pp. 25 – 45) 6 Lecture: Primal Elements of Music (Cont.) 8 Lecture: Primal Elements of Music (Cont.) 13 Lecture: Dramatic Time and Space 17 Lecture: The Function of the Soundscape 20 Group Presentations: General Overview of Design Elements 22 Group Presentations: General Overview of Design Elements (cont.) 27 Watch “More to Live For” in studio (No Rick) 29 No Class: Rick at IRT October 4 Color DVDʼs DUE 6 Color Projects DUE 11 Color (Cont) 13 Octoberbreak 18 Color Composition DUE 20. Time DVDʼs Due 25 Time Projects DUE 27 Time (Cont.) November 1 Time Composition DUE 3 Mass DVDʼs DUE 8 Mass Projects DUE 10 Mass (Cont.) 15 Mass Composition DUE THTR 363 Syllabus: Fall, 2011 Page 2 17 Space DVDʼs DUE 22 Space Projects DUE 24 THANKSGIVING BREAK 29 Space Compositions DUE December 1 Line DVDʼs DUE 6 Line Projects DUE 8 Line (Cont) Final Exam Period: Sonnet Projects Due NOTE: THIS SYLLABUS SUBJECT TO CHANGE!! Course Objectives: The purpose of this course is to introduce students to an aesthetic vocabulary of design elements that is useful in both visual and auditory design.
    [Show full text]
  • 2005 Distinguished Faculty, John Hall
    The Complete Recitalist June 9-23 n Singing On Stage June 18-July 3 n Distinguished faculty John Harbison, Jake Heggie, Martin Katz, and others 2005 Distinguished Faculty, John Hall Welcome to Songfest 2005! “Search and see whether there is not some place where you may invest your humanity.” – Albert Schweitzer 1996 Young Artist program with co-founder John Hall. Songfest 2005 is supported, in part, by grants from the Aaron Copland Fund for Music and the Virgil Thomson Foundation. Songfest photography courtesy of Luisa Gulley. Songfest is a 501(c)3 corporation. All donations are 100% tax-deductible to the full extent permitted by law. Dear Friends, It is a great honor and joy for me to present Songfest 2005 at Pepperdine University once again this summer. In our third year of residence at this beautiful ocean-side Malibu campus, Songfest has grown to encompass an ever-widening circle of inspiration and achievement. Always focusing on the special relationship between singer and pianist, we have moved on from our unique emphasis on recognized masterworks of art song to exploring the varied and rich American Song. We are once again privileged to have John Harbison with us this summer. He has generously donated a commission to Songfest – Vocalism – to be premiered on the June 19 concert. Our singers and pianists will be previewing his new song cycle on poems by Milosz. Each time I read these beautiful poems, I am reminded why we love this music and how our lives are enriched. What an honor and unique opportunity this is for Songfest.
    [Show full text]
  • Harrison Christian, Prominent Baritone, Sings In
    Tne jbiurcAX'y BASKETBALL FRIDAY EDITION N nu lam pahto TONIGHT “A Live College Newspaper” VOL. 27. Issue 25. UNIVERSITY OF NEW HAMPSHIRE, DURHAM, NEW HAMPSHIRE, JANUARY 12, 1937. PRICE THREE CENTS HARRISON CHRISTIAN, CAST SELECTED FOR COMING EVENTS Basketball Team Opposes PROMINENT BARITONE, JOHN DRINKWATER’S Tuesday SINGS IN MURKLAND PLAY “BIRD IN HAND” 6:30 P.M.—Girl’s Menorah club meeting. Hawks in First Home Game 7:00 P.M.—Fraternity and Sorority meetings. Du Rie Probably Lost To Famous for Work in Opera Experienced Group Began 7 :00 P.M.—Varsity Basketball—St. An­ Lineups Tonight and Concert Both Here Rehearsals Last selm. W ILDCATS HAWKS Team for Duration and Abroad Week Wednesday Chodoski rf lg Spirida of Season 8:00 P.M.—Harrison Christian, baritone. Bishop If rg Butchka A concert by Harrison Christian, bari­ Nine selected actors who constitute the Rogean c c Burton The New Hampshire basketball quin­ tone, will be presented by the Lecturescast of John Drinkwater’s “Bird in Thursday Hanson rg If Cullen tet opens its home court schedule to­ and Concerts committee on Wednesday, Hand” began rehearsals under the direc­ 1:15 P.M.—Convocation—Dr. Rollo Witter Ig rf Connerton night as Leo Connerton and the St. An­ anuary 13, at eight o’clock in Murklandtion of Mr. W. C. Hennessey, Tuesday, Brown, speaker. Referee—Berg, U mpire—Flaherty. selm Hawks invade the Wildcat gymna­ auditorium. January 5, for the second production 4:00of P.M.—Student - Faculty tea. Time of game—7:30 P. M. sium. Mr.
    [Show full text]
  • "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
    Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas.
    [Show full text]
  • MMTA COLLEGIATE COMPETITIONS the Official Publication of the Mississippi Music Teachers Association Affiliated with the Music Teachers National Association
    MMTA COLLEGIATE COMPETITIONS The Official Publication of the Mississippi Music Teachers Association Affiliated with the Music Teachers National Association MARCH 3, 2018 JONES COUNTY JUNIOR COLLEGE ELLISVILLE, MISSISSIPPI 1 Mississippi Music Teacher Collegiate Competitions 2018 Welcome Welcome to the 2018 Mississippi Music Teachers Association Collegiate Competitions! I certainly hope you enjoy your visit to Ellisville today. The Jones County Junior College faculty, staff, and students are making this competition possible by graciously hosting and sharing their facilities. Victoria Johnson, our JCJC liaison, is due a special note of appreciation, as well as Susan Smith, Fine Arts Division Chair. Phyllis Lewis-Hale, VP for Collegiate and National Competitions, coordinated this competition and deserves our sincere appreciation for all her efforts. In addition, Stephanie Holmes, VP for Public Relations, created this excellent program booklet. Thanks to all the dedicated people who worked together to bring this competition to fruition! Alice Ballard As you know, developing musicians need to participle in competitions to gain valuable experience and to practice sharing their artistry. I hope each musician finds inspiration and growth through their music- making today. Please make plans now to participate in future competitions and events. For more information about MTNA and MMTA College Competitions, visit http://www.msmusicteachers.org/competitions-info.php Sincerely, Alice Ballard Alice Ballard President, Mississippi Music Teachers Association 2 Mississippi Music Teacher Collegiate Competitions 2018 S CALHOUN ST S CHURCH ST Baptist Student N E Union Receiving ASH ST W S CAMPUS MAP FRONT ST S COURT ST Center King Chemistry Chemistry King HWY 29 J.B. Young J.B.
    [Show full text]
  • 1936: Erich Wolfgang Korngold, Anthonyadverse
    Krumbholz, MUSC 108 Academy Awards for Best Score 1936: Erich Wolfgang Korngold, Anthony Adverse 1937: Charles Previn, 100 Men and a Girl 1938: Alfred Newman, Alexander's Ragtime Band (scoring) 1938: Erich Wolfgang Korngold, The Adventures of Robin Hood (original score) 1939: Herbert Stothart, The Wizard of Oz (original score) 1939: Richard Hageman, et al., Stagecoach (scoring) 1940: Alfred Newman, Tin Pan Alley (scoring) 1940: Leigh Harline, Paul Smith, and Ned Washington, Pinocchio (original score) 1941: Bernard Hermann, All That Money Can Buy 1942: Max Steiner, Now Voyager 1943: Alfred Newman, The Song of Bernadette 1944: Max Steiner, Since You Went Away 1945: Miklos Rozsa, Spellbound 1946: Hugo Friedhofer, The Best Years of Our Lives 1947: Alfred Newman, Mother Wore Tights 1947: Miklos Rozsa, A Double Life 1948: Brian Easdale, The Red Shoes 1949: Aaron Copland, The Heiress 1950: Franx Waxman, Sunset Boulevard 1951: Franz Waxman, A Place in the Sun 1952: Alfred Newman, With a Song in My Heart 1952: Dimitri Tiomkin, High Noon 1953: Alfred Newman, Call Me Madam 1953: Bronislau Kaper, Lili 1954: Dimitri Tiomkin, The High and the Mighty 1955: Alfred Newman, Love Is a Many-Splendored Thing 1956: Victor Young, Around the World in Eighty Days 1957 Malcolm Arnold, The Bridge on the River Kwai 1958: Dimitri Tiomkin, The Old Man and the Sea 1959: Miklos Rozsa, Ben-Hur 1960: Ernest Gold, Exodus 1961: Henry Mancini, Breakfast at Tiffany's 1962: Maurice Jarre, Lawrence of Arabia 1963: John Addison, Tom Jones 1964: Richard M. Sherman and Robert B. Sherman, Mary Poppins 1965: Maurice Jarre, Dr.
    [Show full text]
  • David Raksin at M-G-M
    FSMCD Vol. 12, No. 2 David Raksin at M-G-M Supplemental Liner Notes Contents Across the Wide Missouri 1 Kind Lady 4 The Man With a Cloak 7 The Girl in White 11 The Magnificent Yankee 15 The Next Voice You Hear. 18 Right Cross 19 Grounds for Marriage 20 The Vintage 21 A Lady Without Passport 24 Until They Sail 26 Pat and Mike 30 The Reformer and the Redhead 33 Liner notes ©2009 Film Score Monthly, 6311 Romaine Street, Suite 7109, Hollywood CA 90038. These notes may be printed or archived electronically for personal use only. For a complete catalog of all FSM releases, please visit: http://www.filmscoremonthly.com The Next Voice You Hear. , Right Cross, The Magnificent Yankee, A Lady Without Passport and The Reformer and the Redhead ©1950, Across the Wide Missouri, Grounds for Marriage, Kind Lady and The Man With a Cloak ©1951, The Girl in White and Pat and Mike ©1952, The Vintage and Until They Sail ©1957, Turner Entertainment Co., A Warner Bros. Entertainment Company. All rights reserved. FSMCD Vol. 12, No. 2 • David Raksin at M-G-M • Supplemental Liner Notes Across the Wide Missouri Across the Wide Missouri (1951) was a frontier ad- the score, Raksin writes in his own voice what other venture starring Clark Gable as Flint Mitchell, a moun- composers might have made more overtly and simply tain man and fur trapper who leads a dangerous ex- “Coplandesque.” pedition into Indian territory in the Rocky Mountains Variety wrote of the score, “Music by David Raksin of the 1830s.
    [Show full text]
  • Lawrence Tibbett Collection ARS.0041
    http://oac.cdlib.org/findaid/ark:/13030/kt4d5nf36w No online items Guide to the Lawrence Tibbett Collection ARS.0041 Finding aid prepared by Frank Ferko This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] © 2010 The Board of Trustees of Stanford University. All rights reserved. Guide to the Lawrence Tibbett ARS.0041 1 Collection ARS.0041 Descriptive Summary Title: Lawrence Tibbett Collection Dates: 1929-1945 Identifier/Call Number: ARS.0041 Creator: Tibbett, Richard M. Collection size: 2.8 linear feet, 3 audio disc storage boxes for 12" sound discs; 1 small box with tape reel; 1 document storage box for miscellaneous documents Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Abstract: The collection contains primarily sound recordings of performances of Lawrence Tibbett from recording sessions that occurred between 1929 and 1945. Some of the recordings are 12" vinyl 33 1/3 rpm microgroove discs, but most are 78 rpm shellac discs and 12" instantaneous discs. A few 10" 78 rpm single-sided test pressings, and 1 7" tape reel are also included. Written materials in the collection consist of a set of of 13 index cards with handwritten listings of the contents of tape reels in Tibbett's personal collection (tape reels not included in this collection), photocopies of published articles by Tibbett, and typed inventories of the collection which were prepared by the donor.
    [Show full text]
  • HAL LEONARD VOCAL MUSIC 2006–2007 Recent Releases and Highlghts
    HAL LEONARD VOCAL MUSIC 2006–2007 Recent Releases and Highlghts A RT SONG O PERA M USICAL THEATRE J AZZ AND POPULAR S ACRED B OOKS This brochure of highlighted recent publications is only a small portion of our thousands of solo vocal and opera titles. We invite you to search online at www.halleonard.com for other publications. We have a complete Hal Leonard Vocal Catalog available, which includes all vocal publications and opera scores through early 2006. To request your free copy, please contact us: • by email to [email protected] • by mail to: Hal Leonard Corporation attn: Vocal Catalog Request 7777 W. Bluemound Road Milwaukee, WI 53213 Throughout this brochure, publications with companion CDs are marked with this icon: CHANGE THE KEY, CHANGE THE TEMPO ON CDs Our most recent companion CDs include new CD-ROM software that allows you to transpose to any key and change the tempo. You can even change the tempo without changing the pitch. This means that the key or tempo of accompaniment tracks on these enhanced CDs, when played in a computer as a CD-ROM, can be adjusted for an individual singer’s needs. This CD-ROM software, the Amazing Slow Downer was originally created for use in pop music, but we have adapted it for classical and theatre use. It is added without additional cost on recent companion CD releases. The trans- posing and tempo adjustment features work only when using these enhanced CDs in a computer, as a CD-ROM. The CDs also can be played on any con- ventional CD player.
    [Show full text]
  • Eldon Black Sheet Music Collection This Sheet Music Is Only Available for Use by ASU Students, Faculty, and Staff
    Eldon Black Sheet Music Collection This sheet music is only available for use by ASU students, faculty, and staff. Ask at the Circulation Desk for assistance. (Use the Adobe "Find" feature to locate score(s) and/or composer(s).) Call # Composition Composer Publisher Date Words/Lyrics/Poem/Movie Voice & Instrument Range OCLC 000001a Allah's Holiday Friml, Rudolf G. Schirmer, Inc. 1943 From "Katinka" a Musical Play - As Presented by Voice and Piano Original in E Mr. Arthur Hammerstein. Vocal Score and Lyrics 000001b Allah's Holiday Friml, Rudolf G. Schirmer, Inc. 1943 From "Katinka" a Musical Play - As Presented by Voice and Piano Transposed in F Mr. Arthur Hammerstein. Vocal Score and Lyrics by Otto A. Harbach 000002a American Lullaby Rich, Gladys G. Schirmer, Inc. 1932 Voice and Piano Low 000002b American Lullaby Rich, Gladys G. Schirmer, Inc. 1932 Voice and Piano Low 000003a As Time Goes By Hupfel, Hupfeld Harms, Inc. 1931 From the Warner Bros. Picture "Casablanca" Voice and Piano 000003b As Time Goes By Hupfel, Hupfeld Harms, Inc. 1931 From the Warner Bros. Picture "Casablanca" Voice and Piano 000004a Ah, Moon of My Delight - In A Persian Garden Lehmann, Liza Boston Music Co. 1912 To words from the "Rubaiyat of Omar Khayyam" Voice and Piano Medium, F 000004b Ah, Moon of My Delight - In A Persian Garden Lehmann, Liza Boston Music Co. 1912 To words from the "Rubaiyat of Omar Khayyam" Voice and Piano Medium, F 000004c Ah, Moon of My Delight - In A Persian Garden Lehmann, Liza Boston Music Co. 1912 To words from the "Rubaiyat of Omar Khayyam" Voice and Piano Medium, F 000005 Acrostic Song Tredici, David Del Boosey & Hawkes, Inc.
    [Show full text]